Autograph Letters

Three pages, 12mo, bifolium, good condition. Second leaf laid down on part of a album page. See Image of pp.2 & 3. Text: You write to me and I dont [sic] answer. but I know you hear of me From [sic] his letters - which I just manage to send though I fear . [sic] they most often be very dull. | Are you coming up For the Jubilee - its all Jubilee - I hope it is going to be Fine [sic] it would bve such a great disappointment if it was not. | I have been awayFor [sic] the last three Sundays but it seems to take a lot of time somehow . We are of course a long way off the station here.

Calling Card, 9.5 x 5.5cm, some staining but text clear. See Images. Printed text (recto) is as follows: Léo Delibes || Membre de l'Institut || 220 rue de Rivoli. He has written the following; Mille remerciements bien affectueux, cher collaborateur. Vous permettez ce titre, sinon a l'auteur du Roi l'a dit [underlined], du moins a celui de 'Lakmé'! | L.D.

One page, 12mo, tipped on to part of an album page, name of writer written below letter presumably by Miss Meredith. See Image. Text: My dear Miss Meredtith, | You will never succeed in making a complete collection of the signatures of your father's debtors, but one of them, at least, takes great pleasure in thus acknowledging what he can never discharge. | Faithfully yours | J.R. Lowell || Miss Marie Eveleen Meredith. Item detached from Meredith family album containing letters from distinguished contemporaries such as Henry James, Thomas Hardy, Clemenceau, etc etc.

One page, cr. 8vo, fold marks, faint foxing, good condition. See Image. Text: It is delightful to read that August Manns [conductor - see Wiki] is still remembered. I was born within sight of the Crystal Palace and can even remember the great fire on one Sunday afternoon when part of the 'Tropical End' was burned to the ground. Those Courts [with?] the fine casts of statues of all periods taught me how to look at their originals in many places.

One page, 12mo, blue paper, good condition. See Image. I am so sorry - I have got no photograph so just the autograph must do -.

Bold signature on light blue paper 13.5 x 8cm, laid down on slightly larger paper extracted from an autograph album, headed in boyish handwriting This page is reserved for Frank Richards autograph. See image.

See Horne and Muir's entries in the Oxford DNB. On one side of 8.5 x 20.5 piece of paper cut from the conclusion of a letter. In fair condition, lightly aged and creased. With fold from postage. Good firm signature. Reads: 'Re above from Frank Muir, I pronounced the name to my taxi-driver and had no difficulty. After he had taken me to the Savoy I came back here and had a marvellous meal / Kenneth Horne'. See image.

See the two men’s entries in the Oxford DNB. In good condition. 11.5 x 9 cm card, without illustration. Printed in red at head: ‘MICHAEL REDGRAVE.’ The message concerns the London production of Fry’s ‘The Lark’ (a translation of Anouilh’s ‘L’Alouette’), which opened at the Lyric Theatre, Hammersmith, on 11 May 1955. Redgrave would star in Fry’s next play, ‘Tiger at the Gates’ (a translation of Giraudoux’s ‘La guerre de Troie n'aura pas lieu’), which premiered in New York on 3 October 1955.

See his entry in the Oxford DNB. On 11.5 x 9 cm plain post card with printed half penny stamp. In fair condition, lightly aged, with dog eared corner and spike hole (through part of address on one side and blank space at bottom left on message side). Addressed by Russell to ‘The Secretary / Society of Arts / John St / Adelphi / London / W.C.’ Reads: ‘Dunrozel, Haslemere. / In reply I beg to say I shd like the Journal “supplied in a bound volume at the conclusion of the Vol. in Nov.” / J. A. R. Russell’.

See his entry in the Oxford DNB. Removed from album, and closely trimmed, having been cut down to 9 x 7 cm, with corners cropped. Lightly aged, with one fold for postage. In neat close hand, reads: ‘My dear Lady Burdett / I am very sorry indeed that an Engagement from which I cannot release myself will deprive me of so great a pleasure. Yours ever / S Rogers.’ See image

An interesting item, providing a sidelight into the process of Victorian scholarly editing and publication. Fitchew’s letter is 2pp, 4to, on the outer pages of a bifolium; the inner pages being filled with notes (citations?) in a minuscule hand, possibly the recipient’s. In good condition, lightly aged and worn, and folded for postage. Addressed to ‘H. W. Wilson’ and signed ‘E. H. Fitchew’. The letter begins: ‘Dear Mr. Wilson / I think it is possible we may want a little more letterpress, but probably not much. Up to end of pt. 7 we have used 82 slips.

See his entry in the Oxford DNB. The recipient is not named, but the item is from the papers of Eileen Cond, an enthusiastic collector of autographs. 1p, 12mo. In good condition, lightly aged. Folded for postage. In Blunden’s stylish hand the note simply reads: ‘[9 Woodstock Close / Oxford] / 1 April 1936 / Dear Madam / I append the autograph which you requested. / yours faithfully / Edmund Blunden.’

An interesting correspondence, with one editor showing his experience in discussing the reviews he is writing for another. See Cockburn's entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The three items are ruckled and stained from water damage, with smudging of the signature (?Claud Cockburn?

[8 Feb.1924] Three pages, 4to, good condition, with Royal Society of Arts stamp. He acknowledges a kind reply to his request to hire your lecture theatre for the [first] Congress of the British Society of Dowsers. A 'friend' Colonel Crosthwaite, suggested that I should tell you something about the nature of the Society, the existence of which is unknown to many people. And ignored by most people of scientific reputation.

Not only an unusually intimate letter for a member of royalty to write, but also an interesting communication from a poet to her mentor.

See the entries of Bentinck and FitzRoy Somerset in the Oxford DNB. On approximate 11 x 6 cm rectangle cut from cover of letter. In good condition, lightly aged, with minor traces of grey paper mount adhering to blank reverse. Addressed by Bentinck in the customary staggered way: ‘Lieut: Genl. / Lord FitzRoy Somerset G.C.B. / Horse Guards’. Bentinck’s signature ‘G. Bentinck’ is at bottom left, underlined but without the line above the signature. The merest slither of the bottom of the loop of the initial ‘G’ has been cropped. See image.

See his entry in the Oxford DNB, which states that he has ‘strong claims to be regarded as the greatest sporting all-rounder of his or any era since’. (Neville Cardus counted him ‘among the most fully developed and representative Englishmen of his period’.) It also seems that in 1920 he was offered the chance of becoming king of Albania. His grave at Repton is inscribed: ‘Cricketer, scholar, athlete, Author – The Ultimate All-rounder’.

See his entry in the Oxford DNB, in which ‘deep professional commitment and mental toughness’ are said to be qualities whose possession he demonstrated ‘heroically’. Beatty’s aggressive tactics at the Battle of Jutland are often contrasted with Jellicoe’s more cautious approach. After the explosion of the Indefatigable and the Queen Mary, with the loss of 1283 officers and men, he came out with the celebrated understatement, ‘There seems to be something wrong with our bloody ships today’.

See his entry in the Oxford DNB and the History of Parliament (‘the foremost diplomat of his age’). It was Malmesbury who went to Brunswick to fetch the Prince Regent’s betrothed Princess Caroline, and whom he asked to get him a brandy on his first encounter with her three years before the present letter was written. A legible script was clearly not a prerequisite for a successful diplomat, as the handwriting of this missive is scandalously bad: practically on a level with that of Dr Parr. 1p, 4to.

One page, 12mo, unsigned, bifolium, good condition. Note by another hand in top left corner, lettre de Masclet. Text (unsigned): J'envoye a Monsieur Mollard la copie du memoire sur la place du chemin de fer entre Liverpool et Manchester. | On pourra annoncer a l'institute un autre memoire plus developpe sur l'etat actuel du chemin de fer entre Darlington et Stockto: j'en enverrais une copie si on la desire. | Je [?] de me rendre [la france jeudi?] a 2 h 1/2: serait il [possible?] a Mondieur Moll;ard de m'envoyer un second billet pour mon support, car j'ai besoin d'en avoir [un?].

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice for postage. Reads: ‘Dear Miss Cond, / I have pleasure in sending you my signature. As you will see, it is quite an ordinary one. / Yours very truly / William Plomer’. The signature is in fact rather stylish in an understated way, and the underlining has two small curls in it. In ink on otherwise-blank reverse, by someone who misread the signature: 'William Ploms'. See Image.

Bosselt was a student of Joseph Kowarzik at the Städel Institute in Frankfurt. He studied at the Académie Julian in Paris, then assisted in founding the Darmstadt artists’ colony. From 1904 he taught at the art school at Dusseldorf. He received an honourable mention at the 1898 Salon des Artistes Français in Paris, and his work was part of the sculpture event in the art competition at the 1932 Summer Olympics. These two letters are neatly and closely written, and both signed ‘Rudolf Bosselt’. Each letter is 1p, 4to. The first letter is 18 lines long, the second 15 lines long.

The daughter of the fifth Duke of Argyll, Lady Charlotte bore eleven children to her two husbands, and was forced to write novels by her first husband’s death and second husband’s profligacy. See her entry in the Oxford DNB. 4pp, 16mo. Bifolium. In good condition, lightly aged. Neatly attached by a paper hinge to part of a leaf from an album. Begins: ‘Lady Charlotte Bury presents her Compts to Sir William Hamilton, & takes the liberty of soliciting for the honor & favor of his name, as a subscriber to a work by Lady Charlotte of which the enclosed Prospectus gives every particular.

See his entry in the Oxford DNB. Written large at the foot of a page on a 4to leaf. In good condition, lightly aged and creased, with a short closed tear to the outer edge just below Glubb’s sprawling signature, which consists of an illegible line of curls. Folded once for postage. At the head of the page is Diane Richard’s Typed Note Signed, addressed to ‘General Glubb’ and requesting that he sign ‘two pictures from my collection’. Glubb replies: ‘Dear Miss RICHARD, / I return your two pictures herewith with much pleasure. / All good wishes, / Your sincerely / [signature]’.

See her entry in the Oxford DNB. 1p, 12mo. On the recto of the first leaf of a bifolium, the blank second leaf of which has been glued to the first. There are also a number of vertical creases. Folded once for postage. Reads: ‘Mrs Hodgson Burnett has much pleasure in accepting Mrs Macheles kind invitation for Tuesday July 12th / 23 Weymouth Street / Portland Place’. See Image.

See Richard A. Cosgrove’s laudatory entry on him in the Oxford DNB, as well as that on Henry Goudy (1848-1921), Regius Professor of Civil Law (like Dicey, of All Souls). The recipient, Archibald Arthur Prankerd (1851-1926), of Worcester College, was also in the law faculty at Oxford. 1p, 12mo. In good condition, lightly aged and creased. Folded once for postage. Signed and underlined at foot in pencil ‘A V Dicey’. The letter, in a secretarial hand, reads: ‘Dear Prankerd, / This Dissertation will I think suffice. Please look it through & send it back to Goudy.

Four pages, 12mo, bifolium. I am delighted to hear from you that the Bassingham Doorway is to be preserved - | I lose no time in sending a design for the oak doors - I think plainly moulded framing & ridged panels will best suit the age - It looks plain in outline - but if of handsome English oak, will look beautiful in execution.

Forty items, in good condition, lightly aged and worn, with some of the photographs with evidence on reverse of having been mounted. Millicent Goodsir [née Unger] (1885-1983) was governess to Christina Bezzi Scali (1900-1994), daughter of Francesco, Count Bezzi Scali and his wife Anna (1879-1968). In 1927 Cristina became Marconi's second wife. Their only child was Maria Elettra Elena Anna Marconi (b.1930), who would marry Prince Carlo Giovannelli (1942-2016).

Macready's entry in the Oxford DNB states that he destroyed his diary and personal papers after the publication of his memoirs in 1924, and that of his father notes that he dealt with William Charles Macready's ‘copious and uninhibited diaries’ in similar fashion in 1914 - two years after the appearance of Toynbee’s edition. The present collection of eighteen items is in good condition, lightly aged, and folded for postage. All signed 'C F N Macready' and addressed to 'My dear Toynbee'. The text of the letters totals 35pp (compising 1p, 8vo; 25pp, 12mo; 9pp, 16mo).

See his entry, and that of Colburn, in the Oxford DNB. Campbell agreed to edit Colburn’s ‘New Monthly Magazine’ in 1820, his first number in the post being that of January 1821, and the letter was presumably written between this period and Mrs Campbell’s death in 1828. The reference to ‘Mr Ollier’ would close the dates even further: the Oxford DNB’s entry for Charles Ollier (1788-1859) stating that, after financial difficulties, ‘by the autumn of 1825 he returned to the publishing trade as the chief literary reader and adviser to Henry Colburn in New Burlington Street’. 1p, 12mo.