JEAN

4to, 1 p. Fourteen lines, in pencil. Text clear and complete. Good, on aged paper. In envelope addressed by Holloway to Inglis. He apologises for his 'rudeness' in not answering earlier: 'I plead rush of work'. He would be delighted to sit for her, but 'the trouble is that I may have to leave town on Monday to produce a play in the country and then on to S[tratford]-on-A[von] for the 7 weeks Festival'. Suggests a later meeting.

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

4to, 2 pp. 46 lines. Clear and complete. Good, on aged paper. He thanks her for putting the commission of 'Mr Proger' his way, discussing the circumstances. 'Just 3 days before I received his letter, while Molly & I were making some sort of order in the Augean Stable which is my lower studio, workshop & general storage place I came across this little panel (a view of Burleigh) which I had thrown asside [sic] as a dud.

Letter One: 12mo, 2 pp. Good on lightly-aged paper. The 'delightful drawing' she left for him is a 'wonderful surprise'. He has been 'trying some life drawing direct with the brush' and is surprised that she was able 'to put it down like that!' Letter Two: 4to, 2 pp. Fair, on lightly-aged and creased paper. He apologizes for the delay in answering her letter and thanking her for sending one on by 'Bloggins'. He is 'an abominable letter writer though that does not mean a change of feelings to one's old friends'. He has received a letter f'rom C. B. himself about the Academy'.

Foolscap (leaf dimensions 42 x 26.5 cm), 1 p. Clear and complete. On the recto of the first leaf of a bifolium. Both leaves with the small neat ownership stamp of the 'Collections Louis Leguay, à Paris [series A, number 382]'. Good, on lightly-aged watermarked laid paper. Written in French. Addressed 'A Monsieur le Secretaire general des hopitaux et hospices de Paris'.

All the items except the cut-out and the last card (in which he gives the price of a painting) are damp-stained, with part of the text of the letter illegible. One card in French. The first card, from 1982, thanks Ives for payment for 'watercolors'. The cut-out, in red paper, is roughly 10 x 10 cm. Intricately-cut, it depicts a long-leaved plant in a basket on legs. Although found with the other items, there is no indication that it is by Duramel. Ives made the news in 2000, when his extensive collection of paintings by L. S. Lowry was put up for sale.

12mo, 1 p. Ten lines of text. Good, on aged paper with slight wear to extremities. In a bifolium, with address and four circular postmarks (two in black and two in blue ink) on verso of second leaf. He is 'a la fin de l'impression d'un ouvrage qui doit être pret pour la rentrée et qui depuis longtemps absorbe tous mes instants'. It is impossible for him to write the requested articles. He is 'tellement fatigué' that he awaits with impatience the end of the printing, so that he can take 'un peu de repos'.

On japon paper, roughly 260 x 330 mm. Dimensions of image roughly 140 x 225 mm. The impression has a metallic sheen. An impressively-executed engraving, a clear and crisp representation of Meissonier's celebrated painting, with a remarque of a horse at the foot. To the right of the remarque is the engraver's signature in pencil, ''. Klackner's copyright details run along the head of the engraving. Good, in crude card mount. A light smudge in the top left-hand corner of the margin, and a little damage to the bottom right-hand corner of the margin.

All three letters 12mo. The letter to Jalabert (with a mourning border) is 2 pp, the others 1 p each. All three in good condition. The Jalabert letter (18 lines) mentions his wife and 'M. Goupil'. The Duvivier letter (6 lines) is a letter of introduction to a 'Monsieur Pietsch, artiste distingue de Berlin'. Asks him to give the artist 'toutes les facilités pour visiter l'Hémicycle de Delaroche et la galérie des Plâtres'. The letter to the woman (11 lines). His return has been delayed by the death of the King of Portugal.

Both items 4to,1 p. Both items good, on lightly aged and foxed paper. Both bifoliums, with the second item addressed, with broken wafer, on verso of second leaf. Both docketed in pencil in a nineteenth-century hand. Letter One (nineteen lines of text): He is grateful to Grenier for sending 'le procès verbal de l'installation de votre Cour'. Grenier was right to think that Jaubert would be interested in 'l'historique d'une cérémonie qui rend aux Cours la dignité convenable à la magistrature, et qui vous touche particulièrement'.

On both sides of a folio leaf (dimensions 42 x 26.5 cm). On aged and lightly creased and spotted paper. Proposing to raise 'CAPITAL, £50,000, in 5,000 SHARES of £10 each.' Details of Directors; Bankers; Auditors; Brokers; Solicitors; Secretary, (pro tem.); and Offices left blank.

12mo bifolium: 4 pp. Printed on grey paper. Very good. Small print.

4to: 42 + [i] pp. Disbound. On foxed paper with occasional light staining. 'No. 16.' in manuscript at head of title-page, which also carries a signed inscription from Barres with some loss due to the trimming of the outer margin: 'Á Mr. Olma<...> | de la port de l'<...> | [signed] Barres'. On the title-page Barres is described as 'Bachelier ès lettres de l'Académie de Bordeaux; ancien élève de l'Hôtel-Dieu Saint-André de la même ville, etc.' This is the only work by Barres in the Bibliothèque Nationale catalogue.

12mo, 2 pp, 32 lines. Good. Docketed in a nineteenth-century hand in pencil in top left-hand corner 'Lacretelle (Charles) à Lenormand, réd. du J. de Saone & Loire à Mâcon' and in another hand 'Acad. Fr'. Asks to be verbally informed of the news of 'Mr. Ochier, à supposer qu'il vous eut enfin révélé le motif de son long silence au milieu des prodiges qui s'opérent aujourd'hui pour les moyens de communication entre les deux hémisphères, je n'aurais jamais pensé que celle de Mâcon et de Cluny, présentassent de telles difficultés'.

On piece of pink paper roughly 8.5 x 11 cm. Laid down on slightly larger leaf from an autograph album. Good with a little paper and glue staining to the mount. Good bold signature, diagonally across the page.

Oriental linguist and biblical scholar (1812-94). Paper dimensions roughly sixteen centimeters by eight. Paper creased and foxed. Mounted on slightly-larger piece of brown paper. In French. Reads 'Que la paix de Dieu multipliee a toute votre famille, et que cette dispensation soit dirigee a la gloire du Nom qui est invoque sur nous!' Signed 'Cr. Malan.'

Scottish aristocrat and translator (died 1944). Dimensions roughly four and a half inches by three and a half inches. Very good, but with two small staple holes (not affecting text). Docketed and bearing red date stamp. Reads 'Dear Sir - | I have your letter of March 4th - I enclose £3. 3 & agree to your request to nominate me | yours truly | J E Dunedin'.

Scottish author. Paper dimensions roughly four and a half inches by one and a quarter. Very good, with some light glue staining. From autograph album. Mounted on larger piece of blue paper. Reads '[...] your welcome letter which | [...] | [...] your loving friend Jean M. C. Miller Morison'. Docketed in pencil 'Poet & Critic - "The Purpose of the Ages" etc'.