LITERATURE

For Powys and his two literary brothers see the Oxford DNB. On 11 x 9 cm piece of wove paper. The paper is discoloured with heavy spotting aroudnd the signature. Clearly a response to a request for an autograph, neatly written and centred on the paper, the only writing is the signature: ‘Theodore Frances Powys’. See image.

An 11 x 8.5 cm piece of paper, cut from a letter for an autograph hunter. In fair condition, lightly aged, and laid down on a piece of card which has chipped at the corners. The paper and its backing have a vertical crease through them. Reads ‘Excuse a very hurried letter & believe me / Very truly yours / Robina F. Hardy’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged with patch of light sunning. Folded once. The recipient is not named. Reads: ‘Dear Madam / Forgive me for my delay in answering your letter. I have been laid up for a week or two with influenza & my correspondence has suffered in consequence. / And please believe that your words have given us sincere pleasure & that I am / Yours very faithfully / A. T. Quiller-Couch’. The hyphen in the signature is almost imperceptible. See image.

It is hard to overestimate the impact of ‘Ion’ on Victorian audiences in Britain and America. According to Talfourd’s entry in the Oxford DNB, the play was ‘first performed at Covent Garden Theatre, London, on his birthday, 26 May 1836.

See her entry in the Oxford DNB, which does not accord her name a hyphen, although she does in this letter. 2pp, 12mo. On grey-paper bifolium. In good condition, lightly aged. Folded once. Signed ‘M Bethan-Edwards’ and addressed to ‘Dear Miss Birkett’. She apologises for having to decline her kind invitation: ‘I never can lunch out being busy till 1 pm’. Since ‘the afternoons are now so very short’, and she does not like ‘climbing the hill in the dark’, she proposes calling on her at 4pm. ‘It will then give me much pleasure to see you.’

See his long but strangely-cagey entry in the Oxford DNB. 2pp, 12mo. On a bifolium. In good condition, lightly aged. Folded once. Signed ‘Frederic Harrison.’ The recipient is not named. The letter begins: ‘Madam, I am obliged to you for your interesting letter[.] I do not enter an argument because it is founded on a few sentences which give a very imperfect idea of what I said on Sunday last.’ He does not dispute many of her assertions and, as for ‘the usefulness of larger landlords’, he has ‘repeatedly urged it in my addresses’.

Weyman was, as his entry in the Oxford DNB states, ‘one of the most popular and skilled of the historical romance novelists of the cloak and dagger school’. Oscar Wilde recommended his novels as reading for convicts. The present item is on an 11 x 9 cm piece of watermarked laid paper. In good condition. A neat attractive two-line inscription for an autograph collector, underlined and sloping upwards. Reads: ‘Stanley J. Weyman | Nov. 2. 1899’. See image.

An excellent letter, in which Caine evaluates his wartime activities, criticises those of others, and gives his opinion of the the standing of the man of letters in the England of his time. See his entry in the Oxford DNB. 3pp, 12mo. On bifolium. In good condition, lightly aged. Folded once. A long letter: forty-two lines in Caine’s distinctive close hand, with the first two pages on the rectos of the leaves, and the third page written lengthwise on the verso of the first leaf. Signed ‘Hall Caine’ and addressed to ‘My dear Sladen’.

Long and almost universally-appreciative articles, with photographs and cartoons, reflecting the excitement and energy of the period during which Fry was, as Michael Billington writes in his entry on the playwright in the Oxford DNB, ‘a dominant figure in British drama’. Ranging from three continents, with a few articles in foreign languages (Swedish, German, French). Among the material are John Gielgud’s long statement ‘Mr. Gielgud discovers Mr. Fry’, New York Times, 5 November 1950; and Richard L. Coe, ‘ “Lady” Delights A Packed Gayety’, Washington Post, 21 March 1951.

See his entry in the Oxford DNB. 1p, 12mo. Sixteen lines of text. In fair condition, lightly aged. Folded once. Stylized signature: ‘L A G Strong.’ He replies to her letter by saying that he is ‘delighted’ that she enjoys reading his books, ‘and I very much appreciate your kindness in taking the trouble to write and tell me so’. He hopes that she will continue to read his work, and that it will ‘never disappoint’ her. ‘Nothing is more encouraging to a writer than to know that he has numbers of friends, whom he has never seen, but who are following what he does with interest and pleasure.’

See his entry in the Oxford DNB. 1p, 12mo. On watermarked wove paper. In good condition, folded once. Centred on the page, and clearly written for an autograph hunter. Reads: ‘with kind regards from / G. Colman / 21st. July. 1828. / Brompton Square.’

See his entry, and that of his brother, in the Oxford DNB. The recipient Clifford Musgrave (d.1993), Borough Librarian, was instrumental in the saving and renovation of the Brighton Pavilion. Both items in good condition, lightly aged. Both written in an elegant close calligraphic hand. The first is misaddressed to ‘Mr Muspratt’, and the second to ‘Mr. Musgrave’. Both signed ‘Clifford Bax’. ONE (14 February 1945): 2pp, 16mo. Nineteen lines. Regarding the arrangements for a lecture he is going to give, he has been asked by ‘Eric’ to communicate with him about his ‘Brighton visit’.

The present item gives the text of the poem described by Byron as 'the most perfect ode in the English language' before its first publication in the Newry Telegraph in April 1817. See Wolfe’s entry in the Oxford DNB. The source of the present item is unclear. It is a photographic facsimile, many decades old, on both sides of a 4to leaf. In fair condition, slightly creased on browned paper, with negligible loss to margin at head. With five creases from folding. Addressed to ‘John Taylor Esqe / at the Revd Mr. Armstrong’s / Clonoully / Cashel’.

An almost miraculously legible example of Parr’s normally atrocious hand. (His entry in the Oxford DNB states that ‘Parr was flogged only once at Harrow, for bad handwriting, and to no effect. His writing remained atrocious all his life, so much so that on an occasion when he wrote to ask for 'two lobsters' his friend read the words as “two eggs”.’) On one side of blank card. In envelope with indistinguishable seal in red wax, addressed by Parr to ‘Keeling Greenway Esqr / Mayor of Warwick’.

See Hopkins’s entry in the Oxford Companion to Twentieth-Century Poetry in English. His papers are in the Harry Ransom Center of the University of Texas. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. Printed on one side of a foolscap 8vo leaf. A tasteful piece of provincial printing. Worn, creased and dog-eared, with closed tears at head. Inscribed at bottom-right: ‘for Andrew Block / Kenneth Hopkins’. Titled ‘THREE SONNETS’ and signed in type ‘KENNETH HOPKINS’.

1p, 12mo. On recto of first leaf of bifolium of pink patterned paper. In good condition, lightly aged. Folded twice. The sonnet, which does not appear to have been published, begins: ‘Midst the young eyes that on this book shall shine / Kindling with genius or with feeling bright, / Lit up with all youth’s visions of delight, / There yet shall gage no dearer ones than thine!’ Signed at end ‘J E R.’ See image.

See her entry in the Oxford DNB. 2pp, 12mo. On bifolium. In fair condition, but with slight loss to inner upper corner, caused by removal from mount, and resulting in loss to two words on second page, and closed tear at bottom of gutter. Folded once. Signed ‘Hesba Stretton.’ Begins: ‘My dear Henrietta / It was too cold to get over to see you this morning; but as we hope to be so near to you for sme days that signifies less.’ She asks if the recipient’s maid can ‘kindly take the rooms’, as ‘we’ (i.e.

Hook’s entry in the Oxford DNB descibes his novel ‘Gilbert Gurney’ (1836) and its sequel ‘Gurney Married’ (1838) as made up of ‘thinly disguised portraits and a string of anecdotes from real life’. 1p, 12mo. On bifolium. In good condition, folded twice. On wove paper with C. Ansell watermark of 1834. The signature ‘Theo E Hook’ does indeed have a strange ‘hook’ on the end of it, which has led to a pencil note on the blank second leaf: ‘try Thos. E. Boot / Booth / author of “Gilbert Gurney”’.

See his entry in the Oxford DNB. 2pp, 12mo. On bifolium. In good condition, lightly aged. Folded twice. Signed ‘William Black.’ He is enclosing a cheque (not present) ‘for the rent of Kilchrenan House’ in Argyle: ‘We enjoyed our stay there very much; & found the house most comfortable. I trust we left it in as good condition as we found it.’ Despite this he admits to ‘one or two small breakages’, regarding which he presumes he may ‘settle up with Mr. Bruce Robertson’ when he hears from him. ‘I wished to do so before leaving; but he could not tell me exactly the amount.’

See her entry in the Oxford DNB. The letters concern Manning’s second novel, ‘Artist among the Missing’ (1949). Both in fair condition, on lightly aged and spotted paper. Both 2pp, 12mo, and both signed ‘Olivia Manning’. ONE (15 May 1949): Twenty-four lines of text. She thanks him for his review of her book in the Hendford Herald: ‘I feel you have understood the point & purpose of the book a great deal more deeply than most of the regular reviewers who dealt with it for the literary weeklies’.

See his entry in the Oxford DNB. In good condition, lightly aged. In the following transcript, the parts in Masefield’s autograph are in square brackets, and the first printed sentence (‘I [...] letter.’) has been scored through: ‘PINBURY PARK, / CIRENCESTER. / Dear [Sirs,] / I thank you for you letter. / [I shall be obliged if you will send me No 98 of your list / Du Maurier. Trilby / London, 1895.] / With all good wishes, / Yours sincerely, / John Masefield.’ (Note that this ‘signature’ is printed.) See image.

See the recipient’s entry in the Oxford DNB. 1p, 12mo. Signed ‘Evelyn Lake’. In good condition, lightly aged, with minor traces of paperclip. Folded once. She enjoyed his ‘article in yesterday’s Reynolds News’, and thinks it is ‘Lovely to be able to make people laugh spontaneously.

See his entry in the Oxford DNB. 1p, 4to. On aged and worn paper; folded four times. Signed ‘Clement Shorter’. The letter is headed with Sayers’ Totnes address. He begins by explaining that the Sphere’s ‘Children’s Supplement’ has been abandoned due to ‘the high cost of paper’. Turning to Sayers’ other letter, he thanks him for offering to lend him a copy of Baring Gould’s ‘Strange Survivals’, but that he will obtain his own copy. He ends by thanking him for ‘the various information’.

See his entry in the Oxford DNB. Unsigned, but in Lynd’s hand and from the Lynd family papers. 6pp, 4to, on six leaves of ruled paper, twenty-six lines to a page. In fair condition, lightly aged, with dog-eared corners. Lynd’s handwriting is execrable, and he employs a number of abbreviations of common words, such as ‘and’, ‘the’, ‘of’. Begins: ‘[...] found expression in literature. / As I have suggested, however, it is in the art of conversation rather than the art of literature that the Irish comic spirit has found its fullest expression.

See his entry in the Oxford DNB. 2pp, 12mo. On brittle, discoloured paper, cropped at foot. Signed (‘J. Oxenford’). The recipient is not named, but is clearly the editor of the Athenaeum. Reads: ‘Sir/- / In the name of Mr. C. A. Feiling and myself, I beg leave to thank you for the very handsome and prominent notice of our “German Tales” which appeared in the Athenaeum of the 30th. ult. - You will confer a further obligation by letting the gentleman who wrote the article [know] how much we feel indebted to his kindness.’

See Belloc’s entry in the Oxford DNB. The recipient is Colonel Frederick Hugh Langston Oldham (1876-1965), D.S.O., D.L., of Overley Hall near Wellington. The three items are in good condition, lightly aged. ONE: ALS, 5 October 1922. 1p, 4to. With mourning border. Folded twice. Giving details of the train from Paddington he is proposing to take to Wellington for ‘[t]he lecture’ on 13 October. ‘It is most kind of you to have asked me to stay with you & I am much looking forward to it.’ TWO: TL, 11 October 1922. 1p, 8vo. Folded twice. The signature ‘H.

Pritchett’s ‘The Gentle Barbarian: The Life and Work of Turgenev’ appeared in 1977; the present letter is clearly addressed to his editor at the book’s publishers Chatto & Windus. Pritchett’s entry in the Oxford DNB describes his handwriting as ‘legendarily ugly and difficult to decipher’, but the present example is no worse than an average hand. 1p, 12mo. In good condition, lightly aged. Two fold lines. He is sending his ‘Turgenev’, and explains: ‘As you will see I have marked passages from the book in purple crayon, and my own summary bridges in green.

Plain 11.5 x 7.5 cm card, with letterhead in red. The card reads: ‘Dear Herman Hart / I can barely write even today with rheumaticky right hand. I have written to Thring to say that I propose you & have known you for years. It gives me great pleasure to do so / Yrs sincerely / Douglas Sladen’. On reverse, in contemporary hand, ‘Author of Japanese Marriage.’

1p, landscape 8vo. In fair condition; a little creased. Folded twice. Nicholson’s signature is a stylized squiggle, and there are a few minor autograph corrections to the typescript. The letter begins: ‘Dear Eric / I think the correspondent is probably right and that it is Windermere and not Coniston Water which can be seen from near Stickle Tarn.’ Nicholson cannot speak from experience, ‘as the tarn is metres above the level my legs would take me, but the map does seem to confirm what the two correspondents say’.

An evocative artefact of the interesting connection between Powys and the man who supplied him with the books for his translation of Rabelais. Writing on 24 September 1940, in 'Letters to Sea-Eagle', Powys gives a lengthy account of 'Our Jew Book-Pedlar' and the bombing by the Germans of his Russell Street address.