Art and Architecture

(1861-1945). "First Cartoonist" for Punch (1909-1945). "In reply to your enquiry I am afraid I cannot furnish you with any names of artists wanting ideas for humorous drawings. The only thing would be to apply to any artists who do such work & take your chance."

Sculptor (1847-1922). 3 pp, 12mo, on mourning paper. "I have just returned from a short stay in the Country and find your letter of the 29th ult With regard to the proposed Statuette in silver I need scarcely say I shall have much pleasure in assisting you in any way I can. / Your letter however leaves me a little in the dark. Do you wihs me to recommend some young Sculptor for the task or would you like me to undertake it?" Signed "Thos Brock".

Irish Painter, poet, dramatist and novelist (1770-1850). He gives his correspondent the address of a "Mr Herbert" who was, according to the Post Office Directory of 1846, a professor and publisher of music.

Art dealer and Member of Parliament ((1825-1910). He is writing to her because hers is the first name on a list of "ladies" who have signed a petition "in favour of the extension of the suffrage to women householders". He has presented the petition with which he sympathises.

Artist and Poet (1845-1915). Two Autograph Letters Signed, 2 pages and one page respectively, 4to, staining and damage especially to 1910 letter, but texts clear. (1904) Crane outlines his understanding of "the terms under which 'The Golden Primer' was produced" based on his co-author's (Meiklejohn) letters - three fifths of the proceeds. He quotes relevant detail from two letters,on of which discusses a cheap edition for schools. "I find a dummy copy of this with a cover design of mine & Blackwood's imprint". He thinks a re-issue in the "original form" a good idea.

Painter, President of the Royal Academy (1836-1919). Four pages, 8vo. As follows: " I never thanked you for your postcard & its information which adds greatly to the interest of the drawing. " is puzzling certainly, but so unlike "canonico" that I can hardly think it can have been an error in the transcript of that word. I have not yet discovered the other two sketches I possess . . .

Antiquarian and dramatist (1796-1880), disbound article, [12] pages, in homemade blue wraps, contents partly detached, manuscript title on front "J.R. Planche on a battlepiece in the National Gallery, July. 1878".

Essayist and dramatist (1830-1877). Portrait photograph, 3¾ inches by 2½, from the studio of Charles Watkins, 54 Chancery Lane, of a heavily-bearded Halliday looking to the right in jacket, coat and striped tie. The photographer's details and device are printed on the reverse of the mount, which is docketted "Andrew Halliday / 1873", and carries traces of glue and paper. Somewhat grubby.

Sculptor (1775-1856). Work takes precedence over "gaieties" so he cannot accept an invitation.

Sculptor (1799-1872). Clipped signature from an appeal to the Artists' Benevolent Fund. Thomas Phillips, portrait painter (1770-1845), signature is on the same piece of paper

Artist. One page, 4to. He says that he is Secretary of the Artists' General Benevolent Fund for the year 1938-9 and asks for support for those artists in difficulty in "this period of unrest & uncertainty".

Scottish natural philosopher. One page, 8vo. He finds the invitation to a lecture at the "Club" interesting but cannot manage it. He would welcome a copy of "any scientific abstract of the Lecture".

Antiquarian and art connoisseur (1857-1929). 3pp., 8vo. He wishes to clarify the view he and his colleagues at the British Museum are taking on "the Thompson memorial", ignoring it since it is a British Academy matter not British Museum.

Diplomat and Lord-Lieutenant of Ireland (1752-1825). 2 & 4pp., 8vo. (1820) He expresses gratitude for Mahon's part in getting him membership of the Society of Antiquaries, and discusses his future resolves in its regard. (1822) He renews a request for a portrait of Sir Walter Scott to hang at Knole, and goes into some detail. 2 items,

Artist. One and 2pp., 8vo. (1899) He suggests the steps she must take to arrange the loan a a "miniature table" from the Royal Academy. (1904) He gives permission for his "Diploma Picture" to be reproduced in the "Windsor Magazine", revealing its history (an illustration to Tennyson's lines in "Break, break!"). He later appears to allude to a collection of moutaineering pictures(?). 2 items,

Caricaturist (1861-1945). He declines taking up a suggestion since he is "no longer doing that kind of illustration for 'Punch'".