PAINTER

1p., 12mo. In good condition, lightly-aged, with fold to one corner. Fairholt's handwriting is legible, but unfortunately the names of the recipient and subject of the letter are not so. It begins: ' seems very anxious to come to some arrangement. Can we meet on the point. I do not know if you are in London, if you are will you give me a call on Thursday evening'. He gives a few other options, before concluding.

1p., 16mo. In fair condition, on aged paper with traces of mount adhering to reverse. Reads: 'Dear Sir | Will you kindly let me know the latest date for sending pictures to the Melbourne International Exhibition and Oblige | Yours very sincerely | Cecil Lawson.'

1p., 12mo. In good condition. He is writing 'as an old brother savage' (i.e. a member like Finck of the Savage Club), and asks her to accept his 'most sincere sympathy in the loss' of her husband, and his regret that he cannot be present at his funeral. Headed by Mrs Finck 'Answered'. Finck's 'In the Shadows' was one of the last songs played as RMS Titanic went down.

3pp., 12mo. Bifolium. In good condition, lightly aged. In envelope addressed by Forbes-Robertson at 79 Netherwood Road, Shepherd's Bush. He thanks him for letting him have his address, and requests a pass for his servant for the following evening's performance of the play 'Mice and Men'. He hopes the servant will return with 'the news I desire viz that you will consent to being pro tem - one of the Hon Secs of the Te Deum Committee.

1p., 16mo. On bifolium. On aged paper with small strip of damp at foot, affecting the signature. Reads: 'Dear Sir | I beg you will accept my sincere thanks for the great favour you have conferred upon me, this morning, a privilege I cannot here sufficiently acknowledge | I am your obedient | James Faed'.

2pp., landscape 8vo. In envelope, with stamp and postmark, addressed to 'Miss I. Forbes-Robertson | 30a. Collingham Place | Earls Court | S.W.5.' In good condition, lightly aged. The first part of the letter concerns a lost or stolen letter and cheque. 'Of course I shall pay you - but it is s. sweet of you to suggest the present'. She repeats information she gave in the letter about which artists' materials she would like: 'Paper for water-colour is becoming scarce too but I have some at the moment'.

The three items are in good condition, lightly aged and worn. ONE: 19 October 1916. 2pp., 8vo. In envelope with postmark and stamp, addressed by him to his daughter at 48 Hogarth Road, South Kensington. Referring to his wife the Polish artist Janina Flamm, he regrets that he cannot 'come home for dear Janias birthday' as he cannot get leave. He is enclosing 2s 6d each for her and her brother 'Phip' [Philippe Forbes-Robertson] and sister 'Cecilia' to get presents for their mother. He sends best wishes to his brothers Leonard and Johnston.

The present item is a puzzle. Farington joined the Incorporated Society of Artists at the age of twenty-one, and played an active part in its affairs until his resignation in 1773.

1p., 4to. On bifolium. Written in an elegant assured hand. Addressed on second leaf, 'To | Mr Francis Wingrave'. In fair condition, on lightly aged and worn paper. Reads: 'Dear Frank | I shall be much obliged to you if you can possibly get the copies I leave with this, inserted in the Gazeteer, the Public, & the Ledger, & the Morning Chronicle, we suppose it of consequence to the success of our exhibition, the interests of which I have greatly at heart. | Yours sincerely | J Stuart | Any expence attending the publication I shall gladly reimburse you'.

On 7.5 x 11 cm slip cut from the end of a letter. In fair condition, lightly aged. On one side reads: 'Gentlemen | Your Obt. Servt. | Fred R Pickersgill | 36 Mornington Crescent | 24 May 1853.' and on the other '[...] at the ensuing half yearly distribution of the Funds of the Institution - | Mr. Varrall is not personally known to me but from the representation of Mr WIlliams ARA [...]'.

Three pages, 12mo, black-edged, bifolium, fold marks, good condition. She sympathises with his "grievous loss". God's help shpould lighten the load.

Peter Wardle studied at Leicester School of Art and the Ruskin School of Art, Oxford. He began his career as a professional portrait painter and sculptor in the 1970s, and has work in a number of institutions including the Ashmolean Museum, Oxford. Ten of his works in the National Portrait Gallery collection include portraits of Athol Fugard, H. J. Eysenck and Edmund Blunden. He was also responsible for the portrait of Sir Geoffrey Keynes used as the frontispiece to his 1973 festschift. The present collection, containing around ninety items, is in aged and worn condition.

1p., 16mo. In fair condition, lightly-aged and worn, with small hole affecting one word of text. He acknowledges receipt of her cheque for three guineas.

Wardle studied at Leicester School of Art and the Ruskin School of Art, Oxford. He began as a professional portrait painter and sculptor in the 1970s, and has work in institutions including the Ashmolean Museum, Oxford. Ten of his works in the National Portrait Gallery include portraits of Athol Fugard, H. J. Eysenck and Edmund Blunden. Among his other sitters was Sir Geoffrey Keynes. The present item comprises 35 pages of sketches in pen and pencil, and 21 pages of text, making a total of 56pp in a 20 x 13 cm French notebook with spiral binding. In fair condition, lightly aged and worn.

Wardle's achievements as a leading behavioural scientist in the field of cancer prevention are described in her obituary in the Guardian, 24 November 2015. The three adult letters addressed to 'Daddy'. One four-page letter on yellow paper with loss from damp damage, the other items in fair condition, with light signs of age. One of the other two letters also of four pages, and the last of one page. The letters are intimate and positive, filled with loving encouragement and advice and giving family news.

2pp., 12mo. Bifolium. In good condition, lightly aged. Headed 'Private'. He writes that he called the previous day at Coffin's chambers, and that he will do so the following day, 'and will bring that bit for the wall'. He states 'in confidence' that he wishes to 'pay a surgeon on Saty next £6. 5. 0 rent for Studio - he is a good fellow but he wants his rent'. Callcott has in the studio 'a number of works, & I would let you have (if agreeable) a good picture recent work size 61in x 41 - Rocky Coast - never used yet in Exhibition or otherwise'.

For more information about Chandler, see the appreciative obituary by Vy Reiners in the Independent, 5 February 1993, which describes how 'An article in the Illustrated London News launched her on a successful career that took her to Hollywood, painting sensitive, charming watercolour portraits of the children of the stars, and many of the stars themselves.' The present item contains 70 photographs in a 24 x 33 cm album. The photographs, ranging in size from 19 x 23 cm. downwards, are in good condition, with light signs of age and wear.

1p., 12mo. On aged and worn paper. He regrets to inform him that 'we have still a sick house'. His 'dear Sister' has been 'very ill', but he trusts they are 'both mending'. He concludes: 'I have pleasure in enclosing a Photo of myself, and shll be pleased to be admitted to your collection'. Professor Joseph Bristow, in his paper 'Homosexual Blackmail in the 1890s', describes how, twenty years later (on 11 August 1894), at a party hosted at 46 Fitzroy Square by John Watson Preston, twenty men were arrested, including two dressed in women's clothing.

1p., 8vo. Signed in blue felt-tip pen. Letterhead illustration of drawing by West, picked out in blue and red felt-tip. A jokey letter beginning: 'ta very much for the dress - it didn't fit me so now Sandra wears it. We have called her Sandra Mercedes. Sandra, though perhaps not very evocative, is easily pronounced in both English and Spanish.

On 2 x 6cm strip of paper, cut from a letter. In good condition, lightly aged. A good firm signature, underlined, with the tiniest part of the head of the loop of the iniitial 'E' of 'Edwd' has been shaved off.

Good, bold underlined signature in brown ink on 4 x 6 cm piece of paper. In good condition, with light signs of age and wear. Laid down on piece of thick paper, on the reverse of which are traces of grey paper mount. Presumably cut from a letter.

ONE: Printed 'Spy' cartoon. 35.5 x 23 cm. Coloured. In fair condition, lightly aged and worn. A placid Firth is shown before an easel, with brush in one hand and pallette in another. TWO: ANS. 2p., 12mo. With mourning border. 'Dear young ladies | I have pleasure in complying with your request for an autograph. | Faithfully yours | W. P. Firth. | To | The Misses Savage'.

1p., 12mo. In good condition, on lightly-aged paper. The note reads: 'Dear Mr. Sparks | I am so sorry to be unable to comply with your request, being previously engaged for the 23d. inst | yours sincerely | L Alma Tadema'.

Both items in fair condition, bifoliums on lightly aged paper. ONE: 16 December 1883. 3pp., 12mo. Telling the story of the 'Wallingford Belles', beginning with the family of 'Thomas Clark [...] landlord of the Lamb Hotel, formerly called the Bell' When Grant visits him the following summer he will give him 'lessons in painting & as much Lawn Tennis as you like and there is no end to the Archaeology of the neighbourhood'. TWO: 23 December [1883]. 4pp., 12mo. He begins by offering to aid Grant's researchehs by search the parish registers.

3pp., 12mo. Bifolium. In fair condition, on aged paper, laid down on part of a leaf from an album. He writes that he has 'carefully looked over the Copy of "Turner's England and Wales," that will be offered for Sale at Christies rooms on Tuesday next', and that while he finds it 'in all respects good of its kind, and applicable to the Library of a gentleman', it is 'not so well applicable to the Studio of an Artist, whose aim is to acquire from it, all the knowledge that a more refined class of impressions of places might impart to him'.

Previously laid down in an autograph album. On both sides of a 12 x 10.5 cm. piece of paper, cropped down from 12mo. In fair condition, but with some loss of text due to cropping, and with traces of glue on first page (i.e. the page without the signature). On the first page he approves the postponement of the recipient's visit to Edinburgh, and on the second he expresses admiration for 'the kind and generous sentiments displayed on both sides and described with such perfect simplicity' in 'the presented papers'.

1p., 12mo. In good condition, lightly-aged, with traces of glue from mounting on blank reverse. Reads: 'Sir, | In reply to your polite note of the 22nd. inst:, I am quite prepared to receive the "Camel Coats" [?] with which my friend Mr: Morris has kindly bethought me, and I shall thank you for their delivery.'

46pp., 8vo. Stitched and in original plain grey wraps. Aged and worn, in fraying wraps. The pamphlet is anonymous, but carries the following inscription in pencil on the half-title: 'hommage | a Mademoiselle Bergeret | Artiste, de la part de l'Auteur. | Voïart'. The only copies on COPAC at the V & A, and the British Library. This copy lacks the lithographed frontispiece portrait of Prud'hon, by Voïart, present in the copy in the Bibliothèque Nationale, which is ascribed to the wife, whereas other authorities ascribe the work to the husband.

On 3 x 11 cm piece of thin card, cut from conclusion to a letter. In fair condition, aged and with traces of mount to two corners (not affecting signature). Reads: 'Yours sincerely | Laura. T. Alma Tadema'. Text on reverse: '[...] with us, I should be so pleased if you would join us - [...]'.

Written on one side of a 10 x 14.5 cm card, beneath a stylish 'modern' letterhead. Somewhat aged and worn. The message reads: '1/6/65 | Dear Basil, | Very many thanks indeed for your letter - believe me your appreciation is tremendously valued. | All good wishes | Victor'. The recipient is identified in another hand on the reverse, with an address and directions.