scharf

1p., 12mo. In good condition. At the time of writing Scharf was on the verge of appointment as first Director of the National Portrait Gallery. Regarding a note he has received from Scharf he writes that the following Monday he goes 'thro' London direct to Brighton. This movement I fear does not hold out much facility for our meeting - but if your business carries you to Brighton you will find me at the Bedford Hotel.'

2pp., 12mo. In good condition. Addressed to 'Mr. Scharf;, He was unable to call on Scharf before leaving town the previous Friday, but will 'endeavour to be at the meeting of the Commission on the 8th'.

3pp., 12mo. On bifolium. In good condition. Year not given, but with '1859' in a contemporary hand at top-right of first page. The recipient is not named, but the letter is from the papers of Sir George Scharf. It begins: 'I remember your saying in the course of last winter you would be glad an [sic] opportunity of coming to see me, & what little I have to shew you. | I conclude the Portrait Gallery as well as <?> Institutions admits of some holidays at this season'. Consequently he suggests a time when the recipient might 'spend a few days' at Bowood, if his 'engagements admit'.

The five letters total 10pp., 12mo. On five bifoliums. In good condition, lightly aged. An interesting correspondence, from one of the trustees of the new National Portrait Gallery to its (as yet unknighted) secretary. ONE: 'Brit. Mus. | Saturday afternoon' [1859]. 1p., 12mo. Begins: 'Lord Macaulay [another trustee] tells me that he intends to visit the Portrait Gallery with some friends at 3 on Monday.' TWO: Chevening. 2 November 1859. 2pp., 12mo. After thanking him for 'the drawings for Lady Stanhope' he exclaims: 'Another terrible storm yesterday!

3pp., 12mo. Bifolium. In good condition, lightly-aged. She is out of town, and Scharf's letter has followed her to Cheshire and Lancashire, and she is sending a letter of introduction to Lord Essex, whom she hopes will 'afford you every facility in your interesting pursuits'. She is flattered 'at the manner in which you always speak of my Grove Catalogue - it was a great pleasure to me & I much regret that other duties & occupations have prevented me for a time from continuing my Biographies'. She concludes by wishing him 'every success in your Blenheim Catalogue'.

The three items totalling 11pp., 12mo. On three bifoliums. In good condition, lightly aged. ONE: 23 February 1860. 3pp., 12mo. She begins: 'I cannot receive yr. repeated welcome remembrance of old Remp[ston]e. days, without a line of thanks for the pleasurable thoughts they awaken - a boon, to a Recluse, who lives much on the past & on the far-off present, which a friendly telescope may bring before her'. She congratulates him in graceful terms on his 'success'.

2pp., 8vo. Bifolium on grey paper. In good condition, lightly aged and creased. He has received Scharf's 'private list' (of paintings to borrow?) and will let him know 'which I can spare immediately'. In the meantime, as Scharf is in town, he suggests that he go and see 'what I have' in 1 Stable Yard, St James! - The pictures there belonging to me are a Canaletto - view of Venice - a Rubens - His own daughter - an Original of Mrs. Siddons, by Sir W. Beechey & a View of Jerusalem by D. Roberts'.

3pp., 12mo. Bifolium. In good condition, lightly-aged. Scharf had illustrated her 'Life in Ancient India' (1856), and she writes informally, expressing regret at the news of his move 'from the Classic No. 1., a house consecrated to the Arts by your occupation of it & ever to be remembered with respect, regard, pleasure & all good feelings'.

Antiquarian and dramatist (1796-1880), disbound article, [12] pages, in homemade blue wraps, contents partly detached, manuscript title on front "J.R. Planche on a battlepiece in the National Gallery, July. 1878".