JOURNALISM

1p., 12mo. In fair condition, lightly-aged, and laid down on a piece of card. Reads: 'July 26 | My dear Faed, | Would you mind seconding me at the Athenaeum? I believe Tom Hughes has put down my name. | Yours faithfully | William Black.' According to Black's entry in the Oxford DNB, he 'studied landscape painting for a short time in the Glasgow School of Art, but, becoming connected with the Glasgow Citizen, gradually exchanged art for journalism'.

4pp., 12mo. On aged and lightly-creased paper. Originally a bifolium, but with the two leaves separated, and evidence of previous stitching into a binding. Regarding his new book 'Cruel London', he asks him if he can send six copies of what is not only 'a kindly notice, but excellently well written. All the more gratifying. The Spectator is always my enemy just as the Saturday was Thackerays, to compare a big man with a small one.' He refers to a notice in the Sunday Times by Joseph Knight, who 'also sent me a charming letter of congratulation'.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper. Written in pencil. A long and interesting complaint, casting an interesting light on the journalistic practices of the period. Hurd begins without preamble, pointing out, with reference to a previous letter, that he 'never promised 35000 words', and stating that the publisher 'would doubtless be able to put in a few extra illustrations to fill it out'.

2pp., 12mo. 33 lines of text in blue ink. In good condition, lightly-aged. He writes that his family have 'all been listening to your third broadcast on Gandhi with pleasure and admiration'. He cannot imagine 'a better treatment of the subject', and is 'lost in admiration for the skill with which you pieced all these fragments together, and wove out of them a thrilling and convincing narrative [...] The old charwoman at Bow was a delight, and how sympathetic & interesting was Lord Templewood! But there wasn't a "dud" among all your many contributors, both the Indians & the English.

6pp., 12mo. Bifolium and single leaf. On aged and worn paper, with 4 cm closed tear to all three leaves. A highly interesting letter, illuminating Victorian Fleet Street and City of London practices. The author's signature is frustratingly illegible, but may well be that of sports journalist Charles William Alcock (1842-1907). The recipient is possibly James Clarke (d.1888), editor of The Christian World. The author opens the letter with the 'conclusions' he has arrived at regarding the 'various schemes' which he 'maturely reflected upon' in a discussion with Clarke the previous week.

Heavily influenced by its author's own journalistic career, 'The Pen and the Sword' is not only of great significance in the development of Michael Foot's thinking, but is also an important work in the study of Jonathan Swift. The book was a firm success, going through four printings between 1957 and 2008. It was first published in London by Macgibbon and Kee, with the subtitle 'A Year in the Life of Jonathan Swift' (the year in question being 1710).

1p., small 4to. He refers to 'lunch with the Bells' and 'Tattie', and apologizes for keeping the books for so long: 'They were a great help, especially Rory Fitzpatrick's God's Frontiersmen'. He ends with the news that he is revising his manuscript, 'and would like to send you a copy when it is eventually published'. The book Heren was working on does not appear to have been published.

21pp., fourteen of them in 4to, and the other seven pages cut down. In fair condition, on aged and worn paper. Stapled together, with the first leaf detached. The article is complete but untitled. It is unattributed, but comes from the J. R. Gordon papers. A well-written and incisive piece, written from an insider's point of view. Gordon lays out his stall at the very start: 'Few people of our generation have influenced the life of it so profoundly as Lord Northcliffe. He was the incomparable journalist of our age.

3pp., 4to. In fair condition, on aged, worn and browned paper. Ada Chesterton worked with her brother-in-law while assistant editor of the 'New Witness'. Her admiration for his talents was fully reciprocated, G. K. Chesterton describing his sister-in-law as 'brilliant'. It begins: 'Very much has been written and said of G. K. C. the poet, the pamphleteer, the genius of paradox, who holds the attention of his listeners by his dazzling sleight of words. I am going to write of him from a different angle - G. K. C. the journalist as he is known and gauged in Fleet Street.

For more information about the periodical, see the entry in Brake and Demoor's 'Dictionary of Nineteenth Century Journalism in Great Britain and Ireland' (2009), which stresses the its independence: 'the Musical Standard was rare among nineteenth-century music journals in that it was not produced by a music publisher or other music issuing body'. The present item consists of around 175 items laid down in file copies of eleven issues, four of them from 1888: 21 April, 26 May and 16 and 30 June; and seven from 1891: 3 January, and 7, 14, 21, 28 February, and 7 and 21 March.

2pp., 12mo. Bifolium. In fair condition, on aged paper. Written in a difficult hand. 'The negatives are with Mr P, Solicitor, 50 Leinster Square, who, while I was away, received them from the W Printing Company. I will ask him to leave them out for you. I will call to-morrow or the nexxt day and give you an order for this delivery.'

32pp., 8vo. Disbound. On aged and worn paper, with title leaf detached. Hargreaves begins the pamphlet by stating his case: 'The real issue involved is, not whether the "impersonality" of the Press, as illustrated by the management of the Times, is fair and acceptable to a few prominent politicians, but whether it is useful and beneficial to the community at large.

1p., 12mo. On bifolium. In fair condition, on lightly-aged paper, with one dog-eared corner, and minor traces of previous mount to blank second leaf of bifolium. The text is neatly written out in the two men's autographs, as follows, with Chorley's writing in square brackets. 'My Autograph? With pleasure. Another Lady begged me to get an autograph of H. F. Chorley. She did not ask for mine. | I immediately wrote to Chorley, and he promptly replied. | [But not for Hope I pray, to day contriving | Tomorrow's dreams. | Only for Patience, through long years of striving | Against the stream.

4pp., 12mo. Bifolium. A long and detailed letter, beginning: 'The situation is not quite as we thought it. Yesterday I saw Mr. Higgs at Downing Street and he explained to me all the circumstances concerning the consideration of Mrs. Latey's petitions. | The suggestion emanating from him, with the Prime Minister's concurrence, is as follows.' The plan outlined, as Mrs Latey is not eligible for the pension, is for a fund to be established for her, to which 'the Prime Minister would add [...] a sum from Royal Bounty - the whole to be sunk in an annuity for her.

9pp., folio. With compliments slip ('With Compliments from C. R. Irani'). No other copy traced, either on COPAC or OCLC WorldCat.

One page, 12mo, edges sunned, some spotting and darkening, text clear and complete. "Thanks for the 'Hermit' which I hope to peruse at my leisure. If possible, I may hand you a small subject in return but am now very busy indeed."

All three items in good condition, on lightly-aged paper. All signed 'Ralph Straus'. ONE: TLS. 6 January 1939. 1p., 8vo. After expressing his willingness to have 'the programme of Wat Tyler and the Bil of Madame Sala for 1827', he expresses his desire to acquire playbills 'of Sala's grandfather, in a King's Theatre ballet 1776 onwards - particularly if it gives his Christian name of Claudio. I know of one in Jan. 1788.

1p., 12mo. In good condition, on lightly-aged paper. Addressed to 'E. Draper Esq'. He asks him to send 'the page of Freeman's [altered from 'Freemason's'] Journal mentioned in your Note to the Editor', and undertakes to return it safely, 'after inspection of the contents'.

ONE: Brooks's letter to Leitch Ritchie: 4pp., 12mo. Bifolium. Very good, on lightly-aged paper. He thanks him for his 'kind and courteous communication', and is pleased that 'the article I sent seems to you adapted to the purpose'. Brooks has, he explains, 'availed myself of your suggestions in reference to the additions'. He continues with references to Vauxhall and 'The Highland Lamp'.

Letter: 1p., 12mo. In good condition, on lightly-aged paper. He begins by suggesting that Baron write to 'Mr Payn' (the novelist and editor James Payn) via the Reform Club, Pall Mall. (Baron's method involved asking one celebrity how to contact another.) He next discusses two of his works: '"The Memorial Windows" appeared in the Gentleman's & was published in Pippins & Cheese (Bradbury & Evans) - "The Valley" you will see in enclosed list'. He concludes by thanking Baron for his 'complimentary note'. With envelope addressed to 'J. T.

In very good condition, on aged paper, in a brown card folder. The material in this collection relates to a book that was never published, and included here are copies of two typed letters from WMP to HS, casting light on the nature of this doomed collaborative project. In WMP's first letter, dated 26 July 1955, he writes to 'Dear Swaff' to 'finalise the manner in which your book is to be written'. Presaging future problems he urges him: 'I do entreat you to remember the fact that a book is different to a series of paragraphs. It must have cohesion.

1p., 12mo. On aged and marked paper. Addressed to Ababrelton at 1 Northumberlandn Avenue. He thanks him for the letter and its enclosure. 'We have received copies of the latter by the dozen and we shall probably be dealing with the matter either in this or next week's issue of "Truth."'

16pp., folio. In fair condition, on aged and worn newsprint with short closed tear at spine. Spoof articles ('The Secrecy of the Ballot', 'What the Villagers might make of the Parish Councils. By A Villager', 'What the Bishops tried to make of the Parish Councils', 'The Great Liberal Budget and the Wail of the Landlords', and others), with caricatures by Gould featuring Rosebery, Gladstone, Salisbury, the Archbishop of Canterbury and others. Also two full-page cartoons by Gould, titled 'The Tory Village.

On 28 February 1885 The Times announced the death of Eber, 'for many years our valued correspondent at Vienna'; and a hundred years later (24 September 1985) the same paper described Eber as 'the condottiere-journalist, General Ferdinand Eber, whose habit of engaging in wars as well as reporting them earned him the displeasure of his masters in Printing House Square'. Both items in good condition, on lightly-aged paper, with slight damage from previous mounting. Both addressed to 'My dear Wreford', and both written in a difficult hand. Letter One: 3pp., 12mo.

4pp., folio. Broadsheet bifolium. On aged high-acidity paper, folded once vertically, and once horizontally, and with wear along the fold lines. Lynd's article is the main one on the front page, covering 74 column inches across five of the seven columns. The article begins: 'I do not know what exactly can have been in my mind when I gave "Literature and Politics" to the secretary of the Irish Literary Society of London as the subject of a paper I had promised to deliver.

8pp., folio. Unopened. On aged high-acidity paper, with wear along central vertical fold, and chipping to extremities. The article is unsigned, and covers the whole of the front page and p.5 (which is headed 'Ireland won't be fooled again.') and ends on p.6. An inflammatory piece of writing, as the following paragraph indicates: 'Good-bye, Tommy! | Firstly, the army of occupation has been taken from Ireland. Dozens of ships were steaming in and out of Dublin Bay for a week, taking away the men who held this country for England before Mr. Redmond offered Mr.

8pp., folio. On aged and creased high-acidity paper, with closed tears and chipping. The two articles most likely to be the work of Lynd are 'The Viceregal Microbe' on pp.2-3, and 'The Future of the Language Movement' on p.2; both are anonymous.

2pp., 16mo. 22 lines of text, closely and neatly written. In fair condition, on aged paper, with small pinholes and a spot of glued paper from previous mounting. The letter begins: 'My dear Draper, | I sail early tomorrow morning. | Enclosed is a ten pound note, and the summons referred to. - I cannot help thinking that a compromise might be effected it it were shown to the summoner by a "lawyer" that I have left England, have no house or furniture of my own, and that the most valuable of my books are gone with me. You will deeply oblige me if you will see whether this can be done'.

The letterhead features an image of an hornet seated at a writing table. Letter One: 1p., 12mo. Bifolium. Fair, on aged paper. The letter reads: 'Friday | Dear Draper | Have you made up your mind to let me have a conceit or two for Ye Hornet. I can only offer 5/- a column but then Column is but a very brief affair. | Yours always | [signature in the form of a drawing of a hornet]'. Letter Two: 2pp., 12mo. Bifolium. Good, on lightly-aged paper, with slight traces of previous mount on reverse of second leaf. Addressed to 'My dear Draper'.

4pp., 12mo. Bifolium. He begins: 'The above is my permanent address now, this house being given my by the office to live in'. He continues by discussing his forthcoming marriage (according to Who's Who, Capper's wife was 'Emily Sophia, widow of his cousin, Harold Henbest Capper, and 4th d of late Henry Benjamin Spalding'). The marriage is to take place on 26 September, 'at Tighnabruaich on the Isles of Bute', and this 'negatives your kind proposal to be present'. Capper's 'future Wife & my Father & Mother & family' are all there at present.