acting

On leaf removed from autograph album, with one set of rounded corners. In good condition. Reads ' Good Morning - Bill! | With every good wish | Yours Sincerely | Peter Haddon | 1928 -'. Together with a loose newspaper cutting carrying a photographic portrait.

4to, 1 p. Fourteen lines, in pencil. Text clear and complete. Good, on aged paper. In envelope addressed by Holloway to Inglis. He apologises for his 'rudeness' in not answering earlier: 'I plead rush of work'. He would be delighted to sit for her, but 'the trouble is that I may have to leave town on Monday to produce a play in the country and then on to S[tratford]-on-A[von] for the 7 weeks Festival'. Suggests a later meeting.

Both letters 8vo, 1 p; the first on pink paper. Both texts clear and complete. Both fair, on lightly-aged and creased paper. Letter One: She was surprised to learn that Lawrence had 'Miss Babbington with you because I did not even know that she was on the stage. I thought she was with a publishing house.' After the 'long and wonderful run' she is sorry that Lawrence's leading lady is leaving. 'Although I never intend to go back to the stage again, I shall always have the same keen interest in matters theatrical [...] the variety profession is my first love'.

12mo, 7 pp. Text clear and complete. On aged discoloured paper, with rusting staple having been removed. The last page carries a 'List of Characters' played by Gatty, from the 'First Gravedigger' in 'Hamlet' in 1866 to 'Tony Lumpkin' in 'She Stoops to Conquer' in 1882. The reviews, in small type over the previous six pages, are highly favourable, from a range of papers from the Guardian to the Sheffield Daily Telegraph. The last set of reviews relates to the 'Harmonomaniac Concerts, Oxford'. From the residue of Sir Stephen H. Gatty's papers.

4to, 2 pp. Fair, on aged and lightly-creased paper. The play 'is a great success in London and is likely to have a long run there, yet at the same time we are all looking forward to coming back to Manchester, where the play started and everybody was so kind to us'. She concludes with some graceful compliments to Bass, and encloses her portrait (not present).

4to, 2 pp. Text clear and complete. On aged and lightly-creased paper. 'The nature of my business is a desire to become a tenant of the Prince of Wales Theatre, for a long or short time, and entirely subject to existing arrangements in order to produce a play which good judges (as well as myself) regard as one (if not the) play of the present generation'. The name of the play is not given. Barnes states that 'if Mr Harvey is your permanent tenant it would quite suit me to do the play at any time <?> another provincial Town'. He offers 'a short or long lease [...] with unimpeachable security'.

4to, 1 p. Twenty lines. Text clear and complete. On aged and lightly-creased paper. Responding to 'the kind note of his esteemed Country woman Mrs. Wallack'. He is 'gratified to learn, that Mr. Wallack will present to the Parisian public representations in the English language, of the best of our Tragedies & Comedies'. He wishes the Wallacks 'the most complete success, and will with pleasure attend the performances, when his health will permit him & his family to do so'. Two of Mason's family will take up Wallack's offer of tickets for the opening.

Dimensions 25 x 20 cm: [ii] + 87 pp, all on rectos. Bound in stained yellow wraps, with black tape spine. Well-thumbed, but in fair condition internally, tight, clear and complete. The names of the eight actors are added in pencil in the list of characters. In the first six cases only the christian names are given ('Dracula' is given as 'Alan'), but 'Professor Abraham van Helsing' is played by Andrew Turner, and 'Lucy Westenra' by Jannina Tredwell (who featured in a 1974 revival of the musical 'Hair').

All four items good, on lightly aged paper. Two of the five leaves have small dog-ears to corners. Goodman has done his accounts on the blank reverse of one leaf. An important collection, in which the most important British post-war play agent reveals, in entertaining and increasingly-brusque terms, the criteria by which she judges scripts. Goodman was hailed by Jacques Barzun as 'the greatest living master of true-crime literature', but his first love was, as his obituary in the Daily Telegraph (16 January 2008) states, the theatre.

12mo, 1 p. Text clear and entire, on lightly creased blue paper, with a thin docketed strip neatly cut away at the foot of the letter. Traces of cream paper mount adhering to the blank reverse. Presumably refers to the play 'Alone in London', which debuted at the Olympic Theatre in 1885. Buchanan trusts that Fenn 'will be present in production of my new play & Miss Jay's debut on Wednesday next'. He asks whether to send the stalls, 'or do you get them from the Office? It will be indeed disappointing if you do not come, this time.'

4to, 1 p, 21 lines. On creased and lightly-foxed paper, with a couple of closed tears (not affecting text, which is clear and entire). May refer to the 1928 revival of van Druten's play 'Young Woodley' (previously banned by the censor), or (which is more likely) to his 'After All' (1929).

12mo, 1 p, 11 lines. Very good. He begins by giving R. J. Smith's Brompton address. He was 'delighted to hear of Lord Powis' and hopes 'there is no mistake about it'. 'Remember in printing his Title he is a Knight of the Garter. - On the back of our 2nd. No. I see Lord Southampton printed as "the Earl of Southampton"!' Asks the recipient's view of the previous day's 'Times': 'And look at the Morning Post to day.'

The sepia photograph, 10 x 7 cm, is a head and shoulders shot of Aslan staring at the viewer in the character of Hamlet holding Yorick's skull. It is neatly mounted on a leaf of cream paper (24 x 20 cm) removed from an album. The whole attractive and in good condition. In a firm, bold hand Aslan has written, across the page beneath the photograph: '"Zu was für schnöden Bestimmungen | wir doch kommen, Horatio"! - | (Hamlet) | Ein Erinnerung | [signed] Raoul M. Aslan: | Wien, Oktober 1923. -'

On piece of pink paper roughly 8.5 x 11 cm. Laid down on slightly larger leaf from an autograph album. Good with a little paper and glue staining to the mount. Good bold signature, diagonally across the page.

On leaf of light blue paper, 8.5 x 12 cm, removed from an autograph album. Very good.

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good.

On piece of cream paper, roughly 8.5 x 12 cm, removed from an autograph album. Good, on paper with a few light marks. Bold, firm signatures in pencil, one on each side of the leaf. Two signatures,

Seven pages, octavo. Disbound, and with the four leaves detached from one another and neatly laid down on a paper mount. Very good. From (according to the title-page) the edition in 'LONDON. Printed for EDW. NICKSON. Januar. 24. 1643.' Republished as a supplement to the 'British Stage'. Only two copies on COPAC, at Bristol and in the British Library.

Actress (1839-1921), wife of the actor-manager Squire Bancroft. 2 pp, 12mo. "Will you lunch with me on Wednesday at 2 oclock / You will meet a few nice people / Yrs sincerely / Marie Bancroft".

English actress (1839-1895), for a time manageress of the Olympic Theatre. 2 pp, 12mo. "I enclose you the Stalls with much pleasure - and I hope you will enjoy the performance. Please place the enclosed cheque for £25 - to my account and oblige / Yours sincerely / Ada Cavendish". Traces of glue and paper from previous mounting at foot of second page.

English actress (1806-80), wife of Charles John Kean (1811-68). "Dear Mr. Shaw / I have not forgotten the little girl and I want more books / I hope you are well through this weather / yours very sincerely / Ellen Kean". Negligible evidence of previous mounting.

English actress (1868-1957), the wife of Fred Terry. 2 pp, 12mo. Written in a bold hand. "[...] if they will come & see me as they used to when I lived in Devonshire Street - With again many thanks / Sincerely yours / Julia Neilson-Terry / My husband is also rehearsing.

Anglo-Australian actress (1890-1975), connected with the Kendalls, Beerbohm-Tree, Bernard Shaw and a host of other figures from the London stage. Two pages, 12mo. Veryy good. Difficult hand. She has asked 'Mr. de Lion' about Gifford's play: 'he said he will try to make enquiries & let me know but I dont expect he will'. The rest appears to refer to relate to travel plans. Ends 'I beg you to forgive me.' Signed 'Marie Löhr'.

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. "Sir / I have much pleasure in forwarding you my autograph / Yours truly / Ada Cavendish". One of the edges unevenly cropped, and slight traces of previous mounting on the reverse.

[Saville] Esme Percy, Actor (1887-1957). The first, 21 November [1911], Theatre Royal, Bury, Lancashire. "So glad you are coming over Saturday night. If you will kindly let me know how many of you are coming I shall be pleased to give you all Tea if you will accept my invitation." The second, 24 November 1911, Theatre Royal, Bury, Lancashire, on deleted letterhead of the Gaiety Theatre, Manchester. "I shall expect you at 5 pm at 34 Shepherd St. Bury - am so glad your friends are coming with you". Two items,

English actress (1868-1957), the wife of Fred Terry (1864-1932). 2 pp, 12mo. On the recto: "Dear Sir / Herewith I am sending portrait of myself [not present] All my pictures". Lengthwise on the reverse, in a bold hand, "Truly yours / Julia Neilson=Terry".

English actress (1866-1942). One page, 8vo, with green border and letterhead 55 Avenue Road, Regent's Park. A formal letter written in the third person, presumably on the death of her husband W. Graham Browne (1870-1937). "Miss Marie Tempest is deeply moved by your expression of sympathy. The letters and telegrams she has received have helped her more than she is able to say. There have been so many that she is unable to reply to them personally, but she hopes that you will realise all that your sympathy has meant in her great sorrow."

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. Written in a bold hand, clearly in reply to a request for an autograph. " "Tell me thy reason / Why thou wilt marry " / "All's well that ends well" / Ada Cavendish". In reasonable condition, despite a tear almost halfway down a crease running vertically down the centre of the paper, and traces of glue and paper from previous mounting on the reverse.

English actress (1868-1957), the wife of Fred Terry (1864-1932). 2 pp, 8vo, on blue paper. Intimate letter written in a large hand. "Darling - Yes the book arrived I do congratulate the way you've written & arranged the book. Delighted with it & everything about it: splendid / You would have heard before this only I've been rather ill with day & night nurses = even now I'm finding it difficult to recover my strength / I shall hope to see you in the new year & here is my love & good wishes from / your affectionate old / Julia".

Irish-born American actress (1860-1916). 3 pp, 12mo. "I fear a matinée will prevent my coming on July 4th. Some benefit I have promised to play for - but if I come off early enough - & am not too tired I will certainly <?> in & see you / I hope that you and all your delightful family are well". Creased, but otherwise in reasonable condition.