NINETEENTH

One page, quarto. On lightly creased, aged paper with a few closed tears. Rust marks from paperclip at head. Reads 'Il triangolo della perfezione arte scienza ad amore | [signed] F Matania'.

The word 'Proof' is engraved in the bottom right-hand corner. Dimensions of paper roughly ten inches by seven and a half. Good clean image on lightly aged paper. Head and shoulders portrait, in which a dolorous old biddy in cap stares vacantly at the viewer. Presumably a companion piece to an engraving in the National Portrait Gallery by Isaac W. Slater of a drawing by Scriven of Henrietta Maria Slater, published by Colnaghi in July 1830. This item is not present in the National Portrait Gallery online catalogue.

Dimensions of paper roughly one and three-quarter inches by five and a quarter wide. Aged, ruckled, and with traces of glue from previous mounting on reverse. Reads 'Your very faithful | servt | Lansdowne', and on reverse, '<...> as if I did so I shou<...> | be referred to the answer <...>'.

The five issues are each eight pages long and octavo. All five issues unbound, and stabbed. All good, though lightly aged and with some wear to extremities. An improving publication, produced 'Under the direction of the Committee of General Literature and Education, appointed by the Society for Promoting Christian Knowledge'.

Two pages, 12mo. Very good on lightly-foxed blue paper. He has sent his correspondent's letter to the naval correspondent of The Times, and hopes 'that some good may come of it.' Would like to receive 'any more snippets you have from time to time. I didn't know, for instance, that the racing whaler had Sussex until the other day, otherwise I should have tried to make a song about it!' Sends seasons greetings, and wishes him the 'Best of luck'.

One page, 12mo. Good on piece of lightly-creased and aged paper, neatly mounted on slightly-larger piece of paper. Enclosing funds 'for the Use of St Andrews Hall April 2nd. 3rd. & 4th./66 for Christys Minstrels Concerts'. Postscript requests that receipt be sent to Reading in Berkshire: 'Shall be there on Thursday next'. A significant document. 1866 marked the introduction of the minstrel show into England by Christy's Minstrels, and the first of several extremely successful tours by the company.

Both items very good and docketed on reverse. Both advertisements appear to have been placed by Challinors & Shaw, solicitors. ITEM ONE (printed on one side of a piece of paper roughly ten inches by eight wide) is headed 'CIRCULATION OVER 180,000 WEEKLY.' Describes the paper as 'The County Newspaper and Leading Journal for Staffordshire' and the 'largest Newspaper and the best and most influential Advertising Medium' in the county.

12mo: [iv] + 88 pages. Unbound. In original olive printed wraps. PRESENTATION COPY to 'Dr. Elliott | With kind regards', with around a dozen manuscript emendations. On aged paper, with loss to front wrap and spine. Each page, including the front wrap, within ruled red border. COPAC lists only five holdings.

Dimensions roughly three-quarters of an inch by five inches wide. Good, with glues staining from previous mounting to edges of reverse. Reads '<...> | for the right of translation - I remain, my dear Sir, your most | obedient faithful Servant | [signature] C F R de Montalembert | I shall be happy to look through the rest of the Introduction, if you think it useful.' On reverse '<...> | to be very unpalateable to those who <...>'.

AUTHOR'S COPY, WITH HIS MANUSCRIPT REVISIONS FOR THE SECOND EDITION. Octavo: 96 pages. Seven plates (of eight). Original olive cloth gilt, with pierrot on front board. Numbered copy twelve in the edition. One leaf (pages 49-50) removed. Aged, and in heavily worn boards. Carrying manuscript changes on twenty-two pages, as well as on a plate and the front board. Cutting loosely inserted, regarding a couplet by 'E. V. L.' of Brighton (clearly E. V. Lucas) addressed to Mew regarding the word 'hyperbole'. Six of Greiffenhagen's seven illustrations are present.

One page, 12mo. Very good. 'I shall sing il "Soave e bel contento" [aria by Pacini] and will be happy to take a part in the quintetto[,] you must procure the parts of my song'. May possibly refer to the J. N. Hummel Benefit Concert in London on 29 April 1830, where Pacini's aria was played.

On paper roughly four and a quarter inches by three and a quarter wide, with corners snipped to make an irregular octohedron. Good clear illustration on ruckled, aged paper. Tipped onto a larger piece of aged glue-stained paper. An amusing caricature showing Haggard astride Rozinante, in a full suit of armour, with an inkpot and quill pen as hat, holding a lance inscribed 'LITERATURE' in one hand, and a baby wrapped in a large roll of paper inscribed 'SHE M.S.' in the other. Unsigned, and attributed to Furniss in pencil on mount.

Dimensions of paper roughly one centimetre by six wide. Close-cropped but clear and entire. On aged paper with traces of glue from previous mount on reverse.

12mo bifolium. A frail, aged survival of a scarce and significant item, with wear, staining and several closed tears. THE LETTER (one page, on recto of second leaf of bifolium), signed 'R. T. Jefferies', asks 'Can you not give me your assistance at my next concert you would be conferring a favor on me by attending and I should also be glad if you could send a few vocal friends, will not any of the boys be able to attend. Please excuse haste'. In another hand on verso of second leaf, 'Rehearsals | Metropolitan Lecture Hall adjoining Gower St Railway Station Saturday 3#'.

One page, 12mo. Good. Docketed and bearing the Society's stamp. Concerns 'Sir Alexander Redler's being brought up by Crookes for election to the Athenaeum by the Committee under Rule II [...] you [...] intimated that you knew Redler & that I need not descant on his virtues: he is a most clubbable man & I trust you may be able to support him'.

12mo. In original worn red morocco binding, gilt, with loose front free endpaper. Good, with EXTENSIVE MANUSCRIPT CORRECTIONS AND ADDITIONS. Eight blank leaves bound in front and back, on which are laid down forty-nine illustrations of arms of London livery companies, each approximately one and a half inches square, and apparently dating from the mid-eighteenth century.

All items octavo. All in good condition, on aged paper, bound together in heavily-worn contemporary half-calf. Ownership inscription of the art dealer Faris C. Pitt on front free endpaper. The various issues of the 'Catalogue of Books' vary in length from eight pages to twenty-eight.

One page, 12mo. Very good; lightly creased with staple holes to one corner. 'I beg you to publish the letter which I have addressed to the Journal. There is no point in withholding it.' Horder, who designed Lloyd George's house, as well as Mallory Court and Greys, is, according to one authority, 'one of a group of early twentieth century architects who were highly influential in re-introducing the romantic vernacular styles of the Elizabethan period. Many of his homes were in the style of Edwin Lutyens, having gables, stone dressings, mullioned windows and inglenooks.'

Classical actress and theatre manager (1872-1957), later Lady Simson. The signature is 2½ inches long, on a piece of grey paper, with one crease but otherwise in good condition. The paper is mounted on a piece of card which is neatly docketed, 'Lena Ashwell | now | Lady Simson 1925 | Actress | famous in | [...] | Appointed Office of the Order of the British Empire for valuable work in providing concerts at the front and at Home during the Great War'.

Four pages, 12mo. Very good, with unobtrusive remains of stub along one edge. In interesting letter discussing the state of the English stage. Her tardy response is due to 'pressure of work". 'What you say about the present condition of the stage is only too true.

One page, roughly eleven inches by eight. On aged paper, with fraying to extremites affecting one word of text. 'Richard Battley Esqre. of Fore Street Cripplegate a Gentleman very conversant in several branches of science particularly Vegetable Chemistry and Pharmacy being desirous of becoming a Fellow of the Medico Botanical Society of London | We whose names are hereunto subscribed do recommend him as highly deserving of that honor & likely to pr an useful and valuable member.' Signed 'J Frost', 'Wm. Yarrell' and 'Wm. Newman'.

Three pages, 12mo. Very good. The letterhead, in red, carries Mayhew's crest, with his initials 'HM' and motto 'LABOR VINCIT'. An insight into doings within the Mayhew family. As her correspondent has 'not been here', she is concerned that she 'must have offended you in some way or another'.

One page, 12mo. Very good, if a tad grubby. Thanks Draper for his 'amiable but unconvincing' note. 'Do you not know that I was irritated into bad language by being accused of "d - d impertinence? This, too, before I said a discourteous word. - Goodman [the writer Edward John Goodman], of course, rules the Committee [of the Savage Club] and even you have listened to the voice of that Israelitish charmer.' Concludes 'Mais n'importe. Either this evening or tomorrow I send in my resignation. I will neither apologize, nor renew the matter in cold blood.' Signed 'Henry S. Leigh'.

One page. Roughly nine inches by four. Aged and creased, with one small closed tear and one spike hole (neither affecting text, which is clear and complete). An attractive document, embossed with a government one shilling stamp, and bearing the Westminster coat of arms, supported by two dogs, engraved by Warrington, 27 Strand, in top left-hand corner. Reads (MS additions in square brackets): '[Imp: Hopkinson] | Grosvenor Estate Office, | 9, Davies Street, Grosvenor Square | Received the [March 30th] 184[9] of [Richard Jones Esqr.

One page, 12mo. Very good. He presents his correspondent with 'deux petits ouvrages sortis de ma plume'. The first was mentioned by 'Mr. Burgess' and the second is 'un petit traite qui a eu le bonheur il y a quelques ans de remporter le prix annuel dans l'Universite d'Oxford'. Signed 'Willm. Roberts'. In a postscript asks to be recommended to any acquaintances Van Santen may have 'a Rotterdam Anvers ou Bruxelles'. Address, with broken wafer, on second leaf of bifolium. Roberts is perhaps best remembered for the controversy brought on by a passage in Byron's 'Don Juan'.

One page, 12mo. Good, though aged and foxed. 'My best thanks & gratitude for your noble notice | Were you ever in low spirits If so sympathise with me I feel as if I would never wish to be acted again . . Chastelard the first night my god almighty ! ! ! - | Your sincere friend | W G Wills'. Chastelard is a character in Wills's play 'Marie Stuart' (1874).

Two pages, 12mo. Good, but with some light glue stains on reverse, to which a small printed strip giving a printed list of Mrs Charles's works is attached. 'I was hoping to hear your boy was better - & I am very glad he is - thanks - but I am engaged on Thursday, & for some little time to come - so many people from all quarters coming just now & I hope you may be able to come & see me before very long'. Signed 'Bettie Charles'.

Dimensions of paper roughly four and a half inches by one and a quarter. Good, on ruckled and slightly discoloured paper, with traces of glue adhering to reverse. Reads 'Very sincerely yours | W E Gladstone'.

British scientist (1864-1930); patented the Ferranti alternator, 1882; chief electrician to the London Electric Supply Corporation. Both items one page, quarto. Both very good, though dusty; one with small pinholes in one corner. Both bearing the R.S.A. stamp, and one docketed. ITEM ONE: He has received Menzies letter of 11 January, 'from which I note that you are sending me one dozen copies of Mr.

4 volumes, 4to, each with a preface by John Oldcastle. Number one: Sir Charles Grandison, 36 pages, 6 illustrations; number two: Solomon Gessner ("The Swiss Theocritus"), 28 pages, 6 illustrations and extra portrait; number three: Thomson's Seasons, 32 pages, 4 illustrations and extra portrait; number four: Tristram Shandy, 28 pages, 6 illustrations. All four numbers replete with attractive vignettes. Only these four numbers were published (vide number four, page 4). Each of the four numbers has an eight-page publishers' catalogue at the end.