Art and Architecture

The caption ends '[...] a Soldier who desires to kill his General let him do it now. Here I am!' Dimensions of print roughly 13 x 17 cm. On original grey paper windowpane mount (22 x 27.5 cm). Engraved label (4 x 12.5 cm) beneath the print, with small remarque-style illustrations. Aged and spotted, with slight wear to the print. An unusual and attractive piece of Napoleonic iconography, a full-length image of the deposed Emperor of the French, characteristically attired, on a beach with his hand on a rock, looking out to a sunset at sea.

Four plates, each roughly 39.5 x 22 cm. Good, clear impressions. The first two plates have a little light staining in the margins, and the first has some light foxing. The other two in very good condition, and the set good overall. An attractive series, each plate containing twelve main engravings, mainly of an infantryman with his musket in various positions, but also of an officer with sword. Begins with 'Dress to the Right' and ends with 'Sword Salute'. Mains numbered series begins '1st. Poise Firelock' and ends '35th. Shoulder Firelock'. Occasional smaller engravings in the background.

BM 12195. Landscape. On a piece of wove paper. Originally a rectangle roughly 240 x 340 mm, but with an arc cut away beginning in the top left-hand corner and ending at bottom right. This loss has no effect on the text, and only the merest effect on the image, only trimming the outer edge of some very lightly-painted clouds. Apart from this good, on lightly spotted paper, with a thin strip from blue paper mount adhering to the blank reverse.

Not paginated but twelve pages (Months!), 4to, with detached original front wrap, chipped and marked, missing back wrap, contents good, in unrelated folder. INSCRIBED top right of front wrap by Beatrice Crane, Walter's wife, and collaborator on this work (the verse): "Marguerite Marigold / from / Beatrice Crane/". Not listed in Masse.

305 mm high and 225 mm wide. The print has been trimmed, with the top corners cut away to give the print the appearance of an arched window. A strip, 35 mm high, at the foot contains the caption, with the bottom right-hand corner damaged (not affecting print) by removal from backing. A good crisp impression, on lightly-aged paper, the only faults being loss to the sky above the Emperor as a result of the trimming of the top corners, and a couple of spots of glue to the sky.

BM 12202. On piece of wove paper roughly 410 x 280 mm. On lightly aged and spotted paper, with slight wear and small closed tears to extremities. Closely trimmed at head and foot. Repair to blank reverse, which carries a strip of cloth from previous mount. Text and image clear and entire. Image roughly 190 x 120 cm.

On japon paper, roughly 260 x 330 mm. Dimensions of image roughly 140 x 225 mm. The impression has a metallic sheen. An impressively-executed engraving, a clear and crisp representation of Meissonier's celebrated painting, with a remarque of a horse at the foot. To the right of the remarque is the engraver's signature in pencil, ''. Klackner's copyright details run along the head of the engraving. Good, in crude card mount. A light smudge in the top left-hand corner of the margin, and a little damage to the bottom right-hand corner of the margin.

Landscape. On one side of a piece of paper roughly 25 x 41 cm. In poor condition: aged and damp stained, with loss to top-right and bottom-right hand corners (in neither case affecting text or design). Laid down on a piece of white paper. Title and small portrait head of Moore surrounded by an ornate calligraphic embellishment. The poem, of nine heroic couplets arranged in two columns, is engraved in copperplate, and begins 'Lamented Moore!

On both sides of a piece of wove paper, dimensions roughly 8.5 x 20 cm. Cruikshank's signature is approximately 9 cm long, with the final letter of his Christian name in superscript. Paper aged and creased, with central vertical fold, and wear to one edge (not affecting text). Recto reads '<...> in the interim - | That 2 door Mats be ordered for the use of the Society | Adjourned till Thursday 7th June - | [signed] Geoe Cruikshank | Monday June 4. | General Meeting of the Society | Mr Parsonage in the Chair.

On a piece of paper, roughly 14 x 12 cm. Creased, and with a few pin holes (not affecting text). Edges untidily cut. Possibly the ffep of a presented book. Text in purple ink, with good firm signature (roughly 4.5 cm long). Reads 'To my very dear Friend | E. Bawden | [signed] Lionel Ellis | Siena May 1926'. The '6' in the date slightly cropped.

8vo: 32 pp. Stitched. In original grey wraps. Text, four illustrations and map clear and entire. Printed on discoloured high-acidity paper. Lightly creased with a little wear to corners. Scarce. An attack on 'the Betting-offices that are springing up all over the town', with particular reference to those in the St Martin's Lane area. COPAC only lists four copies: at the British Library, Bodleian, Cambridge and Edinburgh; with two copies of the second edition: British Library and V & A National Art Library.

Published anonymously (i.e I derive the author's name from BLC). Bound up with: "Report presented to the Cambridge Antiquarian Society at its second general meeting, May 13, 1842" (Cambridge, 1842) and T.E. Tomlins, ed. and translator, "Monastic and Social Life in the Twelfth Century, as exemplified in the Chronicles of Jocelin of Brakelond" (London, 1844). Blue boards, badly worn, slight hinge starin, foxing, annotated with considerable additional information in an unknown hand, with additional illustration inserted, some bound in. A scarce book, but unique copy with annotation.

From the Library of Percy Muir, bookseller and author. Red cloth, faded bumped and with some wear and tear, contents with foxing and marking. With occasional notes on the text and additions and corrections in Muir's hand. And with 2 ALSs, one by Edward D. Mason, 2pp., 8vo, 9 March 1922, discussing le Blond ovals he is sending, and asking for an offer. The other ALS, 2pp., 4to, is from a Percy Maylam to the book's author, Courtney Lewis, correcting details in the book and giving explanations.

One page, c.6 x 5", fold marks but good condition. With original typed envelope with pencilled annotations by Simcock. Dulac's signature calligraphic as usaul. He says "Dear Mada / I shall be delighted to sign your book. / Yours very truly / Edmund Dulac"

Both items concern John Littlejohn's 'British Watercolour Painting and Painters of Today' (Pitman, 1931). Note of 18 December 1930: 12mo, 1 p. Five lines. Good on lightly aged paper. Thanking the publishers for sending 'the prints of my drawings [...] they are really very well done!' Letter of 13 February 1931: 12mo,1 p. Eight lines. Good, on lightly creased paper. Thanking the publishers for four presentation copies of the book. 'It is a handsome book and the drawings are well reproduced: I am particularly pleased with those of my own drawings.' Two items,

All three items concern Littlejohns' 'British Watercolour Painting and Painters of Today' (London: Pitman, 1931)'. First Letter: 12mo, 3 pp. 43 lines. Text clear and entire. On two leaves attached to one another in a corner by a pin. Good, on lightly-creased paper. Interesting and informative letter concerning 'two watercolours' which Williams would 'like to be 'reproduced in [Littlejohn's] work on water colours'. Gives details of the titles of the works and the name and address of the owner, 'who has consented to send them'.

A collection of twenty-two items, with one printed envelope, all in good condition, and relating to a complex order to one of the United Kingdom's best-known business concerns. Interesting for the light it casts on the best business practice in the British building industry of the 1930s. Includes typed two-page foolscap estimate, dated 1 November 1930, initialed and on the firm's letterhead, addressed to H. V.

On one side of a piece of paper roughly 24 x 14.5 cm. With card backing. Good, though lightly aged. Headed by the Royal warrant, the top-half of the handbill features, in a variety of types and point sizes, the announcement of Tuck and Sons' intention to award 'Upwards of 4,000 prizes, of the value of 3,000 guineas, and a number of judges' diplomas', with Besant and Stone as judges. The lower part has two columns featuring fifteen testimonials, by newspapers ranging from 'Windsor and Eton Gazette' to the 'Sheffield Telegraph'.

{Note/Billet} One page, c.16 x 11cm, some marking but text clear and complete, but partly illegible as follows: "Il faudrait . . . fut . . . merci un . . . je te ferais alors un bien joli tableau / FBarry/" This note has been soake away from a larger piece of paper in poor condition. at the foot of which an unknown hand explained that "Ces quelques lignes sont les dernieres que Monsieur Barry aient ecrits. Elles datent de 22 Aout 1905.

12mo, 4 pp. Good, on aged paper with a little light staining at head. A significant letter, in which Warren gives information of those of Warren's 'poor works' which have been engraved: 'they have been chiefly for book illustration and are spread through many publishers'. Begins by describing how 'Murray's Childe Harold has many vignettes, very well engraved from my drawings'. Ends by saying that 'There is also a print in the mixed style of considerable size engraved by Humphreys but not yet published. It is from my picture of a story teller reciting in a coffee house of Damascus'.

4to: 2 pp. 26 lines. He is totally flattered by the obliging comments of the recipient in sending the first three issues of 'l'Artiste'. Discusses the merits of this 'intéressant ouvrage'. Describes the limited 'coopération' he will be able to provide. 'J'espere ainsi que vous voudrez bien vous contenter de l'envoi que j'ai l'honneur de vous faire de la notice, dernièrement publiée, du musée que je dirige, dont la 1re et la 4e.

Pagination starts at p.9 (-48), preceded by endpaper, title, and 2pp. of text, [12mo], original illus. wraps, chipped, dulled, slightly marked, some wear to top and bottom of spine, contents good.

12mo, 1 p, 7 lines. Good, on light aged paper, with 1 cm closed tear to top corner (not affecting text, which is clear and entire). Reads 'I regret having to inform you that the Salford Mayoralty Seal has broken all to pieces in the process of hardening and that I am afraid that I am obliged to engrave another which I am proceeding with as expeditiously as possible'.

12mo, 2 pp. In poor condition, creased and with frayed edges and a closed tear to the second leaf of the bifolium, to which there is also slight loss. Text clear and entire, apart from one word. Addressed to 'Dear old Boy' and 'old fellow', from 'Your <?> Brother'.

Seven lines on one side of a piece of aged wove paper, roughly 12.5 x 10 cm. A hurried, smudged communication. Reads 'My Dear Sir | I have the ill luck to be obliged to attend a Council of the Royal Academy. We commence business punctually [last word underlined] at 8 oClock - Confound the R.A.!!! | Truly yrs | [signed] F Chantrey | Tuesday Morng'.

12mo, 1 p. Good, on lightly aged and ruckled paper. Laid down on a piece of grey paper removed from an autograph album. Accepting an invitation, and informing the recipient that 'Mrs Callcott has recovered from her last attack - but she is still slightly affected at times, and is very weak.'

5pp., 8vo. He discusses some proofs of engravings he has sent, for which his correspondent has shown insufficient enthusiasm. He would like them back. He says he is prepared to "make Pictures of Animals from Photographs, in fact he has done so. He discusses colouring, oil or water colour. His main line is portrait-painting, he says, either in London or at "Gentlemen's seats", giving his rates.

Celebrated connoisseur (1758-1833), whose picture-gallery, one of the finest in Europe, was at Bridgewater House in London. One page, 12mo. Formal letter in the third person. "The Marquis of Stafford sends his Compliments to Sir Egerton & requests that his name may be continued as Vice President for the Theatrical fund of Covent Garden Theatre, though he regrets that his health will not permit him to attend." Negligible traces of previous mounting on reverse.

12mo, 1 p, 12 lines of text. Good, on lightly aged paper. The second leaf of the bifolium is docketed in a contemporary hand. Le Blanc has received Weigel's twenty-second catalogue, and it has given him pleasure. Like the others it is full of curious details, and is extremely useful to Le Blanc, being full of curious details. He orders several items (crossed through by the firm), the last of which he desires 'vivement' to own.

12mo, 2 pp. Good, on lightly aged paper with two punch holes to the the outer edge of the first page. He apologises for troubling Rogers: 'I have not heard from yet.' Asks if Rogers would mind 'writing to ask him why he wont pay up.' Hopes Rogers is 'quite well by this time. | My panel is in the frame and finished. I want you to come and have a look at it one Sunday morn.'