PHOTOGRAPH

Black and white print, 12 x 29cm., mounted on piece of card, 19.5 x 35cm, with paper guard. The photograph itself is in good condition, with a couple of unobtrusive indentations, with mount and guard a little creased and worn. Printed on the mount above the photograph: 'HAMMERSMITH HOSPITAL - 1945'. The staff are shown in four rows (three standing and one sitting) on grass in front of the hospital building.

Landscape photograph, 19.5 x 14.5 cm, laid down on a piece of thin card cut from an album, 18 x 21 cm. Around sixty boys are posed in four rows in front of a grand house, with two masters to the right and two to the left, and with a fifth in the centre of the group. The group are surprisingly fat-faced, posing sulkily in jackets, with some waistcoats and tam o'shanters. Five more boys look out of a downstairs window, three from an upstairs window, and one peeks out from behind the front door.

Oval sepia photograph of the head and shoulders of Hullah, looking to his right in double-breasted jacket. Faded and on aged card, with traces of mount adhering to reverse. The sitter - who by comparison with other photographs is definitely Hullah - is named as 'JOHN HULLAH' in a contemporary hand on the card beneath the laid-down photograph, and as 'Mr Hullah' in pencil on the reverse. Not present in the collection of the National Portrait Gallery, which only holds three images of the composer.

Photograph (upper body, seated and besuited), c.8 x 13cms, characteristic signature beneath with place and dat, all in Lehar's hand, on page extracted from an album of autographs accumulated by Harry Woord Wolling, BBC producer (?). Suitable for framing.

On page extracted from an album of inscriptions with photographs by composers, actors, etc. Good condition. Inscribed by Strauss as follows: "Herr?] Harry Woord Wolling / Richard Strauss / Wien 15.12.23". The signature is bold. Scan provided on request.

All three items in very good condition. Clear, bold signature, on a cropped piece of paper three inches by five wide, reading 'Leonard Bernstein | Edinburgh | <'73>'. The first photograph (six and a half inches by eight wide, and with the stamp of the Scottish Tourist Board on the reverse), shows a smiling Bernstein in a Prince of Wales check double-breasted jacket with a bespectacled old gentleman in a single-breasted pinstripe jacket, admiring a bagpiper in full regalia at a British railway station (Edinburgh Waverley?).

Made up of four sepia photographs, each roughly 7 cm square, laid down overlapping each other to make a strip of 7 x 27 cm. Somewhat faded (especially to the right of the image) and with one small stain, and a one cm closed tear to the left. The paper on which the panorama is laid down, which is captioned in a contemporary hand, is somewhat grubby and chipped.

Printed on piece of thick paper 31.5 x 22.5 cm. Dimensions of image 24 x 18 cm. Removed from mount, and with glue adhering to reverse and in thin strip at head (not affecting image). Small closed tear in border at foot, just beneath Mascagni's dating of his note. Soft-focus black and white head and shoulders shot, showing a firm-jawed jowlly bow-tied Mascagni staring abstractedly to his right, with a medal in his buttonhole.

The sepia photograph, 10 x 7 cm, is a head and shoulders shot of Aslan staring at the viewer in the character of Hamlet holding Yorick's skull. It is neatly mounted on a leaf of cream paper (24 x 20 cm) removed from an album. The whole attractive and in good condition. In a firm, bold hand Aslan has written, across the page beneath the photograph: '"Zu was für schnöden Bestimmungen | wir doch kommen, Horatio"! - | (Hamlet) | Ein Erinnerung | [signed] Raoul M. Aslan: | Wien, Oktober 1923. -'

Author of "A few months in New Guinea". Vignette photograph of Stone, circa 3.5 x 6", one nick on margin, bottom trimmed, taken at the Exposne inter.fotog. Milano 1894. INSCRIBED by Stone: To my dear & valued friend Hubert Smith with sincere affection & loving memories of 'auld lang syne" / Octavius C. Stone, FRGS. / 4 May 1906". Note from net: "'The Scholar Gypsy' by John Sampson has several pages on Esmeralda Lock, including two portraits. She was married to Hubert Smith, the town clerk of Bridgnorth, but ran away for some time with a lover.

Dimensions of photograph roughly nine inches by seven wide. Aged, lightly creased and a little scuffed. Slight loss to bottom right-hand corner of border, not affecting image. A bespectacled Malko in a double-breasted pinstripe jacket, in the act of conducting, baton aloft, and with violinist in the background. Malko has written his inscription over his torso, beginning 'Cnacudo', and giving the date 1949.

Letter: four pages, folio. Good, with a little aging and staining to verso of second leaf of bifolium. In Cruttwell's absence Cockburn has taken it upon himself 'to settle Richardson & . Taylor has communicated the result of his interview with Hellings the previous evening. 'He informed me that he had seen certain letters written by the D[e]f[endan]ts to Mrs. Richardson, in which he solicited her to leave her husband, and to bring away with her money and goods belonging to the husband'. Taylor recommends that Hellings' offer of £50 be accepted.

On irregular piece of lightly creased and aged paper (roughly seven and a half by four and a half inches), with some chipping to extremities. Headed 'Punch Photographs'. 'Mr Mark Lemon [1809-1870, Punch editor] wishes me to come up to you & be photographed. I propose being with you at one tomorrow Saturday, if I am not unavoidably detained in Westminster on a trial.'

English actress (1867-1942). A portrait photograph, 5¾ inches by 4 inches, from the studio of Ellis & Walery, 54a Baker Street. Inscribed "To Mr Sarker - / with every good wish / Violet Vanbrugh". She looks slightly to the left, apparently in costume, with short hair, earings, pearls, and an open necked shirt with lace sailor collar. The reverse of the mount carries the photographers' printed details with a reference number in pencil.

English actor and theatre manager (1830-1906). The photograph, a portrait of a formally-dressed Toole staring straight ahead, approximately 5½ inches by 4, somewhat creased, crudely mounted and bearing traces of paper and glue. The note, not in Toole's hand but signed by him, 28 April 1898, to an unnamed female correspondent, no place, one page, 8vo. "Dear Madam / Here is my Autograph as you wish / Yours truly / J. L. Toole". Two items,

Comic actor. A charming photograph, 5 inches by 3 inches, of a winking Berry in sailor suit and cap of "H.M.S. CISSY", his arms folded across his chest. Inscribed "Yours. v. truly / W. H. Berry / 1921". Mounted on pink paper docketed "Very Popular Actor". In good condition.

Actor and teacher of elocution (1829-1910). Small publicity portrait of a stern-looking Vezin, glowering in an open-necked white shirt. Printed on thin art paper, 2¾ by 1¾ inches, with large white border, on which, "Yours truly / Hermann Vezin." Not in the best of condition: creased, grubby, and with tears to the borders.

Opera singer. Photograph by James Dickinson of Newcastle-on-Tyne, 5¼ inches by 3¾, of a pensive Alexander dressed in the costume of a knight, wearing a patently false beard and moustache, seated with his head resting on his right hand, and holding a harp against his left leg. Card mount stamped in silver "Jas. Dickinson, / [Crest] / The City Galleries, / Newcastle on Tyne." The reverse carries an advertisement for Dickinson ("PHOTOGRAPHIC ARTIST"), and is inscribed "Yours Faithfully, J.

Opera singer. Full-length photograph by James Dickinson of Newcastle-on-Tyne, 5¼ inches by 3¾, of a dashing Dickinson dressed as a matador, left hand on hip and right hand resting on a sword. Mounted on grey card. The reverse carries an advertisement for Dickinson ("PHOTOGRAPHIC ARTIST"), and is inscribed "Yours Faithfully, J. Alexander / Character in Carmen / Moody-Manners Opera Co." In bad condition: faded, stained and worn.

Essayist and dramatist (1830-1877). Portrait photograph, 3¾ inches by 2½, from the studio of Charles Watkins, 54 Chancery Lane, of a heavily-bearded Halliday looking to the right in jacket, coat and striped tie. The photographer's details and device are printed on the reverse of the mount, which is docketted "Andrew Halliday / 1873", and carries traces of glue and paper. Somewhat grubby.