MOVIES

1p, 4to. In fair condition, lightly creased. Folded once. Reads: ‘Dear Peter, / Many thanks for your letter. It’s always pleasant to read nice things that people say about one’s work. / All my best wishes to you. / Sincerely, / Burton Lane’. Two-line typed biography of Lane at head of reverse.

A curious artefact, indicating Garbo’s iconic status, and an early example of a journalistic trend which has gained ground since the late 1960s. Hayden-Guest, still active as a writer, is the son of the diplomat Peter Haden-Guest, 4th Baron Haden-Guest, and brother of the 5th Baron, Christopher, who is won fame as ‘Nigel’ in the film ‘Spinal Tap’.

1p, 8vo. In good condition, on lightly aged paper. Folded once. Salutation ('My dear Popey -') and valediction ('My love to you both - | Anna.') in her autograph; the rest typed. Good bold signature. Reads: 'It was so very kind of you to think of me on Saturday.

2pp, 8vo. In fair condition, lightly aged, with crease lines from having been folded into a packet. The letter is from a batch of letters written following Ivor Novello's death in 1951, in Macqueen-Pope's personal papers. He writes to send his new address ('after April 14th.'), having been forced after eight weeks to move from the Holmwood Hotel, 'to seek a little relaxation at a guest house where there will be less noise and Jubilation'.

See the entries for Smith and MacQueen-Pope in the Oxford DNB. Walt Disney had read The Hundred and One Dalmatians earlier in the year in which the present letter was written, and had immediately begun negotiations for the rights, much to Smith's delight, as she had hoped that he would make it into a film. 2pp, 8vo. A long letter, in a close and elegant hand. Writing on behalf of herself and her 'friend' and business manager Alec Macbeth Beesley, and on receipt of his latest book, she begins: 'Dear Popie, | How very, very kind of you to send us Give me Yesterday! Thank you so much.

An interesting period piece. Two synopses of Percy Nash's review 'The Charm', the second dated by him to 1951, and with reference to the nationalisation of the coal industry. Together with the typescript of a song from the play about the 'Man of Might' Winston Churchill, and the Labour Party, who 'Have sullied the Fair name | of dear old England'. Also present is a watercolour drawing by Percy Nash's nephew the Bournemouth artist Eustace Nash of the intended backdrop to the first act of the review, together with an ALS discussing his ideas for the design of the piece.

The three letters in good condition, lightly aged, tipped-in onto a leaf removed from an album. The first 1p, 12mo; the other two each 1p, 8vo. All three signed 'Edmund Gwenn'. In the first he thanks him for his 'great courtesy during my visit', and for reproducing 'that old programme'. In the second letter he acknowledges 'a further proof of your kindly interest', received at his hotel after sending his first letter. The article was 'extremely interesting', as was 'the Photograph of Irving in his robes', a copy of which, he asks to purchase.

2pp, 12mo. On grey paper with letterhead of his name. In fair condition, lightly aged and worn, with slight staining tape staining to two corners from mount. Addressed to 'Mrs Richard Eyre, | Bullsmead, | Maiden Newton, | Dorset.' The subject of the letter is the preparation for the 1948 British film 'Scott of the Antarctic', in which Mills starred in the title role. The recipient is the mother of the noted English director Sir Richard Eyre (b. 1943), whose father Charles Royds was Scott’s First Lieutenant.

Other than 'The Lavender Hill Mob', for which he won an Oscar, Clarke's screenplays include 'The Blue Lamp' and 'The Titchfield Thunderbolt'. For the recipient Barbara Kaye [Barbara Kenrick Gowing] (1908-1998), writer, bookseller and wife of Percy Muir, see her obituary by Nicolas Barker in the Independent, 12 March 1998. The present letter was written a few days after Clarke's appearance on 31 October on the television programme 'This Is Your Life'. 2pp, 12mo. In fair condition, aged and worn. Folded once. The letter begins: 'Dear Barbara, | Many thanks for your kind letter.

3pp, 4to. In good condition, lightly aged. A long and entertaining letter, beginning: 'Dear Mr. Fry, | Probably late in 1949, in a New York City duplex living room, two married couples lay prone on the floor, fanned out around a single copy of “The Lady's Not for Burning”, the better to read aloud all its colorful roles. The couples were Alfred Drake (with whom I had played the previous season in my first Broadway play), his wife, my writer husband [i.e. Robert Presnell Jr] and I.

Postcard with printed stamp. In good condition, on aged paper. Address by her to 'Miss Johnson [identified in pencil as Isa Johnson] | 23 Weltje Road | Hammersmith | London - W'. The card reads: 'My thanks for your letter - I am sorry I did not see you to speak to the other day. I hate leaving here in next few days it has done me such a lot of good.'

On one side of 11 x 12.5 cm leaf of pink paper, with rounded outer edges, detached from an autograph album. In fair condition, lighty aged and a little grubby. Reads: 'To | Michael | sincerely | Fredric March'.

2pp, 12mo. In fair condition, on aged and worn paper, with binder holes in one margin. Folded once. He apologises for not answering her letter sooner, but he has been 'buried in a film studio for the past four months'. She will know that the film he is working on is 'Green for Danger'. The film has a planned autumn release.

Both 1p, 8vo, and each in fair condition, on aged paper, with creasing along one edge. The first letter with smudged date of receipt in one corner. The first letter signed 'Paddy Carstairs', the second 'John Paddy Carstairs'. ONE: Begins: 'Dear Miss Greenwood | What can I possibly say? I am “set” for my next pic, but always want very unique stories – who doesn't?! | In 22 years (nearly!) I've only sold 3 originals for the screen and none of my novels – you see, there aren't any rules'.

2pp., 12mo. In fair condition, aged and worn, with a short closed tear along a fold line and small rust stain. He begins in conventional fashion, with a reference to 'Herman's countless friends', before continuing: 'As I write this there is in front of me part of a small collection of books I have each containing some personal inscription from its famous author. Among them is one from Herman. He had thought of me one evening, &, with his usual kindliness, he took a book from his collection, wrote in it, & brought it to me there & then. He spent most of that evening in my dressing room.

1p., 4to. In fair condition, on aged and lightly-creased paper. He and his wife send their 'sincerest sympathy' on her 'irreparable loss': 'Herman will be missed sadly by his many, many friends and his passing will leave a void which can never be filled.' The word 'Ans:' is written at the head. Finck's song 'In the Shadows' was one of the last to be played as RMS Titanic went down.

Both items in fair condition, lightly aged and worn. ONE: Typed Poem followed by Autograph Note Signed. 24 December 1937. 2pp., 8vo. The poem consists of eleven four-line stanzas, with the title typed in red. An apparently unpublished humorous poem, quite charming and well worthy of publication. Begins: 'For months we've had electric road-drills | Right outside our door, | And two gentlemen who play them | Called in yesterday at four.

A total of 50 items, all but the three earliest of Strong's letters held together with a brass stud. The collection in good overall condition, on lightly aged and worn paper. Strong's 24 letters total 37pp., with the early letters signed 'L A G Strong' and the later ones 'Leonard', and occasional variant signatures in between ('Leonard Strong', 'LAGS'). The copies of Greenwood's 26 letters (two in autograph, the rest typed) total 32pp. An interesting correspondence, in which Strong responds with tact and patience to his inexperienced correspondent's proposals and actions.

8pp., 4to. Stapled in coloured wraps. A frail survival, aged and worn with closed tears. The front cover has the words 'The Game of Life' printed in large gothic type over an illustration of a tapestry. The title page carries the motto: 'The Picture that makes the Dimples to catch the Tears'. There is a long poem of the same title on the second page, and the third page carries the 'Argument' of the film by Walter G. Summers. There is a cast list on the fourth page, and pages five to eight tell 'The Story. There are nine black and white illustrations.

3pp., 12mo. In good condition, lightly aged, with slight staining to one corner from paper clip. A good letter, filled with detail. Apart from brief opening and closing paragraphs the whole of the letter is devoted to reminiscences of his life before leaving England for America. At one point he comments: 'it is only when one is thinking back, as I am now, that one realizes the speed with which time fugits; it is now 21 years since I have been home, and 30 years since Bob and I were in "Irene" at the Empire.' The reminiscences begin: 'Barring a trip to U. S. and Australia with G. P.

On 6.5 x 11.5 cm piece of card, laid down on a slightly larger piece of paper. In good condition, lightly aged. Neatly written out and apparently sent in response to a request for an autograph. Reads: 'Yours Sincerely | Cyrus Townsend Brady | Brooklyn N.Y., | October 23rd., 1902'.

2pp., 12mo. The last two pages of a letter, numbered 3 and 4. In fair condition, on aged and worn paper, with short closed tears at edges of central fold. The item begins with part of a sentence regarding 'dramatization in Paris', before turning to Spielmann's desire to have her novel 'The Sterndales of Sterndale House' (1919) filmed. She praises the recipient's 'critical faculty', adding 'The points taken are seldom just the points.' She will let the recipient's 'good opinion' of her be known 'in one or two quarters'.

Six items relating to Pulman's arbitration, including 'a careful breakdown [by him] of scene continuity of the Bourguignon script, the Duncan script and the final shooting script', these three breakdowns (Items Two to Four below) totalling 8pp. In his four-page arbitration, Pulman gives a detailed account of the process of the film's composition, of all the more interest as coming from a master screenwriter and contemporary. All six items in good condition, lightly aged. ONE: Carbon copy of Pulman's signed four-page 'Arbitration - "GIRL ON A MOTORCYLE" | Writers involved - S.

Folder of material from the Jack Pulman papers. 43 items in good condition, lightly aged. The Writers' Guild of Great Britain, established in 1959, is a Trades Union for writers working in television, radio, film, theatre, books and multimedia. Pulman began his career while studying economics, and his understanding of the business side of screenwriting is evident in his arbitration decisions contained in this collection. His distinguished career is well described on the British Film Institute's website.

1p., 4to. In fair condition, lightly aged and a little ruckled at edges. Winner's signature, in blue ink, is somewhat stylised. The document deals with eleven points raised at the meeting (which relates to a film project which was not realised), the first of which gives a feel of the tone: '1. We could do something in scene 305 with LEONARD who is not too full of character at this point. This applies also through that section to the end of scene 308. In this scene Leonard is a little too on-the-ball and decisive.

From the Jack Pulman papers. Pulman's distinguished career is well described on the British Film Institute's website. His work for British and American television gained him plaudits as an 'adaptor-extraordinary', beginning with a 1965 version of Thomas Mann's 'Buddenbrooks' for the BBC, and including Henry James's 'Portrait of a Lady' (BBC, 1968) and 'The Golden Bowl' (1972), as well as 'David Copperfield' (NBC, 1970), 'Jane Eyre' (NBC, 1971), 'War and Peace' (BBC, 1973), and the controversial 'I, Claudius' (BBC, 1976).

For more information about Chandler, see the appreciative obituary by Vy Reiners in the Independent, 5 February 1993, which describes how 'An article in the Illustrated London News launched her on a successful career that took her to Hollywood, painting sensitive, charming watercolour portraits of the children of the stars, and many of the stars themselves.' The present item contains 70 photographs in a 24 x 33 cm album. The photographs, ranging in size from 19 x 23 cm. downwards, are in good condition, with light signs of age and wear.

The six items in fair condition, with light signs of age and wear. The four letters all with Morley's expansive signature ('Sheridan Morley').

The collection of seventeen items in fair condition, with light signs of age and wear. Two of the letters are signed 'Frank Pettingell', the others signed 'Frank (P.)' and 'Frank'. Two of the letters are in their original envelopes. They total 5pp., 12mo. On 22 August 1947 he writes regarding his collection of playscripts, mostly acquired from the son of the comedian Arthur Williams, and now at the Templeman Library, University of Kent: 'We are on holiday here [in Broadstairs] since "Fifty-Fifty" finished [...] When I get back next month I would like to sort the old M.S.

ONE: Letter. 2pp., 4to. In fair condition, lightly aged. He apologises for the delay in returning 'Purple Dust', explaining that he has only recently learnt 'definitely that the film will claim me until the end of October'. He asks Capur or his secretary 'to call in any time at the Theatrical bookshop in your court - I cannot remember the name of the shop - nor its proprietor except that his first name is Barry. [ i.e.