BRADLAUGH

[ Printed pamphlet. ] New Life of Jacob.

Author: 
C. Bradlaugh [ Charles Bradlaugh; Annie Besant ]
Publication details: 
[ London. ] Printed by Annie Besant and Charles Bradlaugh, 63, Fleet Street, E.C. 1885.
£35.00

8pp., 12mo. Disbound without wraps. Drophead title only. In good condition, on aged paper. Originally published in 1861 under the pseudonym 'Iconoclast'.

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[ Printed pamphlet. ] The Natural History of the Christian Devil.

Author: 
Annie Besant [ Charles Bradlaugh ]
Publication details: 
Printed by Annie Besant and Charles Bradlaugh, 63, Fleet St., London. - 1885.
£35.00

8pp., 12mo. Disbound without wraps. Drophead title only. In good condition, on aged paper.

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[ Pamphlet. ] Five Dead Men whom I knew when Living: Robert Owen, Joseph Mazzini, Charles Sumner, J. S. Mill, & Ledru Rollin.

Author: 
Charles Bradlaugh [ Robert Owen; Joseph Mazzini; Charles Sumner; John Stuart Mill; Ledru Rollin ]
Publication details: 
London: Freethough Publishing Company, 28, Stonecutter Street, E.C. Undated [ 1880s ].
£65.00

30pp., 12mo. Disbound without covers. In good condition, on aged paper. The Freethought Publishing Company was Bradlaugh's own vehicle. Preceded in publication by an edition by C. Watts, London, circa 1877. Scarce.

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Autograph Letter Signed ('Ada Ellen Bayly / "Edna Lyall."') by the novelist Edna Lyall (real name Ada Ellen Bayly), on the part played by illustrations in novels.

Author: 
'Edna Lyall', pseudonym of the novelist Ada Ellen Bayly (1857-1903)
Publication details: 
On letterhead of 6 College Road, Eastbourne. 11 January 1893.
£90.00

2pp., 12mo. Fifteen lines. On bifolium. Fair, on lightly-aged paper. The male recipient is not named. She apologies that 'the crowd of Christmas engagements' has meant that his letter has gone unanswered until now. 'With regard to the question you ask, my feeling is that where an artist and an author can contrive to work well together illustrations are a decided improvement to novels. But it is most trying to an author to see his characters presented to the public in a way utterly unlike his own conception of them.' In her view it is 'clear gain' if a book can be 'well illustrated'.

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