COLLIN

1p, 4to. In good condition, lightly aged. Minor staple marks at top right. Writing shortly before his death, he thanks him for sending an inscribed copy of his book ‘Devil’s Decade’, which he enjoyed ‘enormously’.

1p., 12mo. In fair condition, lightly aged, with slight damp staining. Addressed to 'Mr Brooks'. She is sending 'the script for you. It can, of course, be knocked about how you like. It is just a peg on which to hang things.' She reports that 'Collie' (i.e. Collie Knox) was pleased with Brooks's message, 'and sent most cordial ones back to you'. She concludes: 'We had an extremely pleasant lunch, and I shall look forward very much to meeting you again'.

See Knox's obituary, Times, 4 May 1977 (which refers to 'some passages at arms' he had at the BBC with Sir John Reith). 3pp., 4to. In good condition, lightly aged, with minor staining from paperclip. An interesting glimpse into the world of Fleet Street 'big salaries' during the war period. He begins: 'My dear Collin Brooks, | A letter such as yours, from a man such as yourself for whom I have so strong a personal, and professional, regard comes as a gleam of blue in a darkish sky.' He proceeds to bemoan his sacking by the Daily Mail: 'Yes, it is a bad business.

ONE: ALS from Dark to Brooks. The handwriting is quite atrocious, and the present transcription is at points tentative. Dark begins by recalling that at 'the delightful & very alcoholic Savage lunch' (i.e. lunch at the Savage Club), Brooks 'suggested that I should write an article for Truth. Perhaps because of the super-abundant alcoholic I have clean forgotten what the article was to he about. If you haven't & still want it, I might be able to write it.' The penultimate sentence is, to this cataloguer at least, indecipherable, apart from the words 'of course in a public sense'.

1p., 4to. In good condition, lightly aged, with punch holes at margin. MacEntee begins his letter to Hickey: 'In the tribute which “The Statist” pays to the late Hilaire Belloc a reference is made to his essay on usury. I read this some time ago but cannot recall the title of the volume in which it appeared. I should be grateful, indeed, if you would be kind enough to make good the lacuna by supplying the missing title.' He congratulates Hickey 'on the article itself'.

The four letters are in good condition, lightly aged and worn. Each 1p., 12mo. The first three letters are written to Brooks, as editor of 'Truth'; the fourth is a letter of condolence to Brooks's wife. In the first letter (14 April 1945) he apologises for the delay in sending in a review: 'I have been two months out of the country and nothing could be forwarded.' He adds: 'I wish I saw more of Charles Webster.

Both 1p., 8vo. In good condition, lightly aged and worn, with paperclip stain to first letter. Unusual signature, in block capitals. Both addressed to Brooks at the Savage Club, with both salutations to 'Collin'. ONE: 18 April 1947. Begins: 'My dear Collin, | I consulted my firend in the Process Department here and he said that a half-tone block would not be very successful, as there is a dash of colour in the picture and the half-tone would not bring it out very well. He thought that a photograph on a piece of Matt bromide paper would look much better and not spoil the detail of the drawing.

Five documents. The two telegrams are in fair condition, lightly aged and worn; the other items are in good condition. A photocopy of a typed page from Brooks's diary explains the context in entertaining fashion: '”Staggerer number one,” whispered Dick Swiveller over my shoulder this morning when on my office desk I found a letter from Ronald Staples giving me a twelve month's statutory notice of dismissal from the editorship of Truth.' He explains that the magazine is losing money, and criticises Staples's plans. 'However – here's a how-de-do!

1p., 4to. In good condition, lightly aged. Signed 'Cyril Joad'. Written in the same month as Britain and France had declared war, the letter begins: 'I don't know whether you are still running the Sunday Dispatch, but if you are, how about an article on the philosophy which underlies the Nazi rule in Germany?

Mary Endicott Carnegie was the daughter of William Crowninshield Endicott (1826-1900), Secretary of War in Grover Cleveland's first administration. She married the British politician Joseph Chamberlain (1836-1914) in 1888 and moved to England. After Chamberlain's death she married William Hartley Carnegie (1859-1936), Sub-Dean of Westminster Abbey and Chaplain to the House of Commons. She was painted by Sir J. E. Millais and John Singer Sargent.

1p., 4to. In fair condition, lightly aged, with two punch-holes in margin. He has been reading Brooks's book ('Devil's Decade: Portraits of the Nineteen-Thirties') 'during a few days' holiday in Norfolk', and finds it 'excellent': Brooks has 'drawn a very accurate picture of Rothermere'. He proposes a time for them to 'meet again and have lunch'. He wonders whether Brooks 'ever came across that photograph of Northcliffe with Cecil Rhodes which I remember you mentioned you thought you had somewhere or other', asks for a sight of it.

Anne Chamberlain stood before the crowds on the balcony of Buckingham Palace with her husband and the members of the royal family, following his return with the 'piece of paper', 30 September 1938. 1p., 12mo. On blue paper. In fair condition, worn and lightly-creased, with a couple of staple-marks at head. The salutation and valediction are written in flowing autograph: 'Dear Mr. Brooks' and 'Yours sincerely | With all kind remembrances | Anne Chamberlain'.