POETRY

See his long and appreciative entry in the Oxford DNB, with that of the recipient Lady [Maria] Theresa Lewis (1803-1865), who lived in Kent House in Knightsbridge with her second husband Sir George Cornewall Lewis, Bart, her first husband having been the novelist Thomas Henry Lister (1800-1842). All items in good condition, lightly aged, with the letters folded for postage. ONE (6 July 1853): 1p, 12mo. ‘Dear Lady Theresa, / I will breakfast with you on Monday, and, in order to do so, will postpone my departure from town till the afternoon of that day. / Most truly yours, / T B Macaulay’.

See the two men’s entries in the Oxford DNB. In good condition, lightly aged and folded for postage. 2pp, 12mo. Signed ‘H H Milman’ and addressed to ‘G. C. Lewis Esq’. Written in a crabbed hand. Begins: ‘My dear Lewis / I think that I mentioned to you my great wish to build a Church for the [?] of St Margarets.

See the two men’s entries in the Oxford DNB. In good condition, lightly aged and folded for postage. 2pp, 16mo. Signed ‘H H Milman’ and addressed to ‘My dear Mr Lister’ (the item is from the papers of Lister’s wife Lady Theresa Lewis (1803-1865; ODNB). He begins by congratulating Lister on the birth of his daughter ‘and the safety of Lady Theresa’.

Jerningham’s entry in the Oxford DNB, states that he died unmarried, ‘despite habitual flirtations with young actresses’; the present letter indicates that the members of the other sex were not exempted from his attentions. 2pp, 4to. In good condition, lightly aged, on a leaf of laid watermarked paper, folded for postage. Twenty-six lines of text. Dated ‘1798’ at top right, with ‘From Edward Jerningham the Poet’ above it. Unsigned, but in Jerningham's distinctive hand.

See the two men’s entries in the Oxford DNB and History of Parliament. Howard was Auditor of Receipt from 1673 to his death. The document is damaged, with the lower part torn away, leaving an area 23cm high and the same wide, but with part of one lower corner torn away. The paper is aged, and there are chipping and closed tears to edges. Howard’s two signatures (both ‘Ro: Howard’) are both undamaged, and the item is of some interest. On the front is the printed form, completed in manuscript, with ‘Sr. Thomas Player in repaymt. of Loane./’ in manuscript in right-hand margin.

An interesting and sprightly correspondence, mainly concerned with the practicalities of the vocation of a minor provincial poet. See David Gaskin’s obituary of Vanson, Independent, 27 July 1993, and Fry’s entry in the Oxford DNB. A second slice of Vanson material from the Christopher Fry papers (the other collection is offered separately). The collection consists of twenty-one items: nineteen letters from Vanson to Fry, a one-page typescript of three of Vanson’s poems, and a draft of an introduction by Fry to a proposed collection of poems by Vanson.

Henley?s poem ?Invictus?, with its conclusion ?I am the master of my fate, / I am the captain of my soul?, is one of the most popular in the English language, and has inspired individuals as diverse as Nelson Mandela and Ron Kray. See Henley?s entry in the Oxford DNB. He was a friend of both Sylvia Llewelyn Davies and J. M. Barrie, and his daughter Margaret inspired the ?Peter Pan? character ?Wendy?. 1p, 8vo. In fair condition, lightly aged and worn. Folded three times for postage. The letterhead has a thin black mourning border. Henley?s poem featured as the ?Envoy?

A nice original item, unsigned but certainly in Florian’s distinctive hand. 1p, 12mo. In good condition, lightly aged, with neat white-paper mount adhering to one edge on the blank reverse. Foliated 93. Sixteen-line poem, beginning ‘Sur le pont-neuf, entouré de badauds, / un charlatan criait a pleine tete, / venez, messieurs, accourez faire emplette / du grand remede a tous les maux.’ In the last line the remedy is revealed as ‘un peu de poudre d’or’.

This item is from the autograph album of the author George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. It does not however appear to be addressed to Meredith, but rather to the author William Sharp (‘Fiona Macleod’). See the several references to Bourget in the first volume of W. F. Halloran’s edition of Sharp’s letters. 1p, 16mo. Laid down on part of gilt-edged leaf from Mrs Sturgis’s album. In good condition, folded once for postage.

See his entries in the Oxford DNB and History of Parliament. The present item is on one side of a 21 x 8.5 cm piece of wove paper. In fair condition, lightly aged and worn, with one fold. Minor traces of two red wafers from previous mounting on blank reverse. Written out by Harding in his attractive hand (he was a stylish fellow: his obituary in the Annual Register stated that ‘no one had a finer choice of words and few a more graceful delivery’), the note reads: ‘Received May 4th.

See Cunningham’s entry in the Oxford DNB. Neatly written out in his distinctive hand. The present holograph gives the words to one of his most popular songs (an American version substitutes ‘Columbia’ for ‘Old England’). It was first published in the London Magazine in August 1822, and by 1834 was well-enough known to be discussed - and dismissed as ‘Puling nonsense’ - in ‘Sailors and Saints, by the Author of the Naval Sketch Book [i.e. William Nugent Glascock]’ (1834). 1p, 4to, on gilt-edged leaf of wove paper extracted from an album.

See his entry in the Oxford DNB. Both in fair condition, worn and aged. The first item with one fold. Both signed ‘Edwin Waugh’ and addressed to ‘Mr. J. T. Baron’. ONE (14 February 1889): 2pp, 12mo. On the rectos of a bifolium. He would have answered Baron sooner, had he not been ‘tossing to and fro a good deal lately’. He thanks him ‘very heartily for the kind feeling expressed in your lines addressed to me on the 73rd [the 3 underlined three times] anniversary of my birth, in the Blackburn Times’.

Two pages, 8vo, bifolium, faint staining, text clear, good condition. The handwriting can be a little obscure. Text: Je ne sais comment vous remercier, Monsieur, de l'amabilite que vous avez de m'envoyer votre beau volume 'Ballads and Poems'. Je l'ai lu. J'ai meme relu la plupart des pieces. Et bien que ma connaissance imparfaite de la langue anglaise ne me permette pas de porter un jugement sur votre oeuvre, il me semble que [l'emotion?] a la fois delicate et forte que vous avez eveille en [?] art la [preuve?] que vous avez reussi a toucher la corde humaine.

Four pages, 12mo, small closed tear, darkened edges, text clear and complete. She apologises for bothering him with the accompanying little volume [Poems published this year, 1846] , explaining that Rogers was a friend of her dear & lamented father's youth.

See his entry, and that of his brother Leo, in the Oxford DNB. 2pp, landscape 12mo. The top half of a small 4to leaf of grey paper. In good condition, lightly aged. The recipient’s name is not well written, but he is the critic Derek Stanford (1918-2008), who also has an entry in the Oxford DNB. Reads: ‘Dear Derek, / Thanks for send me a copy of your review. And thanks too for writing it! It is as generous as I would expect you to be. I do hope we may meet up somewhere soon. Our brief meetings over the years are punctuated - as far as I’m concerned - by intervals much too long.

See his entry in the Oxford DNB. Removed from album, and closely trimmed, having been cut down to 9 x 7 cm, with corners cropped. Lightly aged, with one fold for postage. In neat close hand, reads: ‘My dear Lady Burdett / I am very sorry indeed that an Engagement from which I cannot release myself will deprive me of so great a pleasure. Yours ever / S Rogers.’ See image

See the entries on Robert and Sylvia Lynd, and Clement Shorter, in the Oxford DNB. (Shorter’s first wife, the Irish nationalist poet Dora Mary Shorter (née Sigerson), had died in 1918.) Both items are in good condition, lightly aged. Both 1p, 12mo, and each folded once for postage. ONE: SL to CS, 18 January 1922. Signed 'Sylvia Lynd'. Begins: 'My dear Clement, I hear that you have a little daughter. Many many congratulations & good wishes. It is very nice to know that you are so happy.' She turns to her own family: ‘We are all well down here & very busy. Sheila & B. J.

See his entry in the Oxford DNB. The recipient is not named, but the item is from the papers of Eileen Cond, an enthusiastic collector of autographs. 1p, 12mo. In good condition, lightly aged. Folded for postage. In Blunden’s stylish hand the note simply reads: ‘[9 Woodstock Close / Oxford] / 1 April 1936 / Dear Madam / I append the autograph which you requested. / yours faithfully / Edmund Blunden.’

Three scarce items: no other copy traced. The three pamphlets are uniform in design, each consisting of 4pp, 12mo, stapled into card wraps with title and date beneath the Borough crest. Presumably produced for distribution at the annual town fair. The text of each poem covers all four pages. The first two are in good condition, lightly aged; the last is in fair condition, slightly ruckled and spotted. ONE: ‘Ye Olde Dorset Fayre’. At the Royal Palm Court, Weymouth, 22 and 23 August 1923. Poem ‘By Two Darset Maids’ beginning: ‘Come in, me vriends, and look around, / We got all zarts to zell:’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice for postage. Reads: ‘Dear Miss Cond, / I have pleasure in sending you my signature. As you will see, it is quite an ordinary one. / Yours very truly / William Plomer’. The signature is in fact rather stylish in an understated way, and the underlining has two small curls in it. In ink on otherwise-blank reverse, by someone who misread the signature: 'William Ploms'. See Image.

See his entry, and that of Colburn, in the Oxford DNB. Campbell agreed to edit Colburn’s ‘New Monthly Magazine’ in 1820, his first number in the post being that of January 1821, and the letter was presumably written between this period and Mrs Campbell’s death in 1828. The reference to ‘Mr Ollier’ would close the dates even further: the Oxford DNB’s entry for Charles Ollier (1788-1859) stating that, after financial difficulties, ‘by the autumn of 1825 he returned to the publishing trade as the chief literary reader and adviser to Henry Colburn in New Burlington Street’. 1p, 12mo.

On one side of a 12mo a piece of grey-green paper; creased, worn and torn at the bottom. A fifteen-line poem in five three-line stanzas, titled ‘REST’. At end: ‘JOHN GAWSWORTH’. Proof directions in pencil to convert a full-stop at the end of the fourth stanza to a comma. While the poet's attempt at direct simplicity verges on triteness, one should recall that he served manfully in the RAF: ‘Beneath the oaks the soldiers lie / Staring at the open sky / Drowsily, lazily. / Like England is this plot of green / But in the mountains all unseen / The guns’ complaint affects the scene.

Peteris Cedrins possessed an interesting dual heritage: born in the US to exiles from communism, he grew up in Chicago, was educated at Bard College (NYS), and settled in Latvia on the fall of the Soviet Union. He published in English and Lavian in the US, UK and Latvia. See the appreciative obituary by Jeffrey Sommers, posted on the ‘Counterpunch’ website on 11 August 2022: ‘Memoriam: Latvia’s Peteris Cedrins, Last of the National Poets’.

See his father’s entry in the Oxford DNB. 2p, 12mo. Neatly written over 26 lines. With mourning border. In good condition, lightly aged. Folded twice for postage. Signed ‘E. G. Marsh’. Recipient not named (‘My dear Sir’). He explains that, having happened on the previous day to be in the chair ‘at the monthly meeting of our clerical society in Maidstone’, he was present when the recipient’s ‘two letters to Dr. Maitland’ were presented, and is requested to convey the meeting’s gratitude, not only for the letters, but for his history of Rome, ‘received by them on a former occasion’.

See his entry in the Oxford DNB. Rectangle of paper, evidently cut from a letter for an autograph hunter. Reads: ‘Yours truly / Tom Hood’. See image.

See the two men’s entries in the Oxford DNB. 1p, 12mo. With mourning border. In good condition, with negligible remnants of windowpane mount adhering at edges of blank reverse. Written with a light touch, making the dating doubtful. Signed ‘F Egerton’ and addressed to ‘O. Blewitt Esq.’ Reads: ‘Sir / In reply to your letter I beg to state that it is my intention to vote for you in the election to the Secretaryship of the Literary Fund Society.’

2pp, 12mo. In fair condition, lightly aged, fold marks. Twenty-nine lines of text in Kipling's neat and close hand. Text: Many thanks for your letter & enclosed slip. As you say, your competition is the First step in the right way: next comes the unknown range for the disappearing man. I am afraid you will find [masses?] of opposition from the 'crack' shots &c to whom the solemn ritual of [?] paint-box and all the rest of it has all the dignity of a 'sport'. Also the meagre scores will not 'look well in the papers'.

An 11 x 8.5 cm piece of paper, cut from a letter for an autograph hunter. In fair condition, lightly aged, and laid down on a piece of card which has chipped at the corners. The paper and its backing have a vertical crease through them. Reads ‘Excuse a very hurried letter & believe me / Very truly yours / Robina F. Hardy’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged with patch of light sunning. Folded once. The recipient is not named. Reads: ‘Dear Madam / Forgive me for my delay in answering your letter. I have been laid up for a week or two with influenza & my correspondence has suffered in consequence. / And please believe that your words have given us sincere pleasure & that I am / Yours very faithfully / A. T. Quiller-Couch’. The hyphen in the signature is almost imperceptible. See image.

It is hard to overestimate the impact of ‘Ion’ on Victorian audiences in Britain and America. According to Talfourd’s entry in the Oxford DNB, the play was ‘first performed at Covent Garden Theatre, London, on his birthday, 26 May 1836.