COTERIE

[ Raymond Asquith, son of Prime Minister H. H. Asquith and member of 'The Corrupt Coterie'. ] Two Autograph Letters Signed (both 'Raymond Asquith') to 'Dummett' [ Sir Robert Ernest Dummett ], regarding speaking at a political meeting.

Author: 
Raymond Asquith (1878-1916), son of British Prime Minister H. H. Asquith, barrister and member of 'The Corrupt Coterie' [ Sir Robert Ernest Dummett (1872-1941) ]
Publication details: 
The first on letterhead of 1 Paper Buildings, Temple, EC [ London ]. 14 December 1908. The second (with mourning border) on letterhead of 49 Bedford Square, WC [ London ]. 8 January 1909.
£100.00

Both items in fair condition, with light signs of age and wear. ONE: 2pp., 12mo. He complains of having done 'no political speaking for 2 or 3 years now', and of being 'a poor hand at it even when in practice'. Dummett is nevertheless invited to 'command' him on 29 January. TWO: 3pp., 12mo. Circumstances having arisen, he has to apologise for 'crying off'. He is certain that 'in the 3 weeks which remain' Dummett will have 'no difficulty in securing a substitute who will be much more effective'. From the papers of Sir R. E. Dummett.

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Four Typed Letters Signed and two Autograph Cards Signed from the Hampstead poet Frederick Grubb (one in full, four 'Fredk G' and one 'Comrade G') to the critic Derek Stanford, including a virulent attack, and with two other items signed by Grubb.

Author: 
Fred Grubb [Frederick Grubb] (born 1930), English poet [Derek Stanford (1918-2008), English writer; 1960s Hampstead coterie]
Fred Grubb [Frederick Grubb] (born 1930), English poet
Publication details: 
1973 and 1974; most from 243 Haverstock Hill, Hampstead.
£320.00
Fred Grubb [Frederick Grubb] (born 1930), English poet

All items clear and complete, on aged paper. Letters totaling: 4to, 1 p; landscape 8vo, 5 pp. The two cards carry long messages, written in red ink in Grubb's close, neat hand; one is standard size, the other 27 x 13.5 cm. Five envelopes are stapled to their letters. Grubb ('one of the last survivors of the famous 1960s Hampstead coterie of writers, actors and critics') writes entertainingly in an emphatic, energetic manner marvellously evocative of the 1970s London literary scene.

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