SIR

On a leaf roughly 17 x 12 cms. A small strip is missing from the foot, but this does not appear to affect the texts. Aged and ruckled, with a little staining from previous mount at head and foot of printed side. In the Letter Moseley opines that 'the closing of Public Houses during the whole of Sundays would be attended with great inconvenience to the public, and I cannot therefore agree to the object of Promoters of that scheme'. Docketed in the top left-hand corner 'Mark name on list as unfavourable'. The handbill, signed in type by John Garrett, D.D.

Two pages, 12mo. On gray paper. Good, though lightly ruckled and aged. He thanks her for the 'information about the silk', and accepts her invitation. He haad intended to call on her the day before, but was prevented by the weather.

Paper dimensions roughly fifteen inches by ten and a half wide; print dimensions twelve inches by seven and a quarter wide. Good clear image with border a little dusty and aged. Full-length image of a dour Panizzi standing at a desk holding a book. Page of letterpress on separate leaf of same dimensions, containing spirited account ['he sought refuge in Switzerland, but he was expelled discreditably from that country, [...] Keeper of the Printed Books [...] the man in all Europe most competent to fill it.

Clowes is an eminent firm of English printers, founded in London in 1803, and still thriving in Suffolk. The twelve typed letters are each one page, quarto, on the firm's Duke Street letterhead. The autograph letter is one page, 12mo, with mourning border. The collection in good condition overall, with a few items aged and lightly creased. Most items docketed and bearing the Society's stamp. All items except the circular signed by 'W A Clowes', who (he informs Wood in his first letter) has taken over from his cousin, Captain W. C.

One page, octavo. On aged, grubby paper with minor staining at foot. He has spent 'all his monney for prints & Books I bought at Sale last Week. I have no balance in my Bank at all. (ganz nichts) if you are not inconvenient [sic] Please bring some L. S. D. on Saturday next'. Postscript: 'My business is Ratton N. B. G.' It is thought that Kato obtained a large portion of the Japanese prints for Sir Edmund Walker's celebrated collection.

On piece of paper roughly three and a half inches by three wide. Good, lightly aged with a little creasing to one corner. Pleasant armorial design within floral arrangement. Motto 'VIGILANS' on scroll above 'Sir Richard Burton' in copperplate at foot. Indentation of plate around edge.

Quarto: ix + 21 pages. Stapled. In original cream wraps, with colour cover illustration by Helen Taylor. Full-page reproduction of drawing of Rutherston by his brother Sir William Rothenstein. Introduction places Rutherston in the tradition of Edward Gordon Craig and Claud Lovat Fraser. Copies of the second edition (1992) recorded by COPAC, but not at BL or Bodley.

American-born British journalist (1864-1948), editor of the Daily Express, 1904-32. One page, quarto. Good, but on slightly discoloured paper, with slight staining to the four corners from previous mounting. Reads 'As one printer to another I want to tell you what I think of your magazine "Change". It does you all great credit. It is exceedingly well produced, presented with remarkably good taste, and I am astonished at the knowledge and technique.

Full subtitle: 'With a comparative review of the systems proposed by H. Cranmer Phillipps, R.N. and by Captain Levin Joergen Rohde, of the Royal Danish Navy, Knight of the Dannebrog, &c. &c.' The letter was previously attached by four small pieces of red sealing wax on the verso of its blank second leaf to the title-page of the pamphlet. Letter and pamphlet are now detached, with traces of wax adhering to both, but not affecting the text of either. LETTER: 12mo, one page. Good on aged paper.

Three pages, octavo. Very good on lightly aged paper. Kenyon's paper was 'much enjoyed' when read on Saturday, and there was 'a good attendance'. '[T]he pleasantries were not missed': '1. the confusion of the inexhaustible emender; 2. the thrift of the canny Odysseus in his role of wooer; 3. Burne Jones's Law.' 'At the end some interesting questiosn were asked', for example, 'why second-rate Greek annalists shd. seemingly have been preferred to Herodotus & Thucydides'.

One page, octavo. Good, on lightly aged and creased paper. 'Pray use me as you think fit on Monday March 4th. & I will do what I can | Perhaps you would not mind telling me if it is to be in reply to a toast & if so what & also whether decorations are worn. I imagine it is more or less of a private dinner & therefore they will not be'.

Two pages. On piece of paper roughly five inches by nine wide. Aged and with a few nicks, but good overall. Seven lines, beginning 'Debentur Carolo Duci St. Alban Magro Austrag Dni Rs [...]'. 'Letter Money' in margin. Various docketings cross-wise on reverse, including signature of 'Jno: Bidleson' ('John Bidleson Atto. Int. J Dawson') and sums totalling £343 2s 6d.

Thirteen pages, octavo, and fold-out 'PLATE XXI' (eight and a half inches by twenty-two and a half wide), with nine illustrations, headed 'THE DRAWING OFFICE BY MR. ARCHIBALD DENNY.', by Robert Gardner & Co., Engineering Lithographers, Glasgow. Unbound and stapled. Good, on aged and lightly foxed paper. Original pink printed wraps detached, chipped and with minor loss. PRESENTATION COPY, with front wrap (which has minor offsetting in ink) headed in pencil 'With the Authors Compts'. Ownership inscription of 'H. J. Young | Nov: '95' at head of first page.

Three pages, 12mo. On aged paper, with a few closed tears and rust marking to blank verso of second leaf of bifolium. He thanks him for sending the books for examination. 'Mrs. Sotheby will take a photograph of the phiz of Peter Schoeffer, But as to the woodcut being of that I do not at present believe it - | The letters & papers are not of the time.' He asks him to translate a passage, comments further on Schoeffer, and asks if his correspondent has 'any new of Paper Factory for me.' Concludes 'Write me the full particulars of what Dutch Collection in the library of Sir Ths.

Two unbound bifoliums stapled together. Eight pages, on four leaves each roughly seventeen inches by eleven wide. A corrected proof, stamped at head of first page 'PROOF NO.' A frail survival of a significant document in London topographical history. Aged and worn, with several closed tears. A few manuscript emendations, notes and additions in different hands. For example, concerning a right of way, 'Messrs. Debenham can ascertain this from Mr. Pinder Simpson 20 Old Burlington St. W. the Collector'.

Dimensions of paper roughly one and three-quarter inches by five and a quarter wide. Aged, ruckled, and with traces of glue from previous mounting on reverse. Reads 'Your very faithful | servt | Lansdowne', and on reverse, '<...> as if I did so I shou<...> | be referred to the answer <...>'.

On both sides of a piece of aged paper watermarked 1855, dimensions three inches by eight and a quarter wide. Good, though a tad grubby, with traces of previous brown paper mount adhering to reverse. Recto reads '[tick] H.C.L. | [in another hand] App? | [signature] . Captain | in Comd of Division. | [in another hand] [signature] C M Collins | 1st Class Asst. Engineer | [in another hand] [signature] Gilford | Lieut in Comd. | [in another hand] Approved for necessary Defects | to be made good. | [signature] G F Seymour | Vice Adml. and Commr. in Chief'.

Dimensions of paper roughly one centimetre by six wide. Close-cropped but clear and entire. On aged paper with traces of glue from previous mount on reverse.

Anglo-Australian actress (1890-1975), connected with the Kendalls, Beerbohm-Tree, Bernard Shaw and a host of other figures from the London stage. Two pages, 12mo. Veryy good. Difficult hand. She has asked 'Mr. de Lion' about Gifford's play: 'he said he will try to make enquiries & let me know but I dont expect he will'. The rest appears to refer to relate to travel plans. Ends 'I beg you to forgive me.' Signed 'Marie Löhr'.

One page, 12mo. Very good; lightly creased with staple holes to one corner. 'I beg you to publish the letter which I have addressed to the Journal. There is no point in withholding it.' Horder, who designed Lloyd George's house, as well as Mallory Court and Greys, is, according to one authority, 'one of a group of early twentieth century architects who were highly influential in re-introducing the romantic vernacular styles of the Elizabethan period. Many of his homes were in the style of Edwin Lutyens, having gables, stone dressings, mullioned windows and inglenooks.'

One page. Dimensions of paper roughly eight inches by six and three-quarters. Trimmed but with no loss to text. Very good on aged paper. 'Received by me [Lady Anne Silvius] Of the Honourable Richard Hampden Esq; One of the Four Tellers of His Majesty's Receipt of Exchequer, the Sum of [Fifty pounds] in full of all former Directions, and for Three Months Annuity, due at [Xmas] last past, of [200] Pounds per Annum'. Signed 'Ann: Sylvius', and with the signature [slightly trimmed] of 'Eliz Jones'.

Three pages, 12mo. Good. He did not receive the letter till his return from the continent the previous week. '"The Grove" is a comfortable mansion but there is nothing in any way remarkable about it - Clutterbuck's history of Hertfordshire contains all that is known respecting the persons who have possessed it. There is a fine collection of pictures, many of them by Vandyke & Sir P. Lely, wch. belonged to the Chancellor Clarendon & of them you will find an accurate description in the 3d. Vol. of the "Clarendon Gallery" published a few months ago by my sister Lady Theresa Lewis.

Both cards self-stamped. CARD ONE is very good and has printed on it a stamp of Queen Elizabeth II. Addressed to Powell and his wife, it does not appear to have gone through the mails. 'Most kind of you to write - we led a quick <?> in the car, & then a meeting in the afternoon. We <?>: Jill also, who we havent seen lately. | Many thanks | [signed] Adrian C. B.' CARD TWO is somewhat aged, with a stain and some wear on the address side. It reads 'I too have written to Kellogg's! | [signed] Adrian C Boult'.

Dimensions of paper roughly five inches by three-quarters of an inch. Signed 'John Pratt' between writing in a seventeenth-century chancery hand. Docketed with biographical details in a minute nineteenth-century hand, and enclosed in a piece of paper with further biographical details in another nineteenth-century hand.

Signed 'R. A. Gregory'. One page, folio. Good, with one dogeared corner. Bearing the stamp of the Royal Society of Arts. Circular letter referring to an enclosure (not present) relating to an exhibition which 'will shew that by the combination of science and industry we have done nearly as much in four years of war as the Germans did in the preceding forty. More than 250 manufacturers are sending exhibits, and the Air Ministry will make a large display, as well as the Food Production Department.' Asks for 'a sympathetic editorial note or article'.

Grey (1804-1870) was successively Private Secretary to Prince Albert and Queen Victoria. Three pages, 12mo. Good, on grubby paper discoloured with age. He acknowledges receipt of the letter of the twelfth inst. 'The recovery of any <?> which shd revert to the Crown, is, I apprehend, a matter for the Treasury to look to - as it is for the Gnt. to consider the provisions which it is expedient to adopt in any measure of the nature of that to which you allude.' He is commanded by Albert to thank his correspondent for the 'kind attention which has prompted you to make this communication'.

British economic historian (1860-1927), a disciple of Arnold Toynbee, and proponent of the historical method pioneered in Germany by such scholars as Roscher, Hildebrand and Knies. The manuscript items are all 12mo, the typed item quarto. All twelve docketed and bearing the Society's stamp, and signed 'W. T. Ashley'. The collection is in very good condition, though grubby in parts and with one or two creased corners. An interesting and characteristic correspondence. ITEM ONE (3 pages, 12mo, 5 August 1913): Declines proposal to act as examiner.

Architect (1880-1939), son of Sir Aston Webb, designer of Admiralty Arch, the Victoria Memorial, etc. All ten items very good. Five docketed and six bearing R.S.A. stamp. All ten signed 'Maurice E. Webb'. An interesting and important correspondence, mainly concerning the renovation of the R.S.A.'s Adelphi building.

English politician (1649?-1717); Secretary to Sir William Temple at the Hague, 1668; on diplomatic missions to Rome, Stockholm and Copenhagen; Secretary of State to William III; Member of Parliament. One page. Dimensions of paper roughly seven inches by eleven. Poor: paper discoloured and with some loss to edges (affecting three words of text) and a closed tear. Recently repaired with archival tape and at an earlier period backed with paper. Verso attached to smaller leaf of blank paper. Fourteen lines of text.

British stage designer (died 1971), painter, writer and lecturer. Both items one page, octavo, and very good, though lightly creased. Both signed 'Maxwell Armfield'. LETTER ONE (docketed and bearing R.S.A. stamp): He has read the lecture by 'Mr. Davis', 'with great interest [...] our opinions on the subject seem to be identical! I should like to meet him some time if he is an accessible sort of person. [...] a series of such lectures issued as pamphlets with attractive titles would do a great deal towards a better understanding of the problem'.