HATTON

2pp., 12mo. 29 lines of closely-written text. In good condition, on lightly-aged paper. 'Such a calamity must be a terrible blow for you all but more especially to Mrs. Joy and yourself. To lose a daugher just blossoming out into womanhood is tragic indeed, the more so, if that were possible, in that she was such a bright girl.' He continues 'By the same post I have word that one of my uncles has just died, and that another has been given up by the doctors. They have both lived full lives, and, in their way, interesting lives, so that, there, one can hardly talk of a tragic end.

4pp., 12mo. On aged and lightly-creased paper. Originally a bifolium, but with the two leaves separated, and evidence of previous stitching into a binding. Regarding his new book 'Cruel London', he asks him if he can send six copies of what is not only 'a kindly notice, but excellently well written. All the more gratifying. The Spectator is always my enemy just as the Saturday was Thackerays, to compare a big man with a small one.' He refers to a notice in the Sunday Times by Joseph Knight, who 'also sent me a charming letter of congratulation'.

Letter: 1p., 12mo. In good condition, on lightly-aged paper. He begins by suggesting that Baron write to 'Mr Payn' (the novelist and editor James Payn) via the Reform Club, Pall Mall. (Baron's method involved asking one celebrity how to contact another.) He next discusses two of his works: '"The Memorial Windows" appeared in the Gentleman's & was published in Pippins & Cheese (Bradbury & Evans) - "The Valley" you will see in enclosed list'. He concludes by thanking Baron for his 'complimentary note'. With envelope addressed to 'J. T.

1p., 4to. 22 lines of text. Bifolium, addressed on reverse of second leaf: 'To Richard Bulstrode Esqr at Littelton near Sunbury in Midd[lese]x'. In good condition, on aged paper. Addressed to 'My dear Son' from 'Yr most affectionate Father | Whit: Bulstrode'. Bulstrode writes that, on his 'comeing to Towne', he 'met wth a letter from one Mr James Norris, who writes himself Auditor, &, it is fro ye Chapr at Canterbury', sending for the rent 'Due last month'.

8vo, 2 pp. Leaf dimensions 21 x 16.5 cm. On good wove paper. 29 lines. Text clear and complete. On the first leaf of the bifolium, with the transcription, presumably by Twining, on the recto of the second. Addressed by Parr to Twining at Devereux Court in the Strand, on the reverse of the second leaf, which carries Parr's broken seal in red wax, and a postmark. In good condition, though a little grubby. Parr's handwriting is legendarily bad (he received a flogging at Harrow because of it, and never reformed), and although the transcriber has made a game effort, there are a few lacunae.

4to, 8 pp. Stitched pamphlet on grey paper. Text clear and complete. Good, though somewhat creased, and a little stained. In small type. Divided into two sections: 'Selections from the opinions of the London press' and 'Selections from the opinions of the provincial press'. In a long quotation on the front page: 'Charles Dickens made the practice famous, and Mr. Joseph Hatton has begun his platform career in the same modest, careful, and unpretentious way [...]'. (p.1, 'From General Press Notices').

12mo, 2 pp. Ten lines of text. Good. Asks 'upon what terms' he may 'publish some of the songs I have set from the charming volume you sent me'. He is 'acquainted with the Gentleman' to whom Bennett has dedicated his book: 'it was in his shop I was introduced to Longfellow'. Possibly referring to Bennett's 'A Sea Song' and 'The Sea-Boy's Dream', set to music by Hatton and both published in 1861.

Fourteen lines on the back of two-tone Dutch postcard, the front being tined light blue. Addressed to 'Edw Draper Esq, 3 Vincent Square, Westminster, London, England'. Aged and grubby, with two creases and slight traces of previous mount on front. Hatton's hand is difficult, but the note, addressed to 'My dear Friend', defending his use in a story of the following version of the celebrated quotation: 'When Greeks joined Greeks". Concludes 'You are right about the tinder box of course.'