LITERATURE

3pp., 4to. Bifolium. 57 lines. Good, on lightly-aged paper. Addressed, on reverse of second leaf, to 'William W. Greenough | Andover | Massachusetts', with circular postmark in red ink and remains of red wax seal. Regarding 'the article on Bosworth's Anglo-Sax. Dict.', Henry writes: 'From the few first pages that I have read & the glance that I have given at the rest, I am satisfied that I shall be glad to print your article.

4pp., 12mo. Fair, on lightly-aged paper. Addressed to 'My dear friend', and with the name of the recipient obliterated from the valediction: 'Will you give my sincere and grateful remembrances to your noble hearted husband? and believe me | dear <...> | Every affectionately, | [signed] Charles Swain'. He can put off 'the evil day' no longer, and must now 'give in to circumstances' and reluctantly inform her that he cannot come and visit.

2pp., 12mo. 33 lines of text, written in a close, neat hand. Good, on lightly-aged paper. She begins with a five-line 'encomium', before assuring Mrs Drysdale that she is 'pretty safe': 'I have been considered By People of the Highest Rank to whom I was known merely as a private teacher &c &c of moral virtues To possess of <?> for the highest talents & the purest Virtues I have been familiar I need not say why. None of these I ever flattered.

1 p, folio. On grey paper. Fair, on aged paper, with slight spotting and chipping to extremities affecting a few words of text. A whole page of the manuscript, numbered '9' and written entirely in Reid's hand, with a few minor emendations by him, from Chapter XXVI, 'Treed by an Alligator'. Begins with the reported speech: '"That would be anything but pleasant - perhaps more so [last word emended from 'unpleasant'] to those who are waiting for us, than to ourselves.

4 pp, 12mo. Bifolium. 73 lines. Text clear and complete. Fair, on aged paper. Hood returned to England from Ostend in 1840, moving into Devonshire Lodge after trying other lodgings. A fine letter, informative, energetic and moving. Jane begins by thanking Mrs Elliot for the 'kind present to my Tom [the couple's son Thomas Hood the younger (1835-1874)]': 'I only wish you could have seen the happy boy - how proud he was - and indeed is, of his new appearance - he sends his love & best thanks. I am sorry to say he does not yet write a readable letter'.

2 pp, 4to. Text clear and complete. Fair, on lightly-aged paper, with slight wear to extremities. On one leaf, with both sides ruled with red borders. In Payne's neat and distinctive hand, and attributed to him in pencil at head.

1 p, 4to. Bifolium. Sixteen lines, neatly written. Text clear and complete. Good, on lightly-aged paper. Addressed on reverse of second leaf to 'W. Hayley Esqre.' He begins by thanking him for 'the kind memorial' (a volume of music?); the gift expresses Hayley's 'sense of common civility' and acquaints Boaden 'with a composer of great merit'. 'I tried the effect of his divine art yesterday, Sunday, and could not but wish to hear it from the organ at Chichester'. The rest of the letter concerns 'the subject of Randolph, and the copy of his works honour'd by the hand-writing of Pope'.

12mo, 1 p. Text clear and complete. Marked up for publication, with the first sentence deleted. On aged and stained paper. He 'can only say that your list seems to me as representative as any that could be drawn up', and that he does not 'feel in a position to offer any criticism upon it'. The edited version of Anstey's letter appeared with others in 'The Academy' in November 1897, in a piece with the opening sentence: 'We have received a large correspondence in response to our request for comment on the list of suggested members for an ACADEMY OF LETTERS published last week.'

Both 4to, 1 p. Texts clear and complete. Both on aged and worn paper. Autograph Letter: He apologises for not acknowledging her letter ('I have been so busy and away a great deal') and regrets that he does not 'for the moment remember anything which would be of service to you'. Typed Letter: He regrets that 'the present is rather a bad time for what we call the free lance in literature'. He is not himself 'very much in Fleet Street and the neighbourhood', the 'bulk' of his work being done 'far from the madding crowd'.

The 12mo letter has been cut into two sections, both laid down on a piece of mustard paper, with typed caption. Good, on lightly-aged paper. The body of the letter is on a piece of paper roughly 11 cm square. Six lines of text, enclosing 'autograph & quotation' (not present), and apologising for having 'no photo available'. 'Glad you enjoy my books, & thanks for your good wishes'. The smaller piece, with letterhead and Styles's dating, is roughly 8.5 x 3.5 cm.

[viii], 199pp., 8vo, green boards, gilt, with embossed green shamrock, gilt outline, some foxing, especially first few pages, mainly good condition, . Scarce.

8vo, 4 pp. Seventy lines of text. Clear and complete. Fair, on aged paper, with the outer pages browned. The identity of the recipient is suggested by the following, written in the margin of the first page: 'Ces Dames vous supplient d'agréer l'hommage de leurs souvenirs. Mesdames de Vaublanc et veulent elles me permettre de leur offrir ici la mienne?' His correspondent is writing his memoirs, and de Marchangy considers that he has 'mille fois raison de vivre dans le passé, s'il vous console du present'.

31pp., 12mo, illustrated blue wraps (a warrior), contents crudely joined to wraps with sellotape, wraps sl. chipped and worn, contents mainly good. No copy listed on COPAC; four copies listed on WorldCat (3 in South Africa, and Texas).

12mo, 4 pp. Bifolium. Forty-eight lines. Text clear and complete. Good, on aged paper. Begins 'One must needs be a churl indeed to be a laggard in his response to a letter containing words of so sweet breath composed as yours!' He thanks Baron for his 'kind & encouraging letter', and considers that an author 'has no keener or more lawful pleasure than to find that the errors of his song or tale has [sic] lodged (as Longfellow says) in the heart of some far-off and unknown friend'.

12mo, 1 p. Text clear and complete. Fair, on aged paper. Docketed by Blanchard in top left-hand corner: 'Sent to Sat.

All items clear and complete, on aged paper. Letters totaling: 4to, 1 p; landscape 8vo, 5 pp. The two cards carry long messages, written in red ink in Grubb's close, neat hand; one is standard size, the other 27 x 13.5 cm. Five envelopes are stapled to their letters. Grubb ('one of the last survivors of the famous 1960s Hampstead coterie of writers, actors and critics') writes entertainingly in an emphatic, energetic manner marvellously evocative of the 1970s London literary scene.

4to, [iii] + 76 pp. In original orange titled wraps. Text clear and complete. Fair, on aged paper, in worn and frayed wraps. A three-act adaptation of Collodi's children's classic, with cast of characters, 'Synopsis of Scenes', and 'Musical Contents' listing the plays twenty-six songs.

One page, obl.12mo, fold marks, mainly good. ... It was king of you to write, and Iappreciate it. In candour, I ought to say that [William] Morris was a revelation to me also when I came to read him for the purposes of your brother's book [The Great Victorians pubd 1932, ed. Massingham and his brother]. He was one of the people I had taken as read. I was fairly overwhelmed by the profound insight of his later writings. | I agree with you about Chesterton's 'Chaucer'. I liked it very much indeed.

One page, fold marks, good condition. Please let me know when [underlined] you want copy for your paper. I will give you something but would like to have as much time as possible. I could send something now but might be able to send something better later on. I hope your special number will be successful.

All texts clear and complete. Autograph item with some creasing, otherwise in good condition on lightly-aged paper. Ten items signed 'Compton Mackenzie', and two ''. Eight of the items each one page of landscape 8vo; one 8vo, 1 p; another 12mo, 1 p; the autograph note 4to, 1 p; and the card 16mo, 1 p. The first item (4to, 1 p, in autograph) is dated 22 September 1948. Having met Brett-James he thanks him for sending the proofs of his war memoir 'Report My Signals' (London: Hennel Locke Ltd, 1948): 'I was much impressed by it, and supported it strongly for a Book Society Recommendation.

Typescript (folio, 2 pp), with a couple of manuscript corrections. Fair, on aged paper, with light marks from a paperclip at head. Thirty-six line poem, in heroic couplets, with 'W E G. Christmas 1869' at end, beginning 'Happy the gamester, on whose earliest throw, | Grim Fortune frowns, and cuts his treasure low; | But hapless he, whom luck shall onward lure, | She only means to make his ruin sure.' Made for Sir Robert Joseph Phillimore, of the Courant, Henley on Thames, judge, Liberal MP and lifelong friend of Gladstone's.

Phillimore's transcript: 12mo, 3 pp. On bifolium. Text clear and complete. Fair, on lightly-aged paper, with mark from rusted paperclip at head. Thirty-six line poem, in heroic couplets, with 'W E G. Christmas 1869' at end. Typescript (folio, 2 pp), with a couple of manuscript corrections. Fair, on aged paper.

Image roughly 7 x 9.5 cm, on piece of paper 8 x 10.5 cm, mounted on recto of second leaf of a cream card bifolium, with a window frame through first leaf. Printed label on reverse of second leaf reads: 'This photograph is copyright and mahy not be copied or reproduced in any way whatsoever. Legal proceedings may be taken against any infringement. | YVONNE GREGORY.' In very good condition, on lightly-aged paper. Head and shoulders three-quarters profile, from Gibbons' right, showing the novelist in a tailored jacket with padded shoulders.

Apart from the card (12mo, 1 p), totalling 4to, 10 pp; 12mo, 2 pp. All items in good condition, with text clear and complete, on lightly-aged paper. All post-1960. Two of the eleven (20 January and 13 June 1974) are fully dated by Devas; another four have day and month. The card from 1960 is the earliest item; the three from Wetherby Gardens date from between this point and Devas's second marriage to Rupert Shephard in 1965, and the seven from Limerston Street from after the marriage. A good-natured correspondence, written in a chatty style.

61 items, characterised by grey-brown amateur wrapper, usually grubby, with: A label on the front usually stating, 'CHRIST CHURCH, KILNDOWN | LIBRARY. | No. [...] | Please keep clean. | Can be exchanged on EVERY FRIDAY on application to Rev. H. HARRISON. | October, 1875', And a label on reverse of wrapper, 'CHRIST CHURCH, KILNDOWN | Lending Library | Rules. | . 1. The Library to be Free to Sunday Scholars and Members of the Choir; all other persons using the Books to pay a Subscription of a Half-penny a Month. | 2.

126 galleys, numbered in type, each 60 x 15 cm, and containing the text of two pages. Text clear and complete. On aged paper, with fraying and light staining to some extremities. Red Simon and Schuster label, with typed publication date and price, on reverse of last leaf. Under seven headings from 'Robots' to 'Marvelous Inventions', and featuring the work of authors from Jules Verne to Brian W. Aldiss. Introduction and linking passages by Knight himself. Although present in the proofs, one story - 'The Mindworm' by C. M.

Parts I & II (of 12 = Series 1), pp.40[6 advts]; 76[6 advts], original blue wraps, frayed and spotted, one wrap dulled, one corner of pages turned, pencil annotation on front covers (inc. library no.), library stamps (withdrawn from Newcastle University Library),

12mo, 96 pp, followed by four-page SPCK catalogue (with first page listing works by the Rev. F. Bourdillon). Text clear and complete. In original olive cloth binding, gilt, stained with damp. Damp damage at rear leaving light staining to corners of last few leaves and catalogue, together with heavier damage to rear endpapers. Traces of Library label on front pastedown. Cloth faded, worn and stained. Bell explains in her preface that 'The poor are excellently well provided with all sorts of books of counsel and help.

Two pages, 12mo, good condition, saying, "I was much obliged by your kind thought of sending me the critique - as well as taking the trouble - always a task - of copying it outIt seems to me to convey the intention of the [author?] exactly."

One page, 12mo, good condition. From a batch of letters, many of which are addressed to A. Williams of the "Liverpool Mercury", but no certain identification. Hazlitt says, "I send you sundry autographs, genuine as imported. I will not forget your wishes in this respect when other notable Manuscripts occur to me."