musician

3pp., 12mo. Bifolium. In fair condition, aged and creased. Begins: 'Dear Finch, | Tomorrow - I read - you will have "done time" for a quarter of a century in Cambridge Circus.' He recalls that it is 'just ten months longer - Feb 1892, that I first went into the Cambridge Circus doors to hear "Ivanhoe." I was then a blushing undergraduate at Oxford, and "Jimmy's" and the long bar at the Cri [i.e.

Both items in good condition, lightly aged, and both in yellow wraps, with plastic clamp at spine holding the loose leaves together. ONE: Autobiography. [3] + 46pp., 8vo. Illustrated with two full-page photographs of Fischer, one showing him as a ten-year-old boy, with autograph caption. The item is signed at the end 'Martin', and has the following inscription on a leaf of green paper at the front: 'Dear Richard, | Times went by, I promised to send you these pages because always the memories of our friendship and your Kindness are a big joy for us.

Michael Howard's obituary of Ticehurst in The Times, 30 October 1975, describes him as 'a persuasive pioneer among those who sought to reestablish the harpsichord as a serious musical instrument'. ONE: Carbon typescript, 7pp., 4to. Headed 'Harpsichord to Australia | by John Ticehurst.' With a few minor manuscript marks. In autograph next to the title: 'April 1951/Feb 1952'. In good condition, on lightly-aged paper, with slight rust staining from paperclip.

1p., 12mo. In good condition, lightly aged. Reads: 'Dear Miss Elphick | I shall be happy to see you on Wednesday the 22nd. inst at 10.45 a.m. | With kind regards | yours truly | Alberto Randegger'.

On both sides of a grey 8.5 x 11 cm. card. She writes that she forgot to tell her in her reply to her note 'that Mr. Rich. Green is an old friend of mine & sings my songs admirably. If I am accompanying he wd. probably like to know - before making his selection of songs for May 5.' She wishes to know whether she is to 'book the date at your earliest convenience'. She is leaving town for a week, 'but letters will be forwarded'. Beney disappears from view in 1936.

1p., 12mo. In good condition, lightly-aged. He asks him 'to forward these Cards immediately (I have sent one to Mr. Doane) as many have call'd asking if they are to be engaged'. He expresses his regret for 'the mistake in the Name card', but it is too late to alter it. The 'sole cause' of the error was his 'constantly thinking of the state of poor Walker'.

On 13.5 x 16.5 cm piece of light-pink paper removed from autograph album. In very good condition. Reads: 'yours truly | I J Paderewski | 23/XI 1912'.

3pp., 12mo. Bifolium, with Smirke's embossed monogram. Although he and his wife were 'absent in Northumberland', their daughter and a friend were able to make use of Miss Macerone's gift of a card of admission to her concert, and 'very great pleasure' was 'afforded to them by the afternoon's Entertainment.

All four items in good condition, lightly aged and worn. All four in a bold, expansive hand. The two letters accompanied by their envelopes, addressed to Child in London. Letter One: Address: 'c/o Mr & Mrs G. W. Williams, | 615 East Genesee, | Saginaw | Michigan. U.S.A.' 4 July 1957. 4pp., 4to. She is 'on the first lap of my Vacation' and has asked 'Anne' to contact him. 'During the University year I am so frightfully taxed for time - my own correspondence and my personal affairs suffer in consequence and are perforce relegated to the background.

Lambert's attractive signature ('Constant Lambert') on piece of 7.5 x 11 cm thin card. Lightly aged and creased, and with evidence of previous mounting on reverse.

Both items 1p., 16mo, and both in good codition, on lightly-aged paper. The first note reads: 'Mr. Charles Hallé presents his respectful compliments to Lady Blanche Drummond and would feel greatly obliged if she would kindly take his lesson to-morrow at 4 o'clock instead of half past three.' The second confirms the time for a second lesson.

Piece of paper, 11 x 7com, tipped on to larger piece of paper. "En attendant les plaisirs recus [?] Mademoiselle les sinceres salutations de votre [serv[an]t?] devoue" (or soenthoing like that, hand difficult).

Both items in good condition, on lightly-aged paper. ONE (letter): 1p., 12mo. In a neat and elegant hand, it reads: 'Tuesday Night | Dear Laura | I send the tickets; as Goldsmith sent the portion of Lord Clare's haunch of venison to Sir Joshua - | "To paint it or eat it, whichever he pleased" | I am glad you like the Philharmonia | Your affecte. Friend | John Hullah'. TWO (cutting of sheet music): Written in pencil on one side of a 6.5 x 15 cm piece of paper, docketted 'Written by John Hullah 1861 | for

'. With a few words in Hullah's hand at head.

1p., 12mo. On bifolium with mourning border. With mourning envelope addressed by Chatterton to the surgeon 'Henry G. Times Esqre. | Manchester Street | Manchester Square'. Fair, on lightly-aged paper, in aged envelope. The note reads: 'With Balsir Chattertons [sic] best thanks. | Sunday | 32 Manchester Street | Manchester Square'.

The nine items are in good condition, on lightly-aged paper. Items One, Three and Four, from 1962, and stapled together, as are the other six items, dating from 1964-5. ONE: Autograph Letter Signed ('Benjamin Britten') from Britten to Juda. On letterhead of The Red House, Aldeburgh, Suffolk. 25 July 1962. Responding to Item Three below, Britten thanks Juda for 'sending the magnificent book on Graham Sutherland', which Britten is 'very glad indeed to have'.

2pp., 12mo. Good, on lightly-aged paper, with a couple of unobtrusive creases. 'We shall be very pleased to come to tea with you on Sunday - I hope you will not mind if we are a little late - I shall be so glad to see Mrs. Arkwright also. With kind regards and many thanks | Believe me | Yours very sincerely | [signed] Emma Albani Gye'.

4pp., 4to. Bifolium. Good, on lightly-aged paper. Addressed on the reverse of the second leaf to 'T: P: Cooke Esqre | Royal Coburg Theatre', with two postmarks. The two men do not appear to have been related. TSC requests TPC's 'friendly interference to endeavour at getting from Mr.

4 pp, 12mo. Good, on lightly-aged paper. The unnamed recipient appears to have been named as executor in a prvevious will of Sir Henry Bishop. Opens in dramatic style: 'I was very greatly surprised to receive a letter from you this morning, dated from Brighton, as my poor Brother, Sir Henry Bishop, had not the slightest idea that you were still an inhabitant of this world, having heard of your death some time since, in consequence of which, he made another will similar to the one in your possession, but changing the executors'.

Fair, on lightly-aged paper. The publicity photograph of Mrs Patrick Campbell, : Roughly 10.5 x 13 cm. Printed in green. Depicts her leaning forwards, with neck and forearms exposed. Across the foot she has written: 'Beatrice Stella Cornwallis West. | (Mrs. Patrick Campbell)'. Laid down on a leaf from an autograph album, on the reverse of which is Kubelik's signature: 'jan Kubelik | 25.XI.1921'.

On one side of a piece of pink paper, roughly 18 x 7.5 cm, cut from an autograph album. In good condition, on lightly-aged paper. At the head James has written ' "The Sun-God" W. G. James', with the opening two bars beneath this, beneath which he has written the words 'I saw the master of the Sun -' In the bottom right-hand corner: 'Yrs Sincerely | William G. James'. James's music for Aubrey de Vere's poem was first published in 1921.

On piece of light-blue paper, removed from an autograph album. Firm signature. In good condition. Reads 'Robert Easton.'

On rectangle removed from autograph album. In good condition. Reads 'Shura Cherkassky | 1929'.

On rectangle of pink paper, removed from autograph album. In good condition. Reads 'Wolfi Schneiderhan | 1930.'

On rectangle removed from autograph album. In good condition. Reads 'Albert Coates | 1929'.

12mo, 8 pp. Fair, on aged laid paper. On four leaves removed from a pocket book, with two leaves numbered in manuscript '41' and '42'. Apparently a first-person draft of information for an appeal by the oldest surviving member (from the inception of the group) for a stipend. Begins 'Depuis le commencement de l'an 1760 que j'ai ete recu a la Musique du Roi, j'ai été en exercice jusqu'en 1792, avec 222. sujets qui s'y sous dont 40 vivant encore au 18 Janvier 1815. [...]'.

4to, 1 p. Text clear and complete. On aged and creased paper. He is returning the score, and asks Hedgely to 'copy the three voice parts of the two canons Criste Eleison & Crucifixus & the Voice part of the Soprano Song, Gratias Agimus', and to send the whole back 'as soon as you can finish them'.

Dimensions roughly two and a half inches by four and a half wide. Clear, bold signature on aged paper. Reads '<...> believe me Gill's friend as well as your own | [signature] Charlotte H Dolby'. Reverse reads '<...> says, because I get mixed up with such a lot of people, and lose my individuality in the <...>'.

On both sides of a piece of paper, roughly 18 x 23.5 cm, taken from an album. Very good, on lightly-aged paper. Thirty-two grand staff bars, in black ink, with title and signature in blue. Signature, following the score, reads 'Douglas Hopkins | September 2nd. 1926'.

On one side of a pink leaf, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. Staves ruled out in red, with notes and text in black. Seventeen bars, with staves for soprano, alto, tenor and bass.Titled 'Quartet (unaccompanied)' at head, with 'from "The Lord is King" | Stanley Marchant. | Jan: 10: 1909.' at foot. Beside this, in a larger, looser hand, in green ink, is a later signature: 'Stanley Marchant | Sept: 20: 1936'.

12mo, 2 pp. Ten lines of text. Good. Asks 'upon what terms' he may 'publish some of the songs I have set from the charming volume you sent me'. He is 'acquainted with the Gentleman' to whom Bennett has dedicated his book: 'it was in his shop I was introduced to Longfellow'. Possibly referring to Bennett's 'A Sea Song' and 'The Sea-Boy's Dream', set to music by Hatton and both published in 1861.