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The present item is producer Hugh Burnett's own copy, from his papers, of the transcript of John Freeman's interview with Thomson, broadcast in the groundbreaking BBC series 'Face to Face' on 4 February 1962. This single-spaced typed transcript was produced for inclusion in Burnett's book 'Face to Face / Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964), and is marked up with printing instructions in pencil and red ink, with a few proof corrections in green ink. 1p, foolscap 8vo. In good condition, lightly aged. Emphasizing Thomson’s unthreatening ordinariness.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged with a crease. Folded once. Signed ‘Haldane’. He begins ‘With all good wishes for any cause you are engaged in’, but ‘no hope of success for a new weekly paper’.

Two charming and moving letters, each sent on a significant occasion: the first Richmond’s resignation from the editorship of the TLS in 1937, and the second his ninetieth birthday in 1961; and with the latter containing interesting reminiscences of the early years of the TLS. See his appreciative entry in the Oxford DNB. Both items in good condition, lightly aged, and both addressed to ‘Dear Orlo’. ONE: 3 January [‘1937’, the year added by Williams]. Signed ‘Bruce L. Richmond.’ 2pp, landscape 12mo. Folded twice.

Hughes began as a journalist, writing the popular column ‘Sub Rosa’ in the Morning Leader, before descending from the Press Gallery onto the floor of the House of Commons. However short, the present item gives a faint echo of the verve for which he was renowned as a backbencher and after-dinner speaker. 1p, 12mo. In good condition, lightly aged. Signed ‘Spencer Leigh Hughes’. Reads: ‘Dear Armstrong / Another lunatic! There are many about. I was lecturing in Scotland recently & had quite an ovation when I talked about the “British” parliament.’

On both sides of a 14.5 x 10.5 cm plain postcard. In good condition, with large firm signature ‘Richard Ingrams’. He thanks him for ‘the interesting Cobbett item’ and would like ‘your Elgar postcard’ if available. Ends: ‘Enclose cheque. Cobbett always welcome. Also G. K. Chesterton.’ Ingram had published an anthology of Cobbett in 1974, and would publish a biography of him in 2005, and a book on Chesterton in 2021.

1p, 4to. In good condition, lightly aged. Minor staple marks at top right. Writing shortly before his death, he thanks him for sending an inscribed copy of his book ‘Devil’s Decade’, which he enjoyed ‘enormously’.

See her entry in the Oxford DNB, where she is described as a ‘philanthropist’. 2pp, 12mo. With mourning border. A 4cm triangle of paper has torn away from the bottom of the letter, far below Mrs Gladstone’s slightly-smudged signature, otherwise in good condition, lightly aged and folded twice. Reads: ‘Downing St. / Saturday / Dear Sir. / You have often encourage me to appeal to you upon matters of charity. it will be very kind if you will give the enclosed [a] place in your Paper. / Yours truly / Cath Gladstone’.

For information on Cook see his biography in the Oxford DNB, which points out that the subtlety of his later fiction was lost on his contemporaries, being written in a style that ‘was not sufficiently sensational’ for the period. The present item is the complete text of the last thing Cook ever wrote: a story which appeared in the weeks following his death, in Hood’s Comic Annual for 1884 (London, 1883).

A curious artefact, indicating Garbo’s iconic status, and an early example of a journalistic trend which has gained ground since the late 1960s. Hayden-Guest, still active as a writer, is the son of the diplomat Peter Haden-Guest, 4th Baron Haden-Guest, and brother of the 5th Baron, Christopher, who is won fame as ‘Nigel’ in the film ‘Spinal Tap’.

See Beaverbrook's entry in the Oxford DNB. The recipient Thomas Lloyd Humberstone (1876-1957) was an educationalist and prominent member of the Convocation of the University of London. 1p, 12mo. In good condition, lightly aged. Folded once. Addressed to Humberstone at 15 Gower Street, London. After apologizing for the delay in replying, due to his absence, he simply states: ‘I am inquiring into the situation regarding the Bedford estate.’ Possibly written in reference to the Senate House development, in which Humberstone took a keen interest.

1p., 12mo. Good, on lightly-aged paper, with small scrap from white label adhering to a margin. He explains that the reason that a letter has not been forwarded to him is that he has not, 'for years, had to do with the management of the Illustrated London News', although he does contribute to it. Nevertheless he will try to get the recipient 'a proof of the Port[rai]t. - with great pleasure'. He adds, in a postscript at the head of the page: 'I think the Memoir was cut out from the Times'.

4to, 1 p. Fourteen lines. Text clear and complete. Fair, on aged paper. He has been 'extremely unwell', and is sending '3 bills for the account of Thomsons Chemistry £1100'. 'I trust that you will not be dis-satisfied with this as I can assure you conscientiously that I could not afford to give them shorter.' Reference to Longmans, and to his anxiety, 'as you left the settlement to my own conscience'.

3pp, 12mo. Bifolium. In fair condition, aged and worn. Folded twice. Only the conclusion of the letter is in Holyoake's hand. It carries an unusually large and bold signature. In reply to a letter of Watson's he states that he was not aware of the 'paper in the Westminster Gazette [...] until four days after its appearance'. He asks him to send 'the Leader referring to its appearance which you mention', and commends Watson's son for bringing it to his notice. Holyoake does not know if the matter has 'been mentioned elsewhere in Newcastle'.

For information on Carlile - described by E. P. Thompson as a 'Showman of Free Thought' - and his 'moral wife' the suffragist Eliza Sharples, see their entries in the Oxford DNB. At the time of writing Carlile was in prison for refusal to pay the church rates. The proofs Carlile asks to be allowed to receive in the first letter are presumably those of his journal 'The Gauntlet'. The phrenologist 'Mr. Hohn' referred to in the second of the letters - the 'Mr. Holme' of the accompanying slip - is the German-born physician and phrenologist John Diederick Holm (d.1856).

3pp, 12mo. Bifolium. Fifty-one lines of text in a close neat hand, the last page written lengthwise. In good condition, lightly aged, with traces of white paper mount adhering to blank reverse of second leaf. Folded once. The letter is signed 'Barry Pain'. The recipient is not named, but is James Payn, editor of the Cornhill Magazine, who had just published the story that made Pain's name, 'The Hundred Gates'.

1p, 12mo. In good condition, lightly aged. Folded once. Referring to her son Francis Romano ('Cecco') Oliphant (1859-1894), she writes: 'Dear Mr. Payn | I send you with this in a registered packet by book post a story written by my youngest son, called "The Grateful Ghosts" which he wishes me to submit to you.' Her opinion is that the story 'would bear compression but that is usual to youthful productions'. She will be 'much gratified' if Payn likes it 'and can use it', and feels sure he will give it his consideration.

1p, 4to. On leaf of aged, worn and creased cartridge paper. Addressed to 'A. T. Q. C., | Care of The Editor of | The Speaker, 115, Fleet Street, E.C., London.' An interesting letter, touching on English and American journalistic practice, 'sensational' copy, plagiarism and fin-de-siècle Paris. The context is not entirely clear: one reading is that the recipient reported on or reproduced in the Fleet Street newspaper the Speaker one of Heilig's 'sensational letters to the American Sunday papers', only to have it 'cribbed' by Pearson's Weekly.

[8]pp, 12mo, paginated 45-52. Unbound, on two loose bifoliums, one inserted inside the other. Drophead title.

8.5 x 14 envelope. In fair condition, aged and creased. Torn open, with slight loss to flap. A nice Mark Twain artefact, and something of a puzzle, as he does not appear to have been in England at the time. There does not appear to be any connection between Twain and William Amhurst Tyssen-Amherst (1835-1909), 1st Baron Amherst of Hackney, whose London address was 88 Brook Street, Grosvenor Square.

A scarce item, and considering its perforation, fortunately found in its complete state. No copy on OCLC WorldCat, which does however have entries for copies of similar Liberty's 1910 ('SERIES XXXIII') and 1913 catalogues, the latter at the Museum of Fine Arts, Boston. 64pp, 8vo. Stitched into oat-coloured cloth soft covers, with decorative border and title printed on front cover. In fair internal condition: on lightly aged and spotted paper. In worn and stained wraps. The five pages of text and fifty-nine full-page illustrations are printed in brown on cream paper.

Three items, including two substantial albums containing in excess of 500 newspaper cuttings. The first album was commenced in 1906 by Pepys scholar Walter Henry Whitear, and completed by Chappell after Whitear's death in 1932, the last cuttings in it dating from the following year.

The full title reads: 'Can Hiraethlon | David Davies (Dai'r Cantwr,) | Pan yn Garcharor yng Nghaerfyrddin, am y Terfysg yn amser Becca. | Cenir ar y dôn “Roslin Castle.'” The title may be translated as 'A nostalgic song, written when a prisoner in Carmarthen, for the riot in Becca's time. | Sung to the tune of 'Roslin Castle'. 4pp, 12mo (15.5 x 9 cm). Paginated [1]-4. Disbound. A frail survival: aged and worn, with damp-stain along one edge. Beneath the title is a small vignette of a sailing ship, and at the end of the final page is another of a crown. Poem in four sixteen-line stanzas.

4pp, 16mo (15.5 x 9 cm). Paginated [1]-4. Bifolium. Disbound. A frail survival, aged and worn. The first leaf (pp.1-2) carries the poem 'Cerdd y Tobacco' ('The Tobacco Poem'), in five eight-line stanzas, with the title followed by a half-page stock woodcut (evidently from a tobacconist's advertisement) of an oriental figure seated on crates on the dockside, with sailing ship in the background. At the foot is engraved: 'FINE TEAS AND TOBACCO'. The second leaf (pp.3-4) carries the poem 'Can y Bachgen Main' ('Song of the Slender Boy'), in six eight-line stanzas.

The title is 'Hanes alarus am 26 o golliers a gollasant eu bywydau yn pwll glo Bedwellty, gerllaw Tredegar, Dydd Gwener, Mehefin 16, 1865.' This may be translated as 'The woeful tale of 26 colliers who lost their lives in the Bedwellty coal mine, near Tredegar, Friday, 16 June 1865. 4pp 16mo (15.5 x 9 cm). Paginated [1]-4. Bifolium. Printer's slug at foot of last page. Disbound. A frail survival: aged and worn.

Two Welsh street ballads, indicative of the desire for emigration during a period of hardship. Both 4pp, 16mo (15 x 9 cm). Both bifoliums, and both paginated [1]-4. Frail survivals, heavily aged and worn. ONE: 'Morgan Bach a'i fam yn ymddiddan ynghylch myned i Australia'. Vignette of a sailing ship beneath the title, which translates as 'Young Morgan and his mother talking about going to Australia'. Poem of eleven eight-line stanzas, in the form of a dialogue between the 'Y FAM' and 'MORGAN'. Signed in type at end: 'ISAAC THOMAS.

4pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. For information regarding this renowned firm of silversmiths, which possessed the royal warrant and mounted a sumptuous display at the Great Exhibition, see Norman Mosley Penzer, 'Paul Storr, 1771-1844, Silversmith and Goldsmith' (1954), and John Culme, 'Directory of Gold and Silversmiths' (2000). The nature of the '”Australian” implement' which is the subject of the letter is unclear, but information on Hunt's partner's connection with Australia is to be found in L. W.

4pp, 12mo. On four loose leaves. In fair condition, lightly aged and worn, with minor traces of grey paper mount along edges on blank reverses. The poem is titled 'The Dream of Fine Editors | (after the dinner to J. N. Dunn. April 23rd. 1897)'. (At the time of the dinner the Scottish journalist James Nicol Dunn (1856-1919) was on the verge of being appointed editor of the Morning Post, a position he would hold from May 1897 to January 1905.) There is no record of the poem having been published, and it is likely to have been written for after-dinner recitation only.

For information regarding the conspiracy to murder Lord Liverpool and his entire cabinet, see Thistlewood's entry in the Oxford DNB. A rare item, with no other copy found either on OCLC WorldCat or on COPAC, and intended for distribution in the streets of the North-East of England as the sensational news of the Conspiracy broke. In small print apart from the heading (which is in the usual mixture for the period of typefaces and point sizes, with fancy rules), on one side of a 42 x 13 cm strip of laid paper.

Hardy is immortalised in Nelson's dying request 'Kiss me, Hardy.' Lady Hardy was the daughter of Admiral Sir George Cranfield Berkeley (1753-1818). 3pp, 12mo. Bifolium. In good condition, lightly aged, with parts of red wax seal and traces of glue from mount on reverse of second leaf, which is addressed 'To | Mr Lahee | 65. New Bond Street'. Folded once.

According to his entry in the Oxford DNB, Arbuthnot 'served as private secretary successively to seven patronage secretaries; to the permanent head of the department, Sir Charles Spearman, and his successor, Sir Charles Trevelyan; to the prime minister, Sir Robert Peel; and to Sir Charles Wood, chancellor of the exchequer in Russell's administration'. The present item was written by Arbuthnot while holding the last position. 1p, 12mo. In good condition, lightly aged. Laid down on part of a leaf from an album.