BLACKWOOD'S

See his entry and Chantrey's in the Oxford DNB. On one side of a trimmed-down piece of paper, roughly 11 cm square. Discoloured, and with damage to the corners (affecting one word at top right) from removal from mount. With postage folds, and evidence on otherwise-blank reverse that Cunningham was re-using an envelope: part of address in another hand to 'Mrs Pa[...]'. Reads: 'Mr. Allan Cunninghams respects to Mr. Tindal and begs to inform him that Sir Francis Chantrey is at Holkham at present and will not likely be back till after Christmas: should he come sooner Mr A. C.

See his entry in the Oxford DNB, which states that he lived in Gloucester Place from 1825. The recipient is the novelist Thomas Henry Lister (1800-1842), and the item is from the papers of his wife, Lady Theresa Lewis (1803-1865): both also have ODNB entries. The three letters are in good condition; each 2pp, 12mo, and on the first leaf of a bifolium, and all lightly aged and folded for postage, with slight damage from mount to the second leaves of each (all carrying the address in Wilson’s hand). All three with Wilson’s sprawling signature ‘John Wilson’.

See Cunningham’s entry in the Oxford DNB. Neatly written out in his distinctive hand. The present holograph gives the words to one of his most popular songs (an American version substitutes ‘Columbia’ for ‘Old England’). It was first published in the London Magazine in August 1822, and by 1834 was well-enough known to be discussed - and dismissed as ‘Puling nonsense’ - in ‘Sailors and Saints, by the Author of the Naval Sketch Book [i.e. William Nugent Glascock]’ (1834). 1p, 4to, on gilt-edged leaf of wove paper extracted from an album.

See his entry in the Oxford DNB. 1p, 12mo. On recto of first leaf of bifolium. Addressed on reverse of second leaf: ‘123456 / [T. W. Naellz?] Esqr / Ambleside’. Aged and worn, with closed tears along folds, and damage to second leaf from breaking of seal. Reads: ‘Dear Sir / If you can send me Madame Cottin’s romance about Saladin you will much oblige me. / Yours truly / John Wilson’. Good large signature. The first edition of ‘The Saracen; Or, Matilda and Melek Adhel: A Crusade Romance, From the French of Madame Cottin, with an Historical Introduction, by J.

4to, 4 pp. Bifolium. Nicely printed with vignette of flowers and ribbons on first page. Fair, on aged paper. The firm, boasting establishment in 1849, is described on the first page as 'late of Lovell's Court, Paternoster Row, E.C.', where the announcement is made 'that they have Transferred their Business to the Above Address'. Six new editions of works are advertised on the following two pages, with details given of contents. The last page advertises 'Blackwood's Diaries for 1911' and 'Blackwood's New Series of Scribbling Diaries'.

12mo, 24 pp. Unbound. Text clear and complete. Fair, on aged paper, with rusting to staples. Hundreds of titles, in such series as 'The Unique Library', 'Choice Readings. Books suitable for presents, etc.', 'Universal Library of Standard Authors', 'Blackwood's Edition of the Poets', 'Library of Thoughtful Books' and 'Choice Books for Young Persons'.

8vo: 3 pp. On grubby, lightly creased paper. The recipient has made Meldrum a 'pretty present' of her edition of Burns (COPAC provides no clue as to her identity). He finds the volumes 'very dainty', and will read her notes 'with interest'. He has already read her 'Introductions' with 'great pleasure'. He comments on her assessment of a couple of poems and finds her 'standpoint' on 'the man & the poet' 'capital'. 'But you must allow me one criticism: you read into the poems a political significance which I'm sure wasn't there.

On one side of a piece of laid paper, dimensions 11.5 x 17.5 cm. Good, lightly creased with one small spot at head and a light thumbprint (Warren's?) in top right-hand corner. Clearly responding to a request for an autograph. Reads 'The Heavens declare the glory of God, and the Firmament sheweth His handy work. Ps. XX, I. | [signed] Samuel Warren | 16 Manchester Square | W. | 23d January 1866.'

According to Frederic Boase's Modern English Biography William Ball (1785-1869) was the composer of 'hundreds of comic and sentimental songs', the most famous of which, 'Jack's lament for the loss of his tail', being 'one of the most popular songs of the day ever written'. All four letters 16mo, that of 22 January 1856 of 8 pages and the others of 4 pages. All are somewhat grubby with minor spotting but the overall condition is good. An extremely informative and intimate correspondence in a very close hand.