INDUSTRY

English politician (1881-1965) and architect, much of whose work was done in the United States. Both letters two pages, quarto. Both letters docketed (the first heavily so), bearing the Society's stamp, and with pin and staple holes in top left-hand corner. Second letter good, first lightly creased and grubby. Revealing documents relating to the Royal Society's 'British Art in Industry' exhibition, held at the Royal Academy in 1935. The Society's website describes this as a 'resounding success', but as these letters show, the matter was not so clear cut.

English scientist (1871-1938), Professor of Chemical Technology at the Imperial College of Science and Technology. All items quarto and very good, though lightly grubby, creased and stained in places. All five docketed and bearing the Society's stamp. LETTER ONE (one page): He will be happy to give 'a course of Cantor lectures [...] on the subject of "Surface Construction" provided that you will put in the requisite gas & air services at your cost for the practical Demonstration'.

Head of pharmaceutical company (1866-1933), famous for its cough mixture. One page, quarto. Ornate engraved letterhead featuring picture of the firm's headquarters, Veno Buildings, Chester Road, Manchester. Good, but with creasing, fraying and some closed tears. Rust marks from staple in top left-hand corner. He was sorry not to have seen him 'at the annual meeting of the Column Club on Friday night', and hopes he has recovered from his indisposition. 'I am taking this opportunity of thanking you for the many kindnesses you have shown me while I was Chairman of the Column Club.

British engineer (died 1953). One page, quarto. Very good. Docketed and bearing R.S.A. stamp. Signed 'James Weir French'. 'I should be very pleased to have the opportunity of supporting the Society and I would be glad if you would make the necessary arrangements as you have so kindly offered to do'.

English army officer and agent in the film business. Long and informed summary of 'the necessary points of our conversation'. Begins with description of Indian film industry: 'I have checked with India House these figures, and discovered that my sources of information are far more up to date than the Government's'. He encloses (not present) one of the stories he has found to 'make into Arabic films': 'Enslaved' by the Poet Laureate John Masefield. 'I have his written permission to make it into an Arab film'.