DRAWINGS

16pp., 4to. Unbound and unstitched pamphlet. On aged and worn paper. The first page has the Wesley stamp, and is headed 'Specimen Of First Seven Plates' It also carries nine lines describing the 'object of the author'. The seven plates are accompanied by captions, and there is also an explanation regarding them.

The signature 'Louis Haghe' on 0.8 x 5 cm. piece of grey paper, evidently cut from a letter. In good condition, close cropped and lightly aged.

The three items in good condition, on lightly aged and worn paper. ONE: 4 April 1858. 2pp., 12mo. Bifolium. Addressed to 'Mr. H Moore | Messrs. Gambert & Co.' Regarding the financial arrangement surrounding his engraving 'The Miller's Daughter'. On the subject of 'the two repayment bills', he would 'rather not part with £50.00 for some two or three months to come'. TWO: 11 December 1858. 1p., landscape 12mo. Directing the firm to give the bearer 'six (6) Artists Proofs of Millers Daughter -, which I long since promised to the owner of the Picture'. THREE: 24 December 1860. 2pp., 12mo.

8pp., 12mo. Stapled. Heavily aged and worn. A trim little catalogue, with 158 books described on the first seven pages, and the last page devoted to prints. Beneath the drophead title: 'Post Office Orders to be made payable at High Holborn. | No books or prints sent on approval.

A feature of Brett-James's well-received war memoir 'Report My Signals' (1948) was the fifteen reproductions of his pencil drawings of Indian men who served under him, the originals of which are present here, together with a further fifty. These indicate Brett-James's skill at conveying character in well-executed pencil sketches. The sixty-five black-and-white pencil drawings in this collection are in good condition, on lightly-aged paper with occasional creasing. They consist of: ONE. The original fifteen portrait heads of men of the Fifth Indian Division reproduced as illustrations in RMS.

A feature of Brett-James's well-received war memoir 'Report My Signals' (1948) was the fifteen reproductions of his pencil drawings of Indian men who served under him. None of the portraits present here feature in that book or have been reproduced elsewhere, but those published in the book give an excellent idea of Brett-James's skill at conveying character in well-executed pencil sketches. The nineteen drawings in this collection are all in good condition, on aged paper, with occasional light creasing. Eleven are in 8vo, and eight in 12mo.

A feature of Brett-James's well-received war memoir 'Report My Signals' (1948) was the fifteen reproductions of his pencil drawings of Indian men who served under him, the originals of which are present here, together with a further fifty. These indicate Brett-James's skill at conveying character in well-executed pencil sketches. The sixty-five black-and-white pencil drawings in this collection are in good condition, on lightly-aged paper with occasional creasing. They consist of: ONE. The original fifteen portrait heads of men of the Fifth Indian Division reproduced as illustrations in RMS.

Printed in black on one side of 13.5 x 18.5 cm card. Plate dimensions 11.5 x 16 cm. Aged and spotted. An attractive and elegant production with both illustration and text engraved. The illustration, with engraved signature of 'E Marolda' shows six putti playing with a string of foliage, with one in the bottom left-hand corner swathed in ribbon and standing beside an architectural feature. The text reads: 'Les Muses réunies prient ['Mr. George Bodleys' inserted in mansucript] de vouloir bien honorer de ['sa' inserted] presence le nouvel atelier de Sigr.

Both the engraving and the letter are in good condition, on lightly-aged paper. ENGRAVING: Dimensions of image: 5.5 x 9 cm. Dimensions of paper: 12 x 18 cm. In black ink. The coffee house, with signage, is shown behind an old stone wall, in front of a country house. It is built like a barn with a taller structure beside it (possibly a reading room). LETTER: 2pp., 12mo. Bifolium.

12 x 8.5 cm. Bifolium. Printed in red and black on thick watermarked deckle-edged laid paper. In good condition, on lightly-aged paper. Engraving in black ink on recto of first leaf, incorporating the words 'Rowfant Club' and '255 Erie St', showing a back-view of a man in a chair seated at a table, spreading open a large volume containing ''BOOK-PLATES'. Text on recto of second volume, printed in black and red, with the printed words 'Compliments of' followed by the autograph signature of 'F. H. Baer'.

Printed in black on one side of a 12.5 x 16.5 cm piece of card. A charming image, framed within the drawn curtains of a theatre stage, showing four snowmen, dressed as toff in top hat, flat-capped figure with spade, lady with shawl and umbrella, and bowler-hatted figure with muffler and broom. At head of image 'A Merry Christmas', and at foot, 'from E. V. & Mary Knox'. In blue ink in border at foot of page: '110 Frognal. N.W.3.' and 'Hampstead 7330.' Mary Knox's father E. H. Shepard was the illustrator of the Winnie the Pooh books.

4pp., 8vo. Bifolium. Disbound. A frail survival, on aged paper, with chipping to gutter and extremities.

An attractive and unusual item, and extremely scarce: no copies recorded on either OCLC WorldCat or COPAC. Engraved print in shape 11 cm diameter circle, carrying text and numeration, attached to printed 8vo leaf and superimposed on matching circular print with months and further numeration, to make a calculation tool. At head of page, beneath title and above wheel: 'To find the SUNDAYS that depend on EASTER day.

A scarce and unusual item. On one side of a piece of 11 x 15 cm paper. Laid down on 13 x 17 cm paper backing. Aged and creased, with three evenly-spaced vertical folds. The illustration, at the centre of the ticket, is captioned 'MISCUIT UTILE DULCI', and depicts two naked cherubs, one with a Mercury helmet, playing with books and lyre. Beneath, in small letters, 'E. F. Burney del.' and 'F. Bartolozzi sculps.' To the right of the engraving is a crested seal in red wax. Above the engraving: 'BRANDENBOURG HOUSE MASQUERADE | Monday the 24th. of February at Eleven o'Clock'.

Eight witty and attractive caricatures, in a sub-Punch style. All eight in good condition, on lightly-aged paper. Each in black ink on a separate piece of paper, five of them 33.5 x 21.5 cm, and three of them 21 x 17 cm. The context of the caricatures is at present obscure, but would undoubtedly make itself clear with specialist research. The five largest illustrations are: ONE: Caption: 'Please to remember | The twenty-seventh of November | The "Bilk-Powder" treason and plot'.

Full title: 'A Catalogue of Engravings, by the most esteemed Artists, after The finest Pictures and Drawings of the Schools of Europe; Systematically arranged under the painters, and by Index to the Subjects: Accompanied by a List of Works in Progress, or recently completed: And also of various Books of Prints, Forming part of the stock of Moon, Boys, and Graves, Printsellers to His Majesty, And Publishers of Works of Art. No. 6, Pall-Mall.' viii + 214pp., 8vo. In original quarter-binding of grey printed boards and black leather spine.

On 4 x 14.5 cm slip of paper. In fair condition, placed in a windowpane frame, on leaf removed from album. In good condition, on lightly-aged paper, in creased mount. Reads: 'Augst. 23: 1783 Recd. of Mr Boydell Twelve Pound's [sic] on Account | Robt. Dunkarton | £12: 0: 0'. On the reverse is a receipt signed by a 'Jno Harley'. For more information about Dunkarton and Boydell, see their entries in the Oxford DNB.

The two engravings in good condition, with light signs of age, and with 'A Faint Impression' with some offsetting in light pink (not entirely displeasing). Both headed above the image 'Casualties of London Street Walking', with the title and publication details below the image. ONE: 'A Faint Impression.' Dimensions: image, 23.5 x 18.5 cm; plate, 27 x 20 cm; paper, 29 x 22 cm.

Both in the same style. ONE: 'Cheap Meat.' Dimensions: paper 25 x 29.5 cm; plate 22.5 x 27.5 cm; image 18.5 x 23.5 cm. In good condition, lightly aged and worn, with slight discoloration to corners from previous mounting. Beneath plate: 'W. H. Pyne delt.

In good condition, on lightly-aged paper, with discoloration to the reverse showing through slightly at corners. Dimensions: paper 23 x 32 cm; plate 20 x 30 cm; image 15 x 23 cm.

On piece of 12 x 22.5 cm paper. In good condition, on lightly-aged paper. Mounted on backing paper. An amusing and attractive engraving, in an English caricature style, the significance of which is now unclear.

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper. He has been 'asked by a gentleman who called here to advise you of publications after Albert Moore &c', and lists five engravings, with prices, the last being, for five guineas, 'a very fine work after <?> etching "A Christmas Carol" | Artist proof on vellum'. He also draws the recipient's attention to 'Phoebe Sir Fredk Leighton cut of which I enclosed'.

Printed in black on one side of piece of 33 x 20 cm thick paper [full page containg image, 20 x 13cm]. Dimensions of print 23 x 13.5 cm [largest image in book, 15 x 9.5cm] . In good condition, on lightly aged and creased paper, with slight foxing.

Dimensions of etching 13 x 9 cm. Dimensions of plate 14.5 x 10.5 cm. Dimensions of page 32 x 25.5 cm. The image itself in excellent condition, the borders aged, with wear and closed tears to extremities.

Dimensions of engraving 12 x 10cm. Paper size 24 x 16cm. Mount size 50 x 34cm. In fair condition, lightly aged and worn, with no foxing. Card mount with light spotting and wear to extremities. No engraved text whatsoever. Stocks has written in light pencil at the foot of the paper: 'Chas. Dickens | Painted by D. Maclise R.A Engd. by Robt. Graves ARA'. Surprisingly scarce.

Four charming and amusing cartoons from Punch's golden age. All four are executed in a similar style, but the identity of the cartoonist or cartoonists is unknown. (The first of the two cartoons in Item Two below, as published by Punch, has the monogram signature 'F C' engraved in the bottom right-hand corner. No Punch cartoonist with these initials is apparent.) ONE: Captioned: 'Another Brilliant Idea, Only Brillianter!' 21 x 13.5cm. In good condition, on leaf of browned high-acidity paper torn from a notebook. Two men idle in a punt while two women hold up sheets.

Simpson was a native of Carlisle in Cumbria, and came to London in the early years of the twentieth century, where he was encouraged by Frank Brangwyn to take up etching. In 1918 he was made official artist with the new Royal Air Force. The National Portrait Gallery has eight of Simpson's works, but none of the present six, which are all in the style of the artist's portrait ('ink, irregular') of the Earl of Halsbury, present in the Gallery's collection.Each of the six caricatures is printed in black within a 17 x 12 cm border.

24pp., 4to, paginated 71-94. In brown wraps, printed in black and brown, with illustration by P. Ruty on the cover. Bifolium of advertisements (4pp., 4to) loosely inserted between cover and first leaf. In fair condition, with the first page browned by the loosely inserted advertisements. Wraps (stamped 'Spécimen') chipped and worn. The article on Legros covers pp.71-79; and the Beardsley obituary is on p.90. Also present is a seven-page article (83-89) on 'Murailles'by E. de Crauzat.

On one side of a piece of paper, roughly 28 x 21.5 cm. On aged and worn paper. The engraving, roughly 11 x 13 cm, placed at the head of the page, is a head and shoulders portrait of Hampe, depicted in an oval frame, with inscription in Greek wound round a staff with snake (recalling the rod of Asclepius) and laurel sprig. Kauffmann's name engraved at bottom left and Burke's at bottom right. Beneath the engraving is a 27-line inscription beginning: “IOHANNES HENRICVS HAMPE | SIEGENA-NASSOVICVS | MEDICINAE DOCTOR DVISBVRGENSIS CLIVORVM'.

BBTI has Walton trading between 1647 and 1688. Both prints roughly 17.5 x 12 cm. Both in fair condition, on aged paper. The first - 'IULIUS CESAR I' - has a rough edge on the right and a trimmed edge on the left. It shows Caesar in martial dress on horseback, beneath which: '

rinted and Sold by Rob: Walton at the Globe <...> the West end of St. Pauls Church turning to Ludgate | ow sold in Bow-Church-Yard.' At the foot of the engraving is a six line poem, beginning 'By ciuill wars unto the Empire came'. '151' in bottom right-hand corner.