Autograph Letters

Letter, docketed 'Mrs Honey', addressed to ' Esqre | York - Leeds - or Hull | Theatre Royal'. Three pages, quarto. Good, though aged and creased, and with small section cut away on breaking seal. Text clear and complete. Small strip of mount adhering to one edge. Interesting and intriguing letter addressed to 'Dearest Papa' and beginning 'Barnett has never been near me nor do I know where to find him - write by return and tell me where I commence and what you would like me to '. Ends by saying she is 'very busy indeed just now'. Signed 'Laura'.

One page, quarto. On lightly creased, aged paper with a few closed tears. Rust marks from paperclip at head. Reads 'Il triangolo della perfezione arte scienza ad amore | [signed] F Matania'.

Dimensions of paper roughly one and three-quarter inches by five and a quarter wide. Aged, ruckled, and with traces of glue from previous mounting on reverse. Reads 'Your very faithful | servt | Lansdowne', and on reverse, '<...> as if I did so I shou<...> | be referred to the answer <...>'.

Two pages, 12mo. Very good on lightly-foxed blue paper. He has sent his correspondent's letter to the naval correspondent of The Times, and hopes 'that some good may come of it.' Would like to receive 'any more snippets you have from time to time. I didn't know, for instance, that the racing whaler had Sussex until the other day, otherwise I should have tried to make a song about it!' Sends seasons greetings, and wishes him the 'Best of luck'.

On piece of paper four inches by three and a half, neatly mounted on slightly larger piece of blue paper, docketed 'FLOTSAM & JETSAM | 2 POPULAR ENTERTAINERS'. The crude caricatures (probably by Hilliam rather than McEachern) consist of a crude and highly-stylised image of the heads and shoulders of the two, looking to the left, in hat and cap and both smoking pipes. Beneath is 'Yours very sincerely | [signed] Flotsam and [signed] Jetsam'. Among the duo's recordings is a comic song entitled 'What was the matter with Rachmaninov?' (1927).

One page, 12mo. Good on piece of lightly-creased and aged paper, neatly mounted on slightly-larger piece of paper. Enclosing funds 'for the Use of St Andrews Hall April 2nd. 3rd. & 4th./66 for Christys Minstrels Concerts'. Postscript requests that receipt be sent to Reading in Berkshire: 'Shall be there on Thursday next'. A significant document. 1866 marked the introduction of the minstrel show into England by Christy's Minstrels, and the first of several extremely successful tours by the company.

Statesman and writer (1788-1850). 3pp., 8vo. He has heard that his name has been used in the prospectus for the Gwennap mining company. H explains that he was approached but decioded not to allow his name to be used or to buy any shares in it. He hopes the Lord Mayor will take any opportunity of saying this.

Dimensions roughly three-quarters of an inch by five inches wide. Good, with glues staining from previous mounting to edges of reverse. Reads '<...> | for the right of translation - I remain, my dear Sir, your most | obedient faithful Servant | [signature] C F R de Montalembert | I shall be happy to look through the rest of the Introduction, if you think it useful.' On reverse '<...> | to be very unpalateable to those who <...>'.

Politician and maritime administrator (1836-1918). 3pp,12mo. "If you could postpone the date for a week, it would afford me the greatest pleasure to present the testimonial to Canon Simpson. Kindly send me list of a few leading subscriptions as a guide, addressed to Chapel Wood / Nutley / Uckfield. / I am at Milan International Maritime Conferrence last week Septr / Yours faithfully / Brassey"..

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

One page, 12mo. Very good. 'I shall sing il "Soave e bel contento" [aria by Pacini] and will be happy to take a part in the quintetto[,] you must procure the parts of my song'. May possibly refer to the J. N. Hummel Benefit Concert in London on 29 April 1830, where Pacini's aria was played.

Dimensions of paper roughly one centimetre by six wide. Close-cropped but clear and entire. On aged paper with traces of glue from previous mount on reverse.

The collection is in good condition, with each letter entirely legible. Two items particularly aged, and one with a couple of closed tears unobtrusively repaired with archival tape. Each item bears evidence of the fact that the collection was previously held together with a pin. An interesting sidelight into the musical culture of Victorian London. COPAC only locates one copy (at Cambridge) of Robinson's piece, published by W. Sprague of Westminster in [1874], copied by F. C. Wood, 'words by permission of Messrs. Hopwood & Crew'. All items 12mo.

One page, 12mo. Good. Docketed and bearing the Society's stamp. Concerns 'Sir Alexander Redler's being brought up by Crookes for election to the Athenaeum by the Committee under Rule II [...] you [...] intimated that you knew Redler & that I need not descant on his virtues: he is a most clubbable man & I trust you may be able to support him'.

Two pages, 8vo, minor defects, mainly good. He apologises for not using (or knowing) her full married name and tries to persuade her to give a part to his son whose career he summarises (Athos in "The Three Musketeers", juvenile lead in the "Absent-Minded Beggar"). In a postscript he suggests he would make "an ideal Rochester".

Two pages, 4to, dusted and otherwise marked, but text clear and complete. He "begs leave to represent the the State of my account of Fees & Disbursements in obtaining the Act of Parliament 'for rendering more commodious & for better regulating the port of London' which ammounts to ____________"5989.12-". He has received £4400 "by your warrants out of the Parliamentary hand, £100 of the Dock Company, balance due £489.12". He explains a complication involving the Dock Company's payment.

Six pages, 8vo, water-stained but texts clear and complete. Much of the letters are concerned with elements of his executorship of the will of William Morris - (and trusteeship). In the letter to May he begins by expressing relief that "the Horace [book or manusript] was safe", then discussing a payment of £785 due to her (she adds the comment "About £785 due to me" in pencil at the end) and the payment due to Jenny. "When we were at Kelmscott I explained ot her that all claims contracted after Jan.26 would be payable by your father's executors.

English impressario (1872-1951), nicknamed "Cocky", closely associated with Noel Coward, knighted in 1948. All one page, five with the letterhead Charles B. Cochran, 49 Old Bond Street (three 8vo and two 4to), and one, 12mo, with the letterhead of the Midland Hotel, Manchester. One in stamped addressed envelope. All thanking Bass (of 22 Delta Street, Lightbourne, Moston, Manchester) for his letters praising the Manchester performances of Cochran's revue.

Viscount Stratford de Redcliffe, British diplomat (1786-1880; DNB), for many years Ambassador to the Sublime Porte. The recipient, James Finn (died 1872), was British consul at Jerusalem from 1849–1858. 2 pages, 16mo. In good condition. He has sent his correspondent's 'memorandum respecting Abyssinia' to Lord Stanley, 'who is a better judge than I can presume to be of any advantage which might result from putting into practice the suggestions it contains'. He has 'a due sense of the confidence you have shewn me'. Signed 'Stratford de R.'

Author/translator of "La Muse ottomane ou chefs-d'oeuvre de la poésie turque" (Paris, 1853). Three pages, 8vo, good condition. He thanks his correspondent for a copy of "l'Anthologie arabe de M. Grangeret de Lagrange" [first published 1828]. He explains his great interest in the book and the excellent job done by the compiler. He praises his correspondent for enriching the book with Latin and notes which derive from their discussions.

Novelist. The two surviving pages, 4to, from a lengthy letter which has already been crudely repaired but which has an additional tear which does not, however, lead to textual loss. "I was very much rejoiced at the sight of your truly welcome letter" except that it announced a death. She eulogises the departed "He was one of the few of whom you may know little yet think much . . ." She explains how she had planned to visit her within a more complicated trip but "all my plans were laid aside and certainly my pleasures annihilated by an attack of inflammation in the eyes.

Novelist, Daughter of Charles Kingsley (see DNB). Two surviving pages from a letter, 8vo, attached to card (ultimately from album leaf), tear at fold but complete and clear. Text: " He is a very clever little boy - He used to possess - and probably possess still - a power of committing small sins & contriving that other persons should bear the punishment of them, which almost amounted to genius. We used to call him Jacob - for there was an element of saintliness in his character too. / I hope you and Mrs Hunt may still cxome to Clovelly.

2 pp, 12mo. She thanks her for her "sweet present", and then makes what appears to be a reference to John Gielgud: "I'm taking Betty tonight to see John - her first evening performance! She is so thrilled. I am so sorry he has been so reedy, but perhaps the enforced rest will do him good." Slight traces of adhesive tape to left-hand margin of recto.

Irish-born American actress (1860-1916). Calling card 2½ by 3¼ inches, "Miss Rehan. / 164 West 93rd. Street.", with the name crossed out and signed on the reverse "Ada Rehan / 1894."

English actress (1868-1957), the wife of Fred Terry (1864-1932). 4pp, on two identical 12mo cards, both with the letterhead. "My dear Mrs Davis / I am so grieved to hear about the poor . I hope & trust it is not very serious & that they will get well very quickly what an anxiety for you all I am quite well thank you but am awfully sorry I I shall not be able to help you on the 22nd as I am dining out. With best love to you all / Yours sincerely / Julia Neilson" Both cards bear traces of previous mounting.

Actress and teacher of elocution (c.1866-1945). One page, 8vo. "I am so sorry that your letter came too late for me to send you any tickets for our concert. Perhaps you will help us another year? - Truly yours / Kate Rorke-Gardiner". [Her first husband was Edward Gardiner (died 1899). Loss to one corner, and traces of previous mounting on blank verso.

English actress (1837-1921), wife of the actor-manager Charles Calvert (1828-1879) and mother of the actor Louis Calvert (1859-1923). Black-letter calling card, 3½ by 2¼ inches, of "Mrs. Charles Calvert. / 22, York Mansions, / Battersea Park. / S. W. 11." Signed between the signature and the address "Adelaide Helen Calvert".

Two pages, quarto. Very good, with a little wear and light creasing. 'I often think of those days, & how timid & shy & stupid I was! Yet I enjoyed myself too, & shall never forget your great kindness, & the help you gave me. Since then I've had many adventures & experiences. I am not the thing I was!' She has been in London for the winter, and hopes they will be able to meet. 'We're so glad you like "Yellow Sands" - & I'm very pleased you like "Tomek". She has 'just finished another novel & play'. Asks what has become of a number of common acquaintances.

English actress (1868-1957), the wife of Fred Terry (1864-1932). 4 pp, 8vo. She thanks her for her kind invitation, which she cannot accept as they are going back to London on the Sunday. "We are only giving a matinee at Wolverhampton & have to return to Birmingham to play at night / It was very sweet of you to ask us." Minor traces of previous mounting.

One page, 12mo. Very good; lightly creased with staple holes to one corner. 'I beg you to publish the letter which I have addressed to the Journal. There is no point in withholding it.' Horder, who designed Lloyd George's house, as well as Mallory Court and Greys, is, according to one authority, 'one of a group of early twentieth century architects who were highly influential in re-introducing the romantic vernacular styles of the Elizabethan period. Many of his homes were in the style of Edwin Lutyens, having gables, stone dressings, mullioned windows and inglenooks.'