LITERATURE

On one side of an 8 x 13 cm piece of paper. In good condition, with light signs of age, and central horizontal fold. Firm, bold signature, 8 cm long, with underlining flourish. Beneath the signature, in a small hand, is the message: 'M Guinot | M: Vigny vous adresse son nom pour vous remercier il ne connait pas votre adresse'. Addressed on reverse, 'à M. Eug. Guinot'.

1p., landscape 8Vo. In fair condition, aged and with a number of vertical crease lines. Reads: 'Dear Mr Clarkson, | Will you please give instructions that any wigs that are being made for Sir Arthur Pinero's new play should be here not later than 11 o'clock on Monday morning next. Our Dress Parade is at 12 o'clock.' The play Boucicault refers to is 'The Widow of Wasdale Head'.

118pp., of which the first 102pp. are in 4to, and the last 16pp. in folio. Stapled into red card wraps. Ownership inscription on inside front cover: 'Padraic Fallon, | Prospect, | Wexford'. Internally in good condition, on lightly-aged paper, in heavily-worn wraps. The story is set among race-horse trainers in Ballinasloe in 1936. There is a curious example of typewriter slippage in the last line but three on the last page: '[...] and the woods and 5h3 5o2nw in 2hifh h3 hqe wp3n5 hiw lir3. Qne [...]'.

144pp., 4to. Stapled into red card wraps, with typed label on cover. A carbon copy with label of the London typing bureau Curtis and Page. The play was published in London by Victor Gollancz in 1941, with a second edition from the same publisher in 1954.

106pp., 4to. In good condition internally, on lightly-aged paper, in worn grey-cloth binding, with large and wordy French label on front cover. Rubens's score is not present. The text is preceded by twelve pages carrying: a 'List of Scenery and Properties', 'a 'Scene Plot', 'Light Plots', 'Property Plot', 'Hand Properties', 'Prompter's Cues' and 'Costumes and Wigs'. Possibly a prompt copy, with a number of passages deleted, and a few minor emendations made, in pencil, as well as call notes typed on the versos of some leaves, opposite the relevant text.

De Cordova was a voluminous author (see his entry in Who Was Who). Several of the couple's works were adapted for the cinema during the silent era. Of the four items present here, 'The Man in Mourning' was published in the Green Book Magazine, February 1916, and de Cordova's entry in Who's Who 1914 lists 'The Earthquake' among 'seven sensational dramas for the London Hippodrome'. No record has been found of the other two pieces. Four duplicated typescripts. In fair condition, with some wear and aging. ONE: '"The Earthquake" A Dramatic Sketch by Alicia Ramsey and Rudolph de Cordova'. A play.

1p. 8vo. In good condition, on lightly aged and worn paper. With envelope addressed by Ambler to Pitt at Kennister in Somerset. Also present are copies of two letters to Ambler from Pitt, dated 2 January and 20 February 1980. In the first Pitt congratulates Ambler on the receipt of an OBE, reminds him of their previous correspondence through Peter Janson-Smith, and sends 'Part I of my trilogy on the North African campaign' ('If it gives you one tenth of the enjoyment I get from every one of your books, it will have been worth writing.').

3pp., 12mo. Writing in a difficult hand, he thanks him for his very curious & interesting letter respecting Chr. Smart, of whose birthplace I had been previously ignorant, tho' his name was not unknown to me in connection with Horace'.

2pp., 4to. Printed on the same side of one piece of shiny art paper, folded to make a bifolium. Aged and stained, with wear and slight loss to extremities. Photograph of Russell beneath title, alongside 'Sonnet | To W. Clark Russell', reprinted 'From "English Sea Pictures." By Julia D. Young, Author of "Barham Beach, the President's Poem." - New York.' The author laments that '[i]n this country, it is not the fashion to ennoble those who really do something for their time and generation', such as Russell, whose 'stupendous output' consists of 'fifty-seven books everyone [sic] of them good'.

1p., 12mo. On aged paper, with spike hole and damage to one margin, affecting five words of text, but not the signature. He asks for the item he orders, 'Natural Hist of England', to be addressed on the parcel to 'Very Rev. Dr. Husenbeth | Care of Mr. Spratchett | St. John's | Madder Market | Norwich'.

1p., 12mo. In fair condition, lightly-aged, and laid down on a piece of card. Reads: 'July 26 | My dear Faed, | Would you mind seconding me at the Athenaeum? I believe Tom Hughes has put down my name. | Yours faithfully | William Black.' According to Black's entry in the Oxford DNB, he 'studied landscape painting for a short time in the Glasgow School of Art, but, becoming connected with the Glasgow Citizen, gradually exchanged art for journalism'.

1p., 12mo. In good condition, lightly-aged. He writes that he has had 'a very fine p' sent to him, and asks if Pearson might accept it. 'If you dont care about it yourself you may have friends here to whom you might like to give it. Only, unluckily, I must have back the top'. He ends with a complaint regarding a 'Bronchial cough'.

On one side of 7 x 11 cm piece of paper, cut from the end of a letter. In good condition, lightly aged. Reads: 'It would be very good of you to append this short notice of a deserving measure. | Please forgive me trespassing on yr. time & good nature and believe me | Faithfully your's | Walter S Sichel'. For more information about Sichel, see his entry in Who Was Who.

A good, firm signature on the reverse of an 8vo endpaper removed from a book. In good condition, lightly-aged. Reads simply: 'Marie Corelli'.

Good, firm signature, on 5.5 x 14.5 cm piece of paper. In good condition, lightly aged, on card backing bearing traces of mount on reverse. Reads simply: 'Florence Marryat.'

1p., 4to. In good condition, lightly aged, with tiny stain in margin. He thanks him for his letter, and invites him to 'call again' at 'this enchanting place'. He has 'finished Octave 5' and is 'at work now on another Ben Nevis story'. He has asked his publishers Chatto & Windus to send him 'Octave 3'. A letterhead with Mackenzie's Edinburgh address is printed upside down on the reverse.

Three pages, 12mo, bifolium, faint foxing and minor damage, text clear and complete. " The son of my excellent friendm Robt Harrison, Librarian of the London Library, is an applicant for the assistant Librarianship of the Royal Academy. [...]" He gives information about him (education, languages, travels, familiarity with "library work" (as assistant to his father), current filling in work in the Observatory at Kew. He solicits Woolner's vote, and adds, in a postscript, that the applicant is the grandson of an artist.

34 lines of typed text on air mail letter on blue paper. In good condition, lightly aged and worn. Addressed to Malcom at Paisley, Renfrewshire.

Both items in good condition, on lightly-aged paper. The letter is 2pp., 4to, and is written in a playful tone. Escaping the accompanying spoof Steward writes: 'Your remark that Glasgow was as alien to you as Mars got me thinking along the lines of the attached headline . . . . . It would be a good idea for a story if it hadnt been done about three thousand times already (See Robert Bloch (Report on Sol III) and others).

Each letter 1p., 4to, Bickerstaffe-Drew's on reverse of Wood's. In fair condition, on aged leaf of paper with strip torn from head. The two letters cast an interesting light on English publishing practice in the late nineteenth century. Wood's letter, signed 'J. S. Wood', is written by a secretary, and addressed to 'The Right Rev Mgr Bickerstaff Drew'.

2pp., 12mo. In fair condition, lightly aged and worn. The menu is written out in faint pencil on one side, beneath the letterhead. On the other side, and headed with the date 4 June 1919 is the following playful address: 'Dear Jerrold, | "Carry on"! | This has no reference to the food we have just eaten. | You Walter [pun on 'ought to'] be here because you're a Jerrold [pun on 'dear old'] fellow. | And so say all of us.' Beneath this are nine signatures, two of which are undeciphered.

Ford's first book of verse was 'Sung by the Way', published in Blackburn in 1905. She published several volumes of patriotic poetry: 'Poems of War and Peace' (1915), 'A Crown of Amaranth' (with Erskine Macdonald, 1915), 'Our Heroes' (1916); 'A Fight to a Finish' (1917). Other volumes include 'Lyric Leaves' (1912) and 'The England of my Dream' (1928). She edited the series of 'Little Books of Georgian Verse', 1915-1916. Her 'Lessons in Verse-Craft' was published in 1919 with a second edition in 1923. Her song 'In the Twilight' (1923) was set to music by Harry Brookes.

3pp., 12mo. Bifolium with mourning border. In fair condition, on aged and worn paper. She apologises for the delay in writing, explaining: 'my hand has been dreadfully lame, & I have no secretary'. She explains that she has spoken to 'Mr. Craufurd' regarding the cottage, but that there is 'an old lady here, the widow of a farmer, a certain Mrs. Mead, who is supposed by Mr. Craufurd to have a prior claim'. She discusses whether Mrs Mead truly wants the cottage, and the possibility of making alterations to it, ending with remembrances to the recipient's father and mother.

32pp., 8vo, pale blue printed wraps, partly detached at spine, some foxing, mainly good. Inscribed, front wrap, "With the Author's Christian love". Several copies listed on WorldCat including main British Libraries. No other copy currently on the market.

584pp., 8vo, utilitarian cloth binding, sl. hinge strain, for the sections as they were published (A-Calvin, Calvin-Fulke,Fulke-Zaccaria), with original wraps of the three original parts bound in, in good+ condition. Small stamp on spine "Trin.Coll. Camb.."His stock has a theological bent, for example the section on BIBLES runs from pp.106 -165, nos.1312-1912, Biblio polyglotta (1586) to Biblia Maxima Versionum ex Linguis Orientalibus (1660).

[51]pp., 8vo, stiff paper wraps, dulled minor wear and tear (small closed tears, for example), contents good. No other copy currently on the market, 6 copies listed on WordldCat (BL and five US/Canadian).

One page, 8vo, fold mark, small closed tears on fold, good condition, pencilled ticks (by Stokes?). "I am in bed, now reading a bit of Ben Johnson [sic] now a bit of 'Moll Flanders", now a bit of [?] & now a bit of Marie Corelli." He anticipates when he'll next be in the "office". New paragrph, "Will you and Mr Moore go through that basket of mine marked "Current" & send off for setting that wghich appeals to you. There is an article on Arthur Machen, which should be cut [...].

On piece of 9 x 14.5 cm card. In fair condition: aged, lightly-stained and with traces of mount adhering to reverse. Reads: 'To | Lord Jeffrey | With Kind regards from | Thos: Hood'.

Watson's translation of 'La Cantatrice Chauve' (1950) was first published in London by Calder in 1958, and his version of 'Le Salon de l'Automobile' (1951) by the same publisher in the fifth volume of Ionesco's plays in 1963. The two scripts typed in uniform style, on rectos of leaves, and stapled together. ONE: 'The Bald Prima Donna'. 19pp., 8vo. In good condition, on aged paper, with somewhat-appropriate child's markings in black ink on blank parts of first page.

In his obituary in the Independent, Lane was described as 'one of those writers whose published oeuvre is only matched by the supreme fiction of their own existence'. The present two pieces, both unpublished, date from his time studying theatre design at Wimbledon Art School, before 'launching himself across the globe, seemingly supported only by his verbal brilliance, good looks, perfect wardrobe and genius to amuse'. ONE: '"ANAGRAMS [no closing quotation mark] | A One Act Play - by Simon Lane'. [3] + 19pp., 8vo. Duplicated typescript on loose leaves held together by paper clip.