HUMBERSIDE

[Duplicated First World War school magazine.] Our Own. The Magazine of Sidmouth St Boys' Demonstration School. Boys' Dept. HULL. [The first fourteen issues, including a 'Shakespere Tercentenary Number'.

Author: 
[Sidmouth Street Boys' Demonstration School, Hull, Yorkshire.] [Shakespeare Tercentenary, 1916; Sidmouth Street Football Club; Dudley Murton Freeling (b.1899), Royal Flying Corps]
Publication details: 
[Sidmouth Street Boys' Demonstration School, Hull.] Issues 1 to 14. Dating from between 1913 and April 1919.
£250.00

Totalling 280pp., 8vo (each issue 20pp), with aditional grey card printed covers to issues 13 and 14. The first twelve issues are bound up, without covers, in a black leather half-binding with black cloth boards. As the covers are lacking it is only possible to date these issues from the gilt title on the spine: 'OUR OWN | 1913-6'. Ownership inscription on front free endpaper: 'Cecil Thom | 22 Nov. 1916.' (Henry E. Thom appears to have been a music teacher at the school.) Modern bookplate of John Gadd on front pastedown. Issues 13 (March 1917) and 14 (April 1919) are loosely inserted.

Fifteen Typed Letters Signed from 'Britain's richest man' Sir John Ellerman to Cyril Rollins, regarding Gilbert and Sullivan and the D'Oyly Carte Opera Company. With two Autograph Letters Signed from Lady Ellerman, 13 Christmas cards and other items.

Author: 
Sir John Reeves Ellerman, 2nd Baronet (1910-1973), business tycoon said to be 'Britain's richest man; his wife Lady Esther Leopolda Ellerman (d.1985) [née De Sola, later Borwick] [Cyril Rollins]
Publication details: 
Ellerman's letters from Cape Town, South Africa, and the Dorchester Hotel, London between 1960 and 1971; his wife's letters from 1960 and 1973. The thirteen Christmas cards all undated.
£380.00

35 items, in very good condition, on lightly-aged paper. Ellerman's fifteen letters, all signed 'John Ellerman.', total: 10pp., 4to; 1p., 8vo; 7pp., 12mo. Rollins was co-author with R. John Witts of 'The D'Oyly Carte Opera Company in Gilbert and Sullivan Operas' (1962), and Ellerman's good-natured correspondence is entirely devoted to the same subject, with references to singers, current productions, historical information and Rollins's 'great book'. Two examples will indicate the tone. On 5 January 1968 he writes: 'I am indeed glad to get a little news of the G. & S. front; Mr.

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