VON

viii + [1] + 77pp., 8vo. In purple cloth binding, gilt. Internally good, on aged paper, in worn binding, with dulled gilt title on spine. Inscribed on flyleaf 'To | G. A. R. FitzGerald Esq | With the kind regards of | Theodore Martin | 3d April 1886.' Above this the ownership signature of 'R G E Sandbach', whose bookplate is on the front pastedown.

[2] + 99pp., 8vo. The leaves in fair condition, on lightly-aged paper, but with signatures detached, and creasing to the last couple of leaves. In worn and chipped printed wraps, with front cover detached. With the blind stamp of the 1846 Prussian-British Convention on Copyright (which all books imported from Prussia had to bear). Scarce: no copies on COPAC, and six runs on OCLC WorldCat all at American institutions.

A Fellow of the Royal Society, Marlborough's main scientific interest was astronomy, a subject on which he corresponded with von Brühl. The four items in good condition, with light signs of age and wear. They are accompanied by a typewritten (1960s?) report (3pp., folio), whose purpose is to disprove any connection between them and 'the name of Henry Cavendish and his work on the barometer'.

In very good condition, on lightly-aged paper. The poem (24 lines in six stanzas) is written out on the letterhead 'Leam, | Leamington'. 1p., 12mo, with the blank second leaf of the bifolium tipped-in onto an 8vo leaf.

Three items, all typed. In good condition, lightly aged. ONE: Covering note, probably by Peskett. 1p., 12mo. Headed 'Ribbentrop's Speech on the Occupation of Norway 1940'. Beneath the heading is an eight-line quotation from Low's 'Years of Wrath', followed by: 'The document herewith, issued by the German Foreign Office, is the Italian ambassador's copy of a number issued to those present on the occasion of Ribbentrop's speech to the Heads of Foreign Missions and members of the German and foreign press in Berlin in 1940.

A significant letter, filling gaps in the provenance of Bellini's Crucifixion, now in the Louvre. All that has been known hitherto about the painting's provenance is that at the beginning of the twentieth century it was in the Paris collection of the banker Rodolphe Kann, and that before the Second World War it was owned by the Florentine dealer Alessandro Contini Bonacossi, from whose heirs it was acquired by the Louvre in 1970.

In addition to his pioneering cinematographic work, Herkomer was a theatrical innovator. As Lynda Nead points out in her 'The Haunted Gallery' (Yale, 2007), it was shortly after the opening of his art school that 'he and his students created an auditorium, modelled on Wagner's Festspielhaus in Bayreuth, for public performances of plays, written, directed and, indeed, performed by Herkomer'. See also M. A. K. Taylor, 'The New Stagecraft' (1953); J. Stokes, 'Resistible Theatres' (1972); and L. M. Edwards, 'Herkomer: A Victorian Artist' (1999). These five items all relate to the project.

1p., 12mo. Very good, on lightly-aged paper. In worn envelope, with stamp and postmark, addressed by Hayward to 'J. T. Baron Esq. | Witton | Blackburn'. The letter reads: 'Dear Sir | Messrs Longman are the publishers of my Biographical & Critical Essays & my Translation of Faust. But any bookseller will get them for you, with the exception of the First Series of my Essays, which is out of print. | faithfully yours | A. Hayward'.

The signature, cut from a letter is on a strip of paper roughly 1.5 x 10 cm, laid down on a piece of paper, 7 x 11.5 cm. Lindpaintner's signature ('Js. Lindpaintner') is bold and florid; a small part at the head has been trimmed away in cutting the strip. In fair condition, on lightly-aged paper, with one pinhole at head of mount, and traces of grey paper on reverse. The mount is neatly captioned 'Autograph of Lindpaintner, composer of "The Standard Bearer" | &c. &c. &c. | Recd. from Wessel & Co - 1859'.

The four prints are in good condition, on aged paper. Each of the four engravings is on india paper, laid down on a piece of good thick laid paper of dimensions 19.5 x 28 cm. Printed beneath each image is 'Photogravure R.

16mo, 4 pp. 64 lines. Text clear and complete. Hutton was a friend of both de Vere and his correspondent, and 'this will always remain a link between us; for no one who ever knew him can forget him; & no one who remembers him can ever cease to honour him'.

All items good, on aged paper, with Lady Rose-Innes' letter in its envelope. Bower and Rose-Innes had worked together when the former was Imperial secretary to the High Commissioners for Southern Africa at the time of the Jameson Raid. Rose-Innes three letters are dated 17 October 1935 (12mo, 4 pp), 9 July 1936 (12mo, 4 pp) and 13 April 1939 (12mo, 4 pp). All are closely and neatly written. In the first letter Rose-Innes describes a journey 'through the S.

12mo, 1 p. Thirteen lines. Text clear and complete. On aged and foxed paper with some fraying to edges (not affecting text). He would like to show Taylor 'something of interest with reference to Sir Herbert Taylor [sometime soldier and Private Secretary to teh KIng]' and suggests meeting that night. 'It seems rather late, but I shall be at von Herkomer's till then'.

8vo: 120 pp. Unbound. In original grey printed wraps. Lightly foxed, with wraps grubby and creased. Ownership inscription at head of front wrap. 'Published under arrangement with the Author', with a six-page preface by the translator, dated October 1866. The Codex Sinaiticus, now in the British Library, was found by Constantin von Tischendorf on his third visit to the Monastery of Saint Catherine, at the foot of Mount Sinai in Egypt, in 1859. 'I would rather', he writes here, 'have discovered this Sinaitic manuscript than the Koh-i-noor of the Queen off England.'

Not published. Cyclostyled on the rectos only. 8vo: 165 pp followed by 28 pages of 'figures'. Contained in a buff 'Apex Vertical Filing Folder'. Very good, on aged paper. Complete and clear. Stamped 'UNCLASSIFIED' on front cover, with manuscript reference 'GVC/54T'. Preface reads 'The present work is the English rendering of a partly revised German manuscript which the Author prepared for the Leipzig publishers Bibliographisches Institut to be published as volume 49 of their series Meyers kleine Handbücher.

4to: 3 pp. A bifolium. Good, on lightly-aged and creased paper. Thin strip of brown paper mount still adhering in inner margin of reverse of second leaf. Forty-six lines of text, clear and complete. A small square of paper, bearing Von Bulow's red wax seal (with clear impression) has been cut away from the second leaf and neatly placed beneath the signature. Address, with circular Hull postmark in black ink, on reverse of second leaf.

4to (leaf dimensions roughly 27 x 21.5 cm): 1 p. Fifteen lines of text. On the recto of the first leaf of a bifolium, with the address on the reverse of the second leaf. Text complete and legible, on aged paper, grubby, worn and creased paper. An unusual and interesting letter of introduction, pointing out the international links in the European booktrade of the early nineteenth century.

12mo (leaf and plate dimensions 115 x 80 mm): [ii] + 247 pp + 6 hand-coloured engravings. Good, on lightly aged and spotted paper, in heavily worn original boards, with ink stain on back board. The plays included are: [1] Das Urtheil des Paris; [2] Die Tochter Pharaonis; [3] Ruebezahl; [4] Incognito; [5] Die Uhr und die Mandeltorte; [6] Sultan Bimbambum. Engraved title and six whimsical hand-coloured engravings by Mueller from the designs of the Frankfurt artist G. M.

On piece of paper roughly 6.5 x 13 cm. Good, on creased and lightly aged paper. Reads '<...> | yours very sincerely | H. Bismark'. On reverse '<...> looking forward immensely to my visit to you. I have just been asked to lunch with a very old lady <...>'.

The sepia photograph, 10 x 7 cm, shows Korff's head and torso. He is dressed in the costume of a flying ace, with leather coat, gloves, googles and scarf, and is striking a match while staring moodily at the viewer. It is mounted on a leaf of cream paper (24 x 20 cm) removed from an album. In very good condition and attractively mounted, with a piece of nicely-patterned paper (12 x 8.5 cm) beneath the photograph acting as a frame. Korff's large, bold signature runs across the page beneath the phtograph, reading 'Arnold Korff | Wien 25. Oct. 1923'.

Dimensions roughly 14 x 9 cm. Very good. The photograph, captioned 'Anneliese Rothenberger', is a head and shoulders shot of a smiling Rothenberger. The note on the reverse, in green ink, reads 'dir, liebe Liesel, alles ! | diese | [signed] Anneliese | 1956'.

8vo: 68 pp. In original printed wraps. Good, with light vertical crease to front wrap. Six copies on COPAC, but none at the British Library.

8vo: 2 pp. Good, on lightly-aged laid paper with slight chipping and glue stain at head (not affecting text). A formal letter written in English in the third person. He asks them to send 'another form [for him to write his entry in 'Who's Who'] to be filled up [...] The first one sent was mislaid on leaving London'. Deichman was the subject of a 'Spy' cartoon ('Vanity Fair', 14 May 1903: 'He wears curious hats'), in which he is shown driving a coach.

Signed "Frederick of Prussia". One page, slighly creased but suitable for framing. He discusses Dandy's offer of "yet another Motor Cycle, this time a 1914 Triumph two Stroke". He says that his younger son would be "very happy if he could have such a rare Motor Cycle". He doesn't think his older son, Nicholas, is yet old emough to ride the bike already given by Dandy.

Conventional Christmas Card with winter's scene on front, signed inside "Brigid & Frederick" with greetings and their address (Patmore Hall, etc.) printed. In original envelope which says "Photographs Do Not Bend" suggesting that the card may have been accompanied by a photograph.