Catalogue of etchings by Robert Austin, A.R.E. [interleaved by Walker with material relating to Austin, 1926-1933].

Robert Sargent Austin [Campbell Dodgson; Rainforth Armitage Walker]
Publication details: 
London: Published by the Twenty One Gallery, Durham House Street, Adelphi, W.C.2, 1926.

Austin (1895-1973) was a British etcher, engraver and watercolourist. R.A. Walker (born 1886), whose bookplate is on the front pastedown, was a connoisseur and Aubrey Beardsley scholar. Quarto, twenty-six leaves. Internally tight, clean and sound, in worn and stained half-leather binding, with 'ROBERT AUSTIN' in gilt on spine. The item contains a total of forty-seven reproductions of Austin's works, many gleaned from magazines, etc, and tipped in throughout.

Two Autograph Letters Signed to Osbert Burdett, both on the subject of his study of the novels of the Dutch writer 'Maarten Maartens'.

Norreys Jephson O'Conor (1890-1964), Irish-American poet [Osbert Burdett; 'Maarten Maartens']
Publication details: 
18 and 21 November 1930; both on letterheads of 31 Edwardes Square, Kensington, W8.

Both letters 4to, 2 pp. Both texts clear and complete, and both in fair condition, with dog-eared corners. In the first letter O'Conor writes that he has 'heard from Miss Maartens', and that he is sending 'Dr van Maanen's' study of the author. 'Miss Maartens suggests that you and I might meet, which appeals greatly to me, for I enjoyed your review of the Maarten Maartens letters and have also heard about you from my friend John Gould Fletcher.' Gives a time when 'Miss Maartens is coming to the London Library to read some Dutch' for him, and he suggests that Burdett join them.

Letters to Eminent Hands; to wit Andrew Lang, Bret Hart, Edna Lyall, F. Anstey, George Moore, Grant Allen, Phil Robinson, Rhoda Broughton, Robt. Louis Stevenson, Rudyard Kipling, Thomas Hardy, W. S. Gilbert.

i' [iota] (Joseph William Gleeson White, 1851-1898), English writer on art and founder of the 'Studio' magazine [Art Workers Guild; Arts and Crafts Movement]
Publication details: 
Derby, Leicester, and Nottingham: Frank Murray, 1892.

Small 8vo. Pages: x + 74. In original cream printed wraps. One of two hundred copies of the 'Small Paper edition'. In the 'Moray Library'. Internally sound and clean. Light spotting and wear to wraps. Minor foxing to endpapers. Trenchant observations on an interesting selection of late-Victorian authors.

A London Comedy and Other Vanities. With seven reproductions of pictures by Maurice Greiffenhagen.

Egan Mew [Maurice Greiffenhagen; Elkin Mathews]
Publication details: 
London: George Redway. Printed by William Clowes and Sons, Limited, Stamford Street and Charing Cross. 1897.

AUTHOR'S COPY, WITH HIS MANUSCRIPT REVISIONS FOR THE SECOND EDITION. Octavo: 96 pages. Seven plates (of eight). Original olive cloth gilt, with pierrot on front board. Numbered copy twelve in the edition. One leaf (pages 49-50) removed. Aged, and in heavily worn boards. Carrying manuscript changes on twenty-two pages, as well as on a plate and the front board. Cutting loosely inserted, regarding a couplet by 'E. V. L.' of Brighton (clearly E. V. Lucas) addressed to Mew regarding the word 'hyperbole'. Six of Greiffenhagen's seven illustrations are present.

Autograph Note Signed to [?] Locker [Arthur Locker or Frederick Locker-Lampson]

Charles Hamilton Aidé [Aide, Aïdé]
Publication details: 
Without date; on letterhead 'Aston Clinton, | Tring.'

Author and musician (1826-1906), described by Louise Jopling as 'a rich bachelor' and 'a noted figure in the seventies'. 1 page, 16mo. In good condition despite slight creasing and discoloration. Letterhead in green and black ink. Reads 'My dear Locker, | Many thanks - I will meet you at the Athenaeum at 3 o'Ck. on Tuesday - I have done, & shall do nothing till then. | Every yrs. | Hamilton Aïdé'.

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