THEATRE

[Braham Sydney Murray, theatre director: his first-ever production, for the Oxford University Dramatic Society.] Typescript of Brendan Behan's 'The Hostage', with extra pages covered with autograph directorial notes and stage directions.

Author: 
Braham Sydney Murray [born Braham Goldstein] (1943-2018), director, one of five founding Artistic Directors, Royal Exchange Theatre, Manchester [Brendan Behan; Oxford University Dramatic Society]
Publication details: 
[Oxford University Dramatic Society, 1961.]
£600.00

For the background see Murray's 2014 autobiography 'The Worst It Can Be Is A Disaster', where he describes the production as 'a big production with its quasi-musical form. In such a large cast some of the actors were rather basic but some were superb. Michael Elwyn brought the house down as Monsewer [...] Michael York was very touching as the innocent Cockney soldier and the brother owners were expertly played by Ian Davidson, who later became a successful comedy scriptwriter, and the beautiful Canadian Nancy Lane, who is now a distinguished professor at Cambridge.

[Dodie Smith, author of 'The Hundred and One Dalmatians'.] Two Autograph Letters Signed (both 'Dodie.') to 'Popie' [W. J. MacQueen-Pope], discussing her dalmatian dogs, failed musical, his latest book and offer of collaboration, petrol rationing.

Author: 
Dodie Smith [Dorothy Gladys Smith] (1896-1990), children's writer and playwright, author of 'The Hundred and One Dalmatians' (1956) and 'I Capture the Castle' (1948) [W. J. MacQueen-Pope (1888-1960)]
Publication details: 
23 and 28 January 1957. Each on letterhead of The Barretts, Finchingfield, Essex.
£120.00

See both their entries in the Oxford DNB. Two long letters. Both 2pp, 4to. Both letters on aged paper, creasing at the head. Each folded twice. Written in a close, elegant hand. ONE: 23 January 1957. Writing on behalf of herself and her 'friend' and business manager Alec Macbeth Beesley she begins: 'Our dear, dear Popie, | It really is fantastic. This morning I wrote you a tiny fan letter, combined with thanks for your radio mentions of me. I then carried it to the little pillar-box at the crossroads near here, in time to catch the 3.40 post.

[Christopher Fry annotates a book about his work, inscribed to him by the author.] Christopher Fry | By Glenda Leeming.

Author: 
Christopher Fry (1907-2005), playwright, with Auden and Eliot a leading exponent of twentieth-century English verse drama; Glenda Leeming
Publication details: 
Twayne Publishers, A Division of G. K. Hall & Co., Boston. 1990.
£450.00

xv + 179pp, 8vo. Good tight copy in brown cloth, in worn printed dustwrapper. Frontispiece portrait of Fry. Inscribed on front free endpaper: 'To Christopher Fry | from | Glenda Leeming | with love'. In her preface Leeming notes Fry's 'patience and tolerance, as well as his helpful explanations of his plays, his intentions, and their realization'. The volume contains pencil annotations between pp.43 and 73, mostly relating to 'The Lady's not for Burning'. All are marginal indications of passages with vertical lines, apart from two annotations suggesting a degree of impatience with the text.

[Christopher Fry makes autograph corrections to a book about him.] Christopher Fry and his Verse Drama. [Insribed to the subject by the author, and with a Typed Letter Signed ('S. n. Ray').]

Author: 
Christopher Fry (1907-2005), playwright, with Auden and Eliot a leading exponent of twentieth-century English verse drama; Professor Sambhu Nath Roy, Principal of Raiganj University College
Publication details: 
Biswas Book Stall, 88, M. G. Road, Calcutta-9; Ghosh & Company, 12, Ramanath Majumder Street, Calcutta-9 [Calcutta, India]. 1996.
£200.00

[6] + viii + 266pp, 8vo. With four-page 'Select Bibliography' and three two-page lists of errata tipped-in at the rear. In plain brown cloth, with green printed dustwrapper glued-down (by publisher) onto the endpapers by the flaps. In good condition, lightly-aged, in lightly-worn dustrapper with closed tear at rear. Inscribed on the front free endpaper: 'To | Mr. Christopher Fry, | With best compliments | from the Author, | S. n. Ray | 7.4.98'. Fry makes around fifty autograph corrections to the text, giving a list of them over the rear endpapers.

[Peter Opie, folklorist, with wife Iona Opie, of children's games and nursery rhymes.] Two Typed Letters Signed to W. J. MacQueen-Pope, on the music hall, John Dunn and 'Jump Jim Crow', the Great Macdermott and 'Jeremiah, blow the fire'.

Author: 
Peter Opie (1918-1982), folklorist who, with his wife Iona Opie (1923-2017), worked on children's games and literature, donating their collection to the Bodleian [W. J. MacQueen-Pope (1888-1960)]
Publication details: 
Opie's two letters on letterhead of 'IONA OPIE | PETER OPIE', Rockbourne House, 100 High Street, Alton, Hampshire. 20 and 25 January 1951. With carbon copy of a reply from MacQueen-Pope, 23 January 1951.
£150.00

The three items (two letters from Peter Opie to MacQueen-Pope and carbon copy of his reply to the first of these) are in fair condition, on aged and lightly-creased paper, with a slight nick at the head of the first letter. Inspired by the recent publication of MP's 'The Melody Lingers On: The Story of Music Hall' (1950), Opie writes to MP via his publishers W. H. Allen & Co, and signs both letters 'Peter Opie.' MP writes to Opie at Rockbourne House. ONE: TLS from Opie to MP. 20 January 1951. 1p, 4to.

[Robert Donat, film and stage actor.] Typed Letter Signed ('Robert.') to 'Popie', i.e. the theatre historian W. J. MacQueen-Pope, regarding his article 'Children's Theatre | Sound'.

Author: 
Robert Donat [Friedrich Robert Donat] (1905-1958), English film and stage actor, whose films included 'The 39 Steps' and 'Goodbye Mr. Chips' [W. J. MacQueen-Pope (1888-1960), theatre historian]
Publication details: 
30 October 1946. On his letterhead, 23 Three Kings Yard, London, W1.
£45.00

1p, 8vo. On aged and worn paper, with spots of rust staining from paperclip. Folded twice. Addressed to MP at 359 Strand, WC2. Reads: 'Dear Popie, | Children's Theatre | Sound | This is just to acknowledge your rough draft of the article you suggest. I have not had time to look at it yet, but I will do so as soon as I possibly can. Meanwhile, perhaps your secretary will let my secretary know the latest date for returning it.' MP's reason for sending the article to Donat is not immediately apparent. Donat's papers are in the University of Manchester Special Collections.

[Sir Edward Marsh, Winston Churchill's friend and private secretary, classical scholar, patron of Georgian poetry.] Autograph Letter Signed ('Eddie Marsh') to W. J. MacQueen-Pope, praising his biography of his friend Ivor Novello. With copy of reply.

Author: 
Sir Edward Marsh [Sir Edward Howard Marsh] (1872-1953), civil servant, promoter of Georgian poetry, classical scholar, friend and secretary to Winston Churchill [W. J. MacQueen-Pope; Ivor Novello]
Publication details: 
Marsh's letter 19 November 1951; 86 Walton Street, SW3 [London]. Copy of MacQueen-Pope's reply: 21 November 1951; 359 Strand, WC2.
£150.00

ONE: Marsh to MP. 19 November 1951. 2pp, 8vo. In fair condition, lightly aged, with light rust spotting from paper clip. Folded twice. Pencil note by MP. Marsh begins his letter: 'My dear Popie. | Very many thanks indeed for the book. It came on Saturday, & I read nothing else till I finished it this morning. Very many congratulations too, your Achievement story is itself a big achievement, & everyone who loved Ivor will be grateful to you for it. You can imagine how many memories it revived in me, & how much it added to my Knowledge.

[Dodie Smith, children's writer, author of 'The Hundred and One Dalamatians'.] Autograph Letter Signed ('Dodie') to 'Popie' [the theatre historian W. J. MacQueen-Pope], praising his writing, theatre work and latest book, discussing Vivien Leigh.

Author: 
Dodie Smith [Dorothy Gladys Smith] (1896-1990), children's writer and playwright, author of 'The Hundred and One Dalmatians' (1956) and 'I Capture the Castle' (1948) [W. J. MacQueen-Pope (1888-1960)]
Publication details: 
5 March 1958. On letterhead of The Barretts, Finchingfield, Essex.
£150.00

2pp, 18mo. In fair condition, lightly aged and creased. Folded once. Written in a close, elegant hand. Written on receipt of a presentation copy of MacQueen-Pope's latest book, the letter begins: 'My dear Popie, | Thank you so very much for St James's, Theatre of Distinction. I think I am enjoying it even more than I usually enjoy your individual-theatre books, because the St James's meant so much to me. It was the first London theatre I ever went to - long before I could read or went to a school.

[Noel Streatfeild, children's writer and author.] Typed Letter Signed to W. J. MacQueen-Pope - 'the horse's mouth as regards theatre history' - with queries for her 'book on ballet' relating to theatres in the Haymarket.

Author: 
Noel Streatfeild [Mary Noel Streatfeild] (1895-1986), children's writer and author [W. J. MacQueen-Pope (1888-1960), theatre historian]
Publication details: 
24 January 1958. On letterhead of 51A Elizabeth Street, Eaton Square, SW1 [London].
£65.00

1p, 4to. In fair condition, on aged and creased paper. The letter begins: 'Dear Mr. MacQueen Pope, | Please forgive me for bothering you, but you are I know, the horse's mouth as regards theatre history.' She explains that she is 'in the throes of a book on ballet' for her publishers William Collins, and she asks him to help her with 'a problem in the section on early ballet in England'. The problem concerns 'the King's Theatre Haymarket' and 'the Italian Opera House'. She gives a facts and dates, asking 'was it all one and the same theatre?

[Christopher Fry, playwright, a leading exponent of verse drama.] Typescript of the text of his children's book 'The Boat that mooed'. Signed 'Christopher Fry'.

Author: 
Christopher Fry (1907-2005), distinguished playwright, with Auden and Eliot a leading exponent of twentieth-century verse drama
Publication details: 
No place or date. [Book published in New York by Macmillan in 1965.]
£200.00

9pp, 8vo. Complete carbon typescript. On nine leaves, stapled together. Title at head of first page: 'THE BOAT THAT MOOED.' Fry's signature in blue ink at top left of first page: 'Christopher Fry:'. Fry has cut down the story by deleting and removing a passage. The lower part of the leaf carrying the sixth page of the story has been cut away, and the original seventh page has been removed, hence the typescript pagination 1-6, 8-10 has been amended in manuscript to 1-9. A lighthearted faux-naive story, replete with symbolism. Begins: 'Tom Crunch lived on a boat. All round the boat was water.

[Christopher Fry, playwright.] Two items from his papers: an American first edition of his play 'A Yard of Sun', together with proof leaves of a later printing of the play, entirely reset.

Author: 
Christopher Fry (1907-2005), playwright, with Auden and Eliot a leading exponent of twentieth-century verse drama
Publication details: 
First edition: O.U.P. [Oxford University Press], New York. 1970. Proofs undated and without publishing details. [New York: Dramatists Play Service Inc. 1998?]
£450.00

The two items are from the playwright's own papers. FIRST EDITION: [8] + 113pp, 8vo. A good tight copy in lightly-aged brown cloth and price-clipped cream dustwrapper with attractive design by Edward Blakeney in brown and black on front cover, and slight chipping to bottom edge at back. Label with English price on back of dustwrapper. No autograph interpolations. PROOFS: 96pp, 8vo. Duplicated printed pages, each page on a separate leaf. Paginated 1-96.

[Christopher Fry: BBC Schools talk on 'A Sleep of Prisoners', with reading.] Copy of typescript of BBC Home Service (Schools) talk and reading headed 'Religion and Philosophy | 9. A Play for a Church | by | Christopher Fry'.

Author: 
Christopher Fry (1907-2005), playwright, with Auden and Eliot a leading exponent of twentieth-century verse drama [BBC [British Broadcasting Corporation], Bush House, London]
Publication details: 
TRANSMISSION: BBC HOME SERVICE (SCHOOLS) [Bush House, London] | Monday 29th June 1953: 9.40 - 10.00 a.m.
£220.00

Contemporary duplicated typescript, from the Christopher Fry papers. 14pp, 8vo. Each page on a separate leaf. In fair condition, lightly aged. Fry's introductory talk is present in its entirety on pp.1-5, this is followed by an unpaginated page, then pp.8-15 with p.[10] also unpaginated. Hence p.6 or p.7, beginning the extracts from the play, would appear to be absent. On the front page, between the heading and transmission details is: 'Rehearsal: Thursday 4th June 1953: 10.00 onwards | Recording: Thursday 4th June 1953: 12.15 - 1.00 p.m. 3A | Recording of Insert: [BLANK]'.

[Denis Johnston's play on Jonathan Swift: 'new version' by his son Rory Johnston.] Typescript of 'The Dreaming Dust | by Denis Johnston | a new version | compiled and adapted by Rory Johnston'. With covering letter to Christopher Fry.

Author: 
Denis Johnston (1901-1984), Irish playwright, author and actor; his son Rory Johnston [Christopher Fry (1907-2005), playwright, leading exponent of twentieth-century verse drama; Jonathan Swift]
Publication details: 
Typescript play sent by Rory Johnston, 49 Upper Park Road, London NW3. Dated 31 December 1987. 'Copyright 1959, 1977 by Denis Johnston'. Rory Johnston's letter to Fry: 3 May 1988, from same address.
£400.00

A multi-talented figure, Denis Johnston was a protégé of W. B. Yeats and Bernard Shaw, and had a stormy friendship with Seán O'Casey. Jonathan Swift was a preoccupation of Johnston's (see his 1959 book 'In Search of Swift'), and his play about him, 'The Dreaming Dust', was first produced at the Gaiety Theatre, Dublin, in 1940. It was published in collections of Johnston's plays in 1954, 1960, 1977 and 1983. This 1988 version remains unpublished. Both typescript and letter in fair condition, lightly aged.

[Richard Kayne [William Sydney Kuttner], composer and author.] Signed Autograph Score of 'The Lady Theme' for the 1972 Chichester Festival production of 'The Lady's not for Burning', framed for Christopher Fry.

Author: 
'Richard Kayne', pseudonym of William Sydney Kuttner (b.1928), Scottish composer, novelist and journalist, resident composer at the Chichester Festival Theatre
Publication details: 
Inscribed by Kayne: 'The Lady's Not For Burning. | Chichester, 1972.'
£180.00

Evidently written out as a gift for Christopher Fry, from whose papersit derives. A 10.5 x 24 cm piece of printed manuscript paper, on grey mount in glazed black wooden 17.5 x 31 cm frame. In good condition. Signed at top right 'Richard Kayne.' Towards top left: 'The Lady's Not For Burning. | Chichester, 1972.' Within the uppermost of three lines of staves Kayne has written and underlined 'THE LADY THEME'. The central stave contains the opening bars, for alto flute.

[Sir Nigel Playfair, actor-manager of the Lyric Theatre, Hammersmith.] Autograph Signature ('Nigel Playfair') on the programme for the lyric production 'When Crummles Played -' (based on characters from 'Nicholas Nickleby' by Charles Dickens).

Author: 
Sir Nigel Playfair [Sir Nigel Ross Playfair] (1874-1934), actor-manager of the Lyric Theatre, Hammersmith [Charles Dickens, 'Nicholas Nickleby']
Publication details: 
The Lyric Theatre, Hammersmith, W.6. [London] 'This (Thursday) evening, June 2nd, 1927, at 8 o'clock | Subsequent evenings at 8.30'. [Wightman Mountain & Andrews Ltd, Printers, 31 & 33, Victoria Street, S.W.]
£45.00

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

[John Cumberland, London theatrical publisher.] Autograph Letter Signed ('J Cumberland') to Charles Thompson, declining to take on his unpublished play, and discussing the question of copyright.

Author: 
John Cumberland (1787-1866), London theatrical publisher [Charles Thompson; Cumberland's British Theatre]
Publication details: 
27 October 1834. 'No. 2 Cumberland Terrace | Camden New Town' [London].
£180.00

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.

[Frederick Yates, actor-manager of the Adelphi Theatre.] Autograph Letter Signed ('Fred. H. Yates.'), accusing actor Thomas Cooke of breaking his word by mounting a production of Fitzball's 'Red Rover', whose copyright he owns, outside Edinburgh.

Author: 
Frederick Yates [Frederick Henry Yates] (1797-1842), actor and proprietor with Charles Mathews of the Adelphi Theatre, London, husband of Elizabeth Brunton [Thomas Potter Cooke (1786-1864), actor]
Publication details: 
18 January 1830. 'Theatre Royal | Adelphi' [London].
£120.00

3pp, 4to. Bifolium. In fair condition, aged and worn, with closed tears and thin vertical strip of paper on reverse of second leaf, which carries a seal in black wax and Yates's address to 'T. P. Cooke Esqre. | 28 Manchester Street | Manchester Square'. An interesting letter regarding a Victorian stage dispute. In an understated style, Yates makes a serious accusation: Cooke has broken his word over the manuscript of Fitzball's play 'The Red Rover' (Yates had produced the piece with himself in the title role in 1828, and would do so again in 1831).

['John William Calcraft' (stage name of John William Cole), actor and lessee of the Theatre Royal, Dublin.] Two Autograph Letters Signed (both 'J. W. Calcraft'), regarding debts and plans for productions.

Author: 
'John William Calcraft' [stage name of John William Cole (c.1793-1870)], actor, dramatist and lessee of the Theatre Royal, Dublin
Publication details: 
4 March 1847 and 31 January 1848. Both from the Theatre Royal, Dublin.
£45.00

Both letters 2pp, 12mo. In good condition, lightly aged. Cole's handwriting is difficult. The recipient is not named. The first letter, 34 lines long, concerns a bill which Cole has drawn on the recipient of the letter. It is coming due, and he is uncertain whether it is for £90 or £100. He asks him to withhold payment for a while, as 'Lent is always a dead time with me'. He is 'going to try the experiment of Mr Butter for 6 nights', and has 'good hopes of the result'. The second letter begins: 'My dear Sir | I have made most liberal offers to Farren, Mrs. Nesbitt & Mr.

[Charles James Mathews, London actor-manager.] Autograph Letter Signed ('C J Mathews.'), declining to 'risk' an association with Ben Webster, who 'never reads the pieces at all' and whom he is 'unable to controul'.

Author: 
Charles James Mathews (1803-1878), actor, manager of the Olympic, Lyceum and Covent Garden theatres in London [Benjamin Nottingham Webster (1797-1882), actor-manager who built the Adelphi]
Publication details: 
25 Pelham Crescent [London], 23 July 1869.
£45.00

1p, 12mo. In good condition, lightly aged. The recipient is not named. An interesting letter, indicating the relationship between two major theatrical figures in Victorian London. The main body of the letter reads: 'Dear Sir, | You really must excuse my incurring any such responsibility as that you would impose upon me. I am unable to controul Mr.

[Sir Nigel Playfair, actor-manager of the Lyric Theatre, Hammersmith.] Autograph Signature ('Nigel Playfair') on the programme for the lyric production 'When Crummles Played -' (based on characters from 'Nicholas Nickleby' by Charles Dickens).

Author: 
Sir Nigel Playfair [Sir Nigel Ross Playfair] (1874-1934), actor-manager of the Lyric Theatre, Hammersmith [Charles Dickens, 'Nicholas Nickleby']
Publication details: 
The Lyric Theatre, Hammersmith, W.6. [London] 'This (Thursday) evening, June 2nd, 1927, at 8 o'clock | Subsequent evenings at 8.30'. [Wightman Mountain & Andrews Ltd, Printers, 31 & 33, Victoria Street, S.W.]
£45.00

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

[John Cumberland, London theatrical publisher.] Autograph Letter Signed ('J Cumberland') to Charles Thompson, declining to take on his unpublished play, and discussing the question of copyright.

Author: 
John Cumberland (1787-1866), London theatrical publisher [Charles Thompson; Cumberland's British Theatre]
Publication details: 
27 October 1834. 'No. 2 Cumberland Terrace | Camden New Town' [London].
£180.00

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.

['John William Calcraft' (stage name of John William Cole), actor and lessee of the Theatre Royal, Dublin.] Two Autograph Letters Signed (both 'J. W. Calcraft'), regarding debts and plans for productions.

Author: 
'John William Calcraft' [stage name of John William Cole (c.1793-1870)], actor, dramatist and lessee of the Theatre Royal, Dublin
Publication details: 
4 March 1847 and 31 January 1848. Both from the Theatre Royal, Dublin.
£45.00

Both letters 2pp, 12mo. In good condition, lightly aged. Cole's handwriting is difficult. The recipient is not named. The first letter, 34 lines long, concerns a bill which Cole has drawn on the recipient of the letter. It is coming due, and he is uncertain whether it is for £90 or £100. He asks him to withhold payment for a while, as 'Lent is always a dead time with me'. He is 'going to try the experiment of Mr Butter for 6 nights', and has 'good hopes of the result'. The second letter begins: 'My dear Sir | I have made most liberal offers to Farren, Mrs. Nesbitt & Mr.

[W. B. Yeats, Annie Horniman, and the Abbey Theatre, Dublin.] Manuscript Letter by Yeats, signed by him but written out by Horniman as his secretary, declining to provide work for publication, as he is 'writing plays for our little Irish Theatre'.

Author: 
W. B. Yeats [William Butler Yeats], Irish poet, winner of the Nobel Prize for Literature [Annie Horniman [Annie Elizabeth Fredericka Horniman] (1860-1937), patron of the Abbey Theatre, Dublin]
Publication details: 
11 May 1903; 18 Woburn Buildings, Euston Road, London.
£1,000.00

Written at a crucial time in the run-up to the foundation of the Abbey Theatre. As Horniman's entry in the Oxford DNB states: 'In 1903 Yeats lured Annie to Dublin where he hoped her backing for productions by the Irish Literary Theatre would bring more of his poetic dramas to the stage. To her delight Yeats invited her to design his play The King's Threshold. Annie soon realized she was administrator rather than artist, and the atmosphere of an amateur company directed by three playwrights—Yeats, Lady Gregory, and J. M. Synge—was never congenial.

[Samuel Phelps, actor-manager, the finest King Lear of his age.] Autograph Letter Signed ('S. P.') [to his wife] describing his activities, including angling, whilst on holiday with his sons in his native West Country, and plans for his return.

Author: 
Samuel Phelps (1804-1878), actor and theatre manager, the King Lear of his age, noted for his fidelity to the originals in his productions of Shakespeare plays
Publication details: 
On letterhead of The Western Times Office, Exeter. 30 March 185[ ]'.
£75.00

Phelps's entry in the Oxford DNB gives the background to the present letter, stating that Phelps 'married Sarah Cooper (1810/11–1867) on 11 August 1826; she was just sixteen. However, their marriage was very happy: they were a devoted couple, and Sarah later served as Phelps's dresser. Phelps preferred home life with her to clubs or social gatherings. His other delights were angling and shooting, and he purportedly knew every trout stream in England. They had three sons and three daughters, including William Robert (1828–1867), who became chief justice of St Helena, and Edmund (d.

[Joseph Shepherd Munden, comic actor at Covent Garden and Drury Lane.] Autograph Signature ('Jos: S: Munden') on part of letter.

Author: 
Joseph Shepherd Munden (1758-1832), English comic actor at Covent Garden and Drury Lane
Publication details: 
Without date or place.
£25.00

On one side of a slip of laid paper cut from the end of a letter: roughly 4 x 17 cm, the reverse being blank. In good condition, lightly aged. Good neat signature to the valediction of a letter. Reads: 'I am my d [Phippen?] | (in great haste | Yours very truly | Jos: S: Munden'. Munden eas the subject of one of the "Essays of Elia" (Charles Lamb).

[John Maddison Morton, playwright.] Two Autograph Letters Signed (one 'J. M. Morton', the other 'John M Morton') to comic actor John Pritt Harley, in one discussing a piece he has written for Mrs Humby, in the other complaining of 'disappointments'.

Author: 
John Maddison Morton (1811-1891), playwright noted for his farces, in particular 'Box and Cox' [John Pritt Harley (1786-1858), comic actor and singer; 'Mrs Humby' [Anne Humby (1817-1863), actress and
Publication details: 
Neither dated. One from 13 North Crescent [Bedford Square, London]; the other from Briar Lodge, New Road, Hammersmith.
£120.00

The two letters in fair condition, lightly aged and worn. Both with contemporary annotation at head of first page. ONE: From 13 North Crescent, and signed 'John M Morton'. 2pp, 12mo. Addressed, with a second signature, to 'J. P. Harley Esq'. Begins: 'Tho' not quite finished, you will see enough of the drift of the piece, to enable you to say whether you fancy it or not. I have written it out without amendments, which are rarely made, if you approve - I began Dainty (you remember the name?) for Mr. [Humby?], but broke down'.

[Derek Stanford, biographer, essayist and poet, to playwright Christopher Fry.] 19 Autograph Letters Signed ('Derek S.' and 'Derek'), Autograph Card Signed, and carbons of three reviews. With 2 [copy?] letters to Stanford from Fry, and Stanford's CV.

Author: 
Derek Stanford (1918-2008), biographer, essayist and poet, supporter of Muriel Spark and Dylan Thomas [Christopher Fry, playwright]
Publication details: 
Stanford's 19 letters between 17 February 1970 and 31 October 1978. Early letters from 1 St Catherine's Court, Bedford Park, W4 [London]; later letters from 5 Cricketfield Court, Cricketfield Road, Seaford, Sussex. Postcard from Worthing, 1997.
£450.00

Stanford's study of Fry in the British Council's 'Writers and their Work' series was re-published several times, and the early letters in the present collection refer to the preparation of the fourth edition, published by Longmans in 1971 (the bibliography to which Stanford refers as 'CHRISTOPHER STATE PAPERS'). A total of twenty-six items. The material in good condition, lightly aged. Stanford's nineteen letters total 65pp, 12mo. In an undisciplined hand, in different-coloured ink, on different-coloured paper. Stanford's 19 letters between 17 February 1970 and 31 October 1978.

[John E. McDonough: an American tragedian in Victorian London.] Five Autograph Letters Signed

Author: 
John E. McDonough [John Edwin McDonough] (1825-1882), American actor; D. S. Winebrener of Philadelphia, attorney [John Jabez Stocken (d.1892), London tobacconist, father of actor 'Frank Lacy']
Publication details: 
McDonough's five letters from 1873; one on Stocken's letterhead, 10 Gracechurch Street, E.C. [London]; two on letterheads of Haxell's Royal Exeter Hotel, West Strand, London. Winebrener's letter and obituary from Philadelphia, 1882.
£250.00

A nice collection of material, including five letters in which an American actor writes to a London friend while on a visit to England. The recipient of McDonough's letters is John Jabez Stocken (d.1892), head of a leading City of London firm of tobacconists, and an antiquary. (His son Frank Lacy Stocken (1867-1937) was later an actor under the name 'Frank Lacy'.) From the correspondence it is clear that McDonough stayed with Stocken during his stay in England.

[Maud Stewart-Baxter, English composer and actress.] Autograph Letter Signed [to fellow member of the Women's Institute], offering to 'take charge of a side-show' after her 'blood-poisoning followed by a bad nervous break down'.

Author: 
Maud Stewart-Baxter (fl.1930), English composer and actress
Publication details: 
10 August 1921. On letterhead of 6 Eastern Terrace, Brighton.
£45.00

4pp, 12mo. Bifolium. In fair condition, lightly aged, with pin hole to one corner. Folded once. The recipient is not named, but would appear to be a fellow member of the Women's Institute. She apologises for having been 'unable to attend the former meetings, as I am just convalescent from blood-poisoning followed by a bad nervous break down'. She will 'certainly come on Friday at 3-30.

[Ernest Alexandre Honoré Coquelin, French actor.] Autograph Letter Signed ('Coquelin Cadet') to 'Ma cher Alice', asking her to meet him in order to discuss 'l'affaire de Deauville pour laquelle Plumkett [sic] a écrit à mon frère'.

Author: 
'Coquelin cadet' [Ernest Alexandre Honoré Coquelin] (1848-1909), French actor, brother of 'Coquelin aîné' [Benoît-Constant Coquelin, known as Constant Coquelin] (1841-1909) of the Comédie Française
Publication details: 
'Mardi' [no date]; no place.
£50.00

2pp, 16mo. Bifolium. In good condition, lightly aged. 'Alice' will be 'charmante' if she can let him know when he can see her 'chez vous'. 'Je voudrais vous parler de l'affaire de Deauville pour laquelle Plumkett [sic] a écrit à mon frère.' He asks again to be sent 'un mot' telling him when he can see her, any time other than 4 pm will do. He ends by remarking how long it has been since he last had 'le plaisir de vous serrer la main!'

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