THOMAS

Letter: 1p., 12mo. In fair condition, lightly aged and creased. Attached by the blank second leaf of the bifolium to the reverse of the front free endpaper of the book. Envelope addressed by Tyrwhitt to 'Miss Bosworth | Parks Town' tipped-in beside the letter. He is not sure whether she has a copy of 'my art-book', which she mentioned 'the other day'. 'If not, will you kindly accept of this one, tho I fear it is not a very good one in the illustrations?' Book: [xv] + 480pp., 8vo. Sixteen-page November 1868 publisher's catalogue at rear.

Letter: 3pp., 12mo. Bifolium. Laid down on the book's flyleaf. In very good condition, lightly-aged. He hears about his book 'every now & then & I suppose it goes off all right'. He advises Mrs Paul to tell her correspondent that 'she has only to go on with its lessons & exercises', and that 'The woodcuts are all meant to be copied, & a fair amount of directions is given.

2pp., 12mo. In fair condition, lightly aged and worn. He is 'very much disgusted and indignant against Mr. Clarke for his Impertinence' in calling on the recipient, and has 'expressed as much to him'. He discussed with Clarke the question of the number of gentlemen contacting him about the matter, and hoped to put Clarke in touch with the recipient. The letter concludes: 'It seems Mr. Clarke, when I was out of the Room, took up your Letter addressed to me, and copied your name and direction, a most unwarrantable and unjustifiable act.'

4pp., 16mo. Bifolium. He thanks him for his 'intended help with Mr Hope & Mr Marriott'. He is sending him 'the Design I wish to carry out for our West Window', but without Hope's help it 'must be a distant job - the estimate is 100£ Hardman made the drawing from my description'. He continues by discussing work on the chancel and altar rails, and is sending 'a published view of the old Church'. He explains that he is setting up 'one of our South Windows' in memory of his sister-in-law Harriet, who died in 1851, addiing that 'S Parr also gave a Stone Pulpit & Eagle Lectern'.

3pp., 4to. Bifolium. On aged and worn paper. Arnald's appeal begins: Appealing to the 'known humanity' of Lawrence and the Council, Arnald writes on behalf of 'Mrs. Abigail Whitcombe, widow of Mr. Thos. Whitcombe late of Clarendon Square, marine painter, and for 40. Years an annual contributor to the Exhibition of the Royal Academy', who has previously received assistance, but is now 'almost totally deprived of sight, and otherwise afflicted', and is dependent on 'the assistance afforded by friends on whom she has no Claim'.

The two signatures are on one side of a 14 x 18cm leaf of cream paper removed from an album. In good condition, lightly aged and worn, with laid down. Good clear examples. Beecham's signature 'Thomas Beecham' is above that of 'Ethel Frank'. Probably given on Franks first visit to Britain in 1921. Small magazine cutting of photograph of three musicians laid down on reverse.

Both items in good condition, on lightly aged paper. Letter: 2pp., 12mo. The letter begins: 'Mrs. Kean has given me back possession of the two Plays. The Wife's Secret & The Trial of Love. & the advice of Mr. Coyne was that I should add them to the Dram[ati]c. Authors Society's list.' Under the circumstances, he asks whether Lacy would be 'desirous of printing them & if so what would be your arrangement?' He suggests a meeting the following day. Autograph prelims: 3pp., 4to. Bifolium, with bottom half of second leaf torn away.

1p., 12mo. In fair condition, lightly-aged and spotted, with minor traces of glue from mount on reverse. Reads: 'With the Compliments of the Season to all | from | Thomas Faed | 25 Der. 1881'. For information on Faed, see his entry in the Oxford DNB.

1p., 12mo. Nicely printed on one side of a piece of laid watermarked paper. In good condition, lightly aged and worn, with slight loss to one corner caused by removal from an album. Sixteen-line poem in four four-line stanzas. Signed in type at foot 'TOM FAED.' The poem is a lament by the betrothed of a sailor drowned in the Firth of Forth. The first stanza reads: 'Oh wae is me!

1p., 12mo. In fair condition, lightly-aged, and laid down on a piece of card. Reads: 'July 26 | My dear Faed, | Would you mind seconding me at the Athenaeum? I believe Tom Hughes has put down my name. | Yours faithfully | William Black.' According to Black's entry in the Oxford DNB, he 'studied landscape painting for a short time in the Glasgow School of Art, but, becoming connected with the Glasgow Citizen, gradually exchanged art for journalism'.

1p., 12mo. In good condition, lightly-aged, with small piece of mount adhering at head. Accepting an invitation to dinner.

1p., 12mo. In good condition, lightly-aged, with small part of paper mount adhering at head. Accepting a dinner invitation on 20 November.

2pp., 16mo. In fair condition, lightly-aged, with trimmed margins and slight damage at head from removal from album. He asks her to accept a 'Copy of Titian's "Ascension of the Virgin". You seemed to like it and it may fill a corner in your Boudoir.' He apologises if the frame is 'not as it should be but some might prefer he quaint old pattern to a more modern one.' From the papers of Faed's nephew John Francis Faed, son of the Royal Academician Thomas Faed (1826-1900), and so probably addressed to a family member.

2pp., 16mo. Bifolium with black border. He writes that he had 'looked forward with great interest to seeing your academy pictures for this year', but that he is disappointed not to be able to do so, as a result of a heavy cold. 'I have no doubt they will more than sustain your reputation, and it will be a true pleasure to me to hail them on good places on the line in the R.A.' He ends by sending regards 'to Mrs. Faed & yourself'.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper, but with a corner of the first leaf torn away, resulting in some loss of text, including the year. The reverse of the second leaf laid down on a leaf removed from an album. The image of the 'design', 8 x 6.5 cm, is on the second leaf, which also carries Tayler's signature. It is a crude but pleasing sketch of an intended painting, done with the sureness of a watercolour artist.

8.5 x 13.5 cm sepia shiny landscape photographic print on card with rounded corners. Laid down on grey paper backing. In fair condition, fading slightly, with 'T. Hardy wrote Return of the Native here' in top right-hand corner and 'RIVERSIDE' in bottom right hand corner. Shows frontage of house, with path leading to it and tree to the left of the foreground. 'The Return of the Native' was published in 1878.

1p., on half a folio leaf (16 x 19.5 cm). In fair condition, aged and worn. Fifteen lines of neatly-written text, signed 'T. T.' Begins: 'I reckon Mr J Loveday, to whom my best respects, has read the Critical Observations on the Sixth book of the Aeneid, which is pretty smart upon his friend the Bp of Gloucester. But the ingenious author, in the eagerness of his assault, seems to lay himself open to attack, by asserting, p.17, that Aeneas never appears as a legislator, except in one line Aen. III. 137.' Signed at end 'T. T.', with the initials underlined twice.

3pp., 12mo. Bifolium. On heavily aged and worn paper. Begins: 'Mr Grinfield, with his kind respects to Lady Cholmley, begs permission to submit the accompanying "Memoir & Remains of Mr Neale" to her perusal, having received a few copies (of which this is the last) for private disposal; - the price being 8/6d.

1p., 4to. Bifolium. Addressed on reverse of second leaf to 'Monsieur Bennis a la librairie Anglaise Rue Neuve St Augustin No 99'. In fair condition, on aged and lightly-worn paper. He had believed that he had a reciprocal agreement with Bennis, allowing him to borrow 'quelques volumes du Cabinet Cyclopedia', but he has now learned that Bennis has, 'contre ordre', cancelled his 'demande de Carnets'. As a consequence, 'par reciprocité également', he is returning the four volumes that he last borrowed, and he asks him to close his account.

3pp., 12mo. Bifolium. In fair condition, lightly-aged. Beneath the drop-head title: 'The Agency is authorized to refer to the following well-known writers: | Noah Brooks. | Hezekiah Butterworth. | Mrs. Margaret Deland. | William Elliot Griffis, D.D. | B. O. Flower, [Ed. Arena.] | Mrs. Burton Harrision. | Mrs. Julia Ward Howe. | William Dean Howells. | Mrs. Louise Chandler Moulton. | Philip S. Moxom, D.D. | Thomas Nelson Page. | A. D. F. Randolph, Publisher. | Charles Dudley Warner. | Mary E. Wilkins. | William Hayes Ward, D.D., [Ed. Independent.] | J. A. Wheelock, [Ed.

4pp., 12mo. Bifolium. A long letter, closely and neatly written, with a number of emendations suggesting that it is a draft. After a short reference to the Count's kindness to him and his friend Joseph Neave, he devotes the rest of the letter to 'the heavy trial thou has had to pass through', discussing the nature of loss with 'knowledge from my own experience, that the loss of a child is a grief into whose full depths no stranger can enter, and that words, even well-meant, when uttered at an unfit moment, pain instead of helping'.

Neatly written out on one side of a stamped, postmarked postcard, the other side addressed by Wright to 'Miss Alice A. Leith | 10 C<?> Gardens | London | N.W 3'. He is 'very pressed with work', and refers her to his 'Life of Blake', which 'gives all I know respecting Blake's attitude to Bacon - or Coban (altering the letters) as he sometimes calls Bacon'.

1p., 4to. In good condition, on lightly aged and creased paper. With Royal Society stamp of acknowledgement. Written on behalf of Crouch, who is 'desirious of securing recognition by the R.S.A.', and who has 'supplied us with many designs of high artistic merit or many years and has made a considerable contribution to theh success of our fine art productions.' He praises the 'originality of design and the high artistic merit of his work', and considers that 'his work for industrial art deserves the highest recognition', being 'easily recognizable' and in a 'style distinctly his own'.

3pp., 12mo. Bifolium. In very good condition, lightly-aged. She begins by explaining that as she is 'obliged to leave London', she will not be able to 'draw any more at his House this year'. She asks him to inform her how much she owes him 'for the Lessons he has been so obliging as to give - Lady Katherine Douglas & Miss Stuart will be at Mr. Parris's this Morning - | Ly Eastnor is desired by Lady Selkirk, & Lady Stuart de Rothesay, to enquire from Mr. Parris, what they are indebted to him for the Lessons to these two young Ladies'.

2pp., 12mo. Bifolium. In very good condition, lightly aged. Had he known that Hughes's wedding was 'coming off so soon' he would have been 'in time with a little gift'. As it is, he asks him to choose for himself, 'with the aid of your wife': 'Are you and she sick of the Oxford Books of Verse? Is Shakspeare's England too weighty (avoirdupois) for war-time establishments?

On one side of a small rectangle of laid paper, with one corner snipped off. In fair condition, aged and worn, with spike hole not affecting text. Reads: 'Mr Lawless | Deliver Mr Nichols Ninety Popes omer 4 Vol. | S. Cadell'. Although clearly a member of the firm, the identity of the writer is unclear, the descriptions of Cadell & Davies material at the Huntingdon and Yale not yielding any information.

Printed in black on a 45 x 28 cm piece of white card, folded twice to make a 22.5 x 14 cm bifolium. When opened out the card has the printing details and 'THE 35TH DINNER' on the otherwise blank reverse. Aged and worn. The outer covers of the card, opening out to 45 x 14 cm, carry a reversed photograph of a Miller & Richard chase, with form featuring the words 'DOUBLE CROWN CLUB'.

Hughes's mother Margaret - wife of Rev. Joshua Hughes (1807-1889) - was the daughter of Sir Thomas McKenny (1832-1917), Lord Mayor of Dublin. According to his entry in the Oxford DNB, Hughes and his wife 'attended the International Geological Congress of 1891 in the USA, where they were part of a small group which visited the national parks of North America, including the Grand Canyon, into which descent was made from the north rim. Much of the journey was made on horseback, through territory still under Native American occupation.' 2pp., 8vo. In ink and pencil.

Thomas McKenny Hughes was the son of Rev. Joshua Hughes and his wife Margaret, daughter and of Sir Thomas McKenny, Lord Mayor of Dublin. He entered Trinity College, Cambridge, in 1853 (B.A., 1857), and joined the Geological Survey in 1861. He was Woodwardian Professor of Geology, Cambridge University, 1873-1917, and was elected a Fellow of the Royal Society in 1889. He was the prime mover behind the creation of the Sedgwick Museum in Cambridge. In November 1882 he married Mary Caroline Weston, daughter of Canon G. F. Weston.

Both items in good condition, lightly aged and worn. Letter: 1p., 4to. With RSA stamp and manuscript note. He would like 'a list of the plaques you have placed in London', and would like to hear from Menzies, if he has 'anything to say on the subject, or have any article in your Journal'. Press release. 2pp., 8vo. Headed 'Literary Notes', it deals with E. T. Raymond's 'All and Sundry', Thomas Wright's 'The John Payne Society', Arthur Hayden's 'Bye-Paths in Curio Collecting' and H. C. Dowdall's 'Local Development Law'. Of the second book Unwin writes: 'Mr.