CHROMOLITHOGRAPHIC

An attractive collection of chromolithographs, suited to display. The plates are all in good condition, laid down on the aged and sometimes damaged leaves of a small 4to (17 x 21 cm) album with good tight bevelled-edged binding in dark brown cloth, on which an embossed stylized pattern of foliage and two storks is printed in black with the word ‘ALBUM’ on the front cover and blind-stamped on the back cover. The album has an ornate title page, printed in red, with illustration of flowers, branches and a butterfly, together with the word ‘Album’ and publishers’ details.

On one side of a 12 x 16.5 cm piece of card. In good condition, with light aging and spotting. Printed in gold, red, light-brown and black. Ornate border in the Tudor style, incorporating Shakespeare's coat of arms within a circular band with quotation 'Take him for all in all I shall not look upon his like again'. The border encloses: 'SATURDAY APRIL 23, 1864. | BANQUET | ONE GUINEA. NO. 54 | At 3 P.M.' Added in manuscript: 'Table D'. The lithographers slug, very faded, is in small letters at bottom right.

On a thick piece of shiny card, with rounded edges, 12.5 x 18cm. Aged, and with two dog eared corners and a 3cm closed tear (not affecting illustration). On one side is the chromolithographic illustration, with 'J. N. Drummond' in the bottom right-hand corner, showing an English rural landscape - more autumnal than winter - with river in the foreground and trees and viillage with church in the background.

48pp., 12mo. In illustrated coloured printed wraps. In good condition for an ephemeral item: lightly aged and worn, with slight damage to back cover and spine of wraps. The Kronheim prints are in very good condition, and consist of the frontispiece 'From the Frying-pan' (a boy caught on a wall while trying to steal apples) and 'Into the Fire' (the same boy being dragged by the ear through the orchard by the farmer).

A cultured man (an authority on numismatics), Fewster worked for the family firm of Thomas Fewster of Hull, paint, colour and varnish manufacturers. The present item is an attractive example of his professional interest in the developments in late nineteenth-century design (another is his collection of the designs of Christopher Dresser, in two albums, is now in the Victoria and Albert Museum, London). It is a small 4to (21 x 17 cm) album of green cloth, with embossed design of birds and foliage around the words 'Scrap Album' on front cover, and printed illustrated title by Marcus Ward & Co.