CHARLES

(1788) Letter, bifolium, , cr. 8vo, good condition, one page giving assurances as to quality, etc., with list (essentially a quote) of prices/features of A new Fashionable Chariot with a [?] light coloured cloth, Painted a Green [?] Patent yellow, made of the best materials & season'd timber, followed by a price list of various features (blinds, plated head plates, steps, strong plated harness, packing etc etc). See image. (1799) 1p., 4to, bifolium, very good, on lightly-aged paper.

Binding black (Instantaneous Binder), 4to, good condition, pagination roughly (added notes intervene) as follows: Prelims inc. Contents, 4pp, in pencil inc. titlepage; Preface 13pp, pencil; Summary of Ph.D. Dissertation, two pp. typescript; MS Note for typist; Body of Text, typescript, pp.[1]-59, annotated often heavily in pencil (pages added with extra information); [a second part] Titlepage Experimental Sensory Motor Physiology and the Association Psychology Koyre to Descartes; Body of Text, pp.

One page, cr. 8vo, one small closed tear, fold marks, corner cut off (not affecting text), sl. crumpled, a scrawl of a handwriting. I send the parcel, which I hope will not greatly inconvenience you. | I expected to have had a parcel from [Mr?] Blackett [publisher] but I find myself unable to spare time enough [?] to accomplish it. [...] I will take another [?] early opportunity. | Let me conclude this hurried scrawl with [every?] cordial & friendly wishes - and a hope that you have quite forgiven my involuntary inattention to you on Thursday. I cannot cease regretting it.

Total 2pp 4to, & 10pp. 12mo, very good condition. WITH (separate envelope), in Gray's hand, List of 28 drawings by George Kruger Gray of 'Great Expectations' [said list with page numbers] The pages are those in the 'Gadshill' Edition.] AND eleven (11) photographs (see sample image), ranging from 6 x 6.5 cms to 12.5 x 10 cms, of scenes and characters from Great Expectations, two the same image but different sizes and quality, perhaps the incomplete series he refers to in Letter Two.

For information on Graves see the generous obituary of him in The Times, 18 April 1944. Both items in fair condition, lightly aged and worn, with minor staining from paperclip to first leaf of letter. The work was not published, and although Graves states in Item One that the greater part of the text is 'in the hands of my typist', there is no record of its survival, or of the thousand related documents he states were sent to him by M. H. Spielmann. ONE: ALS from 'C L. G.' to 'Dear Evoe'. 4pp., landscape 8vo.

Conclusion of document, clipped, 12 x 5 cm, tipped on to larger piece of paper, foxed but clear. Text as follows: your discharge herein [printed] | Mr Squibb I pray you pay this order out[?] hearth money | RobLong [manuscript]. Lawrence Squibb was a Teller of the Receipt of the Exchequer.

Both letters annotated in pencil in contemporary hand 'To Townsend Warner Historian'. (Warner was a history master and head of the ‘modern side’ at Harrow School, and co-editor of one of the most popular British history textbooks of the period. His only child was the novelist Sylvia Townsend Warner.) Both letters in good condition, each with pin hole from former attachment.

1p, 12mo. On a bifolium endorsed on second leaf '1848 | C R Cockerell R A | 8 May'. Reads: 'My Dear Sir | I hope you have recd. my subscription paid by cheque on London & Westymr. Bank. & forwarded to Mess. Drummond on the 14 Feby. 1848. | Your's truly | C. R. Cockerell'.

C.5 x 2cm, laid down on larger piece of paper, docketed Sir Stephen Fox a Lord of the treasury in the Reign Chas II 1679. Grandfather of C.J. Fox.

Piece of paper, 15 x 11cm, somewhat foxed without obscuring text, laid down on a slightly larger card. Text: Or (if preferred) | Dr. Almond | With the respectful compliments | of the author || Hy B. Tristram |

120pp, 12mo. No dustwrapper. In fair condition, on lightly-aged paper, tight in lightly-worn green cloth with dulled gilt. Inscribed by Williams in pencil on front free endpaper: 'For Michal'. A collection of around fifty poems, including five addressed to the author's wife: 'To Michal: After a Vigil'. 'To Michal: On Forgiveness', 'To Michal: On Brushing her Hair', 'To Michal meditating a new Costume', 'To Michal: On Disputing outside Church'. Accompanying the volume is an Autograph Letter Signed from 'Neil' to 'Dear Christopher and Dear Phyl', i.e. Christopher Fry and his wife Phyllis.

Beautiful stitched pamphlet, with three gorgeous colour natural history prints by Wadsworth, comprising frontispiece and one other full-page print, and double-page print incorporating the words of the title. Near fine. Text unpaginated, printed on eleven pages, over eight leaves of green laid paper. Numbered 44 on the colophon, which carries the device of the Rampant Lions Press, and is signed 'Richard Wilbur' and 'Charles E.

6pp, 12mo. Paginated [1]-6. Lightly aged and a bit grubby. Folded twice. On six leaves of paper, which Herford has made up by tearing in half the 4to leaves of one of his students' essays. Complete, and signed at the end 'C H Herford'. Written in a close hand, with numerous deletions and emendations. He begins by describing how Shelley met his death, and his final writing, before dismissing the suggestion that he committed suicide: 'we may dismiss the utterly uncalled for suggestion that his own hand lifted the veil'.

Both in good condition, lightly aged, with thin strip from mount adhering, and crease lines from folding. Two excellent long letters in Spedding's neat and close hand, full of content regarding the relationship between Victorian author, publisher and reader. The topic is Spedding's preparation for the publication of his pamphlet 'Publishers and Authors' (London: J. R. Smith, 1867). Both letters addressed to 'My dear Mervivale'. ONE: 3 September 1866. 4pp, 18mo. On a bifolium.

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

1p, 4to. In good condition, lightly aged. Folded three times. Cyclostyled signature: 'Julian S. Huxley'. Addressed to 'Dr. Maurice Ernest, | New Court, | Esher, | Surrey.' He apologises for having been unable to read his book, adding: 'I am afraid I cannot feel that your main thesis is biologically justified'. It is obvious why Huxley did not look beyond the title, as the book he is clearly referring to is Ernest's 'Lives of 300 years and continual rejuvenation' (1942).

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.

3pp, 4to. Bifolium. In fair condition, aged and worn, with closed tears and thin vertical strip of paper on reverse of second leaf, which carries a seal in black wax and Yates's address to 'T. P. Cooke Esqre. | 28 Manchester Street | Manchester Square'. An interesting letter regarding a Victorian stage dispute. In an understated style, Yates makes a serious accusation: Cooke has broken his word over the manuscript of Fitzball's play 'The Red Rover' (Yates had produced the piece with himself in the title role in 1828, and would do so again in 1831).

In 1821, along with Ricardo, Malthus, James Mill, and others, Tooke founded the Political Economy Club. Although Carlyle is unlikely to have had him specifically in mind, Tooke is the archetypal 'Professor of the Dismal Science'. 2pp, 18mo. Bifolium. In good condition, lightly aged. Folded twice. Twenty-eight lines of text, neatly and closely written. He has 'deferred acknowledging' his answer to her 'kind invitation' to dinner on the coming Saturday until seeing his son, who has been 'out of town on a fishing excursion'.

1p, 12mo. In good condition, lightly aged. The recipient is not named. An interesting letter, indicating the relationship between two major theatrical figures in Victorian London. The main body of the letter reads: 'Dear Sir, | You really must excuse my incurring any such responsibility as that you would impose upon me. I am unable to controul Mr.

Depressed and paranoid, Lever spent his last days in Italy. For the Villa Morelli, see his Downey's 'Life in his Letters' (1906). 2pp, 12mo. On aged and creased paper, with closed tears to edges, but no loss. Folded twice. The handwriting is neat and controlled, but not always entirely legible. He begins with the news that he is returning 'the books you so kindly lent me'. Presumably referring to Charles Reade's 1866 novel 'Griffith Gaunt', Lever writes: 'Mr Reade is all you said of him, - often very amusing, & oftener very [?]'. A reference to 'the pleasanter reading' follows.

In 1821, along with Ricardo, Malthus, James Mill, and others, Tooke founded the Political Economy Club. Although Carlyle is unlikely to have had him specifically in mind, Tooke is the archetypal 'Professor of the Dismal Science'. 2pp, 18mo. Bifolium. In good condition, lightly aged. Folded twice. Twenty-eight lines of text, neatly and closely written. He has 'deferred acknowledging' his answer to her 'kind invitation' to dinner on the coming Saturday until seeing his son, who has been 'out of town on a fishing excursion'.

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

1p, 4to. In good condition, lightly aged. Folded three times. Cyclostyled signature: 'Julian S. Huxley'. Addressed to 'Dr. Maurice Ernest, | New Court, | Esher, | Surrey.' He apologises for having been unable to read his book, adding: 'I am afraid I cannot feel that your main thesis is biologically justified'. It is obvious why Huxley did not look beyond the title, as the book he is clearly referring to is Ernest's 'Lives of 300 years and continual rejuvenation' (1942).

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.

On 7.5 x 14 cm piece of laid paper, laid down on part of a leaf from an album. In fair condition, on aged and spotted paper. The letter reads: 'G Dr. respects to Miss Lusada - begs she will please to accept the enclosed - 3 more Letters will follow - wch. shall be sent. to Miss Lusada - Dr. is gone to dine with Mr. Morgan, who desires his Compts. and informs Miss L. that he will send to her soon the little Mathematician'. The recipient was in fact Abigail Lousada, the bluestocking daughter of Isaac Barrow Lousada [sic] of Devonshire Square.

4pp, 12mo. Bifolium. In good condition, lightly aged, with two smudges on second page. Folded once. With reference to her letter 'to Mr. Somerset of March 11th. re the portrait of Charles II (as Prince) in academic robes', he has had the picture by William Dobson photographed and encloses a copy (not present). He discusses Charles's dress in the picture in some detail, adding that 'The portrait (27 x 28 1/2 inches) has been in my possession since 1918 when it was bought at Christie's Nov. 29 lot.

On one side of 8 x 18.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and worn, with traces of brown paper from mount adhering to the blank reverse. The item would appear to be entirely in the hand of the Earl, but the matter is not quite certain, and it may be in a secretarial hand, with only Cork's signature in autograph. It reads: '[...] | Sir | Your Royal Highness's | very obedient | and very humble Servant | Cork | Col | [Som.?] Reg.] Addressed to 'His R. H. | The Duke of York | &c &c &c'. Annotated, in two separate contemporary hands: 'Novr. 1795' and 'Nov.

[2] + 16pp, 8vo. In wraps on the front cover of which is printed the title-page, with a 'Note' by Wilder on the reverse. Sixteen pages of text with drop-head title: 'Churches and Ministers Considered'. In poor condition, aged and worn. Wilder's note explains his motive for writing: 'I am nearly four-score years of age - my life covering almost three generations. My opportunities for observation in city and country, North, South, East, and West, have been abundant.

4pp, 4to. Bifolium. In good condition, lightly aged. Addressed on reverse of second leaf, with small seal in red wax and postmark, to 'Revd. Charles Merivale | St John's College | Cambridge'. A long letter, with the four pages of text followed by a long postscript at the head of the first page, continuing to the last.