THEATRE

4to, 1 p. Twenty lines. Text clear and complete. On aged and lightly-creased paper. Responding to 'the kind note of his esteemed Country woman Mrs. Wallack'. He is 'gratified to learn, that Mr. Wallack will present to the Parisian public representations in the English language, of the best of our Tragedies & Comedies'. He wishes the Wallacks 'the most complete success, and will with pleasure attend the performances, when his health will permit him & his family to do so'. Two of Mason's family will take up Wallack's offer of tickets for the opening.

12mo, 2 pp. On bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. Part of the leaf to which the item was attached in an autograph album adhering to blank part of reverse of second leaf. 'Miss Cross' has written to him again, 'desiring me to use my influence in obtaining an engagement for her. - She states she is "quite disengaged now" '. Sothern states that when she made a similar request on a previous occasion 'there was some little misunderstanding', so he considers it best to 'drop you a line'.

All four items good, on lightly aged paper. Two of the five leaves have small dog-ears to corners. Goodman has done his accounts on the blank reverse of one leaf. An important collection, in which the most important British post-war play agent reveals, in entertaining and increasingly-brusque terms, the criteria by which she judges scripts. Goodman was hailed by Jacques Barzun as 'the greatest living master of true-crime literature', but his first love was, as his obituary in the Daily Telegraph (16 January 2008) states, the theatre.

Dimensions 25 x 20 cm: [ii] + 87 pp, all on rectos. Bound in stained yellow wraps, with black tape spine. Well-thumbed, but in fair condition internally, tight, clear and complete. The names of the eight actors are added in pencil in the list of characters. In the first six cases only the christian names are given ('Dracula' is given as 'Alan'), but 'Professor Abraham van Helsing' is played by Andrew Turner, and 'Lucy Westenra' by Jannina Tredwell (who featured in a 1974 revival of the musical 'Hair').

On one side of a piece of laid paper, 25 x 17.5 cm. Text clear and complete. Aged, foxed and creased. Giving casts of the two plays (the first headed by 'Mr. Waddy' as 'Twineall'; and the second by 'Mr. Inchbald' as 'Don Antonio'. After the first cast list: 'End of the PLay, an Address in the Character of The Genius of Charity. To be spoken by Mrs. Sharpe.' At foot: 'Tickets too be had at W. Keymer's Printing-Office; and Places for the Boxes may be taken at the Theatre from Ten to Twelve o'Clock each Day.

Around 140 items, laid down on 53 pp of a contemporary 37 x 25 cm stapled scrapbook. In original red and orange wraps, with 'Edinburgh Festival 1958' in manuscript on front cover. The collection is in good condition, on lightly-aged paper, with occasional items a little discoloured from mounting. The scrapbook itself is slightly grubby and ruckled. Collected by Victor Conn of Eltham, London, who was presumably responsible for the neat captions to some newspaper cuttings and other items.

On a piece of paper 6 x 14 cm. Laid down on part of leaf from autograph album. Good, on lightly-aged paper. Evidently in response to a request for an autograph. Good firm signature, with looped underlining. Reads: ' "We take the compositions as they are" | "Our Bazaar" | [signed] Albert Chevalier'. Chevalier's song 'Our Bazaar' was hugely popular. The published version (1894) gives the authors as Chevalier and Brian Daley, but the British Library ascribes it to John Charles Bond Andrews.

On fifty-seven pages, in a notebook of forty leaves (eighty pages). Dimensions: 20 x 16 cm. In red card covers with 'THEATRES' in manuscript on front. Pages aged and ruckled, with a little damp staining at rear (not affecting any of the ephemera) and a small amount of loss to a corner of the rear cover, but in fair condition overall. The first page, signed 'R. J. Olive', with title 'London Theatres'.

Both items in fair condition, on lightly-aged and foxed paper. Letter One: 12mo (15 x 10 cm), 1 p. He thanks him 'for the Tickets': 'we are looking forward to seeing you act. I shall be very pleased to come to smoke a cigarette after the first act off the Duel.' ('The Duel' was produced at the Garrick Theatre, London, in 1907.) Letter Two: 12mo, 2 pp. He thanks him 'for the excellent evening you gave me at The Coronet the other night. | The Incubus is an admirable play, and admirably acted.' He hopes France 'had a good week of it': 'I told innumerable people not to miss it.'

Printed on one side of a piece of wove paper, 32.5 x 24 cm. Text clear and complete, on aged paper with chipping and closed tears to edges. The only copy of this title on COPAC is at the British Library (folio, 4 pp, published by Zenas T. Purday), where it is ascribed to Blewitt and tentatively dated to around 1850. Six eight-line stanzas with chorus 'Jump high, jump low, jumping we go.' Possibly written with satiric intent.

4to, 28 + [iv] pp. In original buff printed wraps. In fair condition, on lightly-aged paper, with rust to staples causing detached covers. Nicely printed. Advertisements on the last four pages and three sides of the wraps.

4to, 24 pp. With four pages of illustrations (by J. B. Yeats, Charles Shannon, Sean O'Sullivan, Max Beerbohm and Edmund Dulac). Stapled. In original grey printed wraps. Aged and dog-eared, in worn wraps. The introduction, by 'L. R.', explains that 'THE ARROW is an occasional, a very occasional, publication by the Abbey Theatre. Only four numbers of it have appeared, two in 1906, one in 1907, 1908 and 1909.' Essays by John Masefield ('William Butler Yeats'), F. R.

4to, x + 64 pp. In original grey printed wraps. In fair condition: on aged paper, with slightly dog-eared with a little creasing and a couple of short closed tears at rear. In lightly-worn wraps. Becker's introduction to 'Diarmuid and Grania', dated 'Oxford, November, 1950', covers pp.1-4, with the play itself on pp.5-41. This is followed by 'Dramatic Commentary' (not on the play) by A. J. Leventhal on pp.42-44, 'Art Notes' by Edward Sheehy on pp.45-46 and book reviews on pp.47-64.

4to, 8 unpaginated pages. In original grey printed wraps. Text clear and complete. Neat vertical fold. On worn and foxed paper, with rust to staples and slight wear and chipping to wraps. The second of the five issues to appear in Yeats's lifetime. (In the 'W. B. Yeats Commemoration Number' of Summer 1939, 'The Arrow' was described as 'an occasional, a very occasional, publication by the Abbey Theatre', with only five numbers to have appeared up to that point: 'two in 1906, one in 1907, 1908 and 1909') Contains three articles signed 'W. B.

8vo, 72 pp. Stapled and unbound. Complete. On aged paper. The outer leaves are worn and coming apart at the spine. Otherwise the item is sound and tight. 1976 items. Items 783 to 883 concern 'the Bacon-Shakespeare Controversy'. Items 888 to 893 are 'Books from the Library of the late Dame Ellen Terry.' ('Only a few Books from her Library were sold, and Association Books are very difficult to obtain.'). Items 894 to 982 are 'Books on the Drama and Shakespeare, from the library of Henry Arthur Jones'. Items 983 to 1976 are 'Books on the Drama'.

12mo, 1 p. Fair, on aged paper, with traces of previous mount adhering to the corners of the blank reverse. Of course Hollingshead should 'wait till the last night of "used up" ' before writing to Mathews, who has 'hunted up Buckstone - hunted up Turpin - but in vain. Not a box to be had'. He has sent 'the best I could get': '3 Dress Circle to Mrs Smiles with "Mr Hollingshead's best compliments." '. In a postscript states that if Hollingshead wants 'a box for the "Overland Route" before the last night' he will be 'too happy'. 'There is always a run on last nights.'

Two vols, hf-lea, one 4to the other 8vo, title "Newspaper Cuttings on front of one, "Cuttings" on spine of the other, boards bumped and bent but mainly good condition, 112pp. and [160]pp, vast majority of items, some substantial and folded, laid down and with a neat statement of the newspaper source and the date. The Names "Milner & Storey" and "Dulcie Milner & George Storey" are written attractively at the beginning of the volumes. The record, charting the theatrical careers of the partnership in great detail, was obviously a labour of love (self-love?).

One page, quarto. On paper discoloured with age. Attached along one edge of blank verso to card mount. Reads 'To simply tell you that your work is good would be putting it mildly. Things that I have heard all about me as I sat and watched the performance for the first time, from a loge seat, if you heard them, make [sic] you very very happy. | Your appearance is majestic; your enunciation beautiful; your reading and interpretation a delight. I cannot tell you how proud I am of you.

LETTER: One page, quarto. Somewhat aged and creased. An attractive item in Carter's disciplined calligraphic hand. A damning assessment of Craig's son Edward Anthony Craig ('Edward Carrick', 1905-98). '[...] If you know him, you presumably also know what you are taking on! We had some dealings with Teddy over possibly printing old EGC's engravings of Robinson Crusoe, but Teddy sold them, [...] My impression is that the old rogue manufactured archives in order to sell them to someone - preferably twice.

One page, 12mo. Very good. 'Do forgive my delay. I had lost your letter!'

4to, 1 p, 17 lines. He 'deeply appreciate[s] the spirit undlying the contents' of Cavangh's letter, which he found waiting for him on his return the day before 'after attending our beloved late King's Funeral'. 'As you say, the sword and scabbard must have belonged to my great Grandfather, the 4th Earl of Aberdeen, who was Prime Minister during theh Crimea War by the express command of Queen Victoria. He accepted the Premiership on the condition that he should be allowed to resign at the conclusion of the war.' Suggests a meeting in Aberdeen.

On a leaf of pink paper, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. The score, on the recto, consists of eight grand staff bars, titled 'St. Andrew | A + M 403. | Jesus calls us; o'er the tumult | E. H. Thorne'. The score is folowed by the signature 'A. E. Thorne | 30th. Aug 1929.' The autographs, on the reverse, read 'Yours Very Sincerely | Russell Thorndike. | (Death in Everyman.) | Grey Friars Mar. 1929.' and 'Harry Alfred Harding | June 1. 1929.' Thorne was a leading figure in the late-Victorian Bach revival. Thorndike was the detective novelist.

From the collection of Alec Clunes, who performed as Don Juan in this excerpt from 'Man and Superman' ('Don Juan in Hell') at the Arts Theatre Club in 1946. Carbon copy of typescript by May Hemery Ltd, paginated 1 to 60, on the rectos of sixty leaves, preceded by title leaf ('Excerpt from Act Three | "MAN AND SUPERMAN" | By | BERNARD SHAW'. In original blue paper wraps, with yellow tape spine and label on front wrap. Grubby and worn, and with light staining to wraps, but tight, complete and clear. Numerous manuscript stage directions, mostly on the facing versos.

4to: 1 p. Text complete and clear, on aged, spotted and lightly-creased paper. He has exchanged letters with 'Mr Morell' 'with reference to "Faust up to Date" ', but does not believe any contract has yet been arranged. He does not have a copy of 'the Score and Band Parts': 'I should say Mr Geo. Edwardes or Mr Meyer Lutz has these.' Sims co-wrote 'Faust up to Date' with Henry Pettitt. The music was by Lutz. It was produced by Edwardes, and first performed at the Gaiety Theatre, London, on 30 October 1888.

On piece of laid paper (roughly 13 x 11 cm). Aged and chipped. Reads 'Yours truly | Frank Barrington Foote'. Chipping to the outer edge, very close to the last couple of letters of the signature. Foote, who frequently sang with Adelina Patti at Covent Garden, ended his days destitute in New York City.

12mo: 24 pp. In original pink printed wraps: the front wrap bearing the title; the recto and verso of the rear carrying newspaper reviews of works by 'Scribble'. Stitched. On aged and spotted paper. Wraps heavily worn. A worn presentation inscription can be made out at the head of the title: 'Dr <?> With the Authors Best regards'. Pp.1-2: Introduction and Author's Preface (the latter dated 'Dublin, May, 1864.').

Landscape 12mo: 1 p. Headed 'Stage and Film Decor.' He thanks her for her letter of 4 November. 'I eagerly await book. If you could spare me more than one [last three words underlined] I should be appreciative.'

Thirty-six weekly issues. As poster, c.29 x 39cm, fold marks indicate possible use as a brochure, good condition. Information given on verso: Theatre, Nearest Tube, Eves. & Mats, Play, Description of Play. At the bottom information about "Official Ticket Agents for All London Theatres" and a line encouraging smoking (especially Abdullas). Information given on recto: Garges in Theatreland, Contractors to West End Theatres, the title "page", and two columns of "Theatre Notes". The only MS. annotations are: Issue for 2-7 Jan.

Two programmes, one made of silk or satin (1832), the other paper (1834), former worn at blue edges (main body cream, discoloured to yellowish, fold marks, 2 pinholes and one small hole, c.20.5 x 24cm, latter in good condition, fold marks, c.18 x 22cm. The former announces a production of "The Popular Farce of THE LIAR!" and "the Afterpiece of The Day after the Wedding, or, on 9 January 1832, the cats mixing professionals (Mr Abbott, Mr. Mildmay, Mr Balfour) and amateur (members of the Russell Family). The "Manager" adds a few words, including a special mention for Mr Balfour.

The collection is in good condition, with items on lightly aged and creased paper. Letter One (12 September 1951, Onslow Gardens; 12mo, 1 p, in envelope): As Kyrle Fletcher 'may have seen', Speaight is engaged in a biography of William Poel, and is 'anxious to trace the letters he received from Shaw & which were sold about 1930'. Kyrle Fletcher has docketed the envelope with a precis of his reply. Card (postmarked 14 September 1951): Thanking Kyrle Fletcher for his 'letter & most useful suggestions'.