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An interesting item in the social history of the Royal Navy, indicating the financial anxieties many naval widows were under. The Battle of the Delaware Capes (or 3rd Battle of Delaware Bay) took place on 20 and 21 December 1782, between the Royal Navy frigates HMS Diomede, Quebec and Astraea and the South Carolina Navy's 40-gun frigate South Carolina, the brigs Hope and Constance, and the schooner Seagrove. The British won, with the Seagrove the only ship that got away. 2pp, foolscap 8vo.

See his entry in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 2pp, 4to. The letterhead, on both leaves, is topped by a pleasing 10 x 6 cm woodcut of Combe Florey House. The paper is creased, otherwise in good condition, and entirely legible.

See Bullock's entry in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 8vo. In fair condition, lightly creased. Folded twice for postage.

See Thiselton-Dyer’s entry in the Oxford DNB. Printed on one side of a 10 x 13 cm piece of paper, and made out in manuscript to ‘Sir William Thistleton [sic] Dyer (and Lady)’. Text size in good condition, lightly aged, with the blank reverse of the card with slight damage from mounting. The recipient has written in a close hand in red ink at top left: ‘accepted. / 18. 7. 02.’ The text reads: ‘The Chelsea Physic Garden.

Scarce: no other copy traced. The only similar material are the volumes for 1851, 1852 and 1853 in the Bishopsgate Institute. Stitched booklet. 16pp, 8vo. With card cover and frontispiece, both ornately engraved. Text and illustrations complete and undamaged, on aged paper worn at edges and with front cover detached. The cover carries the royal arms beneath the engraved words: ‘FIELD MARSHAL / His Royal Highness / The Prince Albert / K.G. K.T. G.C.B. K.P. G.C.M.G. &c. &c. &c. / Captain General and Colonel.’ At foot of page: ‘Honourable Artillery Company.

An attractive item by a leading exponent of ‘English pastoralism’. See his entry in the Oxford DNB. Bass and treble notation of opening bars, headed ‘Romance / Andante ma non molto’. On one side of 9 x 11 cm card with rounded edges. Firm signature at bottom right: ‘Martin Shaw / May 1921’. In good condition, lightly aged. See Image.

Strongitharm’s entry on the British Museum website is the main source of information about him. In 1841 ‘John Strongitharm’ is listed in the Royal Calendar among the ‘Queen’s Tradesmen’, ‘In the Department of the Lord Chamberlain’, as ‘Seal Engraver’. The present item is an well-executed and carefully hand-coloured steel engraving of the royal arms (lion and unicorn), topped by a banner with ‘LORD CHAMBERLAIN’S OFFICE’. Engraved in small letters beneath the image: ‘Strongitharm, Waterloo Place’. Printed on a somewhat-aged and lightly worn piece of thickish laid paper, 11.5 x 6.5.

See his entry in the Oxford DNB. On piece of 8.5 x 4.5 cm laid paper cut. In fair condition, on aged paper with reverse bearing traces of glue from mount. Reads: ‘M. Power / M Genl. Comm[andin]g’. Endorsed on reverse: ‘M General / Sir Manley Power / K.C.B’. See Image.

Edward Knobloch’s play ‘My Lady’s Dress’ (‘in which’, as one newspaper wrote at the time, ‘the heroine’s dream takes her to the foreign [and London] scenes surrounding the manufacture of a costly gown’) premiered at the Royalty Theatre in London in 1914 and was revived several times through the 1920s.

A set of six scarce pieces of unusual Dickensiana. Difficult to date: the nature of the illustrations (printed in negative) gives them a modernist feel, but their purpose would place them before the 1920s. The six items, printed in black on pieces of grey-white card, range in size from 12 x 16.5 cm (‘SAM WELLER.’) to 4.5 x 6 cm (‘JOB TROTTER’). In good condition, lightly aged. Four of the six have soot stains on their blank reverses, presumably caused by the hot lantern.

Scarce: no other copy traced. Bifolium of laid 1856 Saunders paper. 4pp, 4to. Unpaginated. The front cover carries is headed ‘City of London Piano-Forte Manufactory.’ Beneath this are engraved the royal arms, flanked by the words ‘By Appointment / to the Queen.’ Peachey’s address is engraved beneath the arms in large letters. At the foot of the page, in red ink, are three lines relating to ‘Harmoniums.’, with the second page headed by another two lines in red. The two central pages carry much information in small type.

An interesting autograph in economic history. Newland’s entry in the Oxford DNB states that ‘His signature on Bank of England notes became so familiar that they were known as Abraham Newlands. His fame in this respect was commemorated in several popular jingles’. A good firm signature, ‘A Newland’, with that of the witness ‘R Ettie’, at the foot of printed form, completed in manuscript, paying Newland £33 15s 0d as assignee to an executor.

An interesting agglomeration of ephemera London cinematic information. The author is working-class or lower-middle-class. Two sturdy ruled small 4to exercise books, with black covers of ribbed watered cloth and spine of red cloth. In fair condition, lightly aged and worn. ONE: 150pp. Ownership inscription on inside of front cover: ‘Miss Renee Fish, / 112, Allerford Road / Catford, / S.E.6.’ The first page is headed: ‘31. 12. 29. Films I have seen during 1930.’ Each of the volume’ The entries are numbered from 1 to 272, with an additional numeration for each year from the second year onwards.

A scarce piece of regimental ephemera: no copies found on JISC or WorldCat. 32pp, 16mo. Stitched into grey paper wraps, with the regiment’s Minerva and Mars device and the title printed on the cover, and with ‘For Private Circulation only’ at bottom left. Inscribed at top right ‘J W Mackay’. (For James Waite Mackay (fl.

On 11 x 6 cm piece of aged paper, with patches of discoloration and traces of mount on reverse. Good clear firm and undamaged signature on front: ‘[...] I am Sir / Yr Obt. Sert. / Sydney’. The reverse reads: ‘[...] ristricted from killing rabbits on the land lately taken on lease from me and also from ploughing up any part of it but I hereby give you leave to kill rabbits or any [...]’. See Image.

See the entries for Barrow and Seymour in the Oxford DNB. On laid Whatman paper dated 1833. Having served for four years as Commissioner at Portsmouth, Seymour had sailed out to South America in 1833 as commander-in-chief, dying of ‘low fever’ at Rio de Janeiro two months before the writing of the present letter. 1p, foolscap 8vo. In good condition, folded twice. At top left: ‘Duplicate, / No 50.’ Initialed at bottom left: ‘J. P.’ Good firm and attractive signature ‘John Barrow’. Writing with regard to ‘the late Rear Admiral Sir Michael Seymour’s letter of the 16th.

See Wendy Trewin, ‘The Royal General Theatrical Fund: a history, 1838-1988’ (1989), and Macqueen-Pope’s entry in the Oxford DNB. ONE: Carbon copy of letter from Macqueen-Pope to Allen, 15 May 1953, with three drafts of advertisement. 4pp, 4to. On four leaves. The letter, on the first page, is somewhat grubby, with rust spotting from paper clip, the other three leaves, each of which carries a proposed version of the advertisment, in good condition, lightly aged. The letter begins: ‘Dear Jack Allen, / Herewith three rough samples for the proposed advertisement concerning the Fund.

See her entry in the Oxford DNB. The three TLsS (Items One to Three), each signed ‘Lilian Baylis’, are all 1p, 4to. They are in fair condition, creased and lightly aged, with Item Three having two punch holes for a binder. The portrait postcard is in good condition, lightly aged. ONE: TLS, 15 November 1921. Addressed to ‘Miss Ingham’. ‘I do hope you will have a big success with the enclosed card.

See his obituary in The Times, 16 June 1987. 1p, 4to. On aged and lightly creased and worn paper. Folded twice, with short closed tears to edges of central horizontal crease. Addressed to ‘Dear Hide’ and ‘Lieutenant G. Hide, R.N.V.R. / 700 Squadron / TWATT.’ Signed ‘Robert Neville’. He feels ‘very guilty’ that he did not write to thank Hide ‘for the Walrus, which was, of course, an absolute Godsend to me. Sargent could not have been a more delightful or obliging pilot.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly-aged. Folded once for postage. Addressed to ‘Dear Mr Brett-James’ and signed ‘Cyril Falls’. He is ‘delighted to hear from Brigadier Peter Young’ that Brett-James will, ‘he feels sure, take on Waterloo in the Great Battles Series I am editing’. He explains that the book’s chapters ‘are brief’, and is enclosing an explanatory sheet. Ends: ‘Please, however, let me have your reply at the earliest possible moment.’ The volume ‘Great Military Battles’, edited by Falls, appeared in 1964.

See the entries for Cox and Tuckwell in the Oxford DNB. 4pp, 12mo. On bifolium blind-stamped with the device of the Conservative Club. Addressed to ‘Rev P [sic] Tuckwell / College School / Taunton’, and signed ‘Edwd Wm Cox’. In good condition, on aged paper. Folded twice for postage. He begins: ‘Dr Sir / It gives me very great pleasure to aid the fund of the College School. After its long hybernation 43 years ago, I was the first pupil received on its revival. & within its walls I obtained the larger portion of my education, following the then master, (Rev H Forster) to Oxford.

See his entry, and Craig’s, in the Oxford DNB. 13 x 9 cm envelope, with seal (no impression of any kind) in red wax over the broken flap. In good condition, lightly aged. On the front of the envelope, in Jeffrey’s hand, ‘To / James Gibson Craig Esqre / 7. North St Andrew Street’. Beneath this, at bottom left and between the customary lines is the signature ‘F. Jeffrey’.

In good condition. Printed on one side of the card is one of Bennett's self-caricatures, and printed on the other, on a left hand panel, a note apologising for not writing in autograph, as answering so much mail would take away 'time which I would like to spend working'. On the right-hand panel, in actual autograph, is the following: 'Thank you for yr letter and I hope 2021 is a better year for you. I gather from Sam Barnett (ex History Boys) that the Nottingham Playhouse is keeping going. I'm getting slower but still coming to my desk every day. / All good wishes / Alan Bennett.'

On 13 x 7.5 piece of paper, cut down from the label of a packet containing a manuscript (see the annotation on the reverse). On discoloured paper, with glue staining from mount on reverse. Sumner's signature 'C. Sumner' is at top left, with the top of the S slightly cropped. The address, by Sumner, reads 'W. S. Law Magazine / New York / N. Y.' Annotated in pencil on reverse: 'Charles Sumner / M.S.S. 22d Apl 1853 / Massachusetts / Lawyer'. See Image

On a ‘Lion Brand’ plain post card. In good condition, but with the hurriedly-written text somewhat smudged, and a small staple at one corner. Addressed to ‘Robt J Drury / 141 Chichester Rd / Cleethorpes / S. Humberside / DN35 OJL.’ The message on the other side is hurriedly written: ‘August 1 1995 / Dear Mr. Drury / I’ve no thought on the Academy Awards I’m afraid. Some are well deserved some not - but thats true of a [?] Alan Bennett.’

One page, sm. folio, bifolium, closed tears repaired, fold marks, aging, and sl. foxing, BUT text clear and complete, if obscure at times, and semi-literate. SEE IMAGE. Text: May it please yr Lo[rdshi]ps | In obedience To your Lordships [referr...?] of ye 7th Instant, Re [?] to the offer of Mr Rog[e]r Haws[k]head.

Two attractive pieces of Curwen Press ephemera. 'Cornucopia' is scarce: no copy at the British Library, and the only two copies on JISC at Lancaster and Aberystwyth. The 'Short History' is better represented. ONE: 'Cornucopia'. 12pp, landscape 12mo. Stapled into illustrated wraps. Printed in brown on cream paper. Booklet designed by James Shurmer, with text by Basil Harley. Many illustrations of unicorns arranged in eight 'plates'. Internally in good condition, but front cover grubby, and blank back cover stained. TWO: 'The Curwen Press / A Short History'. 39pp, small 4to.

None of the boats and captains named in the present item are present in contemporary Navy Lists, so they would appear to be merchant ships. 2pp, foolscap 8vo. Aged and worn, with slight loss along edges and faded to a small portion of text. Folded four times into a packet, named (on the reverse): ‘Respecting Arming Pilot Boates / Account of Stores’. The whole of the recto is filled with text, divided into six rectangles in two columns of three rectangles each, under the heading ‘Account of Sundry Stores received from the Pilot Boates’.

1p, foolscap 8vo. On piece of wove paper with Britannia watermark. Lightly aged and in fair condition, but with some creasing and nicking at the head. Folded three times into a packet. A printed document, completed in manuscript.

See his entry in the Oxford DNB. 2pp, 12mo. With mourning border. On first leaf of a bifolium. In good condition, folded once for postage. All in a secretarial hand, except the signature ‘Rosebery’. Addressed to ‘My dear Sturgis’ - the item is from the autograph album of Sturgis’s wife, George Meredith’s daughter Marie Eveleen (‘Mariette’; 1871-1933). He regrets that he has ‘disposed of the vacancy of the secretaryship at the Treasury’. Had he not, he ‘would gladly have considered the claims of your candidate’. Ends: ‘I wonder if you and Mrs Sturgis would come and dine here some evening.’