RIPLEY

[Percy Nash, pioneering British film director rewrites Oliver Goldsmith’s ‘She Stoops to Conquer’.] File of related material, including a typescript of Nash’s version, and letters from theatre impressario Jack Gladwyn and Stanford Robinson of BBC.

Author: 
Percy Nash (1869-1958), film producer and director, key figure in the creation of Elstree Studios; Jack Gladwyn, theatre impressario; Stanford Robinson of the BBC; Gladys Ripley; Oliver Goldsmith]
Publication details: 
Material dating from 1949 and 1950. Nash’s letterhead of 2 Bristol Court West, Marine Parade, Brighton. Robinson on letterhead of Broadcasting House, London. Gladwyn on his letterhead, Cecil House, 41 Charing Cross Road, London.
£500.00

Ten items relating to Percy Nash’s unsuccessful attempt to turn Goldsmith’s ‘She Stoops to Conquer’ into a musical, casting light on English theatre production practices in the immediate postwar period. Despite interest from the theatre impressario Jack Gladwyn, the project stalls. Percy Nash (1868-1958), who made around 70 films between 1912 and 1927, was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'.

Manuscript of the United States Corps of Cadets anthem 'Benny Havens, Oh!', dated 'As sung by the U.S. Corps Cadets | 1864'. With explanatory introduction in manuscript, and with the '22nd. verse written at the beginning of the [American Civil] war'.

Author: 
Lieutenant Lucius O'Brien; Ripley Allen Arnold (1817-1853) [Corps of Cadets, United States Military Academy, West Point; Benny Havens (c.1787-1877)]
Publication details: 
[On West Point letterheads?] 1864.
£250.00

8pp., 12mo. On four bifoliums, placed inside one another to make a booklet. Each bifolium with embossed [West Point?] letterhead of a letter 'W' within a shield. A fair copy, with the title reading: 'Benny Havens, Oh! | as sung | by the | U.S. Corps Cadets - | 1864.' The twenty-two line introduction covers the whole of the second page.

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