NOVELIST

Three pages, 16mo, bifolium, last page laid down and slightly larger paper, good condition. Text: When I was at your door some time back and left my card, I thought: Well, Mrs. Bensusan has, no doubt, completely forgotten, that there exists in the world such a being as I, for how can any one living in the great world of London remember a person not seen for two whole years, and what have I done to be particularly remembered? Thinking thus I walked through the streets homeward bound and soon after left town for Sydenham.

One page, 4to, fold mark, edges sl. stained, text clear and complete, comprising, newspaper snippet, 6 x 5cm, laid down in top half of page, which sneers at Horler stock in trade Terror novels, particularly his latest The Moon Murders, concluidng, Mr. Horler is quite shameless; even the King's English can perish if the situations are there. all present and correct. But people who like that sort of thing have got the thing they like. Horler then adds My comments in attempted refutation: 1. income of over £4000 for the last seven years; 2. a total sale of over 3,000,000 copies; 3.

One page, 8vo, prominent fold mark but ow good. Would you mind giving me some details about Captain Christmas' work. I think it would be better for me to be able to speak of it with more knowledge than I have at present, when I mention it to my niece. I was so glad to see you again & to meet your son, covered with glory! - How nice for you! Note: Presumably referring to the Danish author : Walter Christmas (born Walter Christmas-Dirckinck-Holmfeld) [...] Danish author who is best known for his children's books.

Three pages, 12mo, bifolium, final page blank with residue of tipping in process, ow good condition. Text: Your note has just been forwarded to me with a batch of others from the [Thorndike?]. I would have loved a visit to Newport. But as soon as my business was completed in Boston I come racing home just like an anxious bovine mother. It is foolish, but I positively cannot stay long away from our six year old baby. Mr. [Haughton?] and his wife had a dinner arranged for Monday evening, where I should meet Dr.

Typescript (carbon), not paginated, [30pp], stapled, good condition. Another copy is in the Ray Roberts Collection of John Fowles material (HRC). See image of Contents page, from Background and Fowles on location to Developing the Novel ,The Book, the actors, Unit List, Cast List.

Two pages, 12mo, corner chipped with loss, evidence of its being tipped onto something, not affecting the text, mainly good condition. Text: Many thanks for letting me know of the forthcoming concert. Being here I should probably not otherwise have heard of it. I do hope your lovely music will be properly appreciated and the concert altogether a great success.. I cannot - alas! attend it myself. I am here on the Sick List more or less, and not yet [...?] to anything much in the way of exertion[...]

Three pages, 12mo, bifolium, vestiges of tipping into album, fold mark good condition. She is delighted to get a letter from her, hearing of her enjoyment during a visit to Paris, and that she feels so much better & stronger.

1p, landscape 12mo In good condition, with glue stain to one corner. Folded once. 'Mrs Belloc Lowndes regrets, on the score of ill health, that she cannot have the pleasure of accepting Lord [Treghre?]'s kind invitation.'

2pp, 12mo. On aged and creased paper, with two torn spike holes resulting in loss of a few letters of text. Date stamp on reverse. The recipient is not named, but is presumably the BBC producer Terence Dudley (1919-1988). Writing three months before his death, Strong begins the letter: 'My dear Terence, | How very kind of you! I [d]on't have any dignity in such matters! and I'd love to have a go, whether live or recorded.

Total 3pp, 12mo, very good condition, [1965] thanking her for reading her and sending the requested signed bookplate; [1966] sending another signed bookplate, pleased that she reads her books, and anticiapting the publication of her next (with a different publisher); [1967] another signed bokplate is being sent, with thanks for faithful readership.

2pp, 16mo. In fair condition, on aged paper with ruckling caused by glue from mount, traces of the paper from which adhere to blank reverses of both leaves. In a crabbed difficult hand, addressed to 'Mrs [Pugh?]', regarding his forthcoming book 'Sophia', a copy of which he will be sending the recipient, with reference to his wife, 'anxiety', and something 'characteristic'.

1p, 12mo. In good condition, on lightly aged paper. Folded twice, resulting in offset ink smudging. Reads: 'Dear Rylands, | I am writing to you in case Noel is away. I have asked Mr Greene to show you my letter to Noel, if this is should [sic] be so. Anything you could do to help, would be kind and good, I think.

Depressed and paranoid, Lever spent his last days in Italy. For the Villa Morelli, see his Downey's 'Life in his Letters' (1906). 2pp, 12mo. On aged and creased paper, with closed tears to edges, but no loss. Folded twice. The handwriting is neat and controlled, but not always entirely legible. He begins with the news that he is returning 'the books you so kindly lent me'. Presumably referring to Charles Reade's 1866 novel 'Griffith Gaunt', Lever writes: 'Mr Reade is all you said of him, - often very amusing, & oftener very [?]'. A reference to 'the pleasanter reading' follows.

2pp, 16mo. In fair condition, on aged paper with ruckling caused by glue from mount, traces of the paper from which adhere to blank reverses of both leaves. In a crabbed difficult hand, addressed to 'Mrs [Pugh?]', regarding his forthcoming book 'Sophia', a copy of which he will be sending the recipient, with reference to his wife, 'anxiety', and something 'characteristic'.

4pp, 18mo. Bifolium. In good condition, lightly aged. Folded twice. With envelope addressed 'To | John Arrow Kempe Esqre. | St James's Rectory | Piccadilly | W'.A long letter, with the words 'To be carefully kept' at the head of the first page. The letter begins with a light-hearted reference to her novel 'De Foix': 'My dear Godson/ | Accept the enclosed trifle - It may help you to make an excursion to the Casle of De Foix - and (vanity of authorship!) to tell me what it is like -'. After this she turns to the real theme, her will.

8pp, 12mo. On two bifoliums. In good condition, lightly aged. Folded twice. Signed 'Mayne Reid', and written from the sprawling 'Rancho' which he built at Gerrards Cross, in imitation of a Mexican hacienda. The recipient is named by Reid as 'J. Froebel', i.e. Julius Froebel, and the subject is arrangements for the translation translation of his book 'Aus Amerika' (Leipzig, 1857), which would be published in London by Richard Bentley in 1859 under the title 'Seven Years' Travel in Central America, Northern Mexico, and the Far West of the United States'.

On one side of an irregular piece of thin paper, roughly 12.5 x 13.5 cm. From the celebrated autograph collection of Richard Monckton Milnes (Lord Houghton), and neatly mounted on a leaf extracted from an album. He writes that a few days previously he wrote to ask 'Monsieur le ministre de la marine' for 'une audience de q[uel]ques instants'. He fears that the letter did not reach him, and so renews his request. Signed 'salut et paternité | Alphonse Karr'.

1p, 12mo. In good condition, lightly aged. Folded once. Referring to her son Francis Romano ('Cecco') Oliphant (1859-1894), she writes: 'Dear Mr. Payn | I send you with this in a registered packet by book post a story written by my youngest son, called "The Grateful Ghosts" which he wishes me to submit to you.' Her opinion is that the story 'would bear compression but that is usual to youthful productions'. She will be 'much gratified' if Payn likes it 'and can use it', and feels sure he will give it his consideration.

1p, 4to. In fair condition, creased and lightly aged. Folded twice. Letterhead printed in red, with illustration of quill pen, inkstand and lighted candle. Written in purple ink. The recipient is not named and the letter begins: 'My dear, | I am horrified to find I have made some awful mistake in my diary & am at the Foyle lunch on Wednesday to stand in for someone else who may not turn up, so I can't break with it. I could cry, for I feel that I have let you down & so wanted to see you to hear how you really are'. She is 'worried to death' about the recipient's sight.

1p, 12mo. In fair condition, lightly aged and creased. Folded once. Her letter has been forwarded to him and he has 'much pleasure in sending you my autograph. In order to make it a little more personal, I am sending it on one of my own private book-plates.'

1p, 4to. In fair condition, lightly aged and creased. Folded three times. After thanking Wynn for his letter he continues: 'It is a curious coincidence that in looking through a file of old correspondence yesterday I came across your letter of the 20th November 1915, which I read again with great pleasure'. Postscript: 'With good wishes to you & yours. J F.'

1p, 12mo. In fair condition, lightly aged and creased. Folded once. The salutation 'Dear B. J.' and valediction 'Yours | Jack' are in Priestley's autograph; the rest is typed. Maire Lynd's letter was 'a delight surprise', Priestley being unaware that her son was 'in the film business'.

1p, 12mo. On aged and creased paper. Folded twice. Written in purple ink. Firm signature, underlined with diagonal downstroke. Reads: 'Decr. 18 | My dear Williams, | What are you doing this Christmas? Will you come down here? | Your always | William Black'. The reverse carries pencil notes of Italian and French musical compositions in another hand.

1p, 12mo. In fair condition, aged and worn. Folded twice. 68 lines of text, written in a minute, neat hand. Folded twice. Black has numbered the page at top right '206'. The text begins: '[...] seemly and maidenly thing [...]', and ends 'she seemed to know beforehand what he had to say.' Black's entry in the Oxford DNB describes his 1884 novel 'Judith Shakespeare: A Romance' (published in America with the subtitle 'Her Love Affairs and Other Adventures') as 'a romance about the dramatist's daughter'.

8.5 x 14 envelope. In fair condition, aged and creased. Torn open, with slight loss to flap. A nice Mark Twain artefact, and something of a puzzle, as he does not appear to have been in England at the time. There does not appear to be any connection between Twain and William Amhurst Tyssen-Amherst (1835-1909), 1st Baron Amherst of Hackney, whose London address was 88 Brook Street, Grosvenor Square.

Weyman is largely forgotten now, but he was admired by Robert Louis Stevenson and Oscar Wilde, and Graham Greene singled him out for regular re-reading among the authors of 'the key books in my life'. 1p, 4to. In fair condition, lightly aged, with pin holes to one corner. Folded twice. He is 'relieved' that Balfour thinks 'it will do. Yes, if you will kindly send it me I will look it over again & get it typed.' He has 'not seen the Church for some years', and will be grateful if Balfour will note any inaccuracy. He supposes that if the work is received within a fortnight 'it will do'.

2pp, 12mo. On grey paper with mourning border. In good condition, lightly aged. The indentity of the recipient is unclear. The letter begins: 'Dear Ly Virginia | The other day I bought your novel, & the first comfortable leisure moment I had, I began to read it.

3pp, 12mo. Bifolium. In good condition, lightly aged, with traces of paper from mount adhering to blank reverse of second leaf. Folded twice. Written in his usual difficult hand. He begins by stating that her note was forwarded to him from Knebworth. The letter continues: 'I had previously requested my Sol[icito]r.

3pp, 16mo. Bifolium. In good condition, lightly aged. Folded once. Begins: 'My dearest Aunt Agnes | Thank you very much indeed for your last letter. I send with this the announcement of my new book "Knight Errant", & if it would not trouble you to pass on the cards to any likely readers I should be very grateful.' She gives news of her children Amy and Maurice, and is enclosing 'a list of all the children of the family & their birthdays' (not present).

According to his entry in the Oxford DNB, 'In 1844 Lover abandoned miniature painting as a result of failing eyesight but continued to paint and exhibit landscapes. He invented a new form of entertainment which he called Irish Evenings, a monologue of songs, recitations, and stories, all of his own composition. These he performed at the Princess's Concert Rooms, London.' Between 1846 and 1848 he toured North America with great success. 3pp, 12mo. Bifolium. In good condition, lightly aged, with minor traces of mount adhering to blank reverse of second leaf. Folded twice.