MARY

2pp, 12mo. In good condition, folded once. Headed by him ‘Guards & Cavalry’. He is obliged to Cox for his ‘courtesy in offering me the Commissions in the name of the Marquess of Anglesey’, and will be ‘very grateful for them and they will be with all the family papers of which there are a great many & well cared for & catalogued’.

See her entry, and that of her husband, in the Oxford DNB. Signed ‘Mary Cowden Clarke’. 1p, 12mo. Laid down on white-paper backing. Brittle and discoloured, with chipping and tears along the outer edge, as a result of clumsy removal from an album. Blind-stamped letterhead of small head of Shakespeare. Endorsed in pencil: ‘To Mrs Kerrison Harvey’. With the usual expressions of gratitude to the writer and ‘Mr. Kerrison Harvey’, she and her husband decline the ‘obliging invitation for the 9th.’, ‘as we have given up visiting, and lead a very quiet home life’.

2pp, 12mo. Bifolium with mourning border (her mother had died the previous December). In good condition, lightly aged, with traces of paper to which the item was glued still adhering to reverse of second leaf. Having been informed by her sister ‘Miss Kingsley’ (her elder sister Rose) that Combe is ‘kind enough to wish for my autograph’, she has ‘much pleasure in sending it you - but I wish my pen was a better one, more befitting this serious occasion!’

The diary is a 4to, with around 100pp. (a week’s entries on each leaf). In worn and marked printed olive boards with cloth spine; internally good and sound on lightly-aged paper. No ownership inscription, but from the E. V. Knox papers, and with entries in Knox’s hand and that of his wife Mary, illustrator of Mary Poppins, and daughter of ‘Winnie the Pooh’ illustrator Ernest Shepard. The eighteen inserted items, in good overall condition, are described here before the contents of the diary.

See Knox’s entry in the Oxford DNB, along with those of his father Edmund Arbuthnott Knox, his brothers Ronald, Dillwyn and Wilfred, his wife the ‘Mary Poppins’ illustrator Mary Shepard (daughter of Ernest Shepard) and his daughter the novelist Penelope Fitzgerald. At the time the present material was composed Knox had been involved with Punch for more than four decades (1904-1948), holding the editorship for the last sixteen, with the magazines circulation rising to a peak of almost 200,000 as he approached his retirement.

A. The Ace: 29 pages, sm. fol., in red paper covers, bindin a little battered but contents very good, address of agent handwritten on title (Elsa Daniels, 179 Manchester Road, Bury, Lancs). The play centres on Mary, Queen of Scots; B. The Dawn: 23 pages, sm. fol., in sl.stained folder, contents very good. Both plays apparently unpublished with minimal references on Google. A mysterious traveller turns up and discusses the present and future of Scotland, eventually revealing himself as The Young Pretender. Two items,

Piece of paper, c.11 x 5cm, on sl.larger card, foxed. Some marking of address but text clear: Lady Stepney | Henrietta Street | Cavendish Square

See her entry in the Oxford DNB. Since 2017 she has been depicted on the Scottish ten pound note. On 2.5 x 8.5 cm slip of paper, cut from letter. In good condition, lightly aged. Laid down on 4 x 9.5 cm piece of paper. Reads 'Yours truly | Mary Somerville'.

Each letter 1p, 8vo. Both in fair condition, lightly aged and creased. On signing one of the letters she has slightly smudged it. ONE: 28 May [1950]. She thanks him for his 'fascinating-looking book, THE MELODIES LINGER ON', and for his 'most generous inscription'. She and her husband 'Richard' (the drama critic Richard Halliday) have 'read bits and pieces and have looked at every photograph, and can't wait to really sit down and read the book from cover to cover!' She continues: 'And that will be soon.

1p, 4to. In fair condition, on aged and creased paper. The letter begins: 'Dear Mr. MacQueen Pope, | Please forgive me for bothering you, but you are I know, the horse's mouth as regards theatre history.' She explains that she is 'in the throes of a book on ballet' for her publishers William Collins, and she asks him to help her with 'a problem in the section on early ballet in England'. The problem concerns 'the King's Theatre Haymarket' and 'the Italian Opera House'. She gives a facts and dates, asking 'was it all one and the same theatre?

In good condition, lightly aged and worn. Christmas card with unusual image of the three wise men (in Roman helmets) seen from behind, following the guiding star as it leads them across a Hawaian beach to the hut in which the birth of the messiah is occurring. Printed message in card in Hawaian and English. The reverse of the second leaf has nothing printed on it other than the publisher's slug, and at the head the prime minister has written 'Happy Christmas'. Beneath this, one above the other, are the five signatures: 'Harold Wilson | Mary Wilson. | Giles Wilson.

2pp, 12mo. Twenty-seven lines of text. In good condition, lightly aged. Folded twice. A nice item, giving an indication of Lewes's editorial principles at the Fortnightly Review (he held the position from 1865 to the following year). Addressed to 'R. S. Poole'. He begins by explaining that he only returned to England the previous night, '& found your notes & m.s awaiting me'.

On one side of 8 x 18.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and worn, with traces of brown paper from mount adhering to the blank reverse. The item would appear to be entirely in the hand of the Earl, but the matter is not quite certain, and it may be in a secretarial hand, with only Cork's signature in autograph. It reads: '[...] | Sir | Your Royal Highness's | very obedient | and very humble Servant | Cork | Col | [Som.?] Reg.] Addressed to 'His R. H. | The Duke of York | &c &c &c'. Annotated, in two separate contemporary hands: 'Novr. 1795' and 'Nov.

1p, 12mo. In good condition, lightly aged, with pin hole to one corner. Folded twice. The surname in Stock's signature underlined in green. She is 'greatly honoured' by Samson's invitation, '& it is a thing I should have loved to do. But the sad fact is, I am getting too senile to be sure of being able to keep a discussion in hand as a competant [sic] chairman should'. The letter concludes: 'I fear I am a bad example of an 82 year-old in view of what Sybil Thorndike does at 90!'

The present early eighteenth-century document lists the heads of British Army regiments from the period of the Glorious Revolution to the accession of George I. Internal evidence suggests that it was compiled around 1715, and that it was amended until the mid-1720s. The care with which it was compiled, over a decade and in a number of hands, would appear to suggest some sort of official standing. It is on nineteen 18 x 7.5 cm leaves of laid paper, formed in ten bifoliums, now loose but originally bound together, and with traces of thread still present.

3pp, 12mo. Bifolium. In fair condition, lightly aged. The reverse of the second leaf laid down on part of leaf from an album, the other side of which carries an engraving of Lord Melbourne. The letter is endorsed '1838 Sept 7# | Lady Holland' on the reverse of the second learf, and at the head of the first page: 'R[eplied]. at Dalmeny | Septr. 12. 1838'. There is no salutation to the letter (which is also unsigned), but the reference to Dalmeny House would appear to suggest that the recipient was Archibald Primrose, 4th Earl of Rosebery, or his second wife, born Anne Margaret Anson.

Manuscripts in a contemporary hand of two poems which won the University of Oxford Chancellor's Prize for Latin Verse, neither of them published. In 1789, Canning, as a Christ Church undergraduate, won the prize for the second of the two, 'Iter ad Meccam Religionis causa susceptum'; and in 1792 John Richardson, 'Scholar of University', won it for the first of the two, 'Maria Scotorum Regina'. The manuscript of the two poems totals 29pp, 8vo. The pages are written lengthwise on fifteen of the twenty leaves of a stitched booklet of laid paper with Britannia watermark.

4pp, 16mo. Bifolium of grey paper, with letterhead printed in red. In good condition, lightly aged. Folded three times. The recipient is undoubtedly Elizabeth Missing Sewell or a member of her family, and the letter begins: 'My dear Miss Sewell, | I wish you could have accomplished giving us a day, hoping you might have found me in more lively and sensible trim than when you were here, when I had a headache just enough to make me stupid.' She is going to post her Roscoe's 'William I', which she got 'from the L[ending] Library'.

See the Oxford DNB entry on Burnaby ('He was commemorated in verse, song, and Staffordshire pottery').

On both sides of the card. In good condition, lightly aged. The recipient is not named. Reads: 'Dear Sir | I should like to see the [Sandwith?] portrait, & will take an early opportunity of calling at the Club. Perhaps, in case you are not there, you will kindly instruct the poert to shew it me when I call. The signature looks like H. [Sandwiths?] writing – but he certainly wore moustache & whiskers from 1850 onwards.'

2pp, 4to. In fair condition, lightly aged and worn. Folded once. The letter concerns Colefax's offer to do the interior design of the Old Mill Hotel, Harnham, Salisbury, whose proprietor was Mary Fox-Pitt, daughter-in-law of Augustus Pitt Rivers. Begins: 'Dear Mrs. Fox Pitt | Lady [?] told me to write to you, & she has also told me of your exceedingly interesting plan of making an ideal Hotel near Salisbury.' Colefax boasts that she knows 'all that neighbourhood so well'. She feels the hotel 'would be a wonderful boon to everyone who lives there'. She now comes to the point.

One page, 16mo (9 x 11.5cm), trimmed, staining (recto and verso, from being laid down in an album presumably) but text clear and complete: "Sir Percy Shelley would be obliged to Messrs Sewell & Co. to send home the articles he purchased today - before two o'clock tomorrow, as Sit Percy is going into the country and wishes to take the parcel with him." Note: a. Sewell & Co. were perhaps the silk mercers and drapers of Compton St., London; b. Image on website.

2pp, 12mo. Creased and worn. Folded once. She explains that she and her husband and daughter are on the way to Rome, where they will stay at the Hotel Molaro for six days, and expresses the hope that 'we may have the pleasure of seeing you & Mr. Story during that time, if you are at home'. She admits that she feels 'a considerable hesitation about letting any of our friends in Rome know of our coming', as they are 'so overdone with “forestieri” at this time of year'.

A total of twenty-eight items of correspondence, comprising: nineteen Autograph Letters Signed (two on the backs of cards), two Typed Letters Signed, and seven Autograph Cards Signed. In good condition. All signed 'Mary', and the large part addressed to 'Christopher', with a few to 'Kit' and one to 'Dear Phyl [i.e. Fry's wife Phyllis], dear Christopher'. The correspondence indicates a deep affection and long-standing intimacy.

On one side of a piece of laid paper, top half torn off and missing, leaving the conclusion of the letter. Roughly 11 x 17.5 cm. Thirteen full lines of text, with two partial lines along the tear at the top edge. A frail item, in fair condition, aged and worn. See Gifford's entry in the History of Parliament. The letter, apparently addressed to an individual at the Admiralty or the Treasury, concerns a part of the tortuous process of raising finances for the conversion of the Queen's House into the hospital.

On both sides of a 17.5 x 20.5 cm piece of wove paper cut from the first leaf of a letter, with 14 lines of text on the recto, and 20 lines of text on the verso. In fair condition, lightly aged, with two small labels used as mounts still adhering. Annotated at the head of the first page, in a small light hand, dating the letter by reference to Arnold's 'Memoirs', and explaining that the letter is written 'To Mrs. Arnold who gave me this | [?] from Her dear hand | Autumn 1860'. For the context of the letter see the Memoirs, 'Appendix C. | VIII. Tour in the South of France'.

The wife of a Liberal MP and author of children's books, Lady Beatrice Rochdale 'spoke, helped at suffrage stalls, etc.; took part in processions' (see J. Vellacott, 'From Liberal to Labour with Women's Suffrage', 1993). 2pp., 12mo. In good condition, lightly aged. She notes that Armstrong has 'kindly promised to speak at a meeting here on the 6th. of March for the Suffrage Cause', and invites him to 'a meal here either before or after meeting'. She wonders whether it might 'be a help if I sent you back in the Motor'. The letter ends: 'I am afraid we shall not have a very large meeting'.

Mary Endicott Carnegie was the daughter of William Crowninshield Endicott (1826-1900), Secretary of War in Grover Cleveland's first administration. She married the British politician Joseph Chamberlain (1836-1914) in 1888 and moved to England. After Chamberlain's death she married William Hartley Carnegie (1859-1936), Sub-Dean of Westminster Abbey and Chaplain to the House of Commons. She was painted by Sir J. E. Millais and John Singer Sargent.

On a single 8vo half-title leaf removed from the front of her 1881 verse collection 'Honey from the Weed'. In good condition, lightly aged, with minor loss to one corner. Printed at the centre are the words 'HONEY FROM THE WEED'. At the head of the page is the presentation inscription, in a pleasing hand: 'George Frederick Martin Esqre. | with kind regards & good wishes from | Mary Cowden Clarke | July 1881.'

1p., 4to. She thanks her for her letter, and agrees to inscriber her bookplate. 'I am so glad that you have got "The Malady in Madeira"; I do hope you will enjoy it, especially as you know Madeira.