HALL

From the papers of Alfred Clay Abraham (1853-1942), Liverpool pharmacist, and his daughter Emma Clarke Abraham (1850-1934) of Swarthmoor Hall, Ulverston. All items in fair condition, on aged paper, with texts clear and complete. ONE: Autograph Letter Signed from Henry Murray to his late wife Mary's brother. 8 pp, 12mo. On two bifoliums. Begins: 'Although a Stranger to you I perhaps need not apologise for the obtrusion of this communication upon you, when I inform you that I am the husband - or rather was the husband of your poor Sister Mary. for alas!

12mo, 3 pp. Bifolium. 26 lines. Text clear and complete. Fair, on lightly-aged paper, with traces of blue paper mount adhering to the blank reverse of the second leaf. Apologises for being unable to 'attend a meeting of Managers of St. John's Schools' that week: 'Miss Wilbraham will be away from home the following week & Lord Skelmersdale does not arrive till the 20th.' Gives dates when he can attend, if his unnamed correspondent thinks it 'advisable to have the meeting without them'.

The Earl of Darnley's four letters (all signed 'Darnley') total 27 pp in 12mo; Lady Darnley's eight letters (all signed 'H. Darnley') total 26 pp in 12mo. All items in good condition, on lightly-aged paper. Darnley's first letter, 16 September 1853 (12mo, 12 pp), is unusually blunt for the period, and revealing on the etiquette of the period. It begins: 'I trust that the change in your mode of addressing me was accidental, and I have therefore not imitated it, and have used one word which you omitted [presumably 'Dear'].

Seven items, all in very good condition on lightly-aged paper. Trevelyan's idiosyncratic and hypochondriacal character comes through strongly in this correspondence, ostensibly concerned with his application to become a magistrate, but largely devoted to the state of his health. ONE and TWO. Manuscript copies of short letters from Trevelyan to Thorp and the Duke of Northumberland. Both dated 22 October 1832, and both 4to, 1 p. Requesting 'a Dedimus, as a commencing Magistrate'. THREE. Manuscript copy of letter from Trevelyan to Thorp. 23 October 1832; Netherwitton, Morpeth. 4to, 1 p.

All 4to, with the letters totalling 22 pp, and the list of 'Funghi, East Kent' of 15 pp. All items clear and complete. Three leaves with light staining (one with short closed tear), otherwise all in good condition, on aged paper. All three in envelopes (lacking stamps), addressed by Clifton and with his seal in red wax. ONE. 4 October 1889. 4to, 12 pp. Begins: 'It seems a long time since we had a ramble on the Cuxton and Ralling hills from Cobham, and when I killed a viper; and I have been much amused at the apparent incredulity of a brother B.O.U. at the Dumpton Park rarities!

Folio, 2 pp. On the rectos of the two leaves of a bifolium. On laid paper watermarked 'Gilling & Allford 1816'. Text clear and complete. Good, on lightly-aged paper. The first page contains a letter addressed to 'General Hall' from 'Union Office | Norwich 16th Novr. 1818', forty lines long and signed 'J Crowe'. The second page is headed 'Norwich Union Life Insurance Society | Statement of the particulars of the misconduct of the Secretary Mr Thos Bignold Senr.' It contains a six-point indictment of Bignold, totalling thirty-seven lines.

Black and white studio photograph, postcard format (13 x 8.5 cm). On leaf removed from autograph album. Good, on shiny photographic paper, with margin making dimensions of image 12 x 8 cm, captioned in bottom right-hand corner 'PHOTO | LAIRD | ABERDEEN'. Showing a kindly-looking Coborn seated in country tweeds, with spectacles in hand and paper on his knees. In addition to a facsimile in the bottom-left, the picture has Coborn's genuine dated signature across his chest: 'Charles Coborn | 28/5/29'.

One page, 12mo, good condition. From a batch of letters most of which are addressed to A. Williams of the Liverpool Mercury. I am afraid that I cannot tell you of any book on English history during the period you mention which can be recommended without reserve. / The best I know is Mr. Lappenberg's History of England, transaletd by B.Thorpe.

12mo, 2 pp. Bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. He would 'much like' to show him a song he has written for 'Exeter Hall', and proposes dinner the following day. In a postscript asks if he has 'learnt anything about R. J. S. Stevens'.

12mo, 1 p. 10 lines. Text clear and complete. Good, on lightly-aged paper. The recipient 'had better be in Town for the Choral Meeting on the 4th. June'. Gives details of when the recipient will 'generally find' Hullah there.

Oval sepia photograph of the head and shoulders of Hullah, looking to his right in double-breasted jacket. Faded and on aged card, with traces of mount adhering to reverse. The sitter - who by comparison with other photographs is definitely Hullah - is named as 'JOHN HULLAH' in a contemporary hand on the card beneath the laid-down photograph, and as 'Mr Hullah' in pencil on the reverse. Not present in the collection of the National Portrait Gallery, which only holds three images of the composer.

A total of six parts: Vols I and II complete in leather bindings; the rest (vol. III, pts I & II, and vol. IV, pt II, only) in original grey wraps with white paper printed labels. From the collection of the Rev. Joseph S. Cook, and with his bookplate by Bewick's studio (featuring his coat of arms, an illustration of Newton Hall, and a facsimile of his signature) in the first two volumes, and his ownership inscription to the two parts of vol. III. (Cook contributes a paper to the first volume.) Internally all parts are sound and tight, on lightly-aged paper.

Studio portrait photograph on postcard, captioned 'RENA HALL | MUSICAL SPECIALITIES'. Fair, on lightly-aged paper. Depicts Hall in highland costume with bagpipe under her arm and an accordion on a plinth. Inscribed 'To dear Rubye | In memory of Happy days | Love, Rena | 1937'. 'Laddie Cliff and Rena Hall' performed in front of George V and Queen Mary at the Royal Variety Performance, Coliseum Theatre, London, 1923. From the Colleano Family archives.

Both items good, on lightly aged and creased paper, with both texts clear and complete. The Minstrels' Gallery referred to in the letter was held in the vicinity of Hamilton's estate Sandon Hall, Staffordshire. Written a few months before Hamilton's death in the celebrated duel with Lord Mohun. Bromley to Hamilton: Autograph Letter Signed, 8vo, 1 p. 23 lines of text. Bifolium, addressed on reverse of second leaf 'To his Grace Duke Hamilton in St. James's Square | London.', and docketed 'Mr: Bromley 7:th June 1712 about the Minstrill court & that Holden the Attorney had with drawen'.

12mo, 1 p. Aged, grubby and creased, with slight loss to bottom left-hand corner, and closed tear to one margin. Requesting 'one or two choicest leather trout-fly books with plenty of pages, but not those with printed descriptions of flies'.

For more information relating to this influential series of concerts, see 'Pursuit: The Uncensored Memoirs of John Calder' (2001). Seven items, including two duplicates. Text of all items clear and complete. In fair condition, but with one side of a duplicate advertisement heavily sunned (see below). ONE: Typed Letter Signed ('Ian Hamilton') from Hamilton to Conn (husband of the poet Jeanne Conn), 12 February 1960. 4to, 1 p. Eighteen lines. Responding to Conn's criticisms, explaining reasons for cutting short discussion and cancelling part of the programme, and giving future plans.

8vo, 1 p. Text clear and complete. On creased and lightly-aged paper. He is glad that Sir Thomas appreciates 'the seriousness of our position', and the reasons for asking Hatchards 'to release Mr. Edgeley to us for approximately six months in order to enable him to concentrate mainly upon the rehabilitation of this business'. Not a minor matter; according to one source the firm had '2,217 branches and 1.3 million books in circulation by 1934'.

Dimensions roughly two and a half inches by four and a half wide. Clear, bold signature on aged paper. Reads '<...> believe me Gill's friend as well as your own | [signature] Charlotte H Dolby'. Reverse reads '<...> says, because I get mixed up with such a lot of people, and lose my individuality in the <...>'.

8vo, 24 pp. In original grey printed card wraps. Disbound. Text clear and complete on aged paper. Wraps with some damage at spine caused by disbinding. Compliments slip loosely inserted, bearing a simple pencil sketch of a face in profile. A few light pencil annotations.

12mo: 2 pp. Bifolium. Text clear and complete. Fair, on aged paper. If the recipient visited on the Saturday he would have found that the Waughs were away: 'My wife was developing mumps in London & I was kicking a football. Would tha tit had been any other day.' He thanks him for 'the review of Strachey', which he read with much interest, if partial agreement': 'I think mystic experience lies beyond my compass, & therefore I can hardly judge'. Quotes 'our friend Moore' (the philosopher G. E. Moore?) on the subject.

Scottish soldier and diplomat (1755-1843). Four pages, octavo. Good, though grubby on discoloured paper, and a little frayed about the edges. Concerns 'the Subject of Issues which are made by the Barrack Department in North Britain to the Forces stationed in this Part of the United Kingdom, but which are not sanctioned by The King's Warrant'. '[...] | I conceive the Establishment of Regimental Schools to be highly conducive to the good of His Majesty's Service, and peculiarly so in the case of 2d.

Printed on one side of a piece of wove paper, dimensions 22 x 14 cm. Text clear and complete, on aged and lightly-spotted paper, with minor wear to extremities. Headed 'Under the Patronage of the Nobility and Gentry.' 48 lines of text, including positive quotations from the Observer, Christian Advocate, Sunday Times and Albion and Star. Describes ten aspects of the exhibition, lettered A to K, including the conveyance of the ore 'to the surface by a --- (G) --- POWERFUL HYDRAULIC MACHINE, first in kibbles, through a perpendicular shaft, and lastly in waggons drawn upon an inclined plane'.

Sitwell and Renishaw collaborated on the play 'Gentle Caesar' (published in 1942), and the last two letters would appear to concern a possible film adaptation. All three items very good on lightly aged paper. Letter One ('Friday Renishaw'): 12mo, 2 pp. 18 lines of text. Apparently written around the time of the play's composition. Sitwell is 'delighted' that Minney is 'already immersed in Pares's book. I have just read the Czar and Empress Marie's Letters.' He has 'marked (in the preface mostly) what I thought helpful for atmosphere, or amusing'.

The cover is printed on one side of a piece of shiny art paper, roughly 20.5 x 13 cm. Photograph of Kubelik and his violin roughly 10.5 x 8 cm. Paper lightly creased and with slight wear along vertical fold across middle of photograph. Good firm signature.

Attractively produced on a piece of thin card, dimensions 17 x 11 cm. The recto of the card has a shiny, light-blue coating, on which the text and design is printed in gold and bronze. The verso is blank and white. Very good, with minor damage to the blank reverse caused by removal from mount. The poem, of thirty-one lines, is enclosed within a grecian-style border. A tender poem addressed to his wife, and reviewing their years together, beginning 'YES!

Two pages, printed on the recto of the first leaf and verso of the second of a yellow wove-paper bifolium. Leaf dimensions 22.5 x 14.5 cm. Grubby and creased, but with text clear and complete. The first poem, 'A New W[h]ig Song', begins 'In our town there's a street, with a chapel and shop, | Where a gay pole once hoisted of late is let drop, | There a fam'd Barber deals with his w(h)ig as he wills, | From full bottom'd P----r to little scratch M--ls.' References to 'shot-yellow A---r [Adair]' and 'M----y, the close button'd Barber'.

On a leaf (roughly 21.5 x 14) removed from a programme. Grubby, worn and with a central vertical fold. Laid down on a leaf (22 x 18 cm, and ruckled and spotted) removed from an autograph album. The autographed page only carries Wood's photographic portrait (12.5 x 8 cm), captioned 'Sir Henry J. Wood'). Bold signature in bottom right-hand corner of photograph: 'Sincerely yours | Henry J. Wood'.

On one side of a piece of light-brown laid paper, dimensions roughly 240 x 125 mm. Text clear and entire, on lightly creased paper with chipping, short closed tears and loss to extremities. Crudely printed. A thirty-two line poem, arranged in four four-line stanzas, each with a different chorus. An excessively scarce piece of music hall ephemera. No other copy of this particular item, possibly produced for distribution to Hurley's music hall audience, is present on COPAC or anywhere on the web.

On one side of a piece of wove paper roughly 220 x 280 mm. Good, on lightly aged and creased paper, with a few short closed tears to extremities. Cheaply but effectively printed in a variety of point sizes. Reads '£1 REWARD | LOST, on Monday Evening, December 16, either on the Motor-bus between Oxford and Witney, or in Witney, A Lady's Gold Wrist-Watch & Bracelet | Engraved on the back, P.E.B., Dec. 28, 1921. | A Reward of £1 will be paid to anyone bringing the same to the Police Station at Witney, or to the County Police Station, New Road, Oxford.'

8vo: [viii] + 265 + [ii] pp. Printers slug on page following 265, followed by a full-page advertisement by Harrison Hall, Philadelphia, and Collins & Co., New York, for 'Wilson's Ornithology', dated 'Philadelphia, July 1832'. In original brown paper boards, with brown cloth spine carrying white printed label. Tight, but in poor condition, with light spotting and damp-staining. Unobtrusive repair to closed tear on reverse of title-leaf. Ownership inscription of Joseph Malcomson (mill owner of Portlaw, County Waterford) to rectos of first four leaves, including title.