FICTION

Good firm signature, written diagonally across a 9 x 12 cm piece of grey card, the reverse of a printed advertisement for the American & Colonial Exchange, 8, The Haymarket, London, S.W. In good condition, lightly-aged, with minor traces of glue from mount on the printed side of the card.

343pp., 8vo, with sixteen-page publishers' catalogue at rear. Frontispiece and six full-page illustrations (one for each story). In blue cloth, with decorations in gilt on boards, and gilt titles on spine, all edges gilt, and attractive patterned endpapers. In fair condition, on aged paper, rebacked. Inscription on reverse of frontispiece reads: 'To Mary Charnock, | from the Author, | Mrs Rhoda E. White, | with every kindest wish.

2pp., 4to. In good condition, lightly aged and worn. On two leaves stapled together. The letterhead, printed in red, is a cartoon portrait of the artist with palette and brush, pointing to the address on a blackboard. A long chatty letter, listing the titles and prices of an order Malcolm has made, describing his activities at a time when he is 'pushed like mad', arranging an 'interview for ERG', discribing the contents of the four albums of his stamp collecting ('I wouldn't call myself a philatelist . . . .

ONE (12 January 1975): 1p., 4to. In good condition. First page of letter only, and lacking signature. A generally positive review ('When I write, I suffer from excess, a disease which you and your contemporaries, Aldis, Brunner, Bulmer, etc long since cured yourselves of. [...] The story was, as I am sure you know, good.'), but with some caveats ('I also don't think that a female covered with body hairs would also have hair reaching down to her waist.'). TWO: 1p., 8vo. Signed in green ink. In fair condition, on aged paper with wear at head.

34 lines of typed text on air mail letter on blue paper. In good condition, lightly aged and worn. Addressed to Malcom at Paisley, Renfrewshire.

Both items in good condition, on lightly-aged paper. The letter is 2pp., 4to, and is written in a playful tone. Escaping the accompanying spoof Steward writes: 'Your remark that Glasgow was as alien to you as Mars got me thinking along the lines of the attached headline . . . . . It would be a good idea for a story if it hadnt been done about three thousand times already (See Robert Bloch (Report on Sol III) and others).

MICHAEL GILBERT, Detective Story Writer, Founder Member, sometime Membership Secretary, 21 TLSs and TNSs, total 23pp., 8vo and 4to, some with ms. additions, 1955-1960, mainly concerning the financial affairs of the Crime Writers' Association (CWA), the financial consequences of publishing the Anthologies, details of income tax, the Accounts (Income/Expenditure), request for information for tax purposes, the ultimate tax position, sales of the Anthology Choice of Weapons.

ROY VICKERS, Detective Story Writer, 5TLSs, total 6pp., 4to, all 1961, jokey, gossipy letters concerning CWA affairs - Rosemary Robinson being co-opted to the general committee, German rights to an Anthology sold, an enquiry from Japan about Anthologies (leading to a discussion), subject for debate in A.O.B., analysis of membership ("talented amateur mixed with pro"), a new detective publishing house in the U.S.A., guests for the Dinner. Attached to letter of 3 March 1961: copy TL and typescript, total 5pp., including the letter to Gielgud on CWA Anthologies [= source of income for the Asso

Detective Story Writer, sometime Chairman of the Crime Writers Association (1959/60). 14 ALSs, TLSs and TNSs, total 17pp., 8vo and 4to, 1958-1960, about CWA affairs - finances, the Dinner (with some incoming correspondence), the Japanese CWA, news from members, meetings, royalties on CWA Anthologies, an agent's malfeasance, a newspaper serial, Lorna Graeme's illness and death (see Bruce Graeme below), Sir Alan Herbert's Literary Project (Public Lending Rights), and the Society of Authors.

Julian Symons, Detective Story Writer and Historian of the Genre, Founder Member, sometime Chairman of CWA (1958/9), 12 TLSs, one page each, 8vo and 4to, some with ms. additions, concerning CWA affairs - news of the Anthology, financial dealings, expenses, the funeral of a member, the Exhibition, Jacobs election as Vice-Chairman, "Margery Allingham has joined!" (3 April 1959, having declined to do so in 1953), personal, the Awards ceremony, appreciation of congratulations on an award, an "abridged novel venture", a criminal case re-enacted (potential BBC tie-up).

Detective Story Writing Team. Manfred B. Lee, typed, 16 Sept. 1957,with minor ms. additions and Frederic Dannay, handwritten, 12 Sept. 1957, both adding a note concerning co-authorship, typed and handwritten respectively. The additions and changes include excising the membership fee in sterling and adding $3 [?], and both asterisk their names and add at the foot of the page (typed and handwritten respectively) "co-author with . . . under pseudonym of "Ellery Queen". The Crime Writers Association printed form includes a brief history of the Association and terms of membership.

On 3 x 12.5 slip of paper cut from foot of letter. In good condition, lightly aged and worn. The reverse reads '[...] think of me! I fear [...] I was threatened your [...]'.

On 5 x 11 cm slip of paper cut from foot of letter. In good condition, lightly aged and worn. The reverse reads '[...] in these dark days [...] interest! It is so [...] of you to sent it, [...]'.

[179]pp., 8vo, paginated 167-189 (and magazine frontispiece); 329-350; 567-[587]; 721-741; 825-[847] [the last five from vol.88]; 67-87; 261-284; 351-374 [the last three from vol.89]. In a contemporary binding, with ticket of Goulden & Curry, The Royal Library, Tunbridge Wells. Very good, lightly aged and worn, in black leather half-binding with black cloth boards and gilt tooling. Ownership inscription on front free endpaper: 'Weldon | Didmarton | Janry. 1900 -'.

56pp., 4to. On wove paper watermarked 'E & S | 1840'. In ruled notebook, in contemporary brown calf half-binding, with marbled boards. In very good condition, lightly-aged and worn. Neatly written out, with a few emendations in pencil. Signed at the end 'H. E. H.' (either the initials of the author or of the narrator 'Emma').

2pp., 12mo. 36 lines. She begins by accepting an invitation to give a talk to Wiener's 'Society', about which she has 'hears so much'. She is 'honoured to add my name to such a distinguished roll of speakers'. She next explains why she believes radio to be 'infinitely superior to TV'. She next turns to 'Mr. Sieveking's adaptation', which she considers 'very clever, as he had to leave out the descriptions which formed such an important part of the book. He allowed me to see and criticise all his scripts, too. I'm so glad you are liking the result. Isn't the signature-tune pleasing?

Postcards, c.11 x 9cm, some smudging but mainly good condition, text clear and complete. Postcard One: "Dear Mr Wynne, | Very best thanks for your valued gift: a fine & distinguished poem."; Postcard 2: "[...] | The books can be got separately & there are cheap editions of those two books any bookseller can secure for you for 2/- & 2/6 each. | I'm afraid London has had enough of my plays. My daughter's paly is not about [?] folk." Two items,

4to, 1 p. Ten lines, edges a little damaged but text clear and complete, on flimsy paper. "You are welcome to the quotation from my school-boy story - if it is worth while. I could have wished, however, that in an anthology of serious prose you had given me credit as a serious writer & chosen something more interesting. With compliments [...]"

Both items in poor condition, with burn marks and damp damage [fire damaged much of the Society's archive]. Some of the text of the autograph letter has faded, and it may be that the signature to the typed note has washed away. Autograph Letter Signed: 2pp., 4to. He begins by offering to 'oppose anybody' in a debate that Mrs Roscoe is organising (at the Society of Women Journalists).

On piece of paper 19 x 12 cm. Addressed by Pech on one side, with franks and black wax seal: 'London February twenty eight 1830 | J Richardson Esq | Heydon | Aylsham | N W Peach Norfolk'. The reverse carries the conclusion of Lytton's letter, in his handwriting: '<...> remember. - | Begging again to thank you my dear Sir, for your attention & to assure you of my Consideration & Esteem | I am, very sincerely yours | [signed] E. Lytton Bulwer.'

On 12 x 21 cm rectangle, cut from the base of a 4to leaf. Good, on lightly-aged paper, with part of the card mount adhering to the reverse. A firm flowing signature which reads: 'Yours sincerely | Gilbert Frankau'.

1p., 12mo. 10 lines. On bifolium. Good, on lightly-aged paper. She explains that her only publications up to that point are 'Stormbeaten and Weary' and 'Spectre Stricken' ('a Christmas Story'). 'I wish to remain unknown until I can write a book I consider sufficiently good to have my own name - for this reason I have called myself "Evelyn Burne".'

430pp., 8vo, “Biographical Sketch,” unsigned, p. 5–6,bookplate (Presentation), bokseller's label (both inside front cover), very dark red smooth cloth, spine blocked in gold., sl. worn, corners bumped wear to edges of spine, eps foxed, pages stained (mainly sides), ow good. Copy in Parish Collection, Princeton; none listed on COPAC, WorldCat. or Woolf.

2pp., 12mo. Fifteen lines. On bifolium. Fair, on lightly-aged paper. The male recipient is not named. She apologies that 'the crowd of Christmas engagements' has meant that his letter has gone unanswered until now. 'With regard to the question you ask, my feeling is that where an artist and an author can contrive to work well together illustrations are a decided improvement to novels. But it is most trying to an author to see his characters presented to the public in a way utterly unlike his own conception of them.' In her view it is 'clear gain' if a book can be 'well illustrated'.

The 12mo letter has been cut into two sections, both laid down on a piece of mustard paper, with typed caption. Good, on lightly-aged paper. The body of the letter is on a piece of paper roughly 11 cm square. Six lines of text, enclosing 'autograph & quotation' (not present), and apologising for having 'no photo available'. 'Glad you enjoy my books, & thanks for your good wishes'. The smaller piece, with letterhead and Styles's dating, is roughly 8.5 x 3.5 cm.

126 galleys, numbered in type, each 60 x 15 cm, and containing the text of two pages. Text clear and complete. On aged paper, with fraying and light staining to some extremities. Red Simon and Schuster label, with typed publication date and price, on reverse of last leaf. Under seven headings from 'Robots' to 'Marvelous Inventions', and featuring the work of authors from Jules Verne to Brian W. Aldiss. Introduction and linking passages by Knight himself. Although present in the proofs, one story - 'The Mindworm' by C. M.

12mo, 96 pp, followed by four-page SPCK catalogue (with first page listing works by the Rev. F. Bourdillon). Text clear and complete. In original olive cloth binding, gilt, stained with damp. Damp damage at rear leaving light staining to corners of last few leaves and catalogue, together with heavier damage to rear endpapers. Traces of Library label on front pastedown. Cloth faded, worn and stained. Bell explains in her preface that 'The poor are excellently well provided with all sorts of books of counsel and help.

Both items in fair condition, on lightly-aged and foxed paper. Letter One: 12mo (15 x 10 cm), 1 p. He thanks him 'for the Tickets': 'we are looking forward to seeing you act. I shall be very pleased to come to smoke a cigarette after the first act off the Duel.' ('The Duel' was produced at the Garrick Theatre, London, in 1907.) Letter Two: 12mo, 2 pp. He thanks him 'for the excellent evening you gave me at The Coronet the other night. | The Incubus is an admirable play, and admirably acted.' He hopes France 'had a good week of it': 'I told innumerable people not to miss it.'

4to, 1 p. On aged, worn paper with small area of loss at head (not affecting text). He will be 'pleased to act on the Committee to judge of the stories for filming', and is glad that 'the work will not be onerous'. In a postscript gives the version of his name he wishes given for announcing ('Right Hon. Sir Gilbert Parker Bt.'). According to his entry in the Oxford DNB, no fewer than sixteen of Parker's novels were filmed. As head of British propaganda in America, 1914-1916, Parker had a direct involvement with the medium.

8vo: 1 p. Good, on lightly-creased paper, with a faint 4cm pink stain in the right-hand margin. Reads 'Many thanks for the copy of your interesting paper, and the kindly reference to my novel.'