AUTOGRAPH

See his obituary in the Gentleman's Magazine, September 1839. B. Dulau & Co. was a firm of foreign language booksellers in Soho Square, London, founded by a Benedictine monk, Armand Bertrand Dulau, who had fled France during the revolution. 2pp, 4to. Thirty-two lines of text. In good condition, lightly aged, with stub from mounting adhering to one edge, and negligible damage at a corner. The letter begins: 'Sir James Craufurd prie M.

1p, 4to. In fair condition, lightly aged. Folded once. The printing of the letterhead, in red and black, extends along three edges, with decorations including an oriental-style architectural motif in front of a tree at bottom right. At the head of the page the letterhead reads 'Williamson presents The King and I as originally produced by Richard Rodgers & Oscar Hammerstein 2nd.' The four directors of Williamson Music Limited are named at the foot, including Rodgers, Hammerstein and 'Louis Dreyfus (British formerly American)'. The note, addressed to 'Mr.

Alistair Sooke, on the BBC website, makes the case that 'Meredith Frampton is the forgotten genius of British art'. See Frampton's entry in the Oxford DNB, and also those of Codner and of Frampton's father Sir George Frampton, who executed the celebrated statue of Peter Pan in Kensington Gardens (not modelled on his son, who was eighteen when it was made). 1p, 4to, in fair condition, aged and worn. Folded once. Writing to 'My dear Codner', he apologises for 'keeping you up till such a late hour last night'.

Tritton was educated at Winchester College, and in later life held the office of High Sheriff of Essex. He served as War Office Publicity Officer between 1940 and 1945 (the first civilian to hold the post). The present items exhibit the candour and evocative immediacy for which his wartime diaries were praised on their publication in 2012. Two long letters to 'Darling', both 2pp, 4to. Both in good condition, lightly aged, and folded twice. ONE (signed 'R.'): Thirty-eight lines of text. He is writing her a second letter of the day, prompted by boredom and the want of something else to do'.

See Hardie's entry in the Oxford DNB. 11.5 x 9 cm card. Printed with penny stamp in red; no illustration. In fair condition, discoloured and a little worn. Addressed by Hardie to 'C. H. Whitby | 82, Crofton Park | Yeovil.' (Whitby is the author of a handful of books of reglious poetry.) Whitby would appear to be offering for sale, or at least asking for advice about, an impression of Palmer's celebrated engraving 'The Bellman'.

In blue ink on a 9 x 6 cm rectangle of laid paper. In good condition. Hard signs first ('Darlene | Hard') with Rosewall's signature ('Ken Rosewall') curving upwards beneath hers. Between the two, in another hand is the date 1956, and beneath Rosewall's signature, in the same hand, is '(Rosewall)'. In 1956 Rosewall was on the verge of turning professional. In that year he won the US Open, beating fellow-Australian Lew Hoad. It was one of eight Grand Slam finals he played in as an amateur, winning three. In 1956 Hard was nearing her peak.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Reads: 'My dear Lord, | I have fixed the Oath's Bills &c for Tuesday July 9. | Believe me | faithfully Yours | Kimberley'.

1p, 4to. Aged and worn, with thin strip of mount adhering to one edge, and slight damage to one corner. The unnamed recipient is a member of William Pitt the Younger's Tory Ministry, and the letter is written at a time when the administration was preparing for a French invasion, the first French Army of England having gathered on the Channel coast.

See his entry in the Oxford DNB. The present item dates from 1807, the year in which Bathurst sold the celebrated Apsley House ('No. 1 London') to the Duke of Wellington's brother the Marquis Wellesley, who sold it on to the Duke ten years later. It is now the Wellington Museum. This item casts an interesting light on the initial sale. 2pp, 4to. Thirty-four lines of text. In good condition, lightly aged. Folded four times. He is disappointed that the unnamed male recipient (presumably Wellesley's agent) has not called on him.

Maschwitz wrote the lyrics to 'A Nightingale Sang in Berkeley Square' and 'These Foolish Things', and was nominated for an oscar for co-writing the screenplay of 'Goodbye, Mr Chips'. See his entry in the Oxford DNB. 2pp, 12mo. Twenty-nine lines of text. In fair condition, lightly aged. Folded once. Maschwitz begins by congratulating him 'on a really enthralling book! Loved every page of it!' With reference to Sir Herbert Beerbohm Tree, he explains that the previous day he 'had a talk with old Dennis Grayson who with Mrs Corey Wright is one of Tree's executors.

Frank on 7 x 13 cm panel cut from front of envelope. In good condition, lightly aged, laid down on part of leaf from album, with the reverse carrying part of the frank to a letter from another unidentified individual, with free postmark from 1826. Byron's frank has the customary red-ink postmark at top right ('FREE | 8 DE 8 | 1826'), and is laid out by him in the customary fashion: 'Portsmouth December Seven | 1826 | The Honble. Mrs. Collingwood | Hawkhurst | Kent'. Byron's signature 'Byron.', at bottom left, is only underlined, and not enclosed within the two parallel lines as required.

1p, 8vo. In good condition, on lightly aged paper. Folded once. Salutation ('My dear Popey -') and valediction ('My love to you both - | Anna.') in her autograph; the rest typed. Good bold signature. Reads: 'It was so very kind of you to think of me on Saturday.

See his entry in the Oxford DNB. 2pp, 12mo. Thirty lines of text. In good condition, lightly aged. Folded twice. Part of the second leaf of the bifolium, detached, is endorsed 'Duke of Hamilton 21 March 1822'. The recipient's identity is presumed from the reference in the letter to 'Mrs Robison'. He thanks him for his 'obliging note' and 'the drawing of the [Kullicum?] for smoaking segars', which is a 'very kind attention on your part'. As he is '[f]earfull lest some accident should happen', he has 'desired that the box may not be forwarded to London'.

For information on Graves see the generous obituary of him in The Times, 18 April 1944. Both items in fair condition, lightly aged and worn, with minor staining from paperclip to first leaf of letter. The work was not published, and although Graves states in Item One that the greater part of the text is 'in the hands of my typist', there is no record of its survival, or of the thousand related documents he states were sent to him by M. H. Spielmann. ONE: ALS from 'C L. G.' to 'Dear Evoe'. 4pp., landscape 8vo.

According to the Oxford DNB entry on Carter's wife the crime writer Margery Allingham (whose book jackets were among those he designed): 'Their amiable, childless marriage was funded by Allingham's increasingly successful fiction. And, although Youngman Carter assisted his wife as a sounding board for plot design, and by producing covers and illustrations for her work, he found it difficult to sell his art.

The three items in good condition, lightly aged. An entertaining and characteristic exchange, with MacQueen-Pope's letter (Item Three) dating from between Hicks's two. ONE: ALS from 'Seymour H.' to 'My dear old Poppie'. Undated, with envelope with Capetown postmark dated 6 July 1942, addressed to 'McQueen Pope Ere. | Drury Lane Theatre | Drury Lane | London | W. C. 1 | From Sir Seymour Hicks'. 2pp, 8vo. 79 lines of closely-written text, headed 'Private & Confidential'.

See Knox's entry in the Oxford DNB, along with those of his father and three brothers. The school was in existence in various places and under various names between 1914 and 1965. Four items, in good condition, lightly aged. ONE: Autograph Speech by Knox, headed 'BROOKFIELD SCHOOL'. Dated 19 July 1951. 3pp, 12mo. On three leaves held together with brass stud, with directions to the school on reverse of last leaf. Written in capital letters. Knox begins by noting the prizes: 'Difficult to think of anything else when one sees this table loaded with gifts.

See Knox's entry in the Oxford DNB, along with those of his father and three brothers. 8pp, 4to. Paginated and complete; on eight leaves held together with a rusting paperclip. In fair condition, aged and creased. A fair copy, with occasional emendations. There is no indication that this essay was published. A polished piece of writing by an accomplished essayist, lightly humorous but with serious intent, Knox's aim being to put forward the view that modern childhood is more self-indulgent than that of previous generations, and results is the self-deceit of adults who have never grown up.

Sibbald was in Ceylon between 1818 and 1833. There is no indication that any of these four items have been published. One: 'The Origin of the Kandelay Tank'. 8pp., foolscap 8vo. On two bifoliums of paper with Gater watermark dated 1827. In good condition, on aged paper.

A scarce survival, providing a mass of valuable information, written during wartime, with nothing else about this section of the Belgian resistance having been discovered. All three documents in fair condition, on aged and lightly-worn paper. ONE: 'Historique de la Section 802 depuis ses debuts.' Typed document. 3pp., 4to. Rust staining from paperclip at head of first page. Type indentation indicates that this is an original document, not a mimeograph. Giving an account of Section 802 from September 1941 to 9 September 1944.

Card, 9 x 11.5cm, a little grubby but the messge is bold and clear, as follows: Dear Sir | Shall be very pleased to show you what I am sending to R.A. the next Sunday aft[ernoon].

One page, cr. 8vo, grubby, fold marks, but text clear, as follows: I am very sorry it will not be in my power to be present at the quarterly General Board of the Royal Naval Asylum, as an Appointment has for some Time past been made for a Court of the Trinity Corporation to swear me in as an Elder Brother , on that day.

Letter One (Minster House).two pages, cr.8vo, expansive handwriting, very good condition. Text: I am very sorry I have not been able to send you a drawing yet. I have been working very hard this last year for a big exhibition, and apart from that I just have not had a drawing available to send you. I hope after my exhibition in November, to be able to find you a suitable one so that you have it for Christmas. Many apologies but I am afraid that' the best I can do. This is to let you know that I have not forgotten and I will send it as soon as I possibly can.

One page, 8vo, bifolium, edges dusted ow good. Lord Crewe (his superior in the India Office) has asked him to respond to T. Edwards Jones's question about Crewe's father's Blake collection. He would have been pleased to be of assistance to you in regard to your lecture on William Blake, but he fears that his father's collection of Blake drawings was disposed of some years ago & that the few Blake possessions which he still has are not of significant interest to make it worth your while to see them for the object which you have in view.

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews “The Genuine Dud” – was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging. ONE: Carbon typescript of first part of interview, with title (replaced on publication): 'The Serious Side of Dudley Moore | A Les Tomkins Interview'.

Three pages, 12mo, bifolium, formerly tipped into an album (hinges survive), good condition. I do not think it would be easy, or even possible to give an account of sll the alphabets in the world within the limits you name. The Indian alphabet alone would more than occupy the whole space. But if you merely require a sketch of the history of the oman (i.e. the English) alphabet - with a brief notice of the relations to it of a few of the leading alphabets - such as the Hebrew, Arabic, Syriac & Greek, it might be possible. But if you would kindly send me.

Three pages, 12mo, good condition, closely written. He commends her on the little book about [her] brother which he couldn't put down. It is a most interesting record of a most interesting man. If I should make any criticism at all it would be that it did not go quite fully enough into those close relations which your late brother maintained with the miserable and the unhappy nor give a sufficiently complete account of the individual instances of which I always heard from so many quarters during my long residence in Birmingham [...] his incessant labours on behlf of men.

[Full title] The Gross and Net Produce of all the Branches of the Revenue under the Management of the Commissioners of His Majesty's Customs in England. Together with an Adjustment of the Net Produce with the Payments into the Exchequer Annually from Christmas 1710. To which are prefixed the underwritten Acco[unts] viz[t] : 1. The Yearly Payments into the Receipt of Exchequer on all the several Branches of the Customs from Michaelmas 1679 to Christmas 1710. 2. The Payments into the Exchequer for prohibited uncustomed and forfeited goods Annually from Christmas 1701. 3.

For more information on the Kauffman family, see Alexander Harris's 'Biographical History of Lancaster County' (1872), pp.332-335. The family were Mennonites, and originated in Hesse. The most notable member was affluent farmer and bank president Abraham Cassel Kauffman (1799-1886), a member of the Pennsylvania legislature for the 1835, 1837 and 1843 sessions. 18pp., 8vo. Unbound. On five loose bifoliums (with remains of stitching still present). The leaves of one bifolium are separated from one another, and the order of the pages is probably disturbed.

Both items in good condition, on lightly-aged paper. ONE (13 January 1934): 1p., landscape 12mo. The 'proposed article sounds the sort of thing', but Strangeways cannot accept it until he sees it. TWO (3 February 1934): 2pp., landscape 12mo. He thanks him for sending the article, regarding which he writes: 'if the musicians mentioned in it had been more important or there had been more about them, it wd. have been worth printing; but as it is I am afraid it is not of sufficient interest.' The writer's reference to 'Ranzini' is, Strangeways points out, 'almost certainly' a mistake for 'V.