THEATRICAL

From the collection of Alec Clunes, who performed as Don Juan in this excerpt from 'Man and Superman' ('Don Juan in Hell') at the Arts Theatre Club in 1946. Carbon copy of typescript by May Hemery Ltd, paginated 1 to 60, on the rectos of sixty leaves, preceded by title leaf ('Excerpt from Act Three | "MAN AND SUPERMAN" | By | BERNARD SHAW'. In original blue paper wraps, with yellow tape spine and label on front wrap. Grubby and worn, and with light staining to wraps, but tight, complete and clear. Numerous manuscript stage directions, mostly on the facing versos.

Each of the five on a piece of good laid paper, roughly 15 cm square. Wide margins, with indentation of plate 9.5 x 8 cm. All five good, with occasional light creasing to margins. The second and third items more aged that the others, but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous? allons, qu'êtes-vous?' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille.

Landscape 12mo: 1 p. Headed 'Stage and Film Decor.' He thanks her for her letter of 4 November. 'I eagerly await book. If you could spare me more than one [last three words underlined] I should be appreciative.'

Thirty-six weekly issues. As poster, c.29 x 39cm, fold marks indicate possible use as a brochure, good condition. Information given on verso: Theatre, Nearest Tube, Eves. & Mats, Play, Description of Play. At the bottom information about "Official Ticket Agents for All London Theatres" and a line encouraging smoking (especially Abdullas). Information given on recto: Garges in Theatreland, Contractors to West End Theatres, the title "page", and two columns of "Theatre Notes". The only MS. annotations are: Issue for 2-7 Jan.

The collection is in good condition, with items on lightly aged and creased paper. Letter One (12 September 1951, Onslow Gardens; 12mo, 1 p, in envelope): As Kyrle Fletcher 'may have seen', Speaight is engaged in a biography of William Poel, and is 'anxious to trace the letters he received from Shaw & which were sold about 1930'. Kyrle Fletcher has docketed the envelope with a precis of his reply. Card (postmarked 14 September 1951): Thanking Kyrle Fletcher for his 'letter & most useful suggestions'.

Letter: 12mo, 1 p. Grubby and stained. He 'did not mention the Planché-affair' in his letter of the day before. Asks for his name to be put down 'for a copy of the book' [French's edition of Planché's 'Extravaganzas']. The subscription form (12mo, 1 p), heavily worn and with loss to the extremities, is laid down on the reverse of the letter. On it Merivale gives his address as 'Barton Lodge, Kingston on Thames'.

12mo, 1 p. Text clear and entire, on lightly creased blue paper, with a thin docketed strip neatly cut away at the foot of the letter. Traces of cream paper mount adhering to the blank reverse. Presumably refers to the play 'Alone in London', which debuted at the Olympic Theatre in 1885. Buchanan trusts that Fenn 'will be present in production of my new play & Miss Jay's debut on Wednesday next'. He asks whether to send the stalls, 'or do you get them from the Office? It will be indeed disappointing if you do not come, this time.'

12mo: 2 pp. Very good. 'The Association for establishing depots of cheap food for the poor' has been formed, 'under the auspices of Lord Brougham, the Earl of Shrewsbury, Sir John Villiers Shelley, and others,' and Jerrold asks whether Raikes would 'permit us to add your name to the list of patrons', a position which 'entails no pecuniary responsibility whatsoever.'

12mo: 1 p. Text clear and entire on creased and slightly grubby paper. Asks Hyde Clark to 'make the preliminary report you suggest, & speak with Mr Crompton'. He feels that 'the thing is to be accomplished; & that there will be honour & profit to all who may concern themselves in the undertaking'. Asks to hear from Hyde Clarke 'in a few days'. The subject of the letter is unclear.

4to, 1 p, 21 lines. On creased and lightly-foxed paper, with a couple of closed tears (not affecting text, which is clear and entire). May refer to the 1928 revival of van Druten's play 'Young Woodley' (previously banned by the censor), or (which is more likely) to his 'After All' (1929).

On a piece of wove paper roughly 4.5 x 9 cm. Good, clear signature on lightly aged paper. Reads 'my dear Sir, | Yrs always truly | [signed] P. Hoare'. Reverse reads '<...> am at a loss how to answe<...> | <...>ing the progress of the Anna<...> | <...>- opportunity of asking "Ho<...> | <...>t of the Elgin Marbels, whic<...>'.

12mo, 1 p, 11 lines. Very good. He begins by giving R. J. Smith's Brompton address. He was 'delighted to hear of Lord Powis' and hopes 'there is no mistake about it'. 'Remember in printing his Title he is a Knight of the Garter. - On the back of our 2nd. No. I see Lord Southampton printed as "the Earl of Southampton"!' Asks the recipient's view of the previous day's 'Times': 'And look at the Morning Post to day.'

One page, roughly four and a half inches by seven wide. Grubby, and with one inch closed tear at foot, caused by removal from mount, traces of which, and of another autograph adhere to reverse. Reads ' "How good it is to live, even at the worst" | "Christ in Hades" by Stephen Phillips | [signed] Charles Warner | 1902'. Small neat green circle containing number in bottom right-hand corner.

The letter: one page, 12mo. Good, but with removal from mount having thinned the paper in places, and with traces of brown paper mount still adhering. He is sending the autographs of 'Henry Seton Merriman (Hugh Scott); Gertrude Atherton; Miss Fowler; and Douglas Sladen. Also a photo from Ted (not a good one, but the only one I have left).' He enjoyed himself 'so much' at Langford. 'It was a week of real enjoyment to me.' The fragment: one page, four inches by four and a half wide.

Octavo, one page. Good, on lightly aged and creased paper, with the merest hint of a damp stain. English translation in contemporary hand on separate piece of 12mo paper, with slight loss at head (not affecting text). She has received no acknowledgement from him for 'the autograph which I sent you and a little book of verse sold for the benefit of the soldier who wrote them. The little book ought to be sold for at least 75 cents.

On piece of cream paper, roughly 8.5 x 12 cm, removed from an autograph album. Good, on paper with a few light marks. Bold, firm signatures in pencil, one on each side of the leaf. Two signatures,

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good.

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good. All three signatures are bold and clear. The signatures of Lawrence and St Helier are on one side of the leaf, and that of Carey is on the other. Lawrence's signature is in ink, and the other two in pencil. Three signatures,

On leaf of light blue paper, 8.5 x 12 cm, removed from an autograph album. Very good.

Three pages, 12mo. Good, on lightly aged and ruckled paper, with a little glue adhering to the reverse of the second leaf of the bifolium. She has received the two packets containing the small photographs. Apart from wanting the hair to appear lighter and clearer, she is satisfied with the large photograph, and would like several copies before her departure on 2 August. If this is not possible copies are to be sent to her at the theatre du Gymnase in Paris.

Three pages, 12mo. Good, on lightly spotted and aged paper. Traces of glue and previous mount adhering to blank verso of second leaf of bifolium. Concerns a 'concert on June 16yh in aid of the <?> L G[uild] at Mrs. Beudel's house'. 'It grieves me more than I can express to find that I shall be unable to attend, or give my services on that occasion, unfortunately my arrangements will not permit of my being in London then'.

One page, quarto. Very good, though slightly aged and creased, and with minor damp staining at foot, affecting bottom three lines including signature. Wilkinson has written to say that he 'has not the space' Smith has 'named'. '[Y]ou express an opinion that Circus business would pay, & I, from my personal knowledge of Brighton & experience therein, feel sure a really good Circus would prove an immense attraction & a paying one, & would stand some time by introducing fresh novelties'.

Letter, docketed 'Mrs Honey', addressed to ' Esqre | York - Leeds - or Hull | Theatre Royal'. Three pages, quarto. Good, though aged and creased, and with small section cut away on breaking seal. Text clear and complete. Small strip of mount adhering to one edge. Interesting and intriguing letter addressed to 'Dearest Papa' and beginning 'Barnett has never been near me nor do I know where to find him - write by return and tell me where I commence and what you would like me to '. Ends by saying she is 'very busy indeed just now'. Signed 'Laura'.

English impressario (1872-1951), nicknamed "Cocky", closely associated with Noel Coward, knighted in 1948. All one page, five with the letterhead Charles B. Cochran, 49 Old Bond Street (three 8vo and two 4to), and one, 12mo, with the letterhead of the Midland Hotel, Manchester. One in stamped addressed envelope. All thanking Bass (of 22 Delta Street, Lightbourne, Moston, Manchester) for his letters praising the Manchester performances of Cochran's revue.

American-born actress (1842-1917). End of letter on mourning paper, now 12mo, signed in her married name. "Very truly yrs / Kate Crowe".

English actress (1866-1942). One page, 8vo, with green border and letterhead 55 Avenue Road, Regent's Park. A formal letter written in the third person, presumably on the death of her husband W. Graham Browne (1870-1937). "Miss Marie Tempest is deeply moved by your expression of sympathy. The letters and telegrams she has received have helped her more than she is able to say. There have been so many that she is unable to reply to them personally, but she hopes that you will realise all that your sympathy has meant in her great sorrow."

American-born actress (1842-1917). 2 pp, 12mo, on mourning paper, in matching stamped envelope addressed in autograph "Miss M. H. Folkard / Wigram Ward / Kings Coll. Hospital / Lincoln's Inn Fields". "I am more than grieved to hear of yr. illness. What a long, long weary time you have had! May I go to see you on Sunday? I wd. love to go before - but I am teaching all day [at the theatre school she had founded in 1892] - & acting at night - & have not a minute before Sunday. My love to you dear friend - & Miss Daley's - / Your always affte. / Kate Crowe".

English actress (1892-1977), daughter of actor Fred Terry (1864-1932) and his wife the actress Julia Emilie Neilson (1868-1957). One page, 4to, in a large hand. "Dear Mr. Bass. / Many thanks for yr. kind letter & the present. / It was nice of you. / Yours very truly / Phyllis Neilson-Terry". Paper somewhat discoloured.

English actress (1867-1942). A portrait photograph, 5¾ inches by 4 inches, from the studio of Ellis & Walery, 54a Baker Street. Inscribed "To Mr Sarker - / with every good wish / Violet Vanbrugh". She looks slightly to the left, apparently in costume, with short hair, earings, pearls, and an open necked shirt with lace sailor collar. The reverse of the mount carries the photographers' printed details with a reference number in pencil.

American-born actress (1842-1917). Both 2 pp, on 12mo mourning paper. The first, 19 January 1898, with the letterhead 48 Wetherby Mansions, Earl's Court Square. She apologises for not writing sooner. "I am rather frightened at yr. proposal - for I have never addressed a meeting in my life - & have shrunk from so responsible a position - & fear I shd. do the work very badly - tho' I feel with all my heart for your good cause. / I have neither the time, nor the ability to prepare a paper - & make them give. / May I go to you - to ask you just what wd. be expected of me?