CRITICISM

Both works first editions, and both in good condition, on aged paper. Bound together in late nineteenth-century red cloth half-binding, with marbled boards. Title on spine: 'COLLIER CONTROVERSY | H.R.H. | 1919'. Hamilton title in full: 'An Inquiry into the Genuineness of the Manuscript Corrections in Mr. J. Payne Collier's Annotated Shakspere, Folio, 1632; and of certain Shaksperian Documents likewise published by Mr. Collier'. [4] + 155pp., 4to. With frontispiece and two plates, one of them double-page. Collier title in full: 'Mr. J. Payne Collier's reply to Mr. N. E. S.

[xiv], 207pp., dark green cloth, corners bumped, mainly good to very good. A copy inscribed by Matthew Arnold to Lady Dorothy Neville, 'writer, hostess, horticulturist and plant collector', with a letter by Arnold concerning his gift of the book tipped in. Also with prined "From the Author" note enclosed (loose), a printed bookplate alleging "Stolen from Lady Dorothy Neville", and a newspaper clipping concerning Matthew Arnold's burial place tipped in. The letter from Arnold reads as follows: "Dear Lady Dorothy | The Fourth Party are excellent company, but Sunday is impossible for me.

2pp., on both sides of the lower half of a 4to leaf. The recto is numbered by Reade '2', indicating that the two pages constitute the second leaf of a letter. The text reads: '[...] therefore you will consent to do me a bare act of justice viz not to let that gentleman be my public critic in "the World." Of course I should be still more pleased if you would do me the honor to see the play yourself and pronounce upon it. However half a loaf is better than no bread.

4pp., 12mo. Bifolium. Very good, on lightly-aged paper. Untidily-written by Taylor, with several ink smudges. The letter begins: 'Dear Col: Cunningham | I find recorded, in my catalogues, no other portrait of Eliz: Countess of Pembroke & her son, except the one in the Earl of Pembroke's possession at Wilton House. There is a repetition of the group of mother & son in that picture, with the Earl in it, in Wilton House. Lord Normanton has a head of the Lady, painted at the same time, apparently'.

A total of 8 pp, 4to, all on Palace Court letterheads. Dent's notes both signed 'Jock Dent.', and the copies both signed 'James Agate'. Two important, energetic and vivid letters by Agate, totalling 6 pp, 4to, defending Coward's play and his position on 'the intellectual and the popular', against the 'pseudo-intelligentsia' of the barristers Shearman and 'Jack' St John Hutchinson (1884-1942).

Both items good, on lightly-aged paper. Palmer's letter: 4to, 6 pp. Text clear and complete. He begins by apologising if his letter to her 'sounded very ungracious': 'I was unaware at the time that you had made any acknowledgement to me, and as I have had my brains picked so frequently without acknowledgment (including, of course, plagiarisms from my poems) I was again feeling rather depressed & exasperated'. While describing her book as 'really [...] very good' and 'reliable', he suggests a number of changes, giving examples of 'where we clash'.

4to, 1 p. Trimming at head has resulted in loss to the first line of Disher's address; otherwise text clear and complete. On lightly-aged and creased paper, with jagged trimming at head and in bottom right-hand corner, and three punch holes to margin. Bearing the stamp of the Secretary's Office, Clarendon Press, Oxford. He is returning the 'corrected typescript' and is setting out his qualfications. The bottom section to the letter contain eight lines of these. Disher describes himself as 'contributor to leading journals on the subject of public entertainments in general'.

4to, 4 pp. Bifolium. 59 lines of text. Clear and complete. On lightly-aged paper, with 4.5 cm closed tears to the outer edge of central horizontal fold to both leaves. A large part of the letter would appear to concern washing machines, including a reference to a new one on the American market, called the 'Waterflex'. A few lines in English at end: 'Many thanks for your Birthday-carte. Sorry year it arrived 1 month to [sic] late.' Sends love to 'Dorothy', and reference in text to 'Kajitan': 'Das wird Dir bestimmt Freude machen. Das ist alles viel besser als die Politik.

Scottish art critic and engineer (1864-1950). One page, octavo. Very good. Bearing the Society's stamp. 'It is very good of the Council of the Royal Society of Arts to ask me to become a member, but, while thanking them, I regret that I do not see my [^ way,] at present, to join any more societies.' Signed 'James L. Caw'.

Both items good on lightly-aged paper. Letter One (12mo, 2 pp): Having considered the question of the fee for a piece of writing, he does 'not know very well what to say. Perhaps you might give me what the Hibbert Journal pays its contributors.' (Docketed in pencil in the margin: 'What is that?') He 'could do the work when the College Session is over - at the end of March'. Asks to be informed 'what is necessary of the arrangements', and to be sent 'the sheets of the book.

16mo: 1 p. 14 lines of text. Close hand. He is touched that Sainte-Beuve has found time, in the midst of his labours, to write a letter expressing his 'adhésion'. 'Je suis heureux de penser, en vous écrivant rue Montparnasse [Sainte-Beuve lived at no. 11], que la philosophie et l'esprit d'indépendence ont toujours un ami dans la maison de Sainte-Beuve'.

8vo: [viii] + 164 pp; [iv] + 183 pp. Bound together in contemporary half calf binding, gilt, marbled boards and endpapers. A tight copy, printed on aged, spotted paper, with occasional light damp-spotting, in worn binding. Bookplate of Aemiliani Reich, on spotted, aged paper, by Gordon Browne, on front pastedown. The first volume has a four-page preface by 'S.M.F.', dated 'New York, July, 1846.' Both volumes contain eight essays.

8vo, 13 pp. Paginated I-XV. Eight-leaf unbound bifolium. Unbound and unstitched, the whole held together by a pin in the gutter. Good, on wove paper, but with title-page somewhat discoloured with damp. Separate printed title, 'NOTICE SUR Mr. F. G. MAURICE.' Inscribed [to?] at head of title-page, 'Msr Marshall Newton-Kyme, Tadcaster, Yorkshire'.

8vo: 11 pp (on 6 leaves) paginated 127-137. Plate carrying portrait of Randolph facing p.132. Stitched and unbound. Heavily foxed, and with a central vertical fold. PRESENTATION COPY, with the words 'With the writer's Compliments.' at head of p.127. The source of the article is deduced from the information contained on the verso of final leaf, which is headed '56th Annual Report, 1932.' No copy of this offprint listed on COPAC.

12mo, 4 pp. Good, on lightly aged paper, but with a thin strip along the outer edge of the second leaf of the bifolium with glue staining from previous mounting, and a 3.5 x 0.5 piece missing at head causing damage to one word ('hers'). Otherwise text clear and entire. Cust's aunt has informed him 'that she has at present in her possession in London all the papers belonging to Sir John Cust that remain'. She does not however think that they contain much about Wilkes.

One page, on piece of paper roughly seven inches by eight wide. On aged paper laid down on a piece of card, and with some wear and paper and glue stains. 'My dear Madam, | In reply to your letter of Novr. 18th, I have pleasure in sending you my autograph, as you desire.' Four-line printed biographical cutting in bottom right-hand corner.

12mo: 4 pp. On grey paper. Very good, with a small strip of discolouration over the Royal Artillery crest. Bearing the Society's stamp. He is glad that his 'article on the Red Cross' interested Wood: 'in other circumstances it would have given me much pleasure to follow up the article with an address to your Society on the subject', but 'the work of the Cadet school, which I entered a couple of months ago, takes up my entire time'.

12mo: 1 p. Good, on lightly creased paper, and with traces of previous mount adhering to reverse, and small central spike hole. In a variant hand, but certainly by Quilter. Twelve lines of text, for insertion in a journal or newspaper. Announces the unsuccessful 1886 candidacy by 'Mr. Harry Quilter M.A. Trin. Coll. Camb.' for the Cambridge Slade Professorship, 'recently vacant by the resignation of Professor Colvin'. Quilter 'will be known to our readers as the recent art-critic of the "Times," and the gentleman who has for many years past written upon art subjects in the "Spectator".

Octavo: 39 pp. Stitched. In original orange wraps, with grey printed paper boards. On spotted, aged paper, with insect holes to a couple of leaves. Wraps stained and worn. First English printing of an essay noted for its coupling with Henry James's piece of the same name (not present here) in an American edition of 1885.

Octavo. 224 pages. Very good, with light spotting to top edge, front endpapers and prelims. In worn, torn dustwrapper with some loss. INSCRIBED COPY 'To Alan | 'at his own request' | with friendly greetings from | Henry Gifford | 7th November 1950'.

Poet and literary critic (1856-1930). One page, 12mo. Discoloured but very good. Folded once. One might almost think he was being sarcastic. 'The unflawed pleasure of my short visit to the Archdeaconry will never be effaced from my memory. Heartily I thank you all very much. | Most sincerely yrs | Mackenzie Bell | [autograph]'. Last word and square brackets Bell's.

351 pages, 8vo. Unbound: in original brown printed wraps. In good condition, but with wraps browning and creased. Ownership inscription on inside of front wrap. An important collection, with the bibliography accompanied by seventeen essays, including ones by J. D. Fleeman, Arthur Sherbo, Joyce Hemlow and Gwin J. Kolb.

One page, 12mo. Very good. Neatly mounted on piece of orange paper. In Dilke's difficult hand. Concerns a 'Report': 'The only specific fact is that the misprints <?> cost to each of one shilling. [...] The enormous cost of about £12 per draft is to the Fund. How much the <?> cost to the <?> is not stated - <?> as 'almost too small to be noticed' - which is <?>. Why do they not publish the <?> expenditure. Then we should know what is the amount of an 'almost too small'. If you ever get an Acct with that fact set forth I should be glad to look at it.' Signed 'C W Dilke'.

Antiquary and critic (1789-1864), editor of the 'Athenaeum'. Cawood was a musician and composer. Two pages, 12mo. Black bordered. Verso of second leaf of bifoliate laid down onto larger piece of docketed grey paper. In good condition apart from some glue damage to right-hand margin of recto of first leaf (not affecting text). Difficult handwriting. 'I am much obliged to you for the "Notes on the Woollen Hair" which I have just found.

Antiquary and critic (1789-1864), editor of the 'Athenaeum'. For Lankester (1814-74) see the Dictionary of National Biography. One page, 12mo. In good condition, mounted on a larger piece of docketed pink card. Difficult handwriting, presumably making payment for magazine contributions. 'On looking over your account I find that you have run off & that there is a balance due to you I therefore present a cheque for Ten Pounds by way of winding up the old year.' Signed 'C Wentworth Dilke'.

Konody (1872-1933) was a well known art critic, and Art Director of the Canadian War Memorials from 1916 to 1919. He was also connected with the British Pavillon at the Venice Biennale. One page, 12mo, on grey paper. In good condition. Verso of blank second leaf of bifoliate attached to piece of paper. Now that he knows he will be in town the following weekend he can accept her invitation to lunch at the Whitefriars Club at 1.45. Signed 'P. G. Konody'.

English theatre manager (1881-1971). One page, 4to. He thanks him for his note about "A Woman of No Importance". In an apparent reference to a letter written by him to The Sunday Times about that newspaper's drama critic James Agate (1877-1947) he writes: "My letter was somewhat emasculated, as not only was a sentence left out in the middle, but the concluding sentence ran as follows: - / "Mr. Agate will never cease being provocative but his influence will necessarily diminish in proportion to the contempt he feels for his job.