Music and Theatre

Only edition. The dimensions of the volume, which is bound in grey paper printed wraps, are roughly 29.5 x 24 cm. It consists of 25 unpaginated leaves and a frontispiece (sometimes lacking). The other illustrations are eight tipped-in plates and a facsimile of a music score. Some ruckling to the wraps, otherwise a good copy on lightly-aged paper. Striking woodcut on front cover, 13 x 16 cm, showing and old Jew with a boy before a table with two candles. An attractive work, delicately and sensitively illustrated with images of Jews at prayer.

12mo, 1 p. Good, on lightly-aged and ruckled paper. He explains that the 'remaining dates of the 4tett Class had to be alterered', given the alternatives. 'I hope you will not be inconvenienced by that change and that you kindly will assent to it.' He gives the date of her next lesson, to which he looks forward.

According to Karl Dallas (Morning Star, 16 November 2007) it was he who 'first mooted the idea' of an anti-Vietnam War 'campaign in the folk scene', with the 'singers' group' being formed by Dallas in conjunction with Ewan MacColl and Gordon McCulloch. The four items are excessively scarce survivals, with no copies of any of them appearing on COPAC. All are printed on one side of a leaf roughly 25 x 20 cm. Each leaf is differently coloured. The items are in fair condition, dogeared and with light creasing and chipping to extremities.

Excessively scarce survivals, with no copies of either item appearing on COPAC or WorldCat. Both are printed on one side of a leaf roughly 25 x 20 cm. In fair condition, with light creasing to extremities. Item One (on grey paper, with illustration by Audrey Seyfang): 'Oh, Brother, did you weep? | words and music by Ewan MacColl'.

8vo, 72 pp. Stapled and unbound. Complete. On aged paper. The outer leaves are worn and coming apart at the spine. Otherwise the item is sound and tight. 1976 items. Items 783 to 883 concern 'the Bacon-Shakespeare Controversy'. Items 888 to 893 are 'Books from the Library of the late Dame Ellen Terry.' ('Only a few Books from her Library were sold, and Association Books are very difficult to obtain.'). Items 894 to 982 are 'Books on the Drama and Shakespeare, from the library of Henry Arthur Jones'. Items 983 to 1976 are 'Books on the Drama'.

12mo, 1 p. Fair, on aged paper, with traces of previous mount adhering to the corners of the blank reverse. Of course Hollingshead should 'wait till the last night of "used up" ' before writing to Mathews, who has 'hunted up Buckstone - hunted up Turpin - but in vain. Not a box to be had'. He has sent 'the best I could get': '3 Dress Circle to Mrs Smiles with "Mr Hollingshead's best compliments." '. In a postscript states that if Hollingshead wants 'a box for the "Overland Route" before the last night' he will be 'too happy'. 'There is always a run on last nights.'

Two vols, hf-lea, one 4to the other 8vo, title "Newspaper Cuttings on front of one, "Cuttings" on spine of the other, boards bumped and bent but mainly good condition, 112pp. and [160]pp, vast majority of items, some substantial and folded, laid down and with a neat statement of the newspaper source and the date. The Names "Milner & Storey" and "Dulcie Milner & George Storey" are written attractively at the beginning of the volumes. The record, charting the theatrical careers of the partnership in great detail, was obviously a labour of love (self-love?).

Circa 70 pages, folio, 12 staves to a full page. The complete string parts with the firsdt claribet, first and second bassoon and double bassoon parts ("Fagots"). Printed entry from auction catalogue (prob. Sotheby's) on wrapping, 28 October 1974 (item 99). Although unsuccessful in the theater, Pickwick had the distinction of being the first opera to be shown on television. Several scenes from it were included in the BBC's newly opened service in November 1936, in advance of its stage première." (Wikipedia).

One page, quarto. On paper discoloured with age. Attached along one edge of blank verso to card mount. Reads 'To simply tell you that your work is good would be putting it mildly. Things that I have heard all about me as I sat and watched the performance for the first time, from a loge seat, if you heard them, make [sic] you very very happy. | Your appearance is majestic; your enunciation beautiful; your reading and interpretation a delight. I cannot tell you how proud I am of you.

LETTER: One page, quarto. Somewhat aged and creased. An attractive item in Carter's disciplined calligraphic hand. A damning assessment of Craig's son Edward Anthony Craig ('Edward Carrick', 1905-98). '[...] If you know him, you presumably also know what you are taking on! We had some dealings with Teddy over possibly printing old EGC's engravings of Robinson Crusoe, but Teddy sold them, [...] My impression is that the old rogue manufactured archives in order to sell them to someone - preferably twice.

Photograph, head and shoulders, signed Fayer, c.19 x 23cm, with border and simple black frame. Inscribed below photograph: "To Miss Holden/ Nov: 1941 Sincerely Yours/ Henry J. Wood".

Two pages, 12mo. Good, with minor effects of damp. Text clear and entire. Twenty-five lines. Harraden has found an old acquaintance, Mrs Charles Routledge ('the widow of the son of Colonel Robert Warne Routledge'), in 'very distressing circumstances; she had been very ill from blood poisoning in the leg, had been in hospital, & in the work house'. Mrs Routledge has 'done her very best [...] to fight an adverse fate', working hard 'as a house keeper, maid of all work, servant of lodging house'.

On the recto of a piece of pink paper, roughly 17.5 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Phillips's autograph is in the top left-hand corner, reading 'Montague F. Phillips | March 1927.' Above it are four bars of musical notation, marked 'allegro' and titled 'The Fishermen of England. The Rebel Maid" - both by Phillips).' Beneath this, and divided from it by a diagonal line, is Phillips's wife's autograph: 'Yours sincerely | Clara Butterworth'. The couple met while both students at the Royal Academy of Music.

On one side of a piece of printed music paper, roughly 21 x 22 cm. Laid down on a page removed from an album. Good, with one dogeared corner. Seventeen grand staff bars, arranged on four levels, followed by 'Yours sincerely, W G. Webber | Feb 1928'. Webber was at the Royal College of Music at the same time as the father of Andrew and Julian Lloyd Webber, who changed his name from W. S. Webber to W. S. Lloyd Webber to avoid confusion with him. No record of "The Curate's Gavotte" found.

On both sides of a piece of paper, roughly 18 x 23.5 cm, taken from an album. Very good, on lightly-aged paper. Thirty-two grand staff bars, in black ink, with title and signature in blue. Signature, following the score, reads 'Douglas Hopkins | September 2nd. 1926'.

On a leaf of pink paper, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. The score, on the recto, consists of eight grand staff bars, titled 'St. Andrew | A + M 403. | Jesus calls us; o'er the tumult | E. H. Thorne'. The score is folowed by the signature 'A. E. Thorne | 30th. Aug 1929.' The autographs, on the reverse, read 'Yours Very Sincerely | Russell Thorndike. | (Death in Everyman.) | Grey Friars Mar. 1929.' and 'Harry Alfred Harding | June 1. 1929.' Thorne was a leading figure in the late-Victorian Bach revival. Thorndike was the detective novelist.

On one side of a leaf of green paper, roughly 17.5 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Thirteen bars, with staves for soprano, alto, tenor and bass. Covering the greater part of the page, and followed by 'From Mass in C minor. | for five voices. | [signed] Ronald. M. Brunker. | June 28th. 1927'.

On one side of a leaf of pink printed music paper, roughly 18 x 23.5 cm, removed from an album. Very good on lightly-aged paper. Twenty-one grand staff bars. Signed 'Frank Wright. | 21st. December 1927.' in bottom right-hand corner. According to Newsome ('The Modern Brass Band'), Wright was 'a highly influential figure in the brass band movement'.

On one side of a leaf, roughly 18 x 24 cm, removed from an album. Good, on lightly aged paper. Sixteen grand staff bars, followed by 'from Minueta Trio for pianoforte | [signed] Leslie Regan | 10 July 1919.'

On a leaf (roughly 11 x 17 cm) removed from an autograph album. Good, on lightly spotted paper. Reads 'All good wishes from The Gresham Singers | 17 Aug. 1923 | Eastbourne | Hatherley Clarke | Charles Flinn | Greeves Johnson | Leonard Salisbury'. Signature of 'Arnold Stoker | 7/3/1919' on reverse. Stoker was winner of the Guildhall Gold Medal in 1919.

12mo, 2 pp. Ten lines of text. Good. Asks 'upon what terms' he may 'publish some of the songs I have set from the charming volume you sent me'. He is 'acquainted with the Gentleman' to whom Bennett has dedicated his book: 'it was in his shop I was introduced to Longfellow'. Possibly referring to Bennett's 'A Sea Song' and 'The Sea-Boy's Dream', set to music by Hatton and both published in 1861.

On a leaf of blue paper (roughly 11 x 14 cm), removed from an autograph album. Good: lightly aged and spotted. Reads 'With best wishes The Hedley Ward Trio | Jack Mckechnie | Derek Franklin | Bob Carter'. Docketed, presumably by the recipient, with the members' instruments. Hedley Ward was one of the foremost British bandleaders of the 30s, 40s and 50s, and his Trio featured in many radio and television broadcasts, and are still to be heard on archive programmes.

On one side of a piece of pink paper, roughly 18 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Eight bars of music and libretto, with staves for 'Soprani', 'Alti', 'Tenori' and 'Bassi'. Covering most of the page, and followed by 'From "The Waters of Babylon" (Psalm 137) | (May 1935.) | E. Phyllis Roberts. | June 15th, 1935.' Twenty-nine line poem 'To the Gentle Owner of this Album' on the reverse, signed 'Moir Carnegie | 21-6-10'. (in whose name a "prestigious" prize was given).

On one side of a pink leaf, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. Staves ruled out in red, with notes and text in black. Seventeen bars, with staves for soprano, alto, tenor and bass.Titled 'Quartet (unaccompanied)' at head, with 'from "The Lord is King" | Stanley Marchant. | Jan: 10: 1909.' at foot. Beside this, in a larger, looser hand, in green ink, is a later signature: 'Stanley Marchant | Sept: 20: 1936'.

4to, 1 p. Bifolium, addressed with postmarks, penny red stamp, and remains of black wax seal, on reverse of second leaf to 'Mr Blanchard, 5 Hackney Terrace, South Hackney'. Text clear and complete. In poor condition, on aged, ruckled and stained paper. Following their 'conversation of Saturday Morning' Brewer agrees 'to purchase the Copyrights of the "City Polka's [sic] & also the Song entitled "Ever the Same" upon the following terms [...]'.

12mo, 1 p. Twelve lines of text. Clear and complete. On aged and grubby paper. A formal letter in the third person. He has 'received with surprise the enclosed invoice. [not present] He has given no orders for any copies of the work & must therefore decline to accept the parcel, should it have been sent out to him in Australia.' If it is 'lying at his London house' he will forward it to the firm 'on his return home'.

12mo bifolium: 3 pp. Good on slightly grubby paper. He wishes to be informed 'which branch of the family the enclosed represent'. 'They are part of a large collection of persons connected with the Stock Exchange & mercantile world. The collection - some hundreds - was saved from the wreck of the "Oneida" in 1850', and is the work of August Edouard, 'who served under the first Napoleon'. He has 'the history of them, and a very interesting one it is'.

From the collection of Alec Clunes, who performed as Don Juan in this excerpt from 'Man and Superman' ('Don Juan in Hell') at the Arts Theatre Club in 1946. Carbon copy of typescript by May Hemery Ltd, paginated 1 to 60, on the rectos of sixty leaves, preceded by title leaf ('Excerpt from Act Three | "MAN AND SUPERMAN" | By | BERNARD SHAW'. In original blue paper wraps, with yellow tape spine and label on front wrap. Grubby and worn, and with light staining to wraps, but tight, complete and clear. Numerous manuscript stage directions, mostly on the facing versos.

The cover is printed on one side of a piece of shiny art paper, roughly 20.5 x 13 cm. Photograph of Kubelik and his violin roughly 10.5 x 8 cm. Paper lightly creased and with slight wear along vertical fold across middle of photograph. Good firm signature.

All three items in very good condition. Clear, bold signature, on a cropped piece of paper three inches by five wide, reading 'Leonard Bernstein | Edinburgh | <'73>'. The first photograph (six and a half inches by eight wide, and with the stamp of the Scottish Tourist Board on the reverse), shows a smiling Bernstein in a Prince of Wales check double-breasted jacket with a bespectacled old gentleman in a single-breasted pinstripe jacket, admiring a bagpiper in full regalia at a British railway station (Edinburgh Waverley?).