MUSIC

1p., 12mo. In good condition. He is writing 'as an old brother savage' (i.e. a member like Finck of the Savage Club), and asks her to accept his 'most sincere sympathy in the loss' of her husband, and his regret that he cannot be present at his funeral. Headed by Mrs Finck 'Answered'. Finck's 'In the Shadows' was one of the last songs played as RMS Titanic went down.

1p., 4to. In fair condition, on aged and worn paper. Offering him, following the unanimous decision of a committee meeting and on his recommendation, an honorary 'Diploma of Fellowship [...] limited to 100 members, of past-students and Professors'. Finck's song 'In the Shadows' was one of the last to be played as RMS Titanic went down.

1p., 8vo. On aged and worn paper. Reads: 'One of the extraordinary things in this world is heredity. I occasionally met on the golf links at Thurlestone, a very delightful well-favoured young lady, of whom I saw too little. She told me she was your daughter. Is it possible? and such charming manners too. Well! its a wonderful world.' Finck's song 'In the Shadows' was one of the last to be played as RMS Titanic went down.

Although Finck was an extremely popular and well-connected figure in British musical and theatre circles, the National Portrait Gallery holds no image of him. The nine black and white photographs range in size from 18.5 x 24.5 cm down to the carte-de-visite, which is 10.5 x 6.5 cm. The collection is in fair overall condition, with some creasing and wear, and the corner of the largest photograph repaired on the reverse with archival tape.

2pp., 12mo. In good condition, lightly aged. Reads 'Dear Mabel. | I cant tell you how deeply I sympathize with you in your great loss - words are so inadequate. Herman was a grand friend, & I shall always remember his many kindnesses, & the fun we all used to have together. I know you will miss him dreadfully, & so will all his many friends. | All my love & sympathy to you & Marjorie.' Finck's 'In the Shadows' was one of the last songs played as RMS Titanic went down.

1p., 4to. In fair condition, on aged and lightly-creased paper. Reads: 'Dear Mrs. Finck, | Mrs. Wood and I deeply regret to hear of the Passing of Herman. | Please accept our deepest Sympathy.' The word 'Ans'[wered]' is written at the head. Finck's 'In the Shadows' was one of the last tunes played as RMS Titanic went down.

Anthony Powell describes Audrey Lucas in his journals as 'Evelyn Waugh's on and off mistress for some years'. 2pp., 12mo. In fair condition, aged and lightly creased, with pinholes to one corner. One catches a hint of the clipped and brittle tones of the age: 'I have been away in the country and ignoring newspapers as a rest. It was only today that I heard of Herman's death. So, will you forgive me for not having written before to say how very much I grieve for you. I am so terribly sorry.

1p., 4to. In fair condition, on aged and lightly-creased paper. He and his wife send their 'sincerest sympathy' on her 'irreparable loss': 'Herman will be missed sadly by his many, many friends and his passing will leave a void which can never be filled.' The word 'Ans:' is written at the head. Finck's song 'In the Shadows' was one of the last to be played as RMS Titanic went down.

2pp., 16mo. In fair condition, lightly-aged. Headed 'Re. Dec 2': 'I have put my name down & hope nothing prevents my being present - tho' a "young" Savage I trust that you can fix me near you & Sir Edward - | Do what you can - what an evening it will be!!' Finck's song 'In the Shadows' was one of the last to be played as RMS Titanic went down.

1p., 8vo. In good condition, lightly aged. John Bennion Booth discusses Turner in his 'Old Pink 'un Days' (1925). 'My Wife and I want to express to you and your daughters our great and very real sympathy in your great loss. I sincerely mourn with you for I have lost a very old friend of many years.' He hopes that 'Time, the great healer' will help her in her sorrow. Finck's 'In the Shadows' was one of the last songs played as RMS Titanic went down.

1p., 4to. On aged and worn paper. Thirty-eight lines of text. Written with the forced Wodehousian bonhommie of a desperate man. He has had an operation at a nursing home, so the beginning of the letter needs to be taken metaphorically: 'My dear Finck, | This is a nice kettle of Fish and no mistake! | Came out of jail day before yesterday, but only on ticket-of-leave. Strict police supervision for two years - finger-prints - strawberry-marks - nothing kept secret! | However, they say they can make a job of it and my tail, such as it is, remains vertical.

Constant Lambert referred to 'In the Shadows' as 'that rightly renowned piece'.For the playing of the song as the Titanic sank, see Ian Whitcomb, 'The Titanic Songbook' (2011) and Steve Turner, 'The Band Played On' (2011). The three items of sheet music are from Finck's papers, and their condition bears testimony to their having been working copies. ONE: 'In the Shadows'. 8pp., 12mo. In poor condition, with outer leaves detached from one another. At head of first page: 'In the Shadows. | Dance. | Piano-Conductor. HERMAN FINCK.' Rest of page blank. Two sections deleted in blue pencil.

3pp., 12mo. Bifolium. In good condition, lightly aged. In envelope addressed by Forbes-Robertson at 79 Netherwood Road, Shepherd's Bush. He thanks him for letting him have his address, and requests a pass for his servant for the following evening's performance of the play 'Mice and Men'. He hopes the servant will return with 'the news I desire viz that you will consent to being pro tem - one of the Hon Secs of the Te Deum Committee.

1p., 12mo. In fair condition, lightly aged and worn. He expresses the 'deepest regret' at his 'dear friend's death [...] His passing will mean a great loss both to his friends & the world of music.' The word 'Answered' is written at the head. Percy made his in Australia in the productions of J. C. Williamson. He toured America before settling in England. Finck's 'In the Shadows' was one of the last pieces played by the orchestra on the Titanic.

2pp., 12mo. In good condition, lightly aged. She expresses 'heartfelt sympathy' at 'the loss of our darling old Herman. How we all loved him & what a dear & true friend he always was to me. I am terribly sorry at his going'. The word 'Answered' is written at the head. Violet Loraine's signature song was her duet with George Robey, 'If I were the only Girl in the World'. Finck's 'In the Shadows' was one of the last pieces played by the orchestra on the Titanic.

2pp., 4to. In fair condition, on lightly aged and worn paper. Collinson is named as Honorary Secretary of the Association on the letterhead. He begins by explaining that he has waited until after the previous day's meeting of the Association to write to her, so that he can convey 'the tributes to your late husband's memory which I felt sure would be shown at this gathering of his friends and colleagues'. 'Mr Frederick Austin as chairman referred to the great loss which we all felt in the passing of Herman Finck, and spoke of his great qualities both as a friend and as a musician.

2pp., 12mo. In good condition, lightly aged. The letter is addressed to 'My poor dear', and he writes 'with deepest sympathy' with 'your terrible loss of dear Herman. I little thought that my last visit would be the last.' It is 'perhaps poor consolation' to her, but Finck's passing 'hits all his pals very hard indeed. For he was dearly loved by everybody.' He urges her to 'Be brave, my dear, & be sure we are all thinking of you in this awful time.' 'Ans:' (i.e. 'Answered') is written at the head. See Graves's entry in the Oxford DNB.

1p., 4to. In fair condition, lightly aged and worn. 'Your dear husband was one of my oldest and most valued friends in my Savage Club circle; his place can never be filled as you, more than any of us, know and with deep sorrow.' Wareing joined Sir Frank Benson's company in 1900. In 1909 he founded the first Citizens' Theatre in an English-speaking country. On his death The Times (13 April 1942) referred to him as 'a repertory theatre pioneer'. The word 'Answered' is written at the head. Finck's 'In the Shadows' was one of the last pieces played by the orchestra on the Titanic.

Susan Euphemia Beckford, daughter of William Beckford of Fonthill, had married the 10th Duke of Hamilton in 1810. The recipient Charlotte Stuart (d.1867) was the daughter of Margaret, Lady Pulteney, by her first husband Andrew Stuart of Torrance. In 1830 she married Robert Harington, son of Sir John Edward Harington of Ridlington, 8th Baronet. The present item is two closely written pages, 4to. On bifolium of wove paper with watermark 'C WILMOT | 1822'. In good condition, lightly aged. Closely and neatly written over 63 lines.

1p., 12mo. In fair condition, lightly aged and worn. Docketed at head 'Answered'. Reads: 'Dear Mrs Finck - | We were very grieved to hear of the passing of your dear husband & our old friend - will you please accept our deepest sympathy in your great sorrow - & our prayers that you & your daughters may be greatly comforted - | Very sincerely Yrs. | Ben Davies'. From the Finck papers.

Both items in fair condition, lightly aged and worn. ONE: Typed Poem followed by Autograph Note Signed. 24 December 1937. 2pp., 8vo. The poem consists of eleven four-line stanzas, with the title typed in red. An apparently unpublished humorous poem, quite charming and well worthy of publication. Begins: 'For months we've had electric road-drills | Right outside our door, | And two gentlemen who play them | Called in yesterday at four.

Two pages, 8vo, fold mark, very good condition. " I feel I must write you & tell you how deeply I sympathise with you and your daughters in your very sad loss. Although I did not know your husband very well, I was a great admirer of his work and I knew him well enough to realise what a really vital and lovable personality he had. | I shall never forget his friendly and generous words when we first met some years ago.

[2] + 28 + [2]pp., 12mo. Unbound sewn pamphlet. In good condition, lightly aged. A crisply and attractively printed item, with a businesslike listing of mostly recent compositions, in four categories: 'Offerte' (from 'DI CASTELBARCO Conte Cesare' to 'SCHMID Antonio'), 'Doni', 'In Adempimento delle Prescrizioni Statutarie' (from 'BARATTINI Luigi' to 'RIVALTA Giuseppe') and 'Acquisti'. The only copy on OCLC WorldCat at the Bibliothèque nationale de France.

4pp., 12mo. Bifolium on grey paper. In good condition, with traces of mount along one edge of verso of last leaf. Being away from home and his papers, he cannot answer all the recipient's questions, but 'it will be enough if I say that I shall not require an Organ, & that the Illustrations to my lecture would (or might be made to) consist exclusively of unaccompanied vocal music, mostly English. The effect of some pieces might be increased by being performed chorally - say with three or four good voices to a part, but they will all admit of performance by one voice to a part'.

Michael Howard's obituary of Ticehurst in The Times, 30 October 1975, describes him as 'a persuasive pioneer among those who sought to reestablish the harpsichord as a serious musical instrument'. ONE: Carbon typescript, 7pp., 4to. Headed 'Harpsichord to Australia | by John Ticehurst.' With a few minor manuscript marks. In autograph next to the title: 'April 1951/Feb 1952'. In good condition, on lightly-aged paper, with slight rust staining from paperclip.

3pp., 12mo. In good condition, lightly aged, with slight staining to one corner from paper clip. A good letter, filled with detail. Apart from brief opening and closing paragraphs the whole of the letter is devoted to reminiscences of his life before leaving England for America. At one point he comments: 'it is only when one is thinking back, as I am now, that one realizes the speed with which time fugits; it is now 21 years since I have been home, and 30 years since Bob and I were in "Irene" at the Empire.' The reminiscences begin: 'Barring a trip to U. S. and Australia with G. P.

Following the singer's death in 1959 Johnny C. Beecher relaunched Holly's official English fan club, helping to keep his reputation alive at a time when he was practically forgotten in America. As Beecher stated in an interview, he kept 'in touch with Buddy's parents, Ella and L.O., and I can say that without them it wouldn't have been possible, as they sent us all sorts of information and photographs that kept up our enthusiasm. The Crickets also helped out and were pretty nice considering all we ever asked 'em was, "What was Buddy really like." Despite that, we became pals.

An unusual survival, the letters of a composer, Harold Jervis-Read, to his lover illustrating the growth of a relationship (and an ability to express his feelings) against the backcloth (sometimes foreground) of his musical activities, and his marriage. Total of letters circa 350 (three hundred and fifty) Autograph Letters, 118 (one hundred and eighteen) apparently complete letters (many start and end abruptly), dated, 432 (four hundred and thirty two) pages, with some APCSs, mainly 12mo, 1-8pp. each, 55 of these letters dated 1933 and 30 dated 1934, 1926-1928 comprising one letter only.

Circa 70 pages, folio, 12 staves to a full page. The complete string parts with the firsdt claribet, first and second bassoon and double bassoon parts ("Fagots"). Printed entry from auction catalogue (prob. Sotheby's) on wrapping, 28 October 1974 (item 99). Although unsuccessful in the theater, Pickwick had the distinction of being the first opera to be shown on television. Several scenes from it were included in the BBC's newly opened service in November 1936, in advance of its stage première." (Wikipedia).

1p., 12mo. Bifolium. In good condition, on lightly-aged paper. Addressed on second leaf, with broken seal in red wax, 'A Madame | Madame Sophie de Gail | &c &c &c | Paris'. Nine lines of neatly and elegantly written text. A somewhat flirtatious acceptance of an invitation, with Bartholdy noting 'les belles choses que vous daignez me dire [...] Votre maniere est trop sedisante pour ne pas faire de l'impression'. It was at Bartholdy's suggestion that his sister Lea, the mother of the composer Felix Mendelssohn, joined him in adopting the surname Bartholdy.