GALLERIES

[Art Galleries of Europe; John Lewis Roget (1828-1908), 'Thesaurus compiler, Artist & Art Historian', son of P.M. Roget] Part pilgrimage through the Art Galleries of France and Belgium, part travel journal.

Author: 
John Lewis Roget (1828-1908), 'Thesaurus compiler, Artist & Art Historian', son of Peter Mark Roget (1779-1869), the celebrated compiler of 'Roget's Thesaurus'
Publication details: 
1872
£1,800.00

See images (not quite full pages). [Notebook; Art in Europe] 1872 Holland | Belgium | [Meuse?] | Paris, from one end of the notebook he travels from place to place i.e.

[J.L. Roget, artist, illustrator; Roget's 'Thesaurus'] A Collection of Printed and Manuscript items (incl. sketches & drawings) from the Roget Family Archive.

Author: 
J.L. Roget [John Lewis Roget. artist, ilustrator, son of P.M. Roget (the Thesaurus which he later edited)]
Publication details: 
1840-1883, some undated.
£2,800.00

John Lewis Roget (1828-1908) was the son of Peter Mark Roget (1779-1869), the celebrated compiler of 'Roget's Thesaurus' (which work he edited after his father's death). He was called to the bar in 1853, and the inheritance he received on his father's death enabled him to retire in 1871. A blue plaque erected to his memory in the town of Deal, where he spent the latter part of his life, describes him as 'Thesaurus compiler, Artist & Art Historian'.

[J.L. Roget, artist, illustrator; Roget's 'Thesaurus'] A Collection of Printed and Manuscript items (incl. sketches & drawings) from the Roget Family Archive.

Author: 
J.L. Roget [John Lewis Roget. artist, ilustrator, son of P.M. Roget (the Thesaurus which he later edited)]
roget1
roget2
Publication details: 
1840-1883, some undated.
£8,000.00
roget1
roget2

John Lewis Roget (1828-1908) was the son of Peter Mark Roget (1779-1869), the celebrated compiler of 'Roget's Thesaurus' (which work he edited after his father's death). He was called to the bar in 1853, and the inheritance he received on his father's death enabled him to retire in 1871. A blue plaque erected to his memory in the town of Deal, where he spent the latter part of his life, describes him as 'Thesaurus compiler, Artist & Art Historian'.

[Gari Melchers, American naturalist artist.] Autograph Letter Signed ('Gari Melchers') to 'Wriggles' [Henriette Lewis-Hind?], regarding book and exhibition at Anderson Galleries, New York, with reference to William Edwin Rudge and Mitchell Kennerly.

Author: 
Gari Melchers [Julius Garibaldi Melchers] (1860-1932), American naturalist artist [Henriette Lewis-Hind; Mitchell Kennerly (1878-1950); Anderson Galleries, New York; William Edwin Rudge (1876-1931)]
Publication details: 
On letterhead of the Century Club, 7 West Fortythird Street, New York. 13 April 1928.
£1,250.00

The name of the recipient is not clear: it would appear to read 'Wriggles', and the letter suggests that this is a pet name for Melchers' close friend Henriette Lewis-Hind, who wrote the foreword to 'Gari Melchers, Painter', published that same year in New York by W. E. Rudge. An excellent letter, full of content, beginning: 'My dear [Wriggles?]. | We only returned from the West Indies a week or two ago – had a fine time'.

[ Auction catalogue. ] The Autograph Collection of a late American Author. Americana, Literary Letters & Manuscripts, Foreign Historical Autographs.

Author: 
The Anderson Galleries (Mitchell Kennerley, President), New York
Publication details: 
Sold by Order of his Mother. The Anderson Galleries (Mitchell Kennerley, President), 489 Park Avenue at Fifty-Ninth Street, New York. 1928.
£100.00

[2] + 130pp., 8vo. Frontispiece facsimile of the first page of the 'draft of contract for Woodrow Wilson's History of the United States - to be sold with six letters relating thereto, each signed by him'. In printed wraps. In fair condition, on aged and worn paper. 949 lots, from a 1758 letter from James Abercrombie, Commander of the British Forces in America, to an 1899 letter from the Prince de Yturbide. Includes full-page facsimile of 'last page John Adams' fine letter on independence', and half-page facsimile of 'last page Roosevelt's letter on the management of Congress'.

[ Sale catalogue, with pencil annotations. ] Catalogue of an Exhibition of a Unique Collection of Autograph Letters of Famous Painters.

Author: 
The Leicester Galleries, Leicester Square, London; Charles Whittingham & Co., The Chiswick Press, London
Publication details: 
Ernest Brown & Phillips, The Leicester Galleries, Leicester Square, London. March, 1912. Printed by Charles Whittingham and Co., The Chiswick Press, London.
£100.00

Medium-length unpaginated volume, 16mo. With ten fold-out plates (Perugino, Raphael, Giulio Clovio, Paolo Veronese, Rubens, Nicolas Poussin, Jean Marc Nattier, Thomas Gainsborough, Raeburn, Francois Millet). In printed wraps. On aged and worn paper, in heavily worn wraps. 118 items, well described, with prices.

[ Grafton Galleries; Art Exhibitions ] Memorandum of Agreement between the Undersigned Parties [re. letting of Grafton Galleries.

Author: 
[ Grafton Galleries ] V. Benoist of Piccadilly, on behalf of the proprietors of the Grafton Galleries, Montague Morris and V. Fodor
Publication details: 
[London], 30 Sept. 1908.
£250.00

Document, typed, three pages, sm. fol., good condition. A "Mr. Benoist" of 36 Piccadilly (where he provided luxury food: CUISINE, CHARCUTERIE ET COMESTIBLES "FRANCAISES, on behalf of the proprietors of the Grafton Galleries, facilitates the letting of the Galleries to "Messrs Montague Morris and V. Fodor of 12 Talbot House St Martin's Lane". The document is signed by Benoist as Director of the Galleries, and by "Montague & Fodor". Clause as follows: 1. & 2. agreement that "picture and Fine Art Exhibitions" allowed from 20 Oct. 1908 to 25 Dec.1908; 3.

[Printed exhibition catalogue.] Christopher Wood. The First Retrospective Exhibition since 1938.

Author: 
[Christopher Wood (1901-1930), English painter; The Redfern Gallery, London]
Publication details: 
The Redfern Gallery, London. 1959. [Fisher, Knight & Co. Ltd., St Albans, Hertfordshire]
£56.00

8pp., 4to. Stapled. In fair conditon, on aged and lightly creased paper, with slight damage to upper staple. Unillustrated: listing 100 works, with date and dimensions. Uncommon: no copy in the British Library, and six copies on COPAC and OCLC WorldCat.

[Sir Charles Holroyd, English engraver, first Keeper of the Tate Gallery.] Autograph Letter Signed to 'Thomson'

Author: 
Sir Charles Holroyd (1861-1917), English engraver, first Keeper of the Tate Gallery, and Director of the National Gallery
Publication details: 
On letterhead of the National Gallery, British Art, Millbank, London, S.W. 28 February 1906.
£120.00

1p., 12mo. In good condition, on lightly-aged paper. He writes to apologise that he 'cannot get away to see the Holbein' at the previously arranged time, because he has a meeting with 'my accounting officer'. He suggests an alternative time, and apologises 'heartily for my mistake'.

[Printed pamphlet.] Catalogue. Landscapes in Oil and Water-colour by Ethelbert White. A New Carving, "Lazarus" and other Recent Sculpture by Jacob Epstein.

Author: 
[Ernest Brown & Phillips Ltd, The Leicester Galleries, Leicester Square, London; Ethelbert White; Jacob Epstein]
Catalogue. Landscapes in Oil and Water-colour by Ethelbert White.
Publication details: 
March 1950; Claridge, Lewis & Jordan Ltd., 68-70 Wardour Street, W.1. [London]
£56.00
Catalogue. Landscapes in Oil and Water-colour by Ethelbert White.

16mo, 8 pp. On art paper. In yellow printed wraps printed in orange. Good, with minor spotting around staples. Thirty-six items by White on pp.2-5, preceded by a biographical note. Twenty-five items by Epstein on pp.6-7, headed by 'LAZARUS (Carving in Hopton Wood stone)'. Scarce: only two copies on COPAC, and none on viaLibri.

Elizabeth Frink. Sculpture and Drawings. 4th June-25th June 1959.

Author: 
Elizabeth Frink [The Waddington Galleries]
Publication details: 
London: The Waddington Galleries, 2 Cork Street, W1. [Printed by Graphis Press Ltd, London.]
£45.00

8vo: 4 pp. Wih four pages of illustrations on art paper, the first being a full-page photographic portrait of Frink by Peter Collins. Stapled. In original blue printed wraps. Good, on lightly-aged paper. No copy on COPAC.

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