STREET

12mo: 1 p. Fourteen lines of text, neatly and closely written. Good, on lightly aged and creased paper. 1 cm closed tear to a margin (not affecting text). He accepts Hill's proposal 'with regard to the Parliamentary leaders of the Daily News'. He hopes the 'condition [...] as to notice of termination [...] will prove as much of a formality without consequence as certain claims for "consequential damages" '.

12mo: 2 pp. On the rectos of the two leaves of a bifolium. Good, on lightly aged and spotted paper. Her letter has been handed to him by 'Mr Spender'. He would be 'very pleased to have the temperance cartoons circulated as post cards', and has asked 'the manager here' for a costing. 'Some of the cartoons I believe are being produced as posters by the Liberal Publication Department and by Temperance organisations.'

The main text is printed on one side of a piece of paper roughly 28 x 13.5 cm, headed 'Upwards of Thirty Thousand Copies Of the "Manchester Weekly Times," with Eight-page Literary Supplement, are Issued Every Saturday.' The main block of text, in a variety of types and point sizes, consists of 27 lines ending 'The Proprietors respectfully solicit instructionsn to insert your Advertisement.' Describes the newspaper's merits and boasts that it is 'one of the Largest and most complete Weekly Papers published'.

All four items well printed on one side of a piece of watermarked laid paper. All four lightly-aged but good. None of them filled in. The third item more dusty than the rest. Item One (15.5 x 20.5 cm): Headed 'No. VII. A PROTECTION.' To be signed by one of the 'Deputy Lieutenant, | Captain, | Commanding Officer.' Exempting the bearer, as a militia man, 'from doing any Highway Duty, commonly called Statute Work'.

Each of the five on a piece of good laid paper, roughly 15 cm square. Wide margins, with indentation of plate 9.5 x 8 cm. All five good, with occasional light creasing to margins. The second and third items more aged that the others, but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous? allons, qu'êtes-vous?' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille.

Printed on one side of a piece of wove paper roughly 230 x 90 mm. On pitted, aged paper. Text complete. Approximate 30 x 50 mm piece torn away from top right-hand corner, causing loss to small illustration at head, which appears to be a crude woodcut of a woman lying in a coffin. The poem consists of thirty-six lines arranged in five stanzas. The first stanza reads 'Dear Peggy, read this letter, | its the last one I'll send, | Our long correspondence, | is now at an end.

On one side of a piece of thin wove paper, roughly 260 x 95 mm. Aged and creased, with internal 25 mm closed tear affecting four words of text (all of which can be completed from the context) repaired on blank reverse with archival tape. Otherwise text and illustration clear and entire. Small (30 x 40 mm) woodcut at head, showing two early nineteenth-century country coves outside a cottage. The poem consists of ten four-line stanzas.

8vo: 8 pp. Unbound. Stabbed as issued. Very good, on rough-edged wove paper. The seven-page advertisement, signed in type by Cobbett, is succeeded by a page headed 'New Books, published by COBBETT and MORGAN'. (Eight titles are listed.) The advertisement is a personal address from Cobbett, the second paragraph casting valuable light on his motives and intentions: 'When I first undertook the Register, I was fully persuaded, that the plan, which, indeed, I had long thought of, was well calculated to ensure a wide circulation, and to produce an extensive as well as a lasting effect.

Printed on one side of a piece of wove paper roughly 280 x 95 mm. Aged, creased and spotted, with chipping to extremities, but with text and illustration clear and entire. Curious small (roughly 40 x 65 mm) crude illustration at head, showing dove with olive branch and acorn. Forty-line poem arranged in five stanzas. Interestingly-garbled nineteenth-century folk song with ancient antecedents.

On one side of a piece of light-brown laid paper, dimensions roughly 240 x 125 mm. Text clear and entire, on lightly creased paper with chipping, short closed tears and loss to extremities. Crudely printed. A thirty-two line poem, arranged in four four-line stanzas, each with a different chorus. An excessively scarce piece of music hall ephemera. No other copy of this particular item, possibly produced for distribution to Hurley's music hall audience, is present on COPAC or anywhere on the web.

305 mm high and 225 mm wide. The print has been trimmed, with the top corners cut away to give the print the appearance of an arched window. A strip, 35 mm high, at the foot contains the caption, with the bottom right-hand corner damaged (not affecting print) by removal from backing. A good crisp impression, on lightly-aged paper, the only faults being loss to the sky above the Emperor as a result of the trimming of the top corners, and a couple of spots of glue to the sky.

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

12mo, [ii] + 235 pp. In contemporary brown-calf half-binding, with marbled boards and grey endpapers. Internally sound and tight, if a little foxed, with some wear to the extremities of the title-leaf. In worn binding with label on spine mostly worn away. The identity of the author is unknown.

Printed on one side of a piece of rough wove paper, approximately 24 x 10.5 cm. Text clear and entire on aged, creased paper. A production in favour of the Prince Regent, with no trace of sarcasm apparent. Consists of six four-line stanzas, each followed by the chorus 'Hearts of Oak, &c.' First stanza reads 'Come cheer up my lads, we'll no longer repine, | United, we'll triumph - OUR CAUSE is divine!

12mo, 1 p, 5 lines. Text and signature clear and entire, but on brittle, aged and creased paper, with loss and closed tears to extremities. Reads 'by order of his majesty the Emperor I beg to forward at your adress [sic] an exemplary "les forces militaires de la france en 1870". De la Chapelle is the named as author of this volume.

12mo bifolium: 1 p, on recto of first leaf, with address on verso of second leaf. Grubby, and with spike hole and tear to outer edge through both leaves, that on the first neatly repaired on the reverse with archival tape. Text complete and entirely legible. 'Mr. Howell will be obliged to Mr. Lee if in addition to the Douglass case Lot 708, He will purchase Lot 213 'Discovery Witches' [...]'. A further seven bids follow. The note ends 'Mr Howell will thank Mr Lee will [sic] bear in mind, that these purchases will be upon condition of the books being in good order and perfect'.

12mo, 1 p, 7 lines. Good, on light aged paper, with 1 cm closed tear to top corner (not affecting text, which is clear and entire). Reads 'I regret having to inform you that the Salford Mayoralty Seal has broken all to pieces in the process of hardening and that I am afraid that I am obliged to engrave another which I am proceeding with as expeditiously as possible'.

12mo, 4 pp. Good, on lightly aged paper. Docketed in a contemporary hand (Brabazon's), beside Sligo's signature, 'second letter'. Sligo writes that the 'affair' to which Brabazon's letter alludes 'was purely of an official & Parliamentary nature', and that he 'must beg leave to decline receiving any communications respecting it', excepting in his 'place in the H of Lords'.

12mo, 1 p, 10 lines. On worn, discoloured paper, with slight loss due to the breaking of two seals. Text clear and entire. The letter has been readdressed in another hand (hence the two seals) to 'Mr Price, Crease & Sons, Smithfield'. Harrison quotes his 'friend of the L. G. [i.e. the Literary Gazette]' as follows: 'Your D'Israeli paper may be useful as there is a new Edition. May I do as I like with its matter?' He asks for 'an answer as soon as possible'.

4to, 1 p, 7 lines. Text clear and entire on lightly aged and discoloured paper. Nicely connecting two notable nineteenth-century London architects. I'Anson has 'great pleasure in stating from long and intimate personal acquaintance with Mr Robert Abraham that his experience Talent and integrity qualify him to fill any office connected with his profession creditably to himself and beneficially to his patrons'. Docketed on reverse of second leaf of bifolium 'No 9 | Edwd I'Anson Esq'.

Both items written in pencil and good, on lightly aged paper, with their stamped and postmarked envelopes addressed by Asquith. Both envelopes with traces of brown paper mount adhering to reverse, and both docketed by the Graphic's editor 'To me Harold Lawton'. Letter One (12mo, 4 pp, headed 'Private'): Amusingly outraged letter regarding a visit by 'two gentlemen' of whom Asquith 'had no sort of knowledge'. Graphic journalists, they assured Asquith 'that nothing wd. be written about me without my seeing it first [last five words underlined in red]'.

One page, 12mo. Very good, with light paperclip spotting. 'Certainly. I am glad to comply with your request.'

[viii] 237 pp., fol.m, original grey and red printed wraps, numerous plates and illustrations in text, some staining of cover around spine, a few pencil markings, top of spine damaged, mainly good condition. It includes Cortes, "Carta de Relacion" (1522), other important Americana, and the first edition of "Don Quixote".

Folio: iv + 237 pp. In original grey and red printed wraps. Numerous plates and illustrations in text. Grubby and spotted, in heavily-worn wraps. One plate slit along fold and repaired with tape. Presentation copy, inscribed 'With Compliments from E U Maggs'. Covetable items, accurately described, from a complete set of Addison and Steele's 'Spectator' (£105) to the first edition of both volumes of Wordsworth's 'Lyrical Ballads' (£185). Contains 'twenty-four autograph letters signed [by Charles Dickens] on "The Village Coquettes" to John P. Hullah, the musical composer' (£650).

Three pages, 12mo. Very good on lightly aged paper with slightest trace of previous mount adhering to blank verso of second leaf of bifolium. He has 'looked out' and is sending 'a few interesting Autographs', and would have sent them before, had he not been 'a great invalid all summer'. 'I will get Miss Chapman a good collection of the autographs of literary men. I am now very closely connected with Punch & other publications and shall have frequent opportunities.' Agnew's family, as partners in Bradbury & Agnew, were for many years the publishers of 'Punch'.

One page, octavo. Mounted on piece of card. Ruckled and lightly aged, with some rust spotting from paperclip, and a little glue in left-hand margin. 'I send you my signature below with pleasure. My father was Welsh & my mother was English.' From the collection of Rev. E. J. F. Davies.

All eight items are 4to, 1 p, and good on lightly aged paper. Seven items bearing the Society's stamp and four docketed. The correspondence concerns a talk given by Pearson to the Society, 'on the subject of the training of the soldiers blinded in the War'. On 19 October 1916 Pearson writes: 'I am a little afraid that I cannot properly carry out the suggestion you so kindly make. I am quite blind, and therefore am unable to read a paper.' The 'preparation of a formal paper' would 'demand more time than I am able to spare at present.

4to: 1 p. Very good on the first leaf of a bifolium. A third quarto leaf carries the address, in Dampier's hand, with his franking signature 'free | T. Rochester.' Also the oval seal, c.3 cm high, a clear impression in red wax. 24 lines of text. Interesting letter. Dampier begins by thanking Adams for 'your Congratulations to me on my Promotion to the See of Rochester.

12mo bifolium: 2 pp. On laid paper, with strip from previous mount in right-hand margin of recto of first leaf. Good, with a little wear at gutter, and slight damage (not affecting text) to second leaf from breaking open of red wax seal, parts of which still adhere. Twenty-two lines of text, clear and entire. Smith's uncle 'Mr ' is 'very glad to hear that you are well & desires to be remembered'. Asks if Smith has 'ever found me a portrait of Sr yet'.

8vo: 1 p. Good, with creasing towards right-hand margin. 'Very many thanks, my dear Williams, for your most kind congratulations. I feel that my honour is some recognition of the publishing trade & I take it as such'. Murray was created KCVO in 1932, following his publication of the ninth and final volume of the letters of Queen Victoria.