LONDON

Both items printed on pink paper, with similar cover designs by Arnold Riches. Both in fair condition, aged and worn. The song sheet is a bifolium, 4pp, 4to, It dates from before 1939, when, following Ridgeway's death, the Player's Theatre moved to the Arts Theatre from King Street. The front page advertises performances 'Every Night (Except Sundays)', with 'THE ARTISTES' listed over twelve lines, and including 'Alec (Laneworthy-Figg) Clunes', Peter Ustinov, Bernard Miles and 'Leonard Sachs (Chairman)'.

On strip cut from letter. Dimensions: In fair condition, on aged and lightly-creased paper. Reads 'have complied with my suggestion | Yours Trly | [signed] John Lindley'. The signature has been cut close, and the downward loop of the final letter of the signature is lacking.

In black and white. Dimensions of paper 15 x 20 cm; dmensions of plate 13.5 x 18.5 cm. In good condition, lightly-aged. Cameron's actual signature ('John Cameron') is in blue ink in the bottom right-hand corner of the card; his facsimile signature is in the bottom left-hand corner of the print, with 'Junk Shop | in Chelsea' in the bottom right-hand corner. A detailed, cartoony image (with Ronald Searle undertones), depicting a stretch of three houses in a terraced street, with a number of customers rooting through junk in front of a corner shop.

1p., 12mo. In fair condition, on lightly-aged and creased paper. The document reads as follows, with the autograph additions by Harrison in square brackets: 'WHITECHAPEL ESTATE, | THE PROPERTY OF | WILLIAM HEATHER MEDOWS, ESQ. | SIR, | I beg to acquaint you that I shall attend at the "Magpie," 12, New Street, Bishopsgate Street, to receive Rents on [Thursday] next, the [8th.] Instant, from Ten till One o'clock, when I have to request you will pay the Rent due by you at [Christmas] last amounting to £ [-. s17./7] | I am, SIR | Your obedient Servant, [G. C. Harrison] | Receiver.

The autograph address by Eva Marie Garrick is on a 7.5 x 14.5 piece of paper, laid down on an 8 x 20 cm piece of paper cut from an album. In fair condition, aged. Lightly-scored through by the postal authorities, it reads: 'The Rigt. Honorable | Dowr. Lady Amherst | Leven Grove near | Stokerley | Yorkshire'. Beneath this, in another hand: 'Widow of the celebrated David Garrick Esq', and along one edge, in a third hand (Lady Amherst's?), 'This direction was written by Mrs Garrick in the year 1819 when in her 92d year'.

3pp., 4to. In bifolium. Good, on aged and lightly-creased paper. 'Mrs. de Morgan' in manuscript at the foot of the first page, and 'No 5' at the head. The first page carries the circular letter from 'Edwd. West, Secy.', engraved in copperplate. In sending the balance sheets he notes that 'the income is scarcely equal to the expenditure which is necessary for obtaining for the Society public support'.

On one side of a 4.5 x 13 cm strip of paper, cut from the bottom of a letter. In good condition, on lightly-aged paper. All in Partridge's hand. Reads: '[...]ment of time occupied. | With many regrets, | I am truly yours, | Bernard Partridge.'

An interesting collection, casting light on media attitudes to the British Royal family and news management in the interwar years. Dawson was clearly mindful of publicity. As his entry in the Oxford DNB explains: 'It was Dawson who composed on a menu card the celebrated lines, ‘the King's life is moving peacefully towards its close’, having modified this from what he described as "a very commonplace" final bulletin used for Edward VII.' Penn's attendance during the King's final illness was controversial: it was later revealed that he hastened his end with morphine and cocaine.

The second of the three volumes of Stanley's lectures, subtitled 'From Samuel to the Captivity', was published by John Murray in 1865, the first volume having appeared two years earlier. The autograph draft is 4pp., 12mo, on a bifolium embossed with the Stanley crest (motto: 'Sans Changer'). Good, on lightly-aged paper.

1p., 12mo. On aged and ruckled paper, with pinholes to one corner. He is 'in the thick of this "Week in the Country" business'. 'When I come to town I'll come & see you about your proposition of the series for the Grand Magazine, but I'm a rotten short story writer, you know.'

Both items signed 'Arthur Mee'. Typed Letter Signed: 5 August 1924. 1p., 12mo. Good, on lightly-aged paper. It would be a 'great pleasure' to him to be able to make use of the article she has sent him, 'but my papers are almost entirely in the hands of a staff of regular contributors', and he has 'very little opportunity of using outside contributions'. In a postscript he expresses pleasure at the fact that his 'papers come your way', and sends his regards to 'Patricia and David'. Manuscript Letter: 11 August 1924. Written by a secretary and signed by Mee. 1p., 12mo.

4pp., 12mo, printed in blue and gold on card bifolium. Aged and with central horizontal fold, with glue from previous mount adhering to reverse of second leaf. Jellicoe's signature, in pencil at the head of the first page, reads 'Jellicoe | AF'. The menu is made out in manuscript to 'Mr John Morland'. Nine champagnes are listed, with their vintages, with eleven suitably-grand courses. 'Cigarettes Ed. Laurens | Les spécialités sont expliquées par le Docteur de Pomiane.

[2] + 6 + [1] pp., 8vo. Stapled and unbound. Good, on lightly-aged paper, with minor rust spotting from staples. Above the printer's slug are the details of 'H. R. T. Alexander, 27, Ely Place, Holborn, E.C., Solicitor' and 'Dyson & Co., 24, Parliament Street, Westminster, Parliamentary Agents'.

1p., 8vo. In fair condition, on lightly-aged paper, with slight wear and few short closed tears. An interesting artefact, reflecting the postwar British manpower shortage. The heading is all in block capitals, with 'TRADESMEN WANTED' across the top.

8vo., 69pp. Unbound as issued. In fair condition, on lightly-aged and worn paper, with worn and chipped printed front wrap still present, with ownership inscription at head (''). 482 lots, with several of the books ticked in pencil. Included, as lots 95 to 112A, are 'specially printed copies of the various Lyceum Plays, as arranged for the Stage by SIR HENRY IRVING; they contain numerous manuscript alterations in the text in the handwriting of the great Actor, and are in consequence of very great interest'.

28 + [1] pp., 8vo. In fair condition, on aged and lightly-worn paper. P. 1 has the drophead title: 'STRAND UNION WORKHOUSE. | RETURN to an Order of the Honourable The House of Commons, | dated 25 June 1866; - for, | COPY "of the REPORT made by R. B. Crane, Esquire, Poor Law Inspector, to the Poor Law Board, after an Inquiry held by him on the 4th and 6th June 1866, into certain Allegations made by Matilda Beeton, in reference to the Treatment of the Sick in the Strand Union Workhouse." | Poor Law Board, 25 June 1866.

1p., 8vo. Aged and worn, having previously been folded into a tight packet, and laid down on a paper backing. Headed with the title, and neatly written in two columns. The poem consists of 60 lines arranged in six stanzas. The first and last stanzas indicate the tone.

On one side of a strip of wove paper, 46.5 x 9.5 cm. Cut down. In fair condition, on aged and lightly ruckled paper. 96 lines arranged in 12 numbered eight-line stanzas.

1p., on 29 x 7 cm piece of unwatermarked laid paper (probably cut down), with no indication of printer or date. Printed with the long s. In good condition, on lightly-aged paper. 64 lines, arranged in eight eight-line stanzas. The first stanza reads: 'BRITAIN! brave and generous nation, | Listen to my plaintive strain, | Tho' exalted be my station! | Day and night I sigh in pain; | Here I came a helpless stranger, | With no friend to take my part, | Braved the stormy ocean's danger, | From home for ever to depart.' She appeals to her 'Good Uncle' (i.e.

Typescript, 242pp., 4to, brown paper wraps, damage to top of spine but no loss, label on front with author ("Owen Edwards") and title. A semi-autobiographical novel based on Marsh's experiences during the Second World War in the London Ambulance Service. Initially a "Notice" "The characters in this book are fictitious. Some of the incidents are naturally based on real happenings during the war but they are none of them wholly accurate[...]". The novel starts with the hero, Lang, joining the Service.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 2pp., 12mo. Fair, on aged, creased paper with slight rust spotting. Mawson begins: 'Mr. H. Clarence Whaite first came under my notice a few years ago when attending my lecture on Decoration & Ornamental Design at the Slade School - and from the first I was much struck with his understanding and grasp of the principles[.] This enabled him to carry out work of exceptional merit.

2pp., 12mo. Good, on lightly-aged paper with small pin-holes to one corner. 'Mr. H. Clarence Whaite is a part time art master in this School. [...] He succeeds in stimulating an interest in art & has conducted parties of boys over the Dulwich Gallery with that end in view. Of course the post he holds here does not offer much opportunity for the exercise of his powers either as an artist or a teacher of art & he is therefore justified in seeking a position more in accordance with his qualifications.' From the Whaite papers. Whaite was first cousin twice removed of his more famous namesake.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. LETTER: 1p., 4to. Fair, on lightly-aged and creased paper. He begins: 'I am just trying to get away for a short holiday, so I have crafted your testimonial at once. [...] We should miss you badly if it should so happen that you left us, but that consideration need not stand in the way of my offering you the heartiest good wishes for your success.' TESTIMONIAL: 1p., foolscap 8vo.

Two extraordinarily positive testimonials, especially significant coming from one of the leading educationalists of his age, and also of interest considering the fact that Whaite would follow Nunn to the London Institute. (Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester.) ONE: Written by Nunn as Principal, London County Council, London Day Training College (University of London), Southampton Row, London, WC1. On College letterhead; 28 June 1928.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 2pp., 8vo. In good condition, on lightly aged and creased paper. The testimonial begins: 'Mr. H. C. Whaite has been on my Staff as visiting Art Master since January 1929, and I am very glad to write in support of his application for an Inspectorship of Art. Mr. Whaite has had wide experience of Art teaching, and has done remarkably successful work here with boys of 14 to 18 years of age.

1p., 8vo. In good condition, on lightly-aged paper. 'Mr. H. Clarence Whaite has held Art classes at Queen's College since Janary, 1934. [...] He has been most successful in encouraging the students to do individual work and the results have been excellent. | It has been of the greatest value to the College to have a visiting teacher who could bring such freshness and originality to the Art lessons and who, at the same time, took a keen interest in other subjects and in the general welfare of the students.' From the Whaite papers.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 1p., 4to. In fair condition, on aged and dusty paper. 'Mr. H. C. Whaite, after attending at the Slade School, joined this School as an evening student in September 1925, since which time he has studied Pottery, Design and Decoration.

1p., 16mo. In fair condition, on lightly-ruckled paper. The note reads: 'Dear Mr. Odgers, | You were quite right, and I thank you for correcting my correction. I do not know what possessed me to make it.'

An attractive Gothic Revival item, tastefully printed in red and black. Printed on nine 13 x 9 cm panels, laid down on a cloth backing opening out to 39.5 x 28 cm; in original 14 x 10 cm printed card cover, with engraved title on front, within a gothic arch. In fair condition: aged and worn in worn and rubbed covers, with small white circular label on front board. Arranged, appropriately enough, in four columns headed: Name of Style; Reign A.D.; Illustrative Examples; Characteristics.

1p., 4to. Addressed on reverse, with red wax seal, to 'C. W. Dilke Esq:'. Hayward writes that he is enclosing a note (not present), which was sent to him 'in one to me received only today though apparently written on Wednesday last. A d - d foreigner kept it in his pocket in the interim.' Clearly referring to a fee for an article, he continues: 'The lady will be quite satisfied with what you name, but I suppose it may stand over till she does something else'.