ROYAL

Not only an interesting item of sigillography, but also a nice item relating to Victorian philanthropy. Eight red wax seals and two black, of varying sizes. Laid down in three rows on reverse of 15 x 11 cm card, tastefully printed in blue, red and gold, with facsimile of the signature of the Secretary, S. J. Aldrich. Originally ten seals were present, those that remain in good condition, most with good impressions of crests.

Ticket, 18 x 13cm, very good condition, remnants of laying down on reverse, commencing The President and Council of the Royal Horticultural Society request the pleasure [...] See Image. Sir William Thiselton-Dyer was a leading British botanist, and the third director of the Royal Botanic Gardens, Kew.

Despite the fact that Reynolds and Crookes’s X-ray apparatus is now in the Science Museum at South Kensington, Reynolds has no entry in the Oxford DNB, although Crookes’s entry can be consulted. The two items are in good condition, lightly aged and worn. Both folded several times. Both 1p, 4to, and both signed ‘Russell J. Reynolds’. ONE: Addressed to G. K. Menzies of the Royal Society of Arts. With recipient's red pencil tick.

See image. It is hard to see how this collection could be bettered, the range of signatures from sanity to madness being of particular interest. All seven examples laid down on a folio leaf extracted from an album. The leaf is in poor condition, creased and with closed tears, but the parchment and paper bearing the signatures themselves in good condition, the six parchment items having the usual discoloration, but the example on paper in excellent condition.

See image. A nice item, linking two important figures in French history. 1p, foolscap 8vo, on the recto of the first leaf of a bifolium of unwatermarked gilt-edged wove paper. Aged and lightly creased, with short closed tears and wear at the head. The ten lines of neatly written text are neatly and clearly signed ‘Louis’, and there is a wavy and almost vertical line from the king’s signature to that of ‘Chateaubriand’ at bottom right of the page.

See his entry in the Oxford DNB, in which ‘deep professional commitment and mental toughness’ are said to be qualities whose possession he demonstrated ‘heroically’. Beatty’s aggressive tactics at the Battle of Jutland are often contrasted with Jellicoe’s more cautious approach. After the explosion of the Indefatigable and the Queen Mary, with the loss of 1283 officers and men, he came out with the celebrated understatement, ‘There seems to be something wrong with our bloody ships today’.

Two pages, 12mo, black-bordered, bifolium, very good condition. Presuambly an answer to a question about a naval incident in 1810, perhaps for a memoir or similar being prepared by Smyth which his death in 1865 pre-empted. Text: Captain Mundt of HMS Hydra commanded at Gibraltar which was then a Station of the Mediterranean Fleet in 1810, & the Gunboats were under his control. | I commanded a Gunboat in the Spring & Summer of that uear, but the range of our expedition was not large.

See his entry in the Oxford DNB. 2pp, 12mo. In fair condition, lightly aged and worn. Folded twice for postage. Begins: ‘Mr. Westall presents his compliments to Miss Macirone & begs to assure her how very much obliged to her he feels for the honor she has done him in sending him two tickets for her morning concert’. He will have ‘the greatest pleasure in attending’ the concert, and is ‘quite sure he shall be very much delighted’.

See her Guardian obituary by Ronald Bergan, ‘Britain's original “It” girl, who rose from shop assistant to movie star’, 13 September 1999. Both items in good condition, lightly aged and folded for postage. Both letters with good content. Eileen Margaret Cond (1911-1984) of Honiton was an enthusiastic autograph collector, and she had an ability to draw a more than perfunctory response from her targets. ONE (1944 ALS): 2pp, 8vo. Addressed to ‘Dear Miss Cond’ and signed ‘Chili Bouchier’. Begins: ‘Just a wee line to thank you so much for your nice Xmas card which was forwarded to me in Egypt.

The present item is rare, and its interest is heightened by the fact that it is accompanied by a press release and has the covers covered in what are clearly notes on how to film the ceremony by a press cameraman. Only three copies on COPAC: at the British Library, Sheffield Hallam and the Bishopsgate Institute. An 8vo stitched pamphlet of twenty unpaginated pages in printed card wraps. Internally very good.

See Armstrong’s entry in the Oxford DNB. For Gauntlett, who was Professor of Cello at the RAM from 1947 to 1965, see the excellent article on the ‘Semibrevity’ blog: ‘Ambrose Gauntlett, forgotten gamba player and continuo cellist’, beginning: ‘Although Ambrose Gauntlett (1889-1978) spent most of his career as a full-time orchestral principal, he was the most sought-after continuo cellist and gamba player in the UK for many years.

See Mackenzie’s entry in the Oxford DNB. Gauntlett was later appointed Professor of Cello at the Royal Academy of Music. See Sir Anthony Lewis’s appreciative Times obituary. 2pp, 4to. On bifolium of good paper, with letterhead printed in black with the College’s arms in red. A very good facsimile of Mackenzie’s autograph and signature, with twenty-five lines of text. Addressed in manuscript to ‘A. Gauntlett, Esq. / 12 Fairholme Road / W Kensington / W.’ Begins: ‘You will doubtless have heard of our intention to celebrate the centenary of the R. A. M.

Scarce: no copies on WorldCat or JISC. 2pp, 8vo, paginated 1-2, with photographic portrait of ‘Colonel F. E. G. SKEY’ on art paper facing the first page. In grey wraps with printed title on front cover ‘Memoir / OF / COLONEL F. E. G. SKEY.’ In fair condition, lightly worn and aged, with two vertical creases. Describing Skey’s active career, the obituarist begins by noting that ‘It is not given to everyone to work as late in life as Skey did.’ Skey had been ‘promoted Colonel in 1912 and retirned in March, 1914, having been offered the Secretaryship of the R. E.

See his entry in the Oxford DNB. 12mo, 8vo, paginated 1-19 (originally pp.xxi-xxxix). Stitched into light-grey printed wraps. In fair condition, lightly aged and creased. This offprint is scarce: the only copy on WorldCat and JISC is at the Wellcome.

See his entry in the Oxford DNB. 4pp, 4to. Bifolium. In good condition, lightly aged. Folded for postage. Whatman watermark of 1838. Sixty-nine lines of text, addressed to ‘My dear Sir Charles’ and signed ‘Thomas Hastings’. Begins: ‘I have been thinking that the difficulty of giving mathematics instruction to the Lieuts of R[oyal]. M[arine]. A[rtillery].

Weld and Vaughan both have entries in the Oxford DNB. The notice is printed in copperplate on the recto of the first leaf of a 4to bifolium. In fair condition, aged and lightly worn, with short closed tear to one edge, and slight damage to the second leaf from the cutting of the seal, which is present on the verso, with a good impression, in red wax, together with two postmarks and the address, in Weld’s hand, to ‘W. Vaughan Esq - [F.R.S.] / 70 Fenchurch Street / [Royal Society.]’ The notice, signed ‘C. R.

From the Macqueen-Pope papers. His entry in the Oxford DNB describes how, in the 1950s, he was ‘in demand as a lecturer on the theatrical subjects he loved, and he appeared often in the same capacity on radio and on television. Ironically he regarded these two forms of public entertainment, and television in particular, as representing a serious threat to the survival of theatre, about which he cared passionately’.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Known by his nickname ‘Popie’, Macqueen-Pope was widely regarded as the leading theatre historian of his day. His many books (from histories of individual theatres to a biography of Ivor Novello) sold well, and his broadcasts on the BBC were extremely popular. Eighteen items, providing something a glimpse of his working methods. The last two of the eighteen items are TLsS to MP: one from the editor of ‘Everybody's’ Greville Poke (also see his Oxford DNB entry), and the other Pauline Carter, ‘EDITORIAL’.

From the papers of theatre historian W. Macqueen-Pope, who was for more than twenty years press representative for Drury Lane. (See his entry in the Oxford DNB.) The recipient is given by MP as ‘Jack Todd Esq / 446, Dimmick Street, Waterton, New York’. 2pp, 4to. 59 lines of text, single-spaced. An unsigned carbon copy, in fair condition, on lightly-aged and creasted cartridge paper.

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. The present item relates to the 1952 RSC production of ‘Much Ado about Nothing’, directed by Gielgud and with him playing Benedick. 1p, landscape 8vo. Red-ink letterhead ‘JOHN GIELGUD’. Signed ‘John Gielgud’ and addressed to ‘Dear Popie’. In good condition, lightly aged and creased. Folded twice. He thanks him for his ‘good wishes and thought of me.

From the Macqueen-Pope papers. See his entry and hers in the Oxford DNB. Caird was Northcliffe’s right-hand man, and mainly associated with the Daily Mail. The four items are in fair condition, lightly aged and creased, with slight rust spotting from a paper clips. Items Two to Four are on carbon paper. ONE: ACS from Tutin to MP. Small unillustrated postcard, signed ‘Dorothy Tutin’. Reads: ‘I remember you very well - your fascinating letures at the Academy [i.e. London theatre school RADA, the Royal Academy of Dramatic Art] - and shall be very happy to meet you for this article.

Both items in very good condition, on lightly-aged paper. ONE: Copy letter. 2pp., folio. On paper with watermark 'JOHN HOWARD | 1804'. Ends: 'To | Sir J. T. Duckworth K.B. | Vice Admiral of the White | &ca. &ca. &ca. | Given on board the Ocean off Cadiz | 12th. August 1806 | (signed) Collingwood | By Command of the Vice Admiral | (signed) W R Cosway | A Copy'.

3pp, 12mo. Bifolium with mourning border. In good condition, lightly aged. Folded for postage. Large signature ‘Charles Eden’; addressed to ‘My dear Fanny’. Year and month added in pencil in another hand. He thanks her for her kind letter ‘and its enclosure from my dear, kind, old friend Mrs Quilter’. He will visit her later, but at present he has ‘several melancholy duties to attend to which prevent my leaving London’. He is also ‘wanted at the Admiralty next week - altho’!

All three items in good condition, lightly aged, with the book in worn and spotted binding. ONE: Letter from Hassall to 'Professor Huxley', in the hand of 'an amanuensis' and signed by him. 3pp., 12mo. Tipped-in onto the half-title of Item Three below. He begins by explaining that he has 'directed Messrs. Longmans' to forward a copy of his book (which he describes as 'a brochure') to Huxley.

Elizabeth Bury, illustrator and theatre designer, wife of and collaborator with John Bury (1925-2000), British theatre designer noted for his innovative work with Peter Hall, the Royal Shakespeare Company and National Theatre (see his obituary in the Guardian, 15 November 2000). Two ring-bound 8vo Christmas keepsake private printings, both filled with full-page illustrations by Bury. Both inscribed by her to the playwright Christopher Fry. Both in good condition, with light signs of age. Uniform in layout, both with coloured covers of striking design.

See his entry and that of Stuart in the Oxford DNB. 3pp, 4to. On bifolium. Sixty-six lines of neatly-written text, signed ‘R Mends’ and addressed ‘To / The Honble Chas. Stuart / His Majestys Envoy / Lisbon’. A vivid and substantial historical document.

See his entry in the Oxford DNB. For Gauntlett see the excellent article on the ‘Semibrevity’ blog: ‘Ambrose Gauntlett, forgotten gamba player and continuo cellist’, beginning: ‘Although Ambrose Gauntlett (1889–1978) spent most of his career as a full-time orchestral principal, he was the most sought-after continuo cellist and gamba player in the UK for many years. In his obituary, published in The Times, Sir Anthony Lewis mentions “his beautiful playing of the important 18th-century viola da gamba obbligato roles”.’ Both items in good condition, lightly aged. ONE: Letter, 1 June 1972.

Wade donated his extensive collection of anatomical specimens to Surgeon's Hall in Edinburgh, where it is now known as the Henry Wade Collection. In 1913 Waterston had attained prominence as the first authority to discredit the Piltdown Man hoax. A total of 6pp, 8vo. The first addressed to Waterston’s doctor at St Andrews, Orr, the others to Waterston himself. None of the letters is short, and all but the second are single-spaced. The first (to Waterston’s doctor, Orr) is 2pp, the others (all four to Waterston himself) 1p. In fair condition, lightly aged and ruckled.

See Rolleston's entry in the Oxford DNB. He was successively president of the London Medical Society, the Royal Society of Medicine, the Royal College of Physicians and the Eugenics Society, and was also Physician-in-Ordinary to King George V. Waterston was Bute Professor of Anatomy at the University of St Andrews from 1914 to 1942. In 1913, while Professor of Anatomy at King's College, London, he was the first authority to debunk the Piltdown Man hoax. 1p, 16mo. Lightly ruckled, and with the ink of the letter having run a little through removal from mount; otherwise in good condition.

Struthers served as a major in the Royal Army Medical Corps during the Great War. He was a pioneer in the use of local anaesthetic, and wrote a well-regarded work on the topic. He was President of the Royal College of Surgeons of Edinburgh from 1941 to 1943. Waterston was Bute Professor of Anatomy at the University of St Andrews from 1914 to 1942. In 1913, while Professor of Anatomy at King's College, London, he was the first authority to debunk the Piltdown Man hoax. The three items are in fair condition, lightly aged, with slight ruckling and aging. All three are folded for postage.