STAGE

The Campaign of Actors for Sunday Theatres appears to have been active from January 1943 until at least 1944, with the actor Alec Clunes as Honorary Treasurer. The fourteen items in this collection are in good condition, on aged paper, in a beige card folder carrying the title 'LIST OF 213 CELEBRITIES'. [NB. While the first item described below is likely to be, as its title states, the work of Noel Coward, one other item at least in this collection (present in two versions as nos.

A good, firm signature, written on one side of a rectangle torn from the base of a letter, roughly 15 x 20cm. Aged and little creased. Written while Kean was on an American theatrical tour, the fragment reads 'I remain, | Yours truly | [signed] Charles Kean | Aster House | 9th. June | 1846.' In pencil on the reverse: 'Presented by A. Bassler'.

Landscape 8vo album with 82pp. on 73 leaves of different coloured paper in original cloth. Aged and loose, in worn binding. The autographs are mainly theatrical, and although lacking any first-rate actors, provide a tantalising glimpse into a lost world. Laid down are signed postcards from.Stella Gastelle, Ethel Ward and Ben Albert ('To Miss Rothsay | Best Wishes from her Dad's Pal Ben').

1p., foolscap 8vo. Stained, worn and creased, but a unique memento of a Newcastle institution and Grade I listed building, founded in 1867 as the Tyne Theatre and Opera House, and now bearing the euphonious name of the Mill Volvo Tyne Theatre.

The letterhead includes a facsimile of Sims's signature. Six lines, on one side of the card. Addressed at foot to 'Thos Hutchinson Esq.' Fair, on aged paper, with strip of gummed paper from mount at head of blank reverse. He sends 'a thousand thanks' for Hutchinson's 'kind letter on Sep 2', which he would have answered earlier, had he not been 'away at Liverpool'. He concludes: 'Your good wishes lay upon my table to welcome me home.'

1p., folio. Fair, on lightly-aged paper; with staple- and punch-holes in left-hand margin. Docketed in pencil, at head 'file Oliver MESSEL', and at foot '2/XII/52'. He thanks him for 'your charming messages [...] about the designs for the Glyndebourne brochure', which were 'given me by Vagn' (Messel's partner Vagn Riis-Hansen). 'For the one design ie.

Letter: 1p., 12mo. On letterhead of 12 Sunderland Terrace, London, printed in orange with orange border. Good, on lightly-aged paper. He states that his daughter Nelly (1904-1975) has given him her bookplate block 'to get printed for you'. He quotes prices for 100 and 300 prints, 'only to old friends so please dont tell anyone else!! If you will just let me have a P.C I will get them done in two days.' Nelly has also told him that Mrs Dryhurst's husband Alfred Robert Dryhurst (1859-1949) 'wanted to know my price for a bookplate (but perhaps she got that wrong) anyhow I generally charge £10.

2pp., 12mo. Good, on lightly-aged paper, with a couple of unobtrusive creases. 'We shall be very pleased to come to tea with you on Sunday - I hope you will not mind if we are a little late - I shall be so glad to see Mrs. Arkwright also. With kind regards and many thanks | Believe me | Yours very sincerely | [signed] Emma Albani Gye'.

2pp., 12mo. Bifolium on mourning paper watermarked 'JOYNSON | 1874'. Good, on lightly-aged paper. The letter, signed 'George Rose', covers both sides of the first leaf, with the following written lengthwise on the recto of the second leaf: 'Yrs very truly | [signed] Arthur Sketchley'. He informs Frith that the 'long impending blow has fallen' on him, and that his 'very dear brother died on Wednesday last & will be buried tomorrow'. He would 'willingly send on some autographs', but cannot lay his hand on any. 'I am sorry to be able only to send as pr opposite page', i.e.

Printed on one side of a piece of laid paper 28 x 23.5 cm. The hand-coloured engraving (showing Mathews in riding garb with long whip in foreground, and a coach and four in the background) is 16 x 22.5 cm. Fair, on aged paper, with wear and slight loss to extremities (not affecting the engraving or text), and the reverse showing signs of removal from an album. Above the engraving are the words 'BANG UP - RANDOM, OR TANDEM.' and beneath are the publication details, followed by the full title: Some Push Along With Four In Hand, While Others Drive At Random. Written by J.

1p., 4to. On aged paper. Printed in block capitals at head of letter: 'Experienced actor-dramatist and film adapter. Author of plays and films produced in England and America. Expert in "Dramatic Construction" gained in years of practical experience on the stage, and in films. Adapts stories to the talking films, the bigger the story with opportunities of being developed on a large scale, the better.' Addressed to 'Commander L. A. da Costa Ricci | Naval & Military Club, | 94 Piccadilly | W'.

Black and white photograph. Dimensions 15.5 x 21 cm. In good condition, with slight wear to edges. Head and shoulders studio shot of a fresh-faced Rogers, looking slightly upwards with enigmatic half-smile. Caption, at foot, reads, 'To Titania from her loving Bottom.' Rogers acted in several of Jill Balcon's father Michael's films.

4pp., 12mo. Bifolium. Good, on lightly-aged paper. The first page headed 'Act III', and the whole tightly-written and filled with deletions, interpolations and marginal notes, providing a valuable insight into the creative process of one of Victorian England's most successful dramatists. The last page breaks off: 'Handeside confesses his own desperate attachment. Markham <...>'. 'A Sister's Penance' was a great success, with 83 performances at the Adelphi between 26 November 1866 and 2 March 1867.

4pp., 12mo. On aged paper, with minor traces of gum from mount. Taylor begins: 'My dear Charles Neville | I was glad to receive your letter, for it showed that the seed I had taken pains to sow had not fallen, as most seed so sown in the theatre does fall, upon an ungrateful soil.

4pp., 12mo. Bifolium. Good, on aged paper, with remains of stub along one edge. Written in a difficult hand. Taylor begins: 'Dear Mr Mewburn, I shall not be at Sessions [as a barrister on the northern circuit] any more. I have just accepted an appointment as legal Assistant Secretary to the Board of Health, and I enter on the duties of the place on Monday. The salary is £500 per: an: to begin with, with the prospect of increase.

3pp., 8vo. Bifolium. Good, on lightly-aged paper, with remains of stub along one edge. Second leaf inserted into a paper windowpane mount. Written in a hurried and difficult hand. Taylor writes that he wishes to have a portrait put into a case 'by the workman you employ for such work'. He gives instructions, concluding 'The portrait I think the most satisfactory that has yet been taken of me.' The National Portrait Gallery possesses an albumen carte-de-visite of Taylor ('1864 or before') by John & Charles Watkins.

3pp., 16mo. Bifolium. Fair, on lightly-aged paper, with traces of previous mounting to the reverse of the last leaf. Horne writes that he is enclosing a copy of his play 'Gregory VII' for 'Mr Chas Kemble'. 'I have not written his name in it, because as you were so kind as to interest yourself in the matter, I thought I would leave it in your hands so you may give it him; or say you asked me for a copy for the purpose, or say nothing - or anything. Isn't this a fine mode of expressing my confidence in your judgment?

2pp., 12mo. The letter is on the recto of the first leaf of the bifolium, with the list, in three columns, on the recto of the second. Fair, on lightly-aged paper. Dibdin reminds Davidge that at his 'first Anniversary Dinner' he expressed a great wish to serve Dibdin by his patronage, but that 'absence from Town' prevented him. 'The Company were so well pleas'd that each present sign'd a Paper to come again - it is now fix'd for my Birthday (the 21st. Inst) and I take the freedom of enclosing you a List of the Patrons in the Hope I may be allow'd to add yours and enclose you a Ticket'.

2pp., 4to. Good, on lightly-aged paper. Divided into eight four-line stanzas, each with the same two-line refrain. The first stanza: 'Fashion was formed when the World began, | And Adam I am told was a very smart man, | As for Eve I shall say nothing more or less. | |But that Ladies of Fashion now copy her dress. | Yet barring all pother of this that & tother we all bow to Fashion in turn'. Containing witty references to the fashion for hunting boots and crops, New Bond Street, Tudor and Stuart clothing, Whigs and Tories.

4pp., 4to. Bifolium. Good, on lightly-aged paper. Addressed on the reverse of the second leaf to 'T: P: Cooke Esqre | Royal Coburg Theatre', with two postmarks. The two men do not appear to have been related. TSC requests TPC's 'friendly interference to endeavour at getting from Mr.

3pp., 12mo. Good, on lightly-aged paper. Blanchard and his wife 'very seldom go out of a Sunday but should the weather be at all favourable' they will 'make a vigorous effort to avail ourselves of the strong temptation you have so kindly thrown in our way'. They will be 'quite content with an afternoon ramble in your beautiful garden and a chat with dear Mrs. Keeley'. He is sending 'impromptu lines written by my father nearly a Century ago' (not present) that he believes ought to be in Burgess's possession 'as a double ancestral inheritance'.

1p., 4to. 15 lines. On aged and worn paper. The letter reads 'Dear Sir/ | A general meeting of all the Dramatic Authors will take place at the Garricks head in Bow Street on Monday nexxt at One o'Clock.

3pp., 12mo. Fair, on aged paper. Mathews begins by quoting contradictory passages from letters of Charles Mathews, one from Mrs Mathews' 'Memoirs of Charles Mathews, Comedian' (1839) and the other from Bunn's 'The Stage: Both before and behind the Curtain' (1840). Regarding a performance in Dublin in 1811, the letter Mrs Mathews quotes complains that, although Mathews had been led to believe

On one side of a piece of laid paper, approximately 11.5 cm square. Minor traces of glue to corners on the reverse. Good, firm signatures, provided for an autograph hunter. The husband signs first: 'Charles Kean | Friday | 25 June 1852'. Beneath this is the wife's signature: 'Ellen Kean'.

1p., 12mo. Good, on lightly-aged paper, with negligible glue from previous mounting to the corners of the blank reverse. The letter reads: 'Sir, In reply to your note, I write to say that as it is not my intention to close the Princess's Theatre during any portion of Lent, it will not be in my power to avail myself of your offer.'

3pp., 12mo. 37 lines. Fair, on worn and discoloured paper. An interesting letter, casting light on the relationship between two great actors who, according to the Oxford DNB, 'disliked but respected each other'. Macready is not named, but Young ends by sending his 'Kind Comts to Mrs Macready'. Macready had taken over at Drury Lane on 4 October 1841, but the season would not begin until 27 December. The letter begins 'My dear Sir!

All three items are on stubs, within a card wallet. All good, on aged paper. Letter One: 'Weston Green 10th: July'. 1 p, 4to. On bifolium, with verso of second leaf addressed to 'Mr: Whitaker | St: Pauls Church Yard | London', with two postmarks (one 'KINGSTON - T | 12'), and docketed 'Mr; T.

A total of 8 pp, 4to, all on Palace Court letterheads. Dent's notes both signed 'Jock Dent.', and the copies both signed 'James Agate'. Two important, energetic and vivid letters by Agate, totalling 6 pp, 4to, defending Coward's play and his position on 'the intellectual and the popular', against the 'pseudo-intelligentsia' of the barristers Shearman and 'Jack' St John Hutchinson (1884-1942).

Fair, on lightly-aged paper. The publicity photograph of Mrs Patrick Campbell, : Roughly 10.5 x 13 cm. Printed in green. Depicts her leaning forwards, with neck and forearms exposed. Across the foot she has written: 'Beatrice Stella Cornwallis West. | (Mrs. Patrick Campbell)'. Laid down on a leaf from an autograph album, on the reverse of which is Kubelik's signature: 'jan Kubelik | 25.XI.1921'.

Printed for display, on one side of a piece of paper 24.5 x 49.5 cm. Text clear and complete. On aged and creased paper, with one closed tear and bottom right-hand corner lacking, causing slight loss to the last letter of Mathews' name at foot of document. Heading in bold type in a variety of point sizes. Giving a 'brief statement of my fourteen years' struggle and of my latest difficulty'.